Читать книгу FALLEN IDOLS - Neil White - Страница 11

SIX

Any warmth Laura had when she left the bar disappeared as she went through the swinging double doors of the autopsy room. Thirty-eight degrees Fahrenheit. Warm enough to work, cool enough to stop bad things from multiplying. The room was a purpose-built unit, a step above the dusty hospital wings used by most police forces, with specially designed ventilation and plumbing, designed to keep the smells inside while letting the carcinogenics and acids out.

The room was already full. She saw Tom near the autopsy table, down by the feet, two green-faced detectives behind him, trying not to give in. The task force had been assembled quickly, and it was mainly those who were available rather than those who were the best for it. The two detectives on Tom’s shoulder were young and ambitious, one dressed like a fashion victim, with big collars and bleached tips, his face pink from a bad shave, all except for the little triangle he left deliberately, just under his lip. The other was old-style bully boy, dressed in a black leather coat, his hands thrust in pockets, his stance aggressive. His hair was crew-cut short and his stare hostile. They were trying to crack jokes to distract themselves, but nothing they said was particularly funny. She nodded at Tom and he gave her a small smile back.

Laura stayed near the head. It was closer to the action, but those at the feet got the smell, that mix of warm meat and chemicals, carried there by the ventilation. Tom had been in the job too long to be bothered by the smell, but the other detectives had been too keen to stand by him.

Tom lifted a small bottle of wintergreen oil, used by many to mask the smell of the dead. She shook her head. Laura wanted to smell the dead, just so that she could feel the pain. It would make her work all the harder.

Laura didn’t say anything, just let the pathologists wander round the body, speaking notes into the overhead microphone. There were two there, checking that nothing was missed, knowing that this would be a high-profile case. The one looking closely at the body was fifty and dignified, with a gentle face looking from behind half-moon glasses. The other was younger, a bookish-looking woman, with pulled-back dark hair and a pointed nose.

Laura looked over to the wall and saw evidence bags stacked up. She could see the woman’s clothes along with her body bag, bagged and tagged, part of the continuity. Important pieces of evidence can come off the body in transportation, nestling in the bottom of the body bag.

The woman was naked on the aluminium table, young and pale. Laura checked that the men weren’t looking too hard. She noticed a half-finished tattoo on the woman’s shoulder blade. The outline was done, two lovebirds intertwined, but the colours had yet to be added. It was details like that which always made Laura sad. They were part of a life in transit, so many things still to do, but something went wrong which left her naked on that table.

Laura saw the male detectives look away with a grimace when the pathologist picked up a syringe. They knew what was coming next. So did Laura, but she steeled herself.

The needle was plunged into the girl’s right eye and a sample of fluid was drawn out. Laura knew why it was being done, to test the potassium levels in the eye to get a more accurate time of death, and she had a strong stomach, but it always made her shudder.

The cause of death was easy to determine. She could see the brown mark around the neck where something had been pulled tight. She knew what the eyes would show: burst blood vessels, tiny red pin-pricks, the telltale signs of strangulation.

Tom indicated with his head that they should talk outside. As he stepped away, Laura saw the two detectives nearby instinctively step with him, but they were told to stay put and keep an eye on the proceedings.

Outside the swing doors, Tom asked, ‘How did you get on with your reporter friend?’

Laura felt herself blush slightly.

‘He didn’t know anything about Dumas, but he says he will make some discreet enquiries.’

‘Can he be trusted?’

Laura nodded. ‘Yeah, he’s okay.’

They both turned around quickly when the doors burst open. It was Fashion Victim.

‘Sir, he’s found something.’ He looked breathless, excited.

Laura and Tom exchanged glances, and then headed for the doors. Tom got to them first, and as Laura passed the detective he whispered to her, ‘It’s past your bedtime, McGanity. Shouldn’t you be tucking in your little boy?’

Laura felt her chest heave, a burst of emotion, felt her eyes fill up, more from anger than anything else. She knew she attracted jealousy. She was young for a detective, still in her late twenties, a university degree her background rather than years in the force, and she expected some comments. But that had hit a weak spot.

Didn’t he think that she thought that every time she left the house, every time her little boy waved her goodbye when she left him with her mother? But she had fought hard to be a detective, against every jibe she had suffered about being a university girl, against every macho man who thought it was man’s work, the sort who watch reruns of The Sweeney and spend their spare time wondering why their wife has just left.

She pushed past him, her cheeks flushed, and went back into the autopsy room. Fashion Victim was still smiling.

When she got alongside Tom, she saw him looking at something the pathologist was holding up. It twirled and twinkled under the spotlight over the table.

It was a gold chain with thick links, with some kind of a medallion hanging from it, maybe an inch across. Laura peered closer, trying to refocus on the investigation. As she looked, she thought there was something familiar about it. The chain was thick, but it was a Celtic weave, not gangsta links. Then she realised why she recognised the medallion. She’d had one very similar as a child.

The medallion was a Celtic symbol, three curls meeting in the centre, embossed deeply into a disc.

‘It’s called a triskele,’ said Laura. She was addressing Tom, but she was looking at Fashion Victim. His mouth twitched. ‘The benefit of being Irish,’ she said, and shrugged.

‘What does it mean?’ asked Tom. The other two detectives glared at her.

‘A whole host of things. The three elements of the planet: earth, water and sky. Some say it’s to do with the sun, afterlife and reincarnation, or the three symbols of the Mother Goddess: maiden, mother and crone.’

‘So it basically means fuck all.’ It was Bully Boy.

‘You know more now than you did thirty seconds ago,’ she snapped back, making Tom smirk.

‘I would prefer it if you chaps played with your cocks elsewhere.’ It was the pathologist, looking at Fashion Victim and Bully Boy with disdain. ‘This might mean something.’

He was still holding the chain over the naked body.

‘There’s an inscription on the back,’ he continued. He peered closer, trying to make out the words. ‘Looks like, hang on, they’re not words I recognise. And then he spelled them out. ‘Rath Dé Ort EW.’

‘What the hell does that mean?’ asked Tom.

The pathologist shrugged. ‘I found it, that’s all.’

‘It means one thing,’ said Laura. ‘Messages only ever come from people who want to be caught.’

‘How do you know it’s a message?’ Tom looked confused.

Laura gestured towards the body. ‘She’s been naked for as long as I’ve been here, and I suppose there are only so many places a girl can hide a chain. That tells me that she wasn’t wearing it when she left home this morning.’

Tom flashed a look at the pathologist. ‘Where did you find it?’

‘In her throat, right at the back.’

‘Pushed in, rather than swallowed?’

He nodded. ‘There are some grazes on the roof of the mouth.’

Laura and Tom exchanged glances. At least they now had a lead.