Читать книгу Overture to Death - Ngaio Marsh, Stella Duffy - Страница 14

III

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Meanwhile with the enthusiasm that all Jernighams brought to a new project Jocelyn and his son began to cast the play. Almost a century ago there had been what Eleanor, when cornered called an ‘incident’ in the family history. The Mrs Jernigham of that time was a plain silly woman and barren into the bargain. Her Jocelyn, the fourth of that name, had lived openly with a very beautiful and accomplished actress and had succeeded in getting the world to pretend that his son by her was his lawful scion, and had jockeyed his wife into bringing the boy up as her own. By this piece of effrontery he brought to Pen Cuckoo a dram of mummery, and ever since those days most of the Jernighams had had a passion for theatricals. It was as if the lovely actress had touched up the family portraits with a stick of rouge. Jocelyn and Henry had both played in the OUDS. They both had the trick of moving about a stage as if they grew out of the boards, and they both instinctively bridged that colossal gap between the stage and the front row of the stalls. Jocelyn thought himself a better actor than he was, but Henry did not realize how good he might be. Even Miss Prentice, a Jernigham, as the squire had pointed out, on her mother’s side, had not escaped that dram of player’s blood. Although she knew nothing about theatre, mistrusted and disliked the very notion of the stage as a career for gentle people, and had no sort of judgement for the merit of a play, yet in amateur theatricals she was surprisingly composed and perfectly audible, and she loved acting. She knew now that Idris Campanula expected her to refuse to take part in Shop Windows, and more than half her inclination was so to refuse. ‘What,’ she thought. ‘To have my own play put aside for something chosen by that woman! To have to look on while they parcel out the parts!’ But even as she pondered on the words with which she would offer her resignation, she pictured Lady Appleby of Moorton Grange accepting the part that Jocelyn said was so good. And what was more, the rector would think Eleanor herself uncharitable. That decided her. She waited for a pause in the chatter round Jocelyn, and then she turned to the rector.

‘May I say just one little word?’ she asked.

‘Yes, yes, of course,’ said Mr Copeland. ‘Please, everybody. Order!’

‘It’s only this,’ said Miss Prentice, avoiding the eye of Miss Campanula. ‘I do hope nobody will think I am going to be disappointed or hurt about my little play. I expect it is rather out-of-date, and I am only too pleased to think that you have found one that is more suitable. If there is anything I can do to help, I shall be only too glad. Of course.’

She received, and revelled in, the rector’s beaming smile, and met Idris Campanula’s glare with a smile of her own. Then she saw Selia Ross watching her out of the corners of her eyes and suddenly she knew that Selia Ross understood her.

‘That’s perfectly splendid,’ exclaimed Mr Copeland. ‘I think it is no more than we expected of Miss Prentice’s generosity, but we are none the less grateful.’ And he added confusedly, ‘A very graceful gesture.’

Miss Prentice preened and Miss Campanula glowered. The others, vaguely, aware that something was expected of them, made small appreciative noises.

‘Now, how about casting the play?’ said Dr Templett.

Overture to Death

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