Читать книгу I Take You - Nikki Gemmell - Страница 13

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Why are women … so much more interesting to men than men are to women?

He has asked her to write it down, all of it, the raw, unvarnished depths; the great and astonishing cistern of her lusts. Cliff needs to know, urgently now, and in a supreme act of love Connie has done so. She has stripped herself bare, violently, with moving vulnerability, just for him; she has unleashed her deepest, innermost thoughts. And to a man. A trusted confidant, when women rarely reveal the rawness of this vivid underbelly. To anyone. This, their secret life. Which is rarely given life.

‘He is a man of decidedly singular and specific wants.’

Clifford is confined to a wheelchair. A skiing accident at Klosters, two years into their marriage. And in the gilded unliving of this feted Notting Hill couple – the ex-Goldman banker and his fragrant, former model wife – this, now, is what keeps them tremulous. Connected. There is no physical sex between them. There cannot be because of Cliff’s condition. It is all, now, in the mind. It is all deeply secret display and withholding and commanding and surprise and play – and truth, audacious truth. And it is better now than it ever was, when their marriage was conventional, when Cliff was whole; it is as if a grainy black and white movie has burst into Technicolor life. Because one night – upon hearing his grief-stricken frustration as he tried stirring his deadened penis into stiffness and could not – Connie took up her husband’s Mont Blanc pen and spilled, courageously, her innermost thoughts.

What she really wanted. What she did not. Because Cliff had asked. Had begged for anything that could help them both.

How to love a new husband whose very manhood has been suddenly snatched? She would not leave him although many in their honeyed west London circle expected it. She’d get a grand payout, she was still young and attractive and could move on to someone else, set herself up in a Portobello mews and open a bespoke chocolate shop – but they all underestimated the Cornwall girl. For Connie has a lapdog sense of good in her. Of decorum, of duty, of Christian respect. There was pity there too, and a desire for sudden usefulness after years of being the trophy ornament to various men, the girlfriend everyone wanted to fuck. She would not leave her crippled husband, she could not. She would become a different type of wife now, devote herself entirely to Cliff, do whatever it took to have him lead as normal a life as possible, with normal wants.

Or abnormal. As she soon found out. Because it worked. Like a match struck into darkness it sprang Clifford back into life. He became a man again, with a man’s vociferous lust. And she was pleased, so pleased, at that.

I Take You

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