Читать книгу Taras Bulba, and Other Tales - Николай Гоголь, Nikolai Vasilievich Gogol - Страница 7

Andrii could hardly move in the dark and narrow earthen burrow, as he followed the Tatar, dragging after him his sacks of bread. “It will soon be light,” said his guide: “we are approaching the spot where I placed a light.” And in fact the dark earthen walls began to be gradually lit up. They reached a widening in the passage where, it seemed, there had once been a chapel; at least, there was a small table against the wall, like an altar, and above, the faded, almost entirely obliterated picture of a Catholic Madonna. A small silver lamp hanging before it barely illumined it. The Tatar stooped and picked up from the ground a copper candlestick which she had left there, a candlestick with a tall, slender stem, and snuffers, pin, and extinguisher hanging about it on chains. She lighted it at the silver lamp. The light grew stronger; and as they went on, now illumined by it, and again enveloped in pitchy shadow, they suggested a picture by Gerard Dow.

The warrior’s fresh, handsome countenance, overflowing with health and youth, presented a strong contrast to the pale, emaciated face of his companion. The passage grew a little higher, so that Andrii could hold himself erect. He gazed with curiosity at the earthen walls. Here and there, as in the catacombs at Kief, were niches in the walls; and in some places coffins were standing. Sometimes they came across human bones which had become softened with the dampness and were crumbling into dust. It was evident that pious folk had taken refuge here from the storms, sorrows, and seductions of the world. It was extremely damp in some places; indeed there was water under their feet at intervals. Andrii was forced to halt frequently to allow his companion to rest, for her fatigue kept increasing. The small piece of bread she had swallowed only caused a pain in her stomach, of late unused to food; and she often stood motionless for minutes together in one spot.

At length a small iron door appeared before them. “Glory be to God, we have arrived!” said the Tatar in a faint voice, and tried to lift her hand to knock, but had no strength to do so. Andrii knocked hard at the door in her stead. There was an echo as though a large space lay beyond the door; then the echo changed as if resounding through lofty arches. In a couple of minutes, keys rattled, and steps were heard descending some stairs. At length the door opened, and a monk, standing on the narrow stairs with the key and a light in his hands, admitted them. Andrii involuntarily halted at the sight of a Catholic monk—one of those who had aroused such hate and disdain among the Cossacks that they treated them even more inhumanly than they treated the Jews.

The monk, on his part, started back on perceiving a Zaporovian Cossack, but a whisper from the Tatar reassured him. He lighted them in, fastened the door behind them, and led them up the stairs. They found themselves beneath the dark and lofty arches of the monastery church. Before one of the altars, adorned with tall candlesticks and candles, knelt a priest praying quietly. Near him on each side knelt two young choristers in lilac cassocks and white lace stoles, with censers in their hands. He prayed for the performance of a miracle, that the city might be saved; that their souls might be strengthened; that patience might be given them; that doubt and timid, weak-spirited mourning over earthly misfortunes might be banished. A few women, resembling shadows, knelt supporting themselves against the backs of the chairs and dark wooden benches before them, and laying their exhausted heads upon them. A few men stood sadly, leaning against the columns upon which the wide arches rested. The stained-glass window above the altar suddenly glowed with the rosy light of dawn; and from it, on the floor, fell circles of blue, yellow, and other colours, illuminating the dim church. The whole altar was lighted up; the smoke from the censers hung a cloudy rainbow in the air. Andrii gazed from his dark corner, not without surprise, at the wonders worked by the light. At that moment the magnificent swell of the organ filled the whole church. It grew deeper and deeper, expanded, swelled into heavy bursts of thunder; and then all at once, turning into heavenly music, its ringing tones floated high among the arches, like clear maiden voices, and again descended into a deep roar and thunder, and then ceased. The thunderous pulsations echoed long and tremulously among the arches; and Andrii, with half-open mouth, admired the wondrous music.

Then he felt some one plucking the shirt of his caftan. “It is time,” said the Tatar. They traversed the church unperceived, and emerged upon the square in front. Dawn had long flushed the heavens; all announced sunrise. The square was empty: in the middle of it still stood wooden pillars, showing that, perhaps only a week before, there had been a market here stocked with provisions. The streets, which were unpaved, were simply a mass of dried mud. The square was surrounded by small, one-storied stone or mud houses, in the walls of which were visible wooden stakes and posts obliquely crossed by carved wooden beams, as was the manner of building in those days. Specimens of it can still be seen in some parts of Lithuania and Poland. They were all covered with enormously high roofs, with a multitude of windows and air-holes. On one side, close to the church, rose a building quite detached from and taller than the rest, probably the town-hall or some official structure. It was two stories high, and above it, on two arches, rose a belvedere where a watchman stood; a huge clock-face was let into the roof.

The square seemed deserted, but Andrii thought he heard a feeble groan. Looking about him, he perceived, on the farther side, a group of two or three men lying motionless upon the ground. He fixed his eyes more intently on them, to see whether they were asleep or dead; and, at the same moment, stumbled over something lying at his feet. It was the dead body of a woman, a Jewess apparently. She appeared to be young, though it was scarcely discernible in her distorted and emaciated features. Upon her head was a red silk kerchief; two rows of pearls or pearl beads adorned the beads of her head-dress, from beneath which two long curls hung down upon her shrivelled neck, with its tightly drawn veins. Beside her lay a child, grasping convulsively at her shrunken breast, and squeezing it with involuntary ferocity at finding no milk there. He neither wept nor screamed, and only his gently rising and falling body would have led one to guess that he was not dead, or at least on the point of breathing his last. They turned into a street, and were suddenly stopped by a madman, who, catching sight of Andrii’s precious burden, sprang upon him like a tiger, and clutched him, yelling, “Bread!” But his strength was not equal to his madness. Andrii repulsed him and he fell to the ground. Moved with pity, the young Cossack flung him a loaf, which he seized like a mad dog, gnawing and biting it; but nevertheless he shortly expired in horrible suffering, there in the street, from the effect of long abstinence. The ghastly victims of hunger startled them at every step. Many, apparently unable to endure their torments in their houses, seemed to run into the streets to see whether some nourishing power might not possibly descend from the air. At the gate of one house sat an old woman, and it was impossible to say whether she was asleep or dead, or only unconscious; at all events, she no longer saw or heard anything, and sat immovable in one spot, her head drooping on her breast. From the roof of another house hung a worn and wasted body in a rope noose. The poor fellow could not endure the tortures of hunger to the last, and had preferred to hasten his end by a voluntary death.

At the sight of such terrible proofs of famine, Andrii could not refrain from saying to the Tatar, “Is there really nothing with which they can prolong life? If a man is driven to extremities, he must feed on what he has hitherto despised; he can sustain himself with creatures which are forbidden by the law. Anything can be eaten under such circumstances.”

“They have eaten everything,” said the Tatar, “all the animals. Not a horse, nor a dog, nor even a mouse is to be found in the whole city. We never had any store of provisions in the town: they were all brought from the villages.”

“But how can you, while dying such a fearful death, still dream of defending the city?”

“Possibly the Waiwode might have surrendered; but yesterday morning the commander of the troops at Buzhana sent a hawk into the city with a note saying that it was not to be given up; that he was coming to its rescue with his forces, and was only waiting for another leader, that they might march together. And now they are expected every moment. But we have reached the house.”

Andrii had already noticed from a distance this house, unlike the others, and built apparently by some Italian architect. It was constructed of thin red bricks, and had two stories. The windows of the lower story were sheltered under lofty, projecting granite cornices. The upper story consisted entirely of small arches, forming a gallery; between the arches were iron gratings enriched with escutcheons; whilst upon the gables of the house more coats-of-arms were displayed. The broad external staircase, of tinted bricks, abutted on the square. At the foot of it sat guards, who with one hand held their halberds upright, and with the other supported their drooping heads, and in this attitude more resembled apparitions than living beings. They neither slept nor dreamed, but seemed quite insensible to everything; they even paid no attention to who went up the stairs. At the head of the stairs, they found a richly-dressed warrior, armed cap-a-pie, and holding a breviary in his hand. He turned his dim eyes upon them; but the Tatar spoke a word to him, and he dropped them again upon the open pages of his breviary. They entered the first chamber, a large one, serving either as a reception-room, or simply as an ante-room; it was filled with soldiers, servants, secretaries, huntsmen, cup-bearers, and the other servitors indispensable to the support of a Polish magnate’s estate, all seated along the walls. The reek of extinguished candles was perceptible; and two were still burning in two huge candlesticks, nearly as tall as a man, standing in the middle of the room, although morning had long since peeped through the wide grated window. Andrii wanted to go straight on to the large oaken door adorned with a coat-of-arms and a profusion of carved ornaments, but the Tatar pulled his sleeve and pointed to a small door in the side wall. Through this they gained a corridor, and then a room, which he began to examine attentively. The light which filtered through a crack in the shutter fell upon several objects—a crimson curtain, a gilded cornice, and a painting on the wall. Here the Tatar motioned to Andrii to wait, and opened the door into another room from which flashed the light of a fire. He heard a whispering, and a soft voice which made him quiver all over. Through the open door he saw flit rapidly past a tall female figure, with a long thick braid of hair falling over her uplifted hands. The Tatar returned and told him to go in.

He could never understand how he entered and how the door was shut behind him. Two candles burned in the room and a lamp glowed before the images: beneath the lamp stood a tall table with steps to kneel upon during prayer, after the Catholic fashion. But his eye did not seek this. He turned to the other side and perceived a woman, who appeared to have been frozen or turned to stone in the midst of some quick movement. It seemed as though her whole body had sought to spring towards him, and had suddenly paused. And he stood in like manner amazed before her. Not thus had he pictured to himself that he should find her. This was not the same being he had formerly known; nothing about her resembled her former self; but she was twice as beautiful, twice as enchanting, now than she had been then. Then there had been something unfinished, incomplete, about her; now here was a production to which the artist had given the finishing stroke of his brush. That was a charming, giddy girl; this was a woman in the full development of her charms. As she raised her eyes, they were full of feeling, not of mere hints of feeling. The tears were not yet dry in them, and framed them in a shining dew which penetrated the very soul. Her bosom, neck, and arms were moulded in the proportions which mark fully developed loveliness. Her hair, which had in former days waved in light ringlets about her face, had become a heavy, luxuriant mass, a part of which was caught up, while part fell in long, slender curls upon her arms and breast. It seemed as though her every feature had changed. In vain did he seek to discover in them a single one of those which were engraved in his memory—a single one. Even her great pallor did not lessen her wonderful beauty; on the contrary, it conferred upon it an irresistible, inexpressible charm. Andrii felt in his heart a noble timidity, and stood motionless before her. She, too, seemed surprised at the appearance of the Cossack, as he stood before her in all the beauty and might of his young manhood, and in the very immovability of his limbs personified the utmost freedom of movement. His eyes beamed with clear decision; his velvet brows curved in a bold arch; his sunburnt cheeks glowed with all the ardour of youthful fire; and his downy black moustache shone like silk.

“No, I have no power to thank you, noble sir,” she said, her silvery voice all in a tremble. “God alone can reward you, not I, a weak woman.” She dropped her eyes, her lids fell over them in beautiful, snowy semicircles, guarded by lashes long as arrows; her wondrous face bowed forward, and a delicate flush overspread it from within. Andrii knew not what to say; he wanted to say everything. He had in his mind to say it all ardently as it glowed in his heart—and could not. He felt something confining his mouth; voice and words were lacking; he felt that it was not for him, bred in the seminary and in the tumult of a roaming life, to reply fitly to such language, and was angry with his Cossack nature.

At that moment the Tatar entered the room. She had cut up the bread which the warrior had brought into small pieces on a golden plate, which she placed before her mistress. The lady glanced at her, at the bread, at her again, and then turned her eyes towards Andrii. There was a great deal in those eyes. That gentle glance, expressive of her weakness and her inability to give words to the feeling which overpowered her, was far more comprehensible to Andrii than any words. His heart suddenly grew light within him, all seemed made smooth. The mental emotions and the feelings which up to that moment he had restrained with a heavy curb, as it were, now felt themselves released, at liberty, and anxious to pour themselves out in a resistless torrent of words. Suddenly the lady turned to the Tatar, and said anxiously, “But my mother? you took her some?”

“She is asleep.”

“And my father?”

“I carried him some; he said that he would come to thank the young lord in person.”

She took the bread and raised it to her mouth. With inexpressible delight Andrii watched her break it with her shining fingers and eat it; but all at once he recalled the man mad with hunger, who had expired before his eyes on swallowing a morsel of bread. He turned pale and, seizing her hand, cried, “Enough! eat no more! you have not eaten for so long that too much bread will be poison to you now.” And she at once dropped her hand, laid her bread upon the plate, and gazed into his eyes like a submissive child. And if any words could express—But neither chisel, nor brush, nor mighty speech is capable of expressing what is sometimes seen in glances of maidens, nor the tender feeling which takes possession of him who receives such maiden glances.

“My queen!” exclaimed Andrii, his heart and soul filled with emotion, “what do you need? what do you wish? command me! Impose on me the most impossible task in all the world: I fly to fulfil it! Tell me to do that which it is beyond the power of man to do: I will fulfil it if I destroy myself. I will ruin myself. And I swear by the holy cross that ruin for your sake is as sweet—but no, it is impossible to say how sweet! I have three farms; half my father’s droves of horses are mine; all that my mother brought my father, and which she still conceals from him—all this is mine! Not one of the Cossacks owns such weapons as I; for the pommel of my sword alone they would give their best drove of horses and three thousand sheep. And I renounce all this, I discard it, I throw it aside, I will burn and drown it, if you will but say the word, or even move your delicate black brows! But I know that I am talking madly and wide of the mark; that all this is not fitting here; that it is not for me, who have passed my life in the seminary and among the Zaporozhtzi, to speak as they speak where kings, princes, and all the best of noble knighthood have been. I can see that you are a different being from the rest of us, and far above all other boyars’ wives and maiden daughters.”

With growing amazement the maiden listened, losing no single word, to the frank, sincere language in which, as in a mirror, the young, strong spirit reflected itself. Each simple word of this speech, uttered in a voice which penetrated straight to the depths of her heart, was clothed in power. She advanced her beautiful face, pushed back her troublesome hair, opened her mouth, and gazed long, with parted lips. Then she tried to say something and suddenly stopped, remembering that the warrior was known by a different name; that his father, brothers, country, lay beyond, grim avengers; that the Zaporozhtzi besieging the city were terrible, and that the cruel death awaited all who were within its walls, and her eyes suddenly filled with tears. She seized a silk embroidered handkerchief and threw it over her face. In a moment it was all wet; and she sat for some time with her beautiful head thrown back, and her snowy teeth set on her lovely under-lip, as though she suddenly felt the sting of a poisonous serpent, without removing the handkerchief from her face, lest he should see her shaken with grief.

“Speak but one word to me,” said Andrii, and he took her satin-skinned hand. A sparkling fire coursed through his veins at the touch, and he pressed the hand lying motionless in his.

But she still kept silence, never taking the kerchief from her face, and remaining motionless.

“Why are you so sad? Tell me, why are you so sad?”

She cast away the handkerchief, pushed aside the long hair which fell over her eyes, and poured out her heart in sad speech, in a quiet voice, like the breeze which, rising on a beautiful evening, blows through the thick growth of reeds beside the stream. They rustle, murmur, and give forth delicately mournful sounds, and the traveller, pausing in inexplicable sadness, hears them, and heeds not the fading light, nor the gay songs of the peasants which float in the air as they return from their labours in meadow and stubble-field, nor the distant rumble of the passing waggon.

“Am not I worthy of eternal pity? Is not the mother that bore me unhappy? Is it not a bitter lot which has befallen me? Art not thou a cruel executioner, fate? Thou has brought all to my feet—the highest nobles in the land, the richest gentlemen, counts, foreign barons, all the flower of our knighthood. All loved me, and any one of them would have counted my love the greatest boon. I had but to beckon, and the best of them, the handsomest, the first in beauty and birth would have become my husband. And to none of them didst thou incline my heart, O bitter fate; but thou didst turn it against the noblest heroes of our land, and towards a stranger, towards our enemy. O most holy mother of God! for what sin dost thou so pitilessly, mercilessly, persecute me? In abundance and superfluity of luxury my days were passed, the richest dishes and the sweetest wine were my food. And to what end was it all? What was it all for? In order that I might at last die a death more cruel than that of the meanest beggar in the kingdom? And it was not enough that I should be condemned to so horrible a fate; not enough that before my own end I should behold my father and mother perish in intolerable torment, when I would have willingly given my own life twenty times over to save them; all this was not enough, but before my own death I must hear words of love such as I had never before dreamed of. It was necessary that he should break my heart with his words; that my bitter lot should be rendered still more bitter; that my young life should be made yet more sad; that my death should seem even more terrible; and that, dying, I should reproach thee still more, O cruel fate! and thee—forgive my sin—O holy mother of God!”