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ОглавлениеCONTENTS
Acknowledgements
Induction
| Chapter 1: | BEN JONSON AND HIS SOURCES |
| Classical literary sources (Decorum, the comedies of Plautus and Terence, the Ridiculous) | |
| Medieval Sources: Mystery, Morality and Interlude | |
| The Great Chain and Man as Microcosm | |
| Ancient medical theory and Renaissance psychology | |
| The character sketch | |
| Early Humour plays (George Chapman, Henry Porter) | |
| Chapter 2: | HUMOROUS CHARACTERIZATION IN THE COMEDIES OF BEN JONSON |
| In humour | |
| Out of humour | |
| Volpone, Epicoene, The Alchemist, Bartholomew Fair | |
| Chapter 3: | THE INFLUENCE OF JONSON ON SEVENTEENTH AND EIGHTEENTH-CENTURY COMEDY |
| Richard Brome | |
| James Shirley | |
| Thomas Shadwell | |
| Colley Cibber | |
| The Sons of Ben | |
| Margareth Cavendish | |
| Aphra Behn | |
| James Miller | |
| Oliver Goldsmith | |
| Richard Brinsley Sheridan | |
| Chapter 4: | THE INTRUSION OF HUMOROUS CHARACTERIZATION INTO THE ENGLISH NOVEL |
| Henry Fielding | |
| Tobias Smollett | |
| Chapter 5: | THE MEANING OF THE COMIC |
| Chapter 6: | NOMADIC HUMOURS |
| Where did the humours go | |
| Berlin 1900 | |
| Fabulous | |
| Hilarious | |
| An ever-closer union | |
| Identity mix-up | |
| Chameleon | |
| An exchange of notes | |
| Visiting card | |
| Holy See | |
| Sisyphean diplomatic challenge | |
| Laughter above | |
| The laughing philosopher | |
| Chapter 7: | UNCONSCIOUS REVELATION |
Postscript
Index
