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CREATIVE TEAM

JANE ARNOLD-FORSTER – PRODUCTION MANAGER

Jane’s most recent theatre credits including Out of the Cage and Thark (Park Theatre), Sheltered (Tabard Theatre) and Even Stillness Breathes Softly Against a Brick Wall (SoHo Theatre). She was part of the production teams for Port, The Captain of Kopenick and This House (National Theatre). Production Manager for, amongst others, Ignorance (Hampstead Theatre Downstairs), La Boheme (Charing Cross Theatre), A Life (FinboroughTheatre), The Man on Her Mind (Charing Cross Theatre) and The Only True History of Lizzie Finn (Southwark Playhouse).

GEORGE DENNIS – SOUND DESIGNER

George’s theatre credits include The Homecoming (Trafalgar Studios); Primetime, Fireworks, Liberian Girl (Royal Court), Brave New World, Regeneration (Royal and Derngate/ Touring Consortium), Harrogate (HighTide Festival),Chicken (Eastern Angles/ Paines Plough), Image of an Unknown Young Woman, Eclipsed, The Edge of our Bodies, Dances of Death (Gate Theatre), Beautiful Thing (Arts Theatre/ UK Tour), A Breakfast of Eels, The Last Yankee (Print Room), peddling (Arcola Theatre/ 59E59, New York/ HighTide Festival), Visitors (Bush Theatre), Mametz (National Theatre of Wales), Minotaur (Polka Theatre/ Clwyd Theatr Cymru), Spring Awakening (Headlong), The Island (Young Vic), Love Your Soldiers (Sheffield Crucible Studio), Thark (Park Theatre), Moth (Bush Theatre/ HighTide Festival), Hello/ Goodbye (Hampstead Theatre), Liar Liar (Unicorn Theatre), Good Grief (Theatre Royal Bath/ UK Tour), The Seven Year Itch (Salisbury Playhouse), When Did You Last See My Mother? (Trafalgar Studios 2), The Living Room (Jermyn Street Theatre), Debris, The Seagull, The Only True History of Lizzie Finn (Southwark Playhouse) and A Life, Foxfinder (Finborough Theatre).

KATY MUNROE FARLIE – STAGE MANAGER

Katy graduated from the University of Hull in 2010 with a Degree in Theatre and Performance. From there she became the resident Production Manager for the New End Theatre until August 2011 before becoming a freelance Stage and Production Manager.

Previous credits for the Gate include: The Christians, Image of an Unknown Young Woman, Eclipsed, Chimera, Body of an American (also toured to Royal & Derngate) Grounded (also toured to Edinburgh Festival, and UK & International Tour) No Place to Go, Dances of Death, Purple Heart, The Trojan Women. Other theatre credits include: Scene and Heard: The Tasty Plays (Theatro Technis); Zelda, Barbershopera (Trafagar Studios 2); These Trees are Made of Blood, The Illusion, The Hairy Ape, Shivered (Southwark Playhouse);Twelfth Night (Minack Theatre); Herding Cats (Hampstead Downstairs); Blue Surge (Finborough Theatre); Bunny (Soho Theatre Upstairs); Mr Happiness and The Water Engine (Old Vic Tunnels).

Alongside her Stage Management she also has a Diploma in Body Language and works as a freelance technician and production manager with various other venues and theatre companies.

SEAN GIBBONS – DESIGN ASSISTANT

Sean is a recent graduate of the Liverpool Institute for Performing Arts. His recent design credits include: Sunken Dreams (Liverpool Lantern Theatre), Working: The Musical, Company and August: Osage County (LIPA). He has also worked in various production roles for Hollyoaks, Liverpool Empire, White Horse Theatre Company, Shakespeare’s Globe Theatre and Manchester Royal Exchange.

This role is funded by the Jerwood Charitable Foundation, as part of the Jerwood Young Designers Programme at the Gate.

ANNA HIMALI HOWARD – ASSISTANT DIRECTOR

Anna Himali Howard is a director and theatremaker who recently graduated from Warwick, where she directed student productions at Warwick Arts Centre. She is a Creative Associate at the Gate and is part of the Foundry at Birmingham REP. She has worked with Breach Theatre, Birmingham REP and BE Festival.

BEN KIDD – DIRECTOR

Theatre credits include: Spring Awakening (Headlong), The Collision of Things (Pleasance), The Shawl (Young Vic), Souvenir (Dead Centre / Dublin Fringe), Anne and Zef (Company of Angels / Salisbury Playhouse) and Richard III (Riverside Studios).

As co-director: Chekhov’s First Play (Dead Centre / Dublin Theatre Festival) and LIPPY (as co-director, Dead Centre / Traverse / Young Vic).

He is co-founder and joint artistic director of Dead Centre, based between Dublin and London. He is also an associate artist with Company of Angels, and was the inaugural winner of the Genesis Future Director Award at the Young Vic in 2012.

GEORGIA LOWE – DESIGNER

Georgia’s theatre credits include: Re:Home (The Yard), Man with a Hammer (The Drum, Plymouth), Yen (Royal Court, Royal Exchange, Manchester); Pomona (National/Royal Exchange, Manchester/Orange Tree); The Four Fridas (Greenwich & Docklands International Festival); Defect, Promise (Arts Ed Schools); These Trees Are Made Of Blood (Southwark Playhouse); Need a Little Help (Tangled Feet); Far Away (Young Vic); Last Words You’ll Hear (Almeida /Latitude Festival); Turfed (LIFT Festival); Alarms & Excursions (Chipping Norton); Eldorado (Arcola Studio); The Mystae, Ignorance/Jahiliyyah (Hampstead); Cuckoo (Unicorn); Unscorched, Facts, Fog, Blue Surge (Finborough); The Ruling Class (English Theatre, Frankfurt); Commonwealth (Almeida Projects); Say It With Flowers (Sherman Cymru); LIFT, Shallow Slumber (Soho); Pericles, Songs of Songs (RSC); After the Rainfall (Curious Directive); The Dark Side of Love (RSC/Lift/World Shakespeare Festival); Drowning On Dry Land (Jermyn Street Theatre); Amphibians (Bridewell Theatre).

Opera includes: Bluebeard’s Castle (Opera de Oviedo); Acis & Galatea, Handel’s Susanna (Iford Arts).

Georgia trained on the Motley Theatre Design course and as an RSC design assistant. She was a Linbury Prize for Stage Design finalist in 2011.

www.georgialowe.co.uk

This role is funded by the Jerwood Charitable Foundation, as part of the Jerwood Young Designers Programme at the Gate.

JOSHUA PHARO – LIGHTING AND PROJECTION DESIGNER

Joshua works as a Lighting and Projection Designer across theatre, dance, opera, music, film & art installation.

Current Projects: The Rolling Stone (Orange Tree Theatre); Carmen UK Tour (OperaUpClose); We’re Stuck! (China Plate).

Recent Credits: Medea (Gate Theatre); Glass Menagerie (Nuffield Theatre) as Video Designer; The Merchant of Venice, Wuthering Heights, Consensual (Ambassadors Theatre), The Crocodile (Manchester International Festival); One Arm (Southwark Playhouse); The Trial Parallel (Young Vic); Amadis de Gaulle (Bloomsbury Theatre); Beckett Season (Old Red Lion); The Deluge (UK Tour, Lila Dance); Usagi Yojimbo (Southwark Playhouse); A Streetcar Named Desire: Parallel Production (Young Vic); Pioneer (UK Tour, Curious Directive); I’d Rather Goya Robbed Me of My Sleep (Gate Theatre), Thumbelina (UK Tour, Dancing Brick); No Place Like Home (Gate Theatre).

www.joshuapharo.com

SARAH READMAN – PRODUCTION ELECTRICIAN

As Lighting Designer: Macbeth (Southwark Playhouse),The Owls Are Not What They Seem (Theatre Delicatessen), Phenomena (Albany Theatre and Battersea Arts Centre), The Liberation of Colette Simple (Jackson’s Lane), The Earning of Innocence (Yard Theatre), Ghostland Cinema and Awful Things Can Happen At Any Time with Mingbeast (Camden People’s Theatre and BE Festival), STARRING JAMES FRANCO and Right Honourable Gentlemen with The Same But Different (Camden People’s Theatre, Theatre Delicatessen, Brakke Gronde in Amsterdam and National Theatre Kosovo), Tomorrow with JV2, part of the Jasmin Vardimon Company (UK tour), Pages From The Book Of... (Theatre Astorka in Slovakia, Moscow Art Theatre and Gardzienice in Poland).

As Co-Designer with Joshua Pharo: JOAN (Derby Theatre and UK tour), Shelter Me (Theatre Delicatessen) and Werter (Arcola).

As Associate Lighting Designer: The Red Chair (UK tour), An Anatomie in Four Quarters (Cardiff Welsh Millennium Centre) and Red Ladies (UK tour) with Hansjorg Schmidt and Clod Ensemble. Stilled (Wellcome Collection) with Fevered Sleep. I’d Rather Goya Robbed Me Of My Sleep Than Some Other Arsehole (Gate Theatre), Usagi Yojimbo (Southwark Playhouse), Pioneer (UK tour) with Joshua Pharo.

NINA SEGAL – PLAYWRIGHT

Nina’s plays include: In The Night Time (Before The Sun Rises) (premiere at Gate Theatre, developed at New Works Lab Stratford and NDSM Treehouse, Amsterdam), Big Guns (developed through Soho Young Company, 2014-15) and Fin (shortlisted for the Adrian Pagan Award, 2015).

Other works include: Escape Velocity (BYE BYE BYE) (Roundhouse Studio, Basement Brighton); Hundred Year Space Trip (Yale Cabaret); and T.B.A. (Brick Theater, Brooklyn).

In the Night Time (Before the Sun Rises)

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