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CAST

NATHAN ARMARKWEI-LARYEA

Nathan trained at the Royal Central School of Speech and Drama.

His theatre work includes Whistle Down The Wind (Aldwych), The Lion King (Lyceum, London), The Dreaming (Royal Opera House), Romeo and Juliet (Custom Practice/Exeter Northcott) and Vernon God Little (The Space).

His television work includes Casualty and Panorama. Film work includes A Long Way Down.

EMILY BYRT

Emily trained at the Royal Conservatoire of Scotland.

Her previous theatre work includes Wuthering Heights (Actors Church, London), Miracle on 34th Street (Madinat Theatre, Dubai), A Matter of Life and Death (Citizens, Glasgow), Forest Boy (St James Theatre, London), The BFG (The Lyceum Edinburgh), Carousel (New Athenaeum Theatre) and Spring Awakening (Cottiers, Glasgow).

Emily was a vocalist on the Susan Boyle concert tour and part of the choreography team for the 2014 Commonwealth Games Closing Ceremony.

JOSEF DAVIES

Josef trained at the London Academy of Music and Dramatic Art.

His previous theatre work includes Hangmen (Royal Court, London and London’s West End).

His work while training includes Uncle Vanya, The Changeling, The Bacchae and The English Game.

Josef’s film credits include The Limehouse Golem.

SCOTT GILMOUR

Scott trained at the Royal Conservatoire of Scotland. He is an actor and writer.

His previous work with the National Theatre of Scotland includes Little Johnny’s Big Gay Wedding (with Random Accomplice). Other theatre work as a performer includes Pressure (The Lyceum Edinburgh/Chichester Festival Theatre), James and the Giant Peach (Dundee Rep), A Christmas Carol (The Lyceum Edinburgh), Everyman, Adam & Eve: The Musical (Splendid Productions), A Bottle of Wine and Patsy Cline (Òran Mór) and The Improvised Musical (Red Note Ensemble/No Shoes Theatre).

His television work includes Scrotal Recall.

Scott is also one half of award-winning music theatre company Noisemaker with composer Claire McKenzie. He has written plays and lyrics for Dundee Rep, The Lyceum Edinburgh, The Arches, St James, London and The Roundhouse. Currently, Noisemaker are working on a new project for the New York Music Festival in July 2016.

PETER HANNAH

Peter trained at RADA.

His stage credits include Four Play (Theatre 503), Shakespeare In Love (Sonia Friedman Productions), One Arm (Southwark Playhouse), Mock Tudor (Pleasance Courtyard) and A Clockwork Orange (Nottingham Playhouse).

Film and television credits include Mr Turner and Doctor Who.

STEFFAN LLOYD-EVANS

Steffan trained at the Royal Central School of Speech and Drama.

His theatre work includes Only The Brave (Wales Millennium Centre), Beyond the Fence (Arts Theatre), Jack and the Beanstalk (Yvonne Arnaud Theatre), The World Goes Round (St. James Theatre, London), Godspell in Concert (UK tour), Robin Hood (Hall for Cornwall Trust), Joseph and the Amazing Technicolor Dreamcoat (UK Tour), The Twelve Tenors (European Tour), Black Snow (Moscow Art Theatre), 6: A New Musical (Twenty Something Productions), HMS Pinafore, Trial by Jury (Gilbert and Sullivan Opera Company) and Tales from the Bad Years (Landor Theatre).

His television credits include Pobol y Cwm.

JOSHUA MANNING

Joshua trained at Bristol Old Vic Theatre School.

His previous theatre work includes The End of Something (Old Vic), The BFG (Birmingham Rep), Merlin (Nuffield), As You Like It (Stafford Festival Shakespeare), Sweeney Todd (Royal Exchange/West Yorkshire Playhouse), I Didn’t Always Live Here (Finborough Theatre), The Magistrate (National Theatre of Great Britain), The Deep (Tobacco Factory, Bristol), Orphans (Trafalgar Studios), King Lear (Rose Theatre), The Provoked Wife (Greenwich Playhouse), Twelfth Night (Drayton Arms Theatre), Bash (The Lansdown, Bristol), Fleeing The Nest/Coming to Terms (Hightide Festival).

His television work includes Doctors and Intergalactic Kitchen. Film work includes Muppets Most Wanted and Brief Intermission.

His radio work includes Romeo and Juliet and other work for BBC Radio 4 including extracts for BBC Natural Histories.

JOSHUA MILES

Joshua trained at the Guildhall School of Music and Drama.

His theatre work includes Fuse, Romeo and Juliet, The History Boys (Sheffield Theatres), The Sisterhood (Belgrade Coventry), Primetime (Royal Court, London), How I Learned To Drive (Southwark Playhouse), Stink Foot (The Yard), Unidentified Item In The Bagging Area (Old Red Lion), All The Ways To Say Goodbye (Young Vic), Hansel and Gretel (Dukes Lancaster), Pages From My Songbook (Manchester Royal Exchange), The Way Of The World (Chichester Festival Theatre) and Bully Boy (St James London/Royal and Derngate, Northampton/Nuffield, Southampton).

His television credits include Jigsaw, Vicious, Preston Passion, Doctors, Holby City, The Royal and Waterloo Road.

JIMMY WALKER

Jimmy trained at East 15 Acting School.

His theatre work includes League of St George (Pleasance Theatre).

His television work includes Endeavour and Call the Midwife.

MUSICIANS

JONATHAN GILL

Musical Director/Piano

Jonathan studied with William Mathias at the University College of North Wales and with James Lockhart at the Royal College of Music.

His recent work as a Musical Director includes The Lion King (UK tour/Musical Theater, Basel), The Sound of Music (Amman Festival, Jordan/Cairo, Egypt), Oliver (Sheffield Crucible), Legacy Falls (Pearl Theatre, New York), Gone Fishing (Linbury Studio, Royal Opera House) and he was Music Director/Arranger for Charlotte’s Web (Derby Theatre). He was Musical Director on The Go-Between (West Yorkshire Playhouse/Derby/Northampton) which won the UK Theatre Award for Best Musical Production 2012 and also on Follies (Northampton) and The Wizard of Oz (Royal Festival Hall). Jonathan conducted 600 performances of The Sound of Music on its UK and Irish tour, starring Connie Fisher.

Jonathan has given premieres of pieces by Jonathan Dove, Richard Taylor, Phillip Cassian, Ian McQueen and Matthew King’s On London Fields (Royal Philharmonic Society Music Award 2005) and Odyssean Variations with cellist Natalie Clein (St Luke’s).

ROBERT IRVINE

Cello (Red Note Ensemble)

Robert studied with some of the finest cellists in the world and has held principal positions in the Philharmonia, Scottish Opera and the Academy of St Martin in the Fields. He was a founding member of the Brindisi Quartet, the Chamber Group of Scotland, the Da Vinci Trio and is currently Artistic Co-Director of Red Note Ensemble.

Robert has recorded extensively including Complete Cello Works of Sally Beamish, Cello Works of Giles Swayne, ‘Tree o’ licht’ Solo Cello Works by William Sweeney, Rachmaninov/Shostakovich: Sonatas For Cello And Piano with Graeme McNaught on piano, The Cellist of Sarajevo by David Wilde. His new album Songs and Lullabies will be released in September and features 19 new solo cello works and all proceeds will go to UNICEF.

Robert is a Senior Professor at the Royal Conservatoire of Scotland. He plays on a fine cello, a copy of a 1695 Rugeri made in 2014 by Melvyn Goldsmith and a fine bow by the Scottish maker Howard Green.

JACKIE SHAVE

Violin (Red Note Ensemble)

Jackie trained at the Royal Academy of Music and the Britten-Pears School in Snape.

On leaving the Academy she became Leader of English Touring Opera, but soon made the decision to dedicate herself to chamber music, leading the Schubert Ensemble and then co-founding and leading the Brindisi Quartet for fifteen years.

She has appeared as guest leader with many groups including the Nash Ensemble, London Sinfonietta, Composers’ Ensemble, Scottish Chamber Orchestra, BBC Scottish Symphony Orchestra and Royal Philharmonic Orchestra. She was appointed leader of Britten Sinfonia in 2005 and in 2013 she became leader of the Red Note Ensemble.

She has also recorded music in other styles including Postcards from Home, a world/jazz album in collaboration with Kuljit Bhamra (tabla) and John Parricelli (guitar). She has presented a complete Beethoven string quartet cycle on the Hebridean island of Harris, and gave a free improvisation concert in a cave on Hestur, in the North Atlantic Faroe Islands.

Jackie plays on a Nicola Amati violin, from 1672.