Читать книгу A Mortal Antipathy - Oliver Wendell Holmes - Страница 14

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While the two boats were racing, other boats with lookers-on in them were rowing or sailing in the neighborhood of the race-course. The scene on the water was a gay one, for the young people in the boats were, many of them, acquainted with each other. There was a good deal of lively talk until the race became too exciting. Then many fell silent, until, as the boats neared the line, and still more as they crossed it, the shouts burst forth which showed how a cramp of attention finds its natural relief in a fit of convulsive exclamation.

But far away, on the other side of the lake, a birchbark canoe was to be seen, in which sat a young man, who paddled it skillfully and swiftly. It was evident enough that he was watching the race intently, but the spectators could see little more than that. One of them, however, who sat upon the stand, had a powerful spy-glass, and could distinguish his motions very minutely and exactly. It was seen by this curious observer that the young man had an opera-glass with him, which he used a good deal at intervals. The spectator thought he kept it directed to the girls' boat, chiefly, if not exclusively. He thought also that the opera-glass was more particularly pointed towards the bow of the boat, and came to the natural conclusion that the bow oar, Miss Euthymia Tower, captain of the Atalantas, “The Wonder” of the Corinna Institute, was the attraction which determined the direction of the instrument.

“Who is that in the canoe over there?” asked the owner of the spy-glass.

“That's just what we should like to know,” answered the old landlord's wife. “He and his man boarded with us when they first came, but we could never find out anything about him only just his name and his ways of living. His name is Kirkwood, Maurice Kirkwood, Esq., it used to come on his letters. As for his ways of living, he was the solitariest human being that I ever came across. His man carried his meals up to him. He used to stay in his room pretty much all day, but at night he would be off, walking, or riding on horseback, or paddling about in the lake, sometimes till nigh morning. There's something very strange about that Mr. Kirkwood. But there don't seem to be any harm in him. Only nobody can guess what his business is. They got up a story about him at one time. What do you think? They said he was a counterfeiter! And so they went one night to his room, when he was out, and that man of his was away too, and they carried keys, and opened pretty much everything; and they found—well, they found just nothing at all except writings and letters—letters from places in America and in England, and some with Italian postmarks: that was all. Since that time the sheriff and his folks have let him alone and minded their own business. He was a gentleman—anybody ought to have known that; and anybody that knew about his nice ways of living and behaving, and knew the kind of wear he had for his underclothing, might have known it. I could have told those officers that they had better not bother him. I know the ways of real gentlemen and real ladies, and I know those fellows in store clothes that look a little too fine—outside. Wait till washing-day comes!”

The good lady had her own standards for testing humanity, and they were not wholly unworthy of consideration; they were quite as much to be relied on as the judgments of the travelling phrenologist, who sent his accomplice on before him to study out the principal personages in the village, and in the light of these revelations interpreted the bumps, with very little regard to Gall and Spurzheim, or any other authorities.

Even with the small amount of information obtained by the search among his papers and effects, the gossips of the village had constructed several distinct histories for the mysterious stranger. He was an agent of a great publishing house; a leading contributor to several important periodicals; the author of that anonymously published novel which had made so much talk; the poet of a large clothing establishment; a spy of the Italian, some said the Russian, some said the British, Government; a proscribed refugee from some country where he had been plotting; a school-master without a school, a minister without a pulpit, an actor without an engagement; in short, there was no end to the perfectly senseless stories that were told about him, from that which made him out an escaped convict to the whispered suggestion that he was the eccentric heir to a great English title and estate.

The one unquestionable fact was that of his extraordinary seclusion. Nobody in the village, no student in the University, knew his history. No young lady in the Corinna Institute had ever had a word from him. Sometimes, as the boats of the University or the Institute were returning at dusk, their rowers would see the canoe stealing into the shadows as they drew near it. Sometimes on a moonlight night, when a party of the young ladies were out upon the lake, they would see the white canoe gliding ghost-like in the distance. And it had happened more than once that when a boat's crew had been out with singers among them, while they were in the midst of a song, the white canoe would suddenly appear and rest upon the water—not very near them, but within hearing distance—and so remain until the singing was over, when it would steal away and be lost sight of in some inlet or behind some jutting rock.

Naturally enough, there was intense curiosity about this young man. The landlady had told her story, which explained nothing. There was nobody to be questioned about him except his servant, an Italian, whose name was Paolo, but who to the village was known as Mr. Paul.

Mr. Paul would have seemed the easiest person in the world to worm a secret out of. He was good-natured, child-like as a Heathen Chinee, talked freely with everybody in such English as he had at command, knew all the little people of the village, and was followed round by them partly from his personal attraction for them, and partly because he was apt to have a stick of candy or a handful of peanuts or other desirable luxury in his pocket for any of his little friends he met with. He had that wholesome, happy look, so uncommon in our arid countrymen—a look hardly to be found except where figs and oranges ripen in the open air. A kindly climate to grow up in, a religion which takes your money and gives you a stamped ticket good at Saint Peter's box office, a roomy chest and a good pair of lungs in it, an honest digestive apparatus, a lively temperament, a cheerful acceptance of the place in life assigned to one by nature and circumstance—these are conditions under which life may be quite comfortable to endure, and certainly is very pleasant to contemplate. All these conditions were united in Paolo. He was the easiest; pleasantest creature to talk with that one could ask for a companion. His southern vivacity, his amusing English, his simplicity and openness, made him friends everywhere.

It seemed as if it would be a very simple matter to get the history of his master out of this guileless and unsophisticated being. He had been tried by all the village experts. The rector had put a number of well-studied careless questions, which failed of their purpose. The old librarian of the town library had taken note of all the books he carried to his master, and asked about his studies and pursuits. Paolo found it hard to understand his English, apparently, and answered in the most irrelevant way. The leading gossip of the village tried her skill in pumping him for information. It was all in vain.

His master's way of life was peculiar—in fact, eccentric. He had hired rooms in an old-fashioned three-story house. He had two rooms in the second and third stories of this old wooden building: his study in the second, his sleeping-room in the one above it. Paolo lived in the basement, where he had all the conveniences for cooking, and played the part of chef for his master and himself. This was only a part of his duty, for he was a man-of-all-work, purveyor, steward, chambermaid—as universal in his services for one man as Pushee at the Anchor Tavern used to be for everybody.

It so happened that Paolo took a severe cold one winter's day, and had such threatening symptoms that he asked the baker, when he called, to send the village physician to see him. In the course of his visit the doctor naturally inquired about the health of Paolo's master.

“Signor Kirkwood well—molto bene,” said Paolo. “Why does he keep out of sight as he does?” asked the doctor.

“He always so,” replied Paolo. “Una antipatia.”

Whether Paolo was off his guard with the doctor, whether he revealed it to him as to a father confessor, or whether he thought it time that the reason of his master's seclusion should be known, the doctor did not feel sure. At any rate, Paolo was not disposed to make any further revelations. Una antipatia—an antipathy—that was all the doctor learned. He thought the matter over, and the more he reflected the more he was puzzled. What could an antipathy be that made a young man a recluse! Was it a dread of blue sky and open air, of the smell of flowers, or some electrical impression to which he was unnaturally sensitive?

Dr. Butts carried these questions home with him. His wife was a sensible, discreet woman, whom he could trust with many professional secrets. He told her of Paolo's revelation, and talked it over with her in the light of his experience and her own; for she had known some curious cases of constitutional likes and aversions.

Mrs. Butts buried the information in the grave of her memory, where it lay for nearly a week. At the end of that time it emerged in a confidential whisper to her favorite sister-in-law, a perfectly safe person. Twenty-four hours later the story was all over the village that Maurice Kirkwood was the subject of a strange, mysterious, unheard-of antipathy to something, nobody knew what; and the whole neighborhood naturally resolved itself into an unorganized committee of investigation.