Читать книгу How To Lose Weight And Alienate People - Ollie Quain - Страница 15

Losing an audience is also a familiar feeling for every one of the thirty-something females hovering around at the East London studio, waiting to be seen by the casting director and producers for the Surf Shack audition. I recognise nearly all of them. For over a decade we have been competing against each other for the same parts. In chronological order these have ranged from sassy graduate to sexy love interest to wise-cracking singleton to office gossip and now (gulp!) trendy mum. Much further along the line, woman of the people (with some sort of all-consuming job in the federal civil service) will be up for grabs, then plucky divorcee rebuilding life. The thought of getting to the stage where we are vying for the role of crime-solving gardening enthusiast makes me shudder.

The atmosphere is exactly the same as it always is on these days, with everyone being pleasant and encouraging to each other. Good-luck hugs and supportive smiles are dished out without being meant in the slightest. I try to bypass the main throng without getting caught up in any chit-chat but am stopped in the hallway by Harriet Morgan. She was at drama school with me and Adele.

‘Vivian … hi!’

‘Oh, hi … how come you’re here?’ I ask. ‘I thought you were still shooting Nurses?’

Harriet plays ‘Angela’, the sensitive doctor with a crush on ‘Danny’ the married night porter. I’ve been in that show before. I was the first victim of a three-way suicide pact. It was a rubbish part – I got the least camera time out of the three corpses because at that point my demise didn’t appear to be part of a bigger plan, merely unfortunate.

Harriet sniffs acridly. ‘I’m being written out. Apparently, Angela can’t handle the pressures of hospital life. She’s going to deal with a horrific RTA at Christmas – drunk driver, natch – then lose confidence and leave to open a beautician’s. Bastards.’

‘That’s such shitty luck.’

I grimace, but I am not feeling too sorry for her. I auditioned for ‘Angela’ too. The casting director asked if I would put on a few pounds for the role. The character needed to appear more ‘comforting’, supposedly. I was extremely annoyed. Why can’t a thin person be seen as sympathetic on the screen? Surely, when you don’t revolve your day around mealtimes, you’re more flexible with the time you can give others? But that’s British TV for you. You wouldn’t get that in the States. Over there, if an actress has a strong stench of a disordered approach to eating and/or exercise about her she’s more likely to smell success.

‘Yeah, really shitty …’ agrees Harriet.

‘Maybe you should go on one of those soap chat-rooms to moan,’ I tell her. ‘Surely, there was far more to come from the Angela/Danny/Danny’s wife plot-line? I for one would adore to see the love triangle reignited after Danny nips into Angie’s Spa for a seaweed wrap.’

She shoots me a withered look. ‘Piss off, Vivian. I don’t think I’m quite ready to laugh about it yet. Nice shiner, by the way.’ She points at the bruise under my eye. ‘I read about your little incident on Perez. Did Fry apologise?’

‘Kind of.’

‘He did it through his agent, you mean. Bastard. Don’t give a fuck, do they?’ (They being our alias for anyone enjoying exceptional standing within the world of entertainment.) She eyes the packet of Marlboro Lights in my bag. ‘God, I’d kill for a fag.’

‘Help yourself.’

‘Nah, I’m crapping myself about wrinkles. Do you think I look older than when you last saw me?’

I pretend to examine her face. ‘Well, you’re hardly Yoda … but I think we both know you haven’t got a portrait up in the attic.’

‘Piss off,’ she says again, laughing. ‘Anyway, I never knew you smoked.’

‘I like to have some on me, just in case …’

‘Of what?’

I shrug. ‘You know, stress.’

‘Yeah, I do know. Agh, I WANT ONE! But it’s a sad fact that no one can get away with puffing cigs at our age. Even Sienna Miller will struggle.’

‘That’s true,’ agrees one of the girls further down the queue who has been ear-wigging our conversation. ‘She’s already got sallow looking.’

‘Mmmm, sort of pasty and “lived in”,’ says another.

‘Oh, stop!’ grins another.

But they carry on, because this is how they kill time before any audition: gunning down Sienna Miller. It’s been like this on the circuit for a long time, and there is no sign of a ceasefire. It may sound a negative thing to do, but actually it has a positive effect on morale for the regulars to have at least one actress they hate more than each other.

I sneak off to the loo, my place of comfort. I’ve always liked toilets. A locked cubicle is a good place to escape the potential uneasiness of any communal area. Once inside, I read through my script one more time. On the last page, I find a message from Luke. He must have written it while I was making his breakfast.

Since I’m not allowed to say anything encouraging about your acting I thought you should know that there are many other areas you excel in. I won’t list these areas in case you stop excelling in them on purpose to wind me up but rest assured, on a scale of one to ten … one being someone with a single niche party talent (e.g., swallowing whole fist or very low limbo-ing) and ten being bonzer across the board, I’d say you’re a nine*. Good luck.

*You lose a point for not being able to swim.

Luke has started to leave me more and more messages like this. He uses them to say the stuff he has realised I am uncomfortable with him saying to my face, i.e. Aussie-isms and slushy stuff. The messages are never texted or emailed; they’re always handwritten on random bits of paper. Given that all other males born at the nineties end of the eighties have fully rejected the concept of communicating through either the medium of handwriting or speaking in favour of tapping a screen … well, it’s quite nice, really.

Prior to Luke, the only ‘secret notes’ I’d ever been written were at school. They would be slipped into my pencil tin, often with an added gift of spit globules, bogeys or pubes. I knew who the perpetrators were and who they were led by. Their leader never ran out of names to call me but never had the guts to sign hers.

I don’t audition for Surf Shack. Twenty minutes after arriving I am on my way back to the Underground; hands clamming up again, heart racing faster. As I walk, I realise Maximilian Fry was wrong about me lacking commitment. I don’t. I am wholly committed to playing one role: ‘me’. The thing is that sometimes leaves me too exhausted to play anyone else.