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CHAPTER VII.
FRENCH IMPULSIVENESS AND BRITISH SANGFROID ILLUSTRATED BY TWO REMINISCENCES
ОглавлениеTwo incidents that took place lately, in Paris and London respectively, may serve to illustrate French impulsiveness and English sangfroid.
The other evening the opera "Les Huguenots" was played at the Grand Opera. The singer who took the part of Marcel was out of sorts, and sang flat. An old gentleman, seated in an orchestra stall, was observed to be restless and uncomfortable during the performance. At the end of the last act, Marcel passes before the church, just at the moment when the Duke of Nevers and his partisans come out of it.
"Qui vive?" cries the Duke.
"Huguenot," answers Marcel, and he falls, shot dead by the followers of the Duke.
This part of the opera had no sooner been acted, than the old gentleman, who now looked radiant, rose from his seat, put on his hat, and, shaking his fist at the dead hero, to the great amusement of the public, cried at the top of his voice:
"You donkey, it serves you right, you have been singing out of tune the whole evening."
And indignantly he left the theater.
⁂
In a beautifully appointed English house, afternoon tea, served in costly china, had just been brought to the drawing-room, when the mistress of the house inadvertently overturned the tea-table. Without the slightest show of vexation, without oh! or ah! Lady R – calmly touched the bell, and, on the appearance of the domestic, merely said:
"Take this away, and bring more tea."
"My dear," whispered Lady P – to a friend, "she won't match that china for $500."
⁂
Another illustration of the latter:
A fearful railway accident has taken place. The first car, with its human contents, is reduced to atoms.
An Englishman, who was in one of the first-class cars at the rear, examines the débris.
"Oh!" he says to an official, pointing to a piece of flesh wrapped up in a piece of tweed cloth. "Pick that up, that's the piece of my butler that has got the keys of my trunks."