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September

Sunday evening.

This morning I attended Mass with Coustic and Valentin, who are very religious. (The others are not.) I like the solemnity and the calm of the old Cathedral, the footsteps that slip past lost in the obscurity, the candle-points that punctuate the darkness without illuminating it, the sense of repose, beauty, meditation. Yet, every time I enter a church now and see the cross, my memory returns to another crucifixion, to a man who was not divine, yet who never flinched in his sacrificial agony.

* * * * *

His name was Jules Fromentin, and a worse rascal did not exist in the company. He had been a deserter in the Argentine, but he had his code. And, somewhere in the bottom of his muddied philosophy was the love of France. He caught the first steamer, claimed foreign citizenship, and enlisted in the Legion. One night, in the spring of 1915, when we held the trenches at the foot of the Notre Dame de Lorette slopes, working towards Ablain St. Nazaire, a scouting detail was caught between the lines and wiped out. Fromentin, alone, wounded to the death, was left hanging on an advanced section of our barbed wire, to which he had struggled. To attempt a rescue was humanly impossible. We had made an advance the night before, and another was expected. The Boches, on the qui vive, kept the night luminous with rockets and drooping flares. No head could have appeared for an instant above the trench in the illuminated night. At that, only the authority of our commander held us in. I can remember still our feeling of horror and of rage as we crouched helplessly in the whipped-around trench and listened with the cold sweat starting up our backs. Fromentin was singing,—a ribald marching song, an unprintable thing, salacious and vilifying the Boches. From time to time a bullet reached home. Then the song ceased, and a defiant voice cried:

“Touché! Vive la France!”

He lay there, suffering untold tortures—a man, and not a god—without hope or faith, passing through the sacrificial agony, and yet, hour after hour:

“Touché! Sales Boches! Vive la France!”

Then, at dawn, a final bullet, more merciful than the rest.

“Touché! Ah—” And silence.

When we got to him, two days later, there were twenty-two bullet wounds in him.

* * * * *

I put it down reverently, and reverently I compare that crucifixion that is a symbol of mankind dying for an ideal with the divine agony on Calvary. The agony was equal but no certainty of Paradise opened before the man, unless there came a glorified vision we could not share. Often, in the drab weariness of war, the sodden fatigue, the brutalizing of the instincts and the weakening of the spirit, I go back to the lingering horror and sublimity of that night and cling to my symbol. For me every crude wooden cross that rises in the fields has this human replica of the Calvary.

* * * * *

The strange thing, or perhaps the natural thing, is that I have little inclination to write about the war. It is rather myself in its past progression and the self which has come out of the reaction of the war which interests me.

* * * * *

For the war is not a logical sequence in my memory. It is a jumble and confusion of reiterated notes, endless movement, hunger, drenching, cold. Only a few scenes detach themselves,—a very few. When I recall the mobilization, I hear only one voice in the surge and roar of hysterical multitudes crowding down to the departing trains at the Gare du Nord,—a child’s voice, saying:

“Non, non, mamma,—don’t cry. Be brave,—till he’s gone!”

* * * * *

I seldom remember definite details, any particular dawn breaking after the night of vigil, or the shrinking waiting of any one bombardment. It is all one stretching gray line of sky; a tireless to and fro of men and horses; the same broken line of trenches, a monotony of slime and sleety rain; and all this is confused, as though I were struggling upward through swirling, roaring bodies of water. Repetition has dulled the perceptions. I am conscious only of fatigue, of unending beating against the ears, of vigils under stars that never sink, of marching,—yes, here one vivid impression always returns. It is one of those memories that enter into the phantasmagoria of the night.

I am back again in the ranks, that have been marching for days. Some one—the comrade at my left—says:

“Mon vieux?”

“What is it?”

“I want to sleep a little.”

“Pass over your rifle.”

Then he places his arm about my neck and the same to the comrade on the other side, and presently I hear him begin to snore; marching, and dead asleep,—until we wake him up and another takes his place.

* * * * *

What else comes out of the blur? The red smile of a comrade who lay grinning at me in a shell hole all one mortal day. I remember no one night, but I remember distinctly Night in the trenches,—the winging bullets, the occasional rocket, the rising, lumbering whirl of a trench mortar, the sudden digging in against the damp wall, a breathless wait, and then, somewhere up the line, an explosion, and a shriek:

“Ah, Jésu!”

* * * * *

But all this is the confusion of drifting fog. Out of the months in the Val de Grace I can see but two faces,—the provocative smile of a nurse, as a doctor whispered in her ear amid the groans and delirium of a Senegalese dying beside me, and another, the face of an old, ugly woman, strangely devoted and untiring,—an old woman on her hands and knees, scrubbing the floors for us, who, I was told, was a Princess of the House of Bourbon.

Only these details come back to me. The war is too near and too inevitable. I wish to escape it, if not entirely, for a brief period. For inaction is what is demoralizing now, inaction and the contemplation of the approaching fact. The moment convalescence ends and I step again into the ranks and feel the touch of a comrade’s shoulder, before that accomplished fact, all will seem obvious again,—but not now. All my instinct now is to put from me this thing that approaches so relentlessly.

* * * * *

Two periods of my life stand out; the calm of the early home days, and the disorder of two years in Paris; two utterly, inexplicably different David Littledales; on whom now I, a third personality, can look with some dispassionate estimate.