Читать книгу Mirror of the Months - P. G. Patmore - Страница 5

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Some one has said of the Scotch novels, that that is the best which we happen to have perused last. It is thus that I estimate the relative value and virtue of the Months. The one which happens to be present with me is sure to be that one which I happen to like better than any of the others. I lately insisted on the supremacy of January on various accounts. Now I have a similar claim to put in in favour of the next in succession. And it shall go hard but I will prove, to the entire satisfaction of all whom it may concern, that each in her turn is, beyond comparison, the “wisest, virtuousest, discreetest, best.” Indeed I doubt whether, on consideration, any one (but a Scotch philosopher) will be inclined to dispute the truth of this, even as a logical proposition, much less as a sentiment. The time present is the best of all possible times, because it is present—because it is—because it is something; whereas all other times are nothing. The time present, therefore, is essentially better than any other time, in the proportion of something to nothing. I hope this be logic; or metaphysics at the least. If the reader determines otherwise, “he may kill the next Percy himself!” In the mean time (and that, by the by, is the best time next to the present, in virtue of its skill in connecting together two refractory periods)—in the mean time, let us search for another and a better reason why every one of the Months is, in its turn, the best. The cleverest Scotch philosopher that ever lived has said, in a memoir of his own life, that a man had better be born with a disposition to look on the bright side of things, than to an estate of ten thousand a year. He might have gone further, and said that the disposition to which he alludes is worth almost as much to a man as being compelled and able to earn an honest livelihood by the sweat of his brow! Nay, he might almost have asserted that, with such a disposition, a man may chance to be happy even though he be born to an estate of twenty thousand a year! But I, not being (thank my stars!) a Scotch or any other philosopher, will venture to go still farther, and say, that to be able to look at things as they are, is best of all. To him who can do this, all is as it should be—all things work together for good—whatever is, is right. To him who can do this, the present time is all-sufficient, or rather it is all in all; for if he cannot enjoy any other, it is because no other is susceptible of being enjoyed, except through the medium of the present.

From the sublime to the ridiculous is but a step. Consequently, from the ridiculous to the sublime must be about the same distance. In other words, the transition from metaphysics to love is easy; as Mr. Coleridge’s writings can amply testify. Hail! then, February! month and mother of Love! Not that love which requires the sun of midsummer to foster it into life; and is so restless and fugitive that nothing can hold it but bands made of bright eye-beams; and so dainty that it must be fed on rose-leaves; and so proud and fantastical that bowers of jasmine and honeysuckle are not good enough for it to dwell in, or the green turf soft enough for its feet to press, but it must sit beneath silken canopies, and tread on Turkey carpets, and breathe the breath of pastiles; and so chilly that it must pass all its nights within a gentle bosom, or it dies. Not this love; but its infant cousin, that starts into life on cold Saint Valentine’s morning, and sits by the fire rocking its own cradle, and listening all day long for the “sweet thunder” of the twopenny postman’s knock!—Hail! February! Virgin mother of this love of all loves, which dies almost the day that it is born, and yet leaves the odour of its sweetness upon the whole after life of those who were not too wise to admit it for a moment to their embraces!

The sage reader must not begrudge me these innocent little rhapsodies. He must remember that all are not so wise and staid as he; and as in January he permitted me to be, for a moment, a ranting schoolboy, so in February he must not object to my reminding him that there are such persons in the world as young ladies who have not yet finished their education! He must not insist that, “because he is virtuous, there shall be no more cakes and ale.” Besides, to be candid, I do not see that it is quite fair to complain of us anonymous writers, even if we do occasionally insinuate into our lucubrations a few lines that are directed to our own exclusive satisfaction. In fact, the privilege of writing nonsense now and then is the sweetest source of our emolument, and one which, if our readers attempt to cut us off from altogether, they may rest assured that we shall very soon strike, and demand higher pay in other respects than those only true patrons of literature, the booksellers, can afford to give; for if a man is always to write sense and reason, he might as well turn author at once,—which we “gentlemen who write with ease” flatter ourselves that none of us are. I put it to the candour of Mr. Whittaker himself, whether, if I would consent to place my name in the corner of each of these portraits of the Months (so and so pinxit, 1825), he would not willingly give me double price for them, and reckon upon remunerating himself from the purchaser in proportion? Then let him use his interest with the critics to allow me but half a page of nonsense in each paper, and I consent to forego all this profit. As for the fame, I am content to leave posterity in the lurch, and live only till I die.

Having now expended my portion of this paper, I shall henceforth willingly “keep bounds” till the next month; to which end, however, I must be permitted to call in the aid of my able suggestive, Now.

Now, the Christmas holidays are over, and all the snow in Russia could not make the first Monday in this month look any other than black, in the home-loving eyes of little schoolboys; and the streets of London are once more evacuated of happy wondering faces, that look any way but straight before them; and sobs are heard, and sorrowful faces seen to issue from sundry postchaises that carry sixteen inside, exclusive of cakes and boxes; and theatres are no longer conscious of unconscious eclats de rire, but the whole audience is like Mr. Wordsworth’s cloud, “which moveth altogether, if it move at all.”

En revanche, now newspaper editors begin to think of disporting themselves; for the great national school for “children of a larger growth” is met in Saint Stephen’s Chapel, “for the despatch of business” and of time; and consequently newspapers have become a nonentity; and those writers who are “constant readers” find their occupation gone.

Now, the stones of Bond Street dance for joy, while they “prate of the whereabout” of innumerable wheels; which latter are so happy to meet again after a long absence, that they rush into each other’s embraces, “wheel within wheel,” and there’s no getting them asunder.

Now, the Italian Opera is open, and the house is full; but if asked on the subject, you may safely say that “nobody was there;” for the flats that you meet with in the pit evidently indicate that their wearers appertain to certain counters and counting-houses in the city, or serve those that do—having “received orders” for the Opera in the way of their business.

Now, a sudden thaw, after a week’s frost, puts the pedestrians of Cheapside into a pretty pickle.

Now, the trottoir of St. James’s Street begins to know itself again; the steps of Raggett’s are proud of being pressed by right honourable feet; and the dandies’ watch-tower is once more peopled with playful peers, peering after beautiful frailties in furred pelisses.

Now, on fine Sundays, the citizens and their wives begin to hie them to Hyde Park, and having attained Wellington Walk, fancy that there is not more than two pins to choose between them and their betters on the other side the rail; while these latter, having come abroad to take the air (of the insides of their carriages), and kill the time, and cure the vapours, permit inquisitive equestrians to gaze at them through plate-glass, and fancy, not without reason, that they look like flowers seen through flowing water: Lady O——, for example, like an overblown rose; Lady H——, like a painted-lady pea; the Countess of B——, like a newly-opened apple-blossom; and her demure-looking little sister beside her, like a prim-rose.

Now, winter being only on the wane, and spring only on the approach, Fashion, for once in the year, begins to feel herself in a state of interregnum, and her ministers, the milliners and tailors, don’t know what to think. Mrs. Bean shakes her head like Lord Burleigh, and declines to determine as to what may be the fate of future waists; and Mr. Stultz is equally cautious of committing himself in the affair of collars; and both agree in coming to the same conclusion with the statesman in Tom Thumb, that, “as near as they can guess, they cannot tell!” Now, therefore, the fashionable shops are shorn of their beams, and none can show wares that are strictly in season, except the stationer’s. But his, which for all the rest of the year is dullest of the dull, is now, for the first fourteen days, gayest of the gay; for here the poetry of love, and the love of poetry, are displayed under all possible and impossible forms and metaphors,—from little cupids creeping out of cabbage-roses, to large overgrown hearts stuffed with double-headed arrows, and uttering piteous complaints in verse, while they fry in their own flames. And this brings us safe back to the point from which we somewhat prematurely set out; for Now, on good Saint Valentine’s eve, all the rising generation of this metropolis, who feel that they have reached the age of indiscretion, think it full time for them to fall in love, or be fallen in love with. Accordingly, infinite are the crow-quills that move mincingly between embossed margins,

“And those rhyme now who never rhymed before, And those who always rhymed now rhyme the more;”

to the utter dismay of the newly-appointed twopenny postman the next morning; who curses Saint Valentine almost as bitterly as does, in her secret heart, yonder sulky sempstress, who has not been called upon for a single twopence out of all the two hundred thousand[1] extra ones that have been drawn from willing pockets, and dropped into canvas bags, on this eventful day. She may take my word for it that the said sulkiness, which has some show of reason in it to-day, is in the habit of visiting her pretty face oftener than it is called for. If it were not so, she would not have had cause for it now.

But good Bishop Valentine is a pluralist, and holds another see besides that of London:

“All the air is his diocese,

And all the chirping choristers

And other birds are his parishioners:

He marries every year

The lyrique lark, and the grave whispering dove;

The sparrow, that neglects his life for love;

The household bird with the red stomacher;

He makes the blackbird speed as soon

As doth the goldfinch or the halcyon.”

Let us be off to the country without more ado; for who can stay in London in the face of such epithets as these, that seem to compel us, with their sweet magic, to go in search of the sounds and sights that they characterise? “The lyric lark!” Why a modern poet might live for a whole season on that one epithet! Nay, there be those that have lived on it for a longer time, perhaps without knowing that it did not belong to them!—“The sparrow that neglects his life for love!” “The household bird, with the red stomacher!”—That a poet who could write in this manner, for pages together, should be almost entirely unknown to modern readers (except to those of a late number of the Retrospective Review), would be somewhat astonishing, if it were not for the consideration that he is so well known to modern writers! It would be doing both parties justice if some one would point out a few of the coincidences that occur between them. In the mean time, we shall be doing better in looking abroad for ourselves into that nature to which he looked, and seeing what she offers worthy of particular observation, in the course of this last month of winter in the Country, though it is the first in London. Not that we shall, as yet, find much to attract our attention in regard to the movements of the above-named “parishioners” of good Bishop Valentine; for though he gives them full authority to marry now as soon as they please, Frost forbids the bans for the present; and when there is no love going forward in the feathered world, there is little or no singing. On the contrary, even the pert sparrows still go moping and sulking about silently, or sit with ruffled plumes and drooping wings, upon the bare branches, watching all day long for their scanty dole of crums, and thinking of nothing else. The “lyric lark,” indeed, may already be heard; the thrush and blackbird begin to practise their spring notes faintly; and the yellow-hammer, the chaffinch, and the wren, utter a single stanza or so, at long intervals: but all this can scarcely be called singing, but rather talking of it; for