Читать книгу Writing the TV Drama Series 3rd edition - Pamela Douglas - Страница 6

Оглавление

TABLE OF CONTENTS

PREFACE TO THE THIRD EDITION

INTRODUCTION

WHAT’S NEW IN THIS EDITION

HOW TO USE THIS BOOK

If You’re a Writer…

If You’re a Teacher…

FROM JOHN WELLS

Executive Producer: ER, The West Wing, Southland

CHAPTER ONE

WHAT’S SO SPECIAL ABOUT TV DRAMA SERIES?

Three Qualities of Episodic TV Series

Episodic Characterization

The “Long Narrative”

Anthologies

Series with closure

Serials

Collaboration

Five Myths About Television

Myth 1: TV is small movies.

Myth 2: TV is cheap.

Myth 3: You can’t do that on TV.

Myth 4: All TV series are the same.

Myth 5: Television is a wasteland.

The Rules of Series TV

• An hour show has to fit an hour.

• Series deadlines are for real.

• Drama series have an act structure.

• Each series fits a franchise.

Ready, Set, Go!

Summary Points

What’s New?

SPOTLIGHT ON DRAMEDY

GUEST SPEAKER: DAVID ISAACS (M*A*S*H, Cheers, Frasier, Mad Men)

CHAPTER TWO

HOW SHOWS GET ON TV AND THE TV SEASON

Chart: Traditional Two-Year Development and Production of a New Show

Year One

April: Create Your Proposal

(1) Write a TV Format

(2) Write a Pilot

(3) Write a “Backdoor Pilot”

(4) Create a Presentation Reel

(5) Attach a “Package”

(6) Get a Web Following

May: The Production Company

June: The Studio

July and August: The Network

Chart: New Series Development at One Network

September to November: The Pilot Script

December and January: The Greenlight

February to April: Pilot Season

May: Pick-Ups

• Full season

• Short order

• Midseason

• Backup scripts

Year Two

June: Staffing

July and August: Write Like Crazy

Chart: Sample Character Arcs for a Season

September and October: The Debut

November through March: Completing the Season

April: Hiatus

What’s New?

Summary Points

GUEST SPEAKER: CHARLES COLLIER

President, AMC Cable TV

CHAPTER THREE

HOW A CLASSIC SCRIPT IS CRAFTED

The Dramatic Beat

A–B–C Stories

Chart: Basic Four-Act Grid

Five- and Six-act Structure

The More Things Change…

The Two-Page Scene

Using the Grid

Teasers

About these Excerpts

Excerpt from NYPD Blue, “Simone Says”

Analysis

Opening Scenes

Scene 1

Scene 2

Scene 3

Scene 4

Scene 5

Scene 6

The Second Excerpt

Excerpt from NYPD Blue, “Hearts and Souls”

Analysis

Cold Opening

Act One

What You Should Do Next

Summary Points

GUEST SPEAKER: STEVEN BOCHCO (Hill Street Blues, L.A. Law, NYPD Blue)

SPOTLIGHT ON WRITING PROCEDURALS

GUEST SPEAKER: ANN DONAHUE (CSI: NY, CSI: Miami)

GUEST SPEAKERS: MICHELLE & ROBERT KING (The Good Wife)

CHAPTER FOUR

WRITING YOUR OWN EPISODE

“Hearing Voices”

Finding your stories

Breaking your stories

Credibility

Rooting interest

The Grid

Chart: Basic Four-Act Grid

The Outline

How to write your outline

Outline Sample

Alternate outline forms

Fragment of ER outline

Sonny’s List

Your First Draft

Sample script format

Troubleshooting

If you’re running long

If you’re running short

At the end of it all…

Your Second Draft

Your Polish

What’s next?

Summary Points

GUEST SPEAKER: DAVID SIMON (Homicide, The Wire, Treme)

SPOTLIGHT ON WRITING YOUR PILOT SCRIPT

Create the “World”

Find the Story Springboards

Populate the “World”

Make a Plan

GUEST SPEAKER: GEORGIA JEFFRIES (Cagney & Lacey, China Beach)

CHAPTER FIVE

IT’S WHO YOU KNOW: WORKING ON STAFF

The Staff from Hell

Mistake 1: Don’t separate from the staff.

Mistake 2: Don’t mix personal and work issues.

Mistake 3: Don’t have other plans.

Mistake 4: Don’t work at home instead.

Mistake 5: Don’t be precious about your script.

Mistake 6: Don’t “dis” the culture of the staff.

Mistake 7: Don’t work on a series that’s wrong for you.

The Good Staff

A Slice of Life

The Staff Ladder

1. Freelance Writer

2. Staff Writer

3. Story Editor / Executive Story Editor

4. Producer

5. Supervising Producer

6. Creative Consultant

7. Executive Producer / Showrunner

Summary Points

SPOTLIGHT ON “UNSCRIPTED/REALITY” SHOWS

GUEST SPEAKER: SCOTT A. STONE (The Mole, The Joe Schmo Show, Top Design)

CHAPTER SIX

HOW TO BREAK IN

The rules:

Write what you love.

Don’t spec the series you plan to pitch.

Ask the right questions about a series.

Have the right tools.

Have representation.

Be in Los Angeles.

The secret of success

Summary Points

What’s New?

CHAPTER SEVEN

LIFE AFTER FILM SCHOOL: CAUTIONARY TALES AND SUCCESS STORIES

The Class of ’97

Three Years Later

Seven Years after Graduating

Fourteen Years after Graduating

CHAPTER EIGHT

THE FUTURE OF TV DRAMA SERIES

GUEST SPEAKER: DAVID GOETSCH (The Big Bang Theory, 3rd Rock from the Sun)

A TOUR OF THE FUTURE

Internet Drama Series

Webisodes

The Web is Dead

HOME IS THE WHOLE WORLD

Right Now

CONCLUSION

RESOURCES FOR YOU

GLOSSARY

ABOUT THE AUTHOR

Writing the TV Drama Series 3rd edition

Подняться наверх