Читать книгу 39 Steps to Better Screenwriting - Paul Chitlik - Страница 4

Table of Contents

Acknowledgments

Introduction

Step 1

In The Beginning

Step 2

Eight Things to Remember When Writing Science Fiction

Step 3

An End, A Beginning, And A Middle

Step 4

“An Original Screenplay By”

Step 5

Writing (Not Overwriting) Descriptions We Can “See”

Step 6

Balance

Step 7

Conflict and Scene Construction

Step 8

Details

Step 9

Dueling Protagonists, Dueling Stories

Step 10

Get Off the Phone!

Step 11

How Crazy Was Comic-Con?

Step 12

Why Hurt Locker Didn’t Click With Audiences And Why It Was Still A Good Film

Step 13

Lena Dunham, I Blame You

Step 14

The Midpoint

Step 15

Negotiating Your Characters

Step 16

Three Stories, One Script: Making Them Work in the Rewrite.

Step 17

Shining A Light On Quirky

Step 18

Some Tech Things You Should Know

Step 19

Story, Story, Story

Step 20

The Antagonist As a Good Guy

Step 21

The Collaborative Art

Step 22

The Frame in Spain Stays Mainly on the Plain

Step 23

The Importance Of Convention

Step 24

The Imposter Syndrome

Step 25

The Key To Writing Is Writing

Step 26

The Power Of Story

Step 27

The Second Draft Is Killing Me

Step 28

The Olympics and Screenwriting

Step 29

The Trailer Was Better

Step 30

What Are Your Intentions?

Step 31

What Film School Should I Go To?

Step 32

The Worthy Antagonist

Step 33

What If It Doesn’t Sell?

Step 34

What’s Your Story?

Step 35

When to Abandon an Idea; When to Plow Through; When to Revise

Step 36

Just Say Whoa!

Step 37

Whose Story Is It Anyway?

Step 38

Writing Is Rewriting. Writing Is Rewriting. Writing Is Rewriting.

Step 39

Yuv Herd It’s All Before

The Final Step

Yours to Take

About the Author