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CONTENTS

Acknowledgments

Introduction

Why You Need This Book

How to Use This Book

The Voice: How People Talk

Lesson One: Capturing the Voice

Lesson 1: Script Analysis Exercise

Lesson 1: Beginner Exercise

Lesson 1: Intermediate and Advanced Exercise

Lesson 1: Solo Exercise

Lesson Two: Imitating a Voice

Lesson 2: Script Analysis Exercise

Lesson 2: Beginner Exercise

Lesson 2: Intermediate and Advanced Exercise

Lesson 2: Solo Exercise

Lesson Three: Creating an Original Voice

Lesson 3: Script Analysis Exercise

Lesson 3: Beginner Exercise

Lesson 3: Intermediate and Advanced Exercise

Lesson 3: Solo Exercise

Dialogue: How People Talk to Each Other

Lesson Four: Status

Lesson 4: Script Analysis Exercise

Lesson 4: Beginner Exercise

Lesson 4: Intermediate and Advanced Exercise

Lesson 4: Solo Exercise

Lesson Five: Give and Take

Lesson 5: Script Analysis Exercise

Lesson 5: Beginner Exercise

Lesson 5: Intermediate and Advanced Exercise

Lesson 5: Solo Exercise

Lesson Six: Building Dialogue

Lesson 6: Script Analysis Exercise

Lesson 6: Beginner Exercise

Lesson 6: Intermediate and Advanced Exercise

Lesson 6: Solo Exercise

Lesson Seven: Dialogue on Shifting Sands

Lesson 7: Script Analysis Exercise

Lesson 7: Beginner Exercise

Lesson 7: Intermediate and Advanced Exercise

Lesson 7: Solo Exercise

Lesson Eight: Strengths and Weaknesses

Lesson 8: Script Analysis Exercise

Lesson 8: Beginner Exercise

Lesson 8: Intermediate and Advanced Exercise

Lesson 8: Solo Exercise

Lesson Nine: Friends and Foes

Lesson 9: Script Analysis Exercise

Lesson 9: Beginner Exercise

Lesson 9: Intermediate and Advanced Exercise

Lesson 9: Solo Exercise

Lesson Ten: Tools

Lesson 10: Script Analysis Exercise

Lesson 10: Beginner Exercise

Lesson 10: Intermediate and Advanced Exercise

Lesson 10: Solo Exercise

The Scene: Dialogue with Direction

Lesson Eleven: Setting the Scene

Lesson 11: Script Analysis Exercise

Lesson 11: Beginner Exercise

Lesson 11: Intermediate and Advanced Exercise

Lesson 11: Solo Exercise

Lesson Twelve: Populating the Scene

Lesson 12: Exercise Introduction

Lesson 12: Beginner Exercise

Lesson 12: Intermediate and Advanced Exercise

Lesson 12: Solo Exercise

Lesson 12: Script Analysis Exercise

Lesson Thirteen: Crafting the Line

Lesson 13: Script Analysis Exercise

Lesson 13: Beginner Exercise

Lesson 13: Intermediate and Advanced Exercise

Lesson 13: Solo Exercise

Lesson Fourteen: From Line to Line

Lesson 14: Script Analysis Exercise

Lesson 14: Beginner Exercise

Lesson 14: Intermediate and Advanced Exercise

Lesson 14: Solo Exercise

Lesson Fifteen: Focusing the Scene

Lesson 15: Script Analysis Exercise

Lesson 15: Beginner Exercise

Lesson 15: Intermediate and Advanced Exercise

Lesson 15: Solo Exercise

Lesson Sixteen: Keeping Everyone in the Scene

Lesson 16: Script Analysis Exercise

Lesson 16: Beginner Exercise

Lesson 16: Intermediate and Advanced Exercise

Lesson 16: Solo Exercise

Lesson Seventeen: Maneuvering Through the Scene

Lesson 17: Script Analysis Exercise

Lesson 17: Beginner Exercise

Lesson 17: Intermediate and Advanced Exercise

Lesson 17: Solo Exercise

Lesson Eighteen: Ending the Scene

Lesson 18: Script Analysis Exercise

Lesson 18: Beginner Exercise

Lesson 18: Intermediate and Advanced Exercise

Lesson 18: Solo Exercise

Lesson Nineteen: Rewriting the Scene

Lesson 19: Rewrite Exercise: In the Audience's Shoes

Lesson 19: Rewrite Exercise: Voices

Lesson 19: Rewrite Exercise: Interactions

Lesson 19: Rewrite Exercise: The World

Lesson 19: Rewrite Exercise: Forces at Work

Lesson 19: Rewrite Exercise: Turning Points

Lesson 19: Rewrite Exercise: The Ending

Lesson Twenty: Scene to Script

Lesson 20: Script Analysis Exercise

Lesson 20: Beginner Exercise

Lesson 20: Intermediate and Advanced Exercise

Lesson 20: Solo Exercise

Put This Book Down

Conclusion

Appendix

Script Analysis Suggestions

Course and Workshop Syllabus Suggestions

For Further Reading

About the Author

Talk the Talk

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