Читать книгу Manual on Music Form - Percy Goetschius - Страница 2
Table of Contents
ОглавлениеCHAPTER I. INTRODUCTION.
[Illustration: first fragment of 8th Song]
[Illustration: second fragment of 8th Song]
[Illustration: Duple and Triple Rhythm]
[Illustration: Example 1. Fragment of Folk-song.]
[Illustration: Example 2. Fragment of Beethoven.]
CHAPTER II. FUNDAMENTAL DETAILS.
[Illustration: Beat accentuation]
[Illustration: Example 3. Rhythm.]
[Illustration: Example 4. Fragment of Beethoven.]
[Illustration: Example 5. Fragment of Beethoven.]
CHAPTER III. FIGURE AND MOTIVE.
[Illustration: Example 6. Fragment of Beethoven.]
[Illustration: Example 6 continued.]
[Illustration: Example 7. Fragments of Czerny, Mendelssohn, and Schumann.]
[Illustration: Example 8. Fragments of Beethoven.]
[Illustration: Example 9. Fragments of Beethoven, Mendelssohn, and Mozart.]
[Illustration: Example 10. Fragment of Beethoven.]
[Illustration: Example 11. Fragment of Beethoven.]
[Illustration: Example 12. Fragment of Mozart.]
[Illustration: Example 13. Fragments of Mendelssohn.]
[Illustration: Example 13 continued. Fragments of Mendelssohn and Mozart.]
[Illustration: Example 14. Fragments of Mozart, Beethoven, and Mendelssohn.]
[Illustration: Example 15. Fragment of Schubert.]
[Illustration: Example 16. Fragment of Schumann, Op. 68, No. 11.]
[Illustration: Example 17. Fragments of Beethoven.]
[Illustration: Example 18. Fragment of Schumann.]
[Illustration: Example 19. Fragment of Mozart.]
[Illustration: Example 20. Fragment of Mendelssohn.]
[Illustration: Example 20 continued.]
[Illustration: Example 21. Fragment of Mozart.]
[Illustration: Example 22. Fragment of Beethoven.]
[Illustration: Example 22 continued. Fragments of Mendelssohn, Schumann, and Mozart.]
[Illustration: Example 23. Fragments of Beethoven and Mendelssohn.]
[Illustration: Example 23 continued. Fragment of Mendelssohn.]
[Illustration: Example 24. Fragments of Mozart.]
[Illustration: Example 24 continued. Fragment of Beethoven.]
[Illustration: Example 25. Fragment of Mozart.]
[Illustration: Example 26. Fragment of Mozart.]
[Illustration: Example 26 continued.]
[Illustration: Example 27. Fragment of Mozart.]
[Illustration: Example 28. Fragment of Beethoven.]
[Illustration: Example 29. Fragment of Schubert.]
[Illustration: Example 30. Fragment of Schumann.]
[Illustration: Example 31. Fragment of Schumann.]
[Illustration: Example 32. Fragments of Mendelssohn and Schubert.]
[Illustration: Example 33. Fragment of Schubert.]
[Illustration: Example 34. Fragment of Brahms.]
[Illustration: Example 35. Fragment of Schumann.]
[Illustration: Example 36. Fragment of Schubert.]
CHAPTER VI. IRREGULAR PHRASES.
[Illustration: Example 37. Fragment of Mendelssohn.]
[Illustration: Example 38. Fragment of Beethoven.]
[Illustration: Example 39. Fragment of Mendelssohn.]
[Illustration: Example 40. Fragment of Mendelssohn.]
[Illustration: Example 41. Fragment of Mendelssohn.]
[Illustration: Example 42. Fragment of Beethoven.]
[Illustration: Example 43. Fragment of Beethoven.]
[Illustration: Example 43 continued.]
[Illustration: Example 44. Fragment of Mendelssohn.]
[Illustration: Example 45. Fragment of Mendelssohn.]
[Illustration: Example 46. Fragment of Mozart.]
[Illustration: Example 47. Fragment of Beethoven.]
[Illustration: Example 47 continued.]
CHAPTER VIII.--ENLARGEMENT OF THE PERIOD-FORM.
[Illustration: Example 48. Fragment of Mozart.]
[Illustration: Example 49. Fragment of Chopin.]
[Illustration: Example 49 continued.]
[Illustration: Phrase group diagram.]
[Illustration: Example 50. Fragment of Grieg.]
[Illustration: Example 51. Fragment of Beethoven.]
CHAPTER IX. THE TWO-PART SONG-FORM.
[Illustration: Example 52. Fragment of German lied .]
CHAPTER X.--THE THREE-PART SONG-FORM.
[Illustration: Example 53. Fragment of Schumann.]
[Illustration: Example 53 continued.]
CHAPTER XI. ENLARGEMENT OF THE THREE-PART SONG-FORM.
[Illustration: Diagram of Parts.]
CHAPTER XII. THE SONG-FORM WITH TRIO.
CHAPTER XIII. THE FIRST RONDO-FORM.
[Illustration: Example 54. Fragment of Beethoven.]
[Illustration: Example 54 continued.]
[Illustration: Example 54 continued.]
CHAPTER XIV. THE SECOND RONDO-FORM.
CHAPTER XV. THE THIRD RONDO-FORM.
CHAPTER XVI. THE SONATINE FORM.
CHAPTER XVII. THE SONATA-ALLEGRO FORM.
[Illustration: Example 55. Fragment of Beethoven.]
[Illustration: Example 55 continued.]
[Illustration: Example 55 continued.]
[Illustration: Example 55 continued.]
CHAPTER XVIII. IRREGULAR FORMS.
