Читать книгу Held to Answer - Peter Clark MacFarlane - Страница 5

A foolish quiver passed over him and shook him till he actually trembled.

"Am I so heavy?" asked a matter-of-fact voice from his shoulder.

"You are not heavy at all," replied Hampstead, hotly provoked at himself.

"Run, then," she commanded.

The resultant effort was a few staggering, ungraceful steps.

"Dounay weighs a hundred and fifty if she weighs an ounce," said a passing voice.

John, all chagrin as he deposited the lady upon her feet, saw her lip curl, and her dark eyes flash scornfully at the leading juvenile man who, with grimacing intent to tease, had made the remark to the ingenue as both passed near.

"Insolence!" hissed Miss Dounay after the scoffer, and turned again to Hampstead, speaking sharply. "Very bad! You must be in your running stride when my weight falls on you. We must practice."

And practice they did, at every spare moment of the rehearsal during the entire week. From these "practices", Hampstead learned an unusual number of things about women which, in his limited experience, he had either not known or which had not been brought home to him before. Some of these he presumed applied generally to all women; others, he had no doubt, were particular to Miss Dounay.

As, for instance, when he looked down at her face where it lay in the curve of his arm, he saw that the oval outline of her cheeks was startlingly perfect; that there were pools of liquid fire in her eyes; that her lips were beautifully and naturally red; that they were long, pliable, sensitive, with fleeting curves that raced like ripples upon these shores of velvet and ruby, expressing as they ran an infinite variety of passing moods. The chin, too, came in for a great deal of this attention. It was round and smooth at the corners, with a delicately chiseled vertical cleft in it, which at times ran up and met a horizontal cleft that appeared beneath the lower lip, when any slight breath of displeasure brought a pout to that ruby, pendant lobe. This meeting-place of the two clefts formed a kind of transitory dimple, a trysting-place of all sorts of fugitive attractions which exercised a singular fascination for the big man.

He used to wonder what the sensation would be like to sink his lips in that precious, delectable valley. It would have been physically simple. A slight lifting of his right arm and shoulder, a slight declension of his neck, and the mere instinctive planting of his lips, and the thing was done. However, John had no thought of doing this. In the first place he wouldn't—without permission; for he was a man of honor and of self-control. In the second place, he wouldn't because a woman was a thing very sacred to him, and a kiss, a deliberate and flesh-tingling kiss, was a caress to be held as sacred as the woman herself and for the expression of an emotion he had not yet felt for any woman; a statement which to the half-cynical might prove again that John Hampstead was a very inexperienced and very monk-minded youth indeed to be abroad in the unromanticism of this twentieth century. Yet the fact remains that Hampstead did not consciously conspire to violate the neutrality of this tiny, alluring haunt of tantalizing beauty which lurked bewitchingly between the red lower lip and the white firm chin of Miss Marien Dounay.

But there were other things that John was learning swiftly, some of which amounted to positive disillusionment. One was that a woman's body is not necessarily so sacred nor so inviolate, after all. That instead of inviolate, it may be made inviolable by a sort of desexing at will. Miss Dounay could do this and did do it, so that for instance when her form stiffened in his arms, it was no more like what he supposed the touch of a woman's body should be than a post. In the first place the body itself, beneath that trim, tailored suit, appeared to be sheathed in steel from the shoulder almost to the knee. John had supposed that corsets were to confine the waist. This one, if that were what it was and not some sort of armor put on for these rehearsals, encased the whole body.

Another thing that contributed to this desexing of the female person was Miss Dounay's bearing toward himself. He might have been a mere mechanical device for any regard she showed him at rehearsals. She pushed or pulled him about, commanded the bend and adjustment of his arms as if he had been an artificial man, and never by any hint indicated that she thought of him as a person, least of all as a male person. Undoubtedly this robbed his new adventure of some of its spice. But a change came. When for five days John was undecided whether he should admire this manner of hers as supreme artistic abstraction or resent it as supercilious disdain, Margaret O'Neil, one of the character old ladies who had constituted herself a combination of critic and chaperone of these "carry" practices, turned, after a word with Miss Dounay, and said:

"We should like to know who it is that is carrying us about."

"Why, certainly," exclaimed John, all his doubt disappearing in a toothful smile as he swept off his hat. "My name is Hampstead, John Hampstead."

"Miss Dounay, allow me to present Mr. Hampstead," said Miss O'Neil, without the moulting of an eyelash.

Miss Dounay extended her hand cordially for a lofty, English handshake, accompanied by an agreeable smile and a chuckling laugh, understood by John to be in recognition of the oddness of the situation.

After this, things were somewhat different. There was less sense of strain on his part, and he began to realize that there had been some strain upon hers which now was relaxed. Her body was less post-like; and toward the end of rehearsal, when possibly she was a little tired, it lay in his arms quite placidly, relaxing until its curves yielded and conformed to the muscular lines of his own torso.

Yet Miss Dounay never betrayed the slightest self-consciousness at such moments. Whatever the woman as woman might be, she was, as an actress, so absolutely devoted to the creation of the character she was rehearsing, so painstakingly careful to reproduce in every detail of tone and action the true impression of a pure-minded, Christian maiden that Hampstead, with his firm religious backgrounding, unhesitatingly imputed to the woman herself all the virtues of the chaste and incomparable Lygia.

When dress-rehearsal time came at midnight on Sunday, just after the regular performance had been concluded, and John saw Miss Dounay for the first time in the dress of the character, his soul was enraptured. The simple folds of her Grecian robe were furled at the waist and then swept downward in one billowy leap, unrelieved in their impressive whiteness by any touch of color, save that afforded by the jet-bright eyes with their assumed worshipful look and the wide, flowing stream of her dark, luxuriant hair, which, loosely bound at the neck, waved downward to her hips. The devout curve of her alabaster neck, the gleaming shoulders, the full, tapering, ivory arms, her sandaled bare feet—yes, John looked close to make sure, and they were actually bare—rounded out the picture.

Marien Dounay stood forth more like an angel vision than a woman, at once so beautiful and so adorable that big, sincere, open-eyed John Hampstead worshipped her where she stood—worshipped her and loved her—as a man should love an angel. Yet as he looked, he was almost guiltily conscious that he knew a secret about this angelic vision,—that this chiseled flesh with rounded, shapely contours that would be the despair of any sculptor was not as marble-like as it looked, was, indeed, soft to the touch and warm, radiant and magnetic.

And John, blissfully aglow with his spiritual ardor, had no faint suspicion that his secret might kill his illusion dead, nor that his devotion would survive that decease, although something very like this happened on the night of the first performance.

The great second act was on. Things were not going as smoothly as they appeared to from the front. Even the inexperienced Hampstead, as he waited for his cue, could see that his angel was being enormously vexed by the manner in which Vinicius made love. Henry Lester was a brilliant actor, but flighty and erratic. During rehearsal Mowrey had much trouble in getting him to memorize accurately the business of his part. He would do one thing one way to-day and forget it or reverse it on the next. To-night Lester was committing all these histrionic crimes. Miss Dounay had continually to adapt herself to his impulsive erraticisms, to shift speeches and alter business. The climax of exasperation came when one of the wide metal circlets upon his arm became entangled in the gossamer threads of Lygia's hair and pulled it painfully. Yet the actress was sufficiently accomplished to play her own part irreproachably and deliver John's cue at the right moment to secure the startling entrance already described, and thus to be gracefully and dramatically swept away from the rude advances of her importunate lover.

It was at the end of this particular scene and off stage, when the curtain was descending to the accompaniment of applause from the audience, that the death of John's illusion came. For a delicious instant, he was still holding Lygia from the floor as if instinctively sheltering her amidst the general confusion of crowding actors and hurrying stage hands. Nothing loth, she lay at rest, with eyes closed and features composed as if in the faint. To the raw, impressionable young man, Marien had never looked so much an angel as at this moment; and now she was coming to, as if still in character. Her eyelids fluttered but did not open, and then her lips moved slightly, stiffly, under their load of greasy carmine, as if she would speak. In self-forgetful ecstasy, Hampstead bent eagerly to receive the confidence. Perhaps she was going to thank him, to whisper a word of congratulation. Whatever the communication might be, his soul was in raptures of delightful anticipation as he felt her breath upon his cheek.

The communication was made promptly and unhesitatingly, after which Miss Dounay alertly swung her feet to the floor and walked out upon the stage to receive her curtain call, leading Ursus by the hand, mentally dazed, inwardly wabbling, outwardly bowing,—trying, in fact, to do just as the others did. But in John's mind now there was this numbing sense of shock, for he could not refuse to believe his ears, and what this angelic vision had breathed into them in tones of cool, emphatic conviction, was:

"What a damn fool that man Lester is!"

Off the stage again Hampstead stumbled about amid flying scenery, racing stage hands, and a surging mass of supernumeraries, like a man recovering consciousness. He wanted to get out of sight somewhere. He had the feeling of having been stripped naked. Every vestige of his religious adoration had been dynamited out of existence. This was no Christian maiden but an actress playing a part. As for the woman herself, she was very blasé and very modern, who, at this moment, as he could see by a glance into the open door of her dressing room, was sitting with crossed knees, head back and enveloped in a halo of smoke, while her pretty lips were distended in a yawn, and the spark of a cigarette glowed in her finger tips.

"And I am another!" Hampstead muttered, with a sneer that was aimed inward.

Seven minutes later, Lygia walked out of her dressing room minus the cigarette and looking again that angel vision, but Hampstead knew better now. He viewed her at first critically and then reflectively; but was presently startled at the gist of his reflections, which was a sort of self-congratulation because this creature that he was about to take in his arms was not an angel, but that more alluring, less elusive thing, a woman.

Two more minutes and the pair of stage hands were stretched stomach-wise upon the floor ready to swing open the wings of the gate at the cue from St. Peter, and Lygia was lying once more in John's arms. In the instant of waiting before the curtain rose, he had time to notice how contentedly and trustfully she appeared to nestle there. Her breathing was like his at first, easy and natural; but gradually, as the moment of suspense lengthened and the instant of action drew near, the rhythmic pulse of both bosoms accelerated, as if, heart on heart, their souls beat in unison. John was noticing, too, how soft Marien's body was where the armor did not extend, how deliciously warm it was, indeed how something like an ethereal heat radiated from it and filled all his veins with a strange, electric, impulsive wistfulness. What was that giddy perfume?

Involuntarily he drew her closer, with a gentle, steady pressure. At this she raised her eyelids and gazed at him for a moment, contemplatively first and then passively curious, after which she lowered the lids again, while her lips half parted in a voiceless sigh.

So far as Hampstead was concerned, illusion had gone. He knew that he was just a man. So far as Miss Dounay was concerned, he suspected that she was just a woman. But devotion remained. John did not relax his hold. Instead there was a momentary tightening of his arms.

"Let 'er go," called the low, tense voice of Mowrey; and with a rustling sound the great curtain slipped slowly upward.

CHAPTER V

THE RATE CLERK

The week went by like a shot. On Sunday night the glory that was a very stagy Rome burned down for the last time beneath the gridiron of the old Burbank Theater. On Monday morning no odor of grease paint and no noxious smell of stewing glue, which proclaims the scene painter at his work, was in the nostrils of John. Instead, the clack of typewriters, the tinkle of telephone bells, the droning voices of dictators, and the shuffling feet of office boys filled his ears.

As if to completely re-merge the man in his environment, Robert Mitchell came walking in, tossed a bundle of papers upon the desk, fixed the rate clerk with a shaft of his blue eye, and commanded drily:

"Ursus! Make a set of tariffs embracing our new lines to correspond with the commodity tariffs of the San Francisco and El Paso."

John colored slightly at the thrust of that name Ursus, but looked Mr. Mitchell fairly and meekly in the eye and answered:

"Yes, sir."

"Have them effective July 1st," concluded the General Freight Agent, as he turned away.

Burman, the lordly through rate clerk, lowered his sleek face behind his books and snickered. John shot a scowl at Burman and then for a few minutes hunched his shoulders over the documents in the case.

The California Consolidated was being consolidated some more. Two more roads in the big system had just been pitchforked into the jurisdiction of Robert Mitchell, adding twelve hundred additional miles to his responsibility and pushing him several swift rounds up the ladder of promotion.

These additions made the California Consolidated competitive with the San Francisco and El Paso lines at hundreds of new stations. John's job was to consolidate the freight tariffs of the three lines and make sure that they equalized the rates of the competitor at competing stations. It was an enormous task, and the General Freight Agent had breezily commanded it to be done in ten weeks. That was why Burman snickered. It was also why Hampstead scowled.

Now a freight tariff starts youthfully out to be the most scientific thing in the world, but it ends by being the most utterly unscientific document that ever was put together. The longer a tariff lives, the more depraved it becomes. The S.F. & E.P. tariffs were very old, but not, therefore, honorable.

John turned to the shelf that contained them and scowled again, a double scowl, as black as his blond Viking brows could manage. These were to be his models. They were yellow—a disagreeable color to begin with,—each a half inch thick and larger than a letter page,—abortions, every one of them! They were pea-vine growths like the monster system which issued them, cumbered with the adjustments and easements of the years.

The flour tariff! The hay tariff! The grain tariff! John took these in his hands one by one and glowered at them. The mistakes, the inconsistencies, the clumsiness of thirty sprawling years were in them. And he was asked to duplicate these confusions on his own system.

Should he do it? No; be hanged if he would! He felt big and self-important as he slammed the first of them face down upon his desk and each thereafter in succession upon its fellow, until the pile toppled over, after which, leaving the reckless heap behind him, while Burman snickered again, John stamped out of the room.

"These S.F. & E.P. tariffs are so old they've got whiskers on 'em," he began to say to Mr. Mitchell, "and hairs! And the hair has never been cut nor even combed. They have been tagged and fattened and trimmed and sliced and slewed round till the tariff is issued just to keep up the basis and the tradition, and then you look in something else,—an amendment, or a special, or a 'private special', or sometimes the carbon copy of a letter,—to find out what the rate actually is. Sometimes when I call their office up on the 'phone to get a rate, it takes 'em twenty-four hours to answer, and maybe a week later they notify me the answer was wrong. Our slate is clean; why not simmer the figures down to what is the actual basis instead of the assumed one, and publish the rates as we intend to charge 'em, and as we know they do charge 'em?"

Mitchell had listened with surprise at first to this rash proposal. It sounded youthful and impetuous. But it also sounded sensible. Mitchell hated red tape, and he knew that John's idea was the right one; but tradition was god on the S.F. & E.P. They would fight the innovation and fight it hard; they might win, too, and Mr. Mitchell had no stomach for tilting at windmills. However, it might be a good thing for John, this fight; might make him forget that foolish stage ambition of his; and if he won, might crown him so lustrously that of itself it would save him to a future already assuredly brilliant in the railroad business.

"Do you think you could whip it out with 'em before their faces, John, when the scrap comes?" Mr. Mitchell asked tentatively, but also by way of further firing the soul of the fighter.

"I believe I could," replied John ardently.

"Then go to it," said Mr. Mitchell tersely.

And John went to it.

But there was another man who had been shocked by John's theatrical venture, and that was the pastor of the First Church, who had his virtues, much as other men. His face was round and like his figure, full of fatness. He was a merry soul and loved a joke. He had a heart as tender as his sense of humor was keen.

But beside his virtues, this man of God had also his convictions. His pulpit was no wash-wallowing craft. He steered her straight. To Heaven with Scylla! To Gehenna with Charybdis! Indeed, if there was one man in all Los Angeles who knew where he was going and all the rest of the world too, it was this same Charles Thompson Campbell, pastor of the aforesaid grand old First Church. Doctor Campbell's hair and eyes were black. His voice had the ultimate roar in it. When he stood up, locks flying, perspiration streaming, and thumped his pulpit with that fat doubled fist, the palm of which had been moulded in youth upon the handle of a plow, every nook and cranny of the auditorium echoed with the force of his utterance. But Doctor Campbell's convictions, like most people's, were only in part based upon knowledge.

Some things in particular he wot not of yet scorned. One was the modern novel. Another was the stage! Shakespeare, Doctor Campbell admitted largely, had shed some sheen upon the stage and more upon literature; but he never quoted Shakespeare. One could almost doubt if he had read him, and when Shakespeare came to town, he never went to see him.

On the morning, therefore, when the good Doctor Campbell read in the papers that the youngest of his deacons had the night before made his debut as Ursus in Quo Vadis, he was not only pained but moved to self-reproach. Grief enveloped him. It thrust the sharp cleft of a frown into his smooth brow. It thrust his chin down upon his bosom and caused him to heave a tumultuous sigh. He bowed his head beside his study table and then and there put up an earnest petition for the soul of John Hampstead. It was a sincere and natural prayer, because Doctor Campbell was a sincere man and believed in the efficacy of prayer.

Besides, he loved John Hampstead. The young man's impending fate stirred the minister deeply and caused him to reproach himself. In this mood, he dug out all his sermons on the stage, nine years of annual sermons on the influence of the drama, and read them sketchily and with disappointment. Paugh! Piffle! How weak and ineffective they seemed. He delved into his concordance for a text and found one. Then he drove his pen deep into his inkwell and began to write.

The following Sunday night Doctor Campbell's red, excited features were seen dimly through dun, sulphurous clouds of brimstone and fire; but to the preacher's dismay, John Hampstead was not present for fumigation. The reverend gentleman, in his unthinking goodness, had quite overlooked the fact that the play in which John was performing concluded on Sunday night instead of Saturday night; and so while his pastor was hurling his fiery diatribes at that conspicuously assailable institution, the stage, Deacon Hampstead was blissfully bearing Marien Dounay about in his arms.

But the next morning John read the sermon published in the newspaper. He had already noted that the more doubtful the sermon, the more likely it is to get into the headlines, because from the editor's standpoint it thus becomes news, and late Sunday night, which is the scarcest hour of the whole week for news, there is more joy in the "city room" over one sermon that breathes the fiery spirit of sensation than over ninety and nine which need no hell and damnation in which to express the tender gospel of Jesus. John read it with a sense of wrath, of outrage, and of humiliation. That night he launched himself at the study door of his pastor.

"I was very sorry you did not hear my sermon last night," began Doctor Campbell blandly, sensing the advantage of striking first.

"Brother Campbell, I have come to arraign you for that sermon," retorted John, with an immediate outburst of feeling. "I say that you spoke what you did not know. I say," and his voice almost broke with the weight of its own earnestness, "I say that you bore false witness!"

The amazed minister's mouth opened, but John repressed his utterance with a gesture.

"You will say you preached your convictions. I say you preached your prejudice, your ignorance. I say you bore false witness against struggling women, against aspiring men, against those of whose bitter battlings you know nothing."

The Reverend Charles Thompson Campbell leaned back aghast. No man had ever presumed to talk to him like this, no man of twice his years and spiritual attainments; yet here was this stripling not only talking to him like this, but with a fervor of unction in his utterance that made his upbraiding sound half inspired.

"You are condemning the stage as an institution," went on John scornfully. "You might as well condemn the printing press as an institution. You discriminate with regard to newspapers and books. Do the same with the stage. Taboo the corrupt play and teach your people to avoid it. Support the good and teach the managers that you will. Taboo the notorious actor or actress if you wish. Give the rest of them the benefit of the doubt, as you do in your personal contact with all humanity. Oh, Doctor Campbell, you are so charitable in your personal relations with men and so uncharitable in much of your preaching!"

This one exclamatory sentence had in it enough of affectionate regard to enable the minister to contain himself a little longer, under the impassioned tide which now flowed again.

"The stage? The stage as an institution?" John appeared to pause and wind himself up. "Why, listen! The stage function is a godlike function. When God created man out of the dust of the ground and breathed into him the breath of life he planted in man's breast also the instinct to create. That instinct is the foundation of all art. Man has always exhibited this passion to create something in his own image. It might be a rude drawing on a rock, or only a manikin sculptured in mud and set in the sun to dry; or it might be a marble of Phidias, with the form, the strength, the spirit of life upon it. The painter can go farther. He gets the color and the very visage of thought and even of emotion. Yet each falls short. There is no God to breathe into their creations the breath of life."

The minister leaned back a little as if to put his understanding more at poise.

"But," continued Hampstead, "the playwright and the actor can go farther. They breathe into their creations that very breath of God himself, which he breathed into man. They make a character real because he is a living man. They put him in the company of other men and women who are as real for the same reason; they toss them all into the sea of life together; the winds of life blow upon them. Hate and love, virtue and vice, hope and despair, weakness and strength, birth and death, work their will upon them."

"That is very beautiful, John," said Doctor Campbell, "very beautiful."

The tribute was sincere, but John was not to be checked even by a compliment.

"The stage creates and recreates," he rushed on. "It can raise the dead. It makes men and women live again—Julius Cæsar and Cleopatra, Napoleon and Dolly Madison. It seizes whole segments out of the circles of past history and sets them down in the midst of to-day, with the glow of life and the sheen of reality over all, so that for an afternoon or a night we live in another continent or another age. We see the life, the customs, the petty quarrels, the sublimer passions, the very pulse-beats of men of other circumstances and other generations than our own, so that when we come out of the theater into the times of to-day, we have actually to wake ourselves up and ask: Which is real, and which is art?"

Doctor Campbell leaned forward now. His mouth was round, his eyes were widely open.

"It is that which gives the stage its dignity and power," concluded John. "It is the highest expression of man's instinct to create a new life in a more ideal Eden than that in which he finds himself. When you condemn the stage you condemn the creative instinct, and," exhorted John, with the sudden sternness of a hairy prophet on his desert rock, "you had better pause to think if you do not condemn Him who planted that instinct in the human breast."

Hampstead had now finished; but the minister was in no hurry to speak. He felt the spell of the picture which had been painted, but he felt still more the spell of the young man's ardent enthusiasm.

"You must have thought that out very carefully, John," he said.

"Brother Campbell!" answered John fervently, "I have done more than think it out. I have felt it out. I propose to live it out!"

But Doctor Campbell had kept his head amid this swirl of words, and his return was quietly forceful.

"The stage of to-day," he began, "as I know it from the newspapers and the billboards, never seemed so vulgar and damnable as it does now after your glorious idealization of it. I, as a preacher of righteousness, must judge of such an institution externally, by its effects. I have weighed the stage in the balance, John, and I have found it wanting."

This time there was something in the minister's calm tone, in the cool detachment of his point of view, that held John silent.

"Isn't it possible," the minister continued, in a kind of sweet reasonableness, "that there is something insidiously demoralizing or infectious about it? Take your own experience, John. You are a Christian man. You have been soaking yourself in the atmosphere of the stage for a couple of weeks. Examine your soul now, and answer me if you are as fine, as pure a man as you were before you went there. Are you?"

"Why, of course I am," ejaculated Hampstead impulsively.

"Think," commanded the minister, in low, compelling tones; for having controlled his emotions the better, he was just now the stronger of the two. "Are you—John?"

Hampstead opened his mouth eagerly, but the minister's repressing gesture would not let him speak. The young man was literally compelled to think, to question his own soul for a moment, and as he searched, a telltale flush came upon his cheek, and then his glance fell. There was an embarrassing moment of silence, during which this flush of mortification deepened perceptibly.

The minister was a wise man. He read the sign and asked no questions. He upbraided nothing, cackled no exultant, "I told you so."

"Let us pray, Brother John," he proposed after the interval, and knelt by his chair with a hand upon Hampstead's shoulder. The prayer was short.

"Oh, Lord," the man of God petitioned, "help us to know where the right stops and the wrong begins. Keep us back from the sin of presumption. Give thy servants wisdom to serve thy cause well and work no ill to it by over-zeal or over-confidence. Amen!"

Doctor Campbell might have been praying for himself. But John knew that this was only a part of his tact.

As the two men rose, John felt a sudden impulse to defend the stage from himself.

"It was my own fault," he urged; "the fault of my own weakness in unaccustomed surroundings. It was not the fault of the surroundings themselves, nor of any other person. Besides, it was nothing very grave."

"Deterioration of character is always grave," said the Reverend Charles Thompson Campbell as he walked to the door with his caller, and the minister's tone intimated his conviction that this particular deterioration had been very grave indeed.

CHAPTER VI

ON TWO FRONTS

There was high commotion in a big front office in the top floor of a tall, gray building that stood in the days before the fire on the corner of Kearney and Market streets in the city of San Francisco. This gray structure housed the general offices of the San Francisco and El Paso Railroad Company, and that big front office contained the desk of the Freight Traffic Manager. Before this desk sat a man with a domed brow and the beak of an eagle, hair gray, eyes piercing, complexion colorless, and a mouth that closed so tightly it was discernible only as a crescent-shaped pucker above his spike-like chin. His mouth at the moment was not a pucker; it was a geyser. The name of this man was William N. Scofield, and he was obviously in a rage. He had grown up with the S.F. & E.P., his brain expanding as it expanded, his power rising as it had risen. Long ago, when the one lone clerk in its little rate department, he had made with his own hands the first of those yellow commodity tariffs that John Hampstead had scorned with objurgations. Now Scofield held in the hand which trembled with his anger the first of that upstart's own contributions to the science of tariff making—not yellow, but white, in token of the clarity it was meant to introduce.

"How did they make it? this—this botch!" he exploded, repeating his interrogation with other embellishing phrases not properly reproducible and then slamming the offending white sheets down hard upon his desk,—much harder than John had slammed the yellow ones,—this impudent, white-livered thing that was an assault upon the customs he, Scofield, had instituted and time itself had honored!

"Telegram!" he barked to his stenographer. "Robert Mitchell, Los Angeles. Insist immediate withdrawal your entire line of commodity tariffs, series J. Basis carried in our own tariffs is only one we will recognize."

Mitchell answered:

"Decline to withdraw; our tariffs issued on actual basis on which charges are assessed."

The fight was on.

Arming himself cap-a-pie with tariffs, amendments, letters, and memoranda, Mitchell two days later followed his telegram to San Francisco. Most of his resources, however, were packed behind the wide, blond brow of John Hampstead, who accompanied his chief and was more eager for the fray than Mitchell. The battle began on Monday morning about ten of the clock, and was not finished with the day. The field of action was a room of this same gray building, where Howison, General Freight Agent of the S.F. & E.P., sat at the end of a long table, flanked right and left by assistant general freight agents, rate clerks, and even general and district freight agents called in from the field, all to convince Robert Mitchell and his lone rate clerk sitting at the other end of the table that their new tariff was a hodgepodge, without practical basis or the show of reason to support it. Scofield himself did not take a seat in the battle line, but looked in occasionally, either to walk about nervously or sit just back of Howison's shoulder.

On the afternoon of the second day, the enemy Traffic Manager appeared to watch Hampstead intently for half an hour. Again and again the keen old fighter saw his allied forces attack, but invariably this self-confident, smiling young man with a ready citation, the upflashing of a yellow "special", the digging out of a letter or a telegram from his file, or occasionally even of an old freight bill issued by the S.F. & E.P. showing exactly what rate had been assessed, triumphantly repelled the assaults, until reverses began to be the order of the day.

"It strikes me," Scofield remarked sarcastically, "that this young man has got us all pretty well buffaloed. The trouble is, Howison," he glowered, "that your Tariff Department needs cleaning out. You've got a lot of old mush heads in there."

With this warning shot into his own ranks, Scofield arose, went discontentedly out, and never once came back. Keener than any of his staff, he had already discerned that defeat was advancing down the road.

But the battle of the tariffs raged on throughout the week, and it was not until late on Saturday afternoon that John, standing in one room of the suite in the Palace Hotel charged to the name of Robert Mitchell, flung the pile of papers from his arms into the bottom of a suitcase with a swish and solid thud of satisfaction. Victory from first to last had perched upon his tawny head. He had met good men and beaten them; and he had a right to the wave of exultation that surged for a moment dizzily through his brain.

Mr. Mitchell, too, was feeling exultant and proud beyond words, as he stood in the door of John's room. His hands were deep in his pockets; his large black derby hat was pushed far back from his bulging brow. On his great landscape of a countenance was an oddly significant expression.

"Well, Jack," he began, after an interval of silence, "what about the stage?"

John started like a man surprised in a guilty act, although he had known for months that this was a question Mr. Mitchell might ask at any moment; but the decision involved seemed now so big that from day to day he had hoped the inevitable might be postponed.

"I shall be naming a new chief clerk in a couple of weeks, now that Heitmuller is to become General Agent," Mr. Mitchell went on half-musingly, and as if to forestall a hasty reply to the question he had asked. "The new man will be in line to be appointed Assistant General Freight Agent very soon, on account of the consolidations."

For a moment John saw himself as Chief Clerk, sitting in the big swivel chair at the high, roll-top desk, with all the strings of the business he knew so well how to pull lying on the table before him; with clerks, stenographers, men from other departments and that important part of the shipping public which carried its business to the general freight office, all running to him.

And from there it was only a short, easy step to the position of Assistant General Freight Agent.

Only the man who has toiled far down in the ranks of a railroad organization doing routine work at the same old desk in the same old way for half a score of years can know on what a dizzy height sits the Chief Clerk, or how far beyond that swings the lofty title of Assistant General Freight Agent.

"Your advancement would be very rapid," suggested Mr. Mitchell, flicking his flies skilfully upon the whirling eddies of the young man's thought.

John had achieved enough and glimpsed enough to see that Mitchell was right. Advancement would be rapid. Mitchell would soon go up the line himself; he could follow him. General Freight Agent, Assistant Traffic Manager, Traffic Manager, Vice-president in charge of traffic—President! with twelve thousand miles of shining steel flowing from his hand, which he might swing and whirl and crack like a whip! The prospect was dazzling in the extreme, and yet it was only for a moment that the picture kindled. In the next it was dead and sparkless as burned-out fireworks.

"You have a strong vein of traffic in your blood," the General Freight Agent began adroitly, but John broke in upon him.

"Mr. Mitchell," he said, and his utterance was grave, "I am sorry to disappoint you, but it comes too late. A year ago such a hint would have thrown me into ecstasies. To-day it leaves me cold. I have had another vision."

The face of Mitchell shaded from seriousness almost to sadness, but he was too wise to increase by argument an ardor about which, to the railroad man, there was something not easy to be understood, something, indeed, almost fanatical. Instead Mitchell asked with sober, interested friendliness:

"What is your plan, John?"

"To resign July first," John answered, for the first time definitely crossing the bridge, "to come to San Francisco and seek an engagement with some of the stock companies playing permanently here, even though I begin the search for an opening without money enough to last more than a week or two."

"Without money!" exclaimed Mr. Mitchell, in surprise.

"Yes," confessed Hampstead, flushing a little. "My salary was not very munificent, you know, and I have usually contrived to get rid of it, frequently before I got the pay check in my hands."

Mr. Mitchell's small, prudent eyes looked disfavor at a spendthrift.

"However," he suggested, "you have only yourself to think of."

"That's another point against me," confessed Hampstead. "I have some one else to look out for. My brother-in-law is an artist, you know, and he has not been very successful yet, so that I hold myself ready to help with my sister and the children if it should ever become necessary."

"That's a handicap," declared Mitchell flatly.

"I won't admit it," said John loyally. "You don't know those children. Tayna's the girl, nearly twelve now, a beauty if her nose is pugged. Such hair and eyes, and such a heart! Dick's the boy, past ten. He's had asthma always, and is about a thousand years old, some ways. But they—"

Hampstead gulped queerly.

"Those two children," he plunged on, "are dearer to me than anything in the whole wide world. You know," and his tone became still more confidential, while his eyes grew moist, "it would only be something that happened to them that would keep me from going on with my stage career."

Mitchell's respect for John was changing oddly to a fatherly feeling. He felt that he was getting acquainted with his clerk for the first time. He resolved that he would not tempt the boy, and that if it became necessary, he would help him. However, before he could express this resolve, if he had intended to express it, the telephone rang.

Hampstead answered it, stammered, faltered, replied: "I will see, sir, and call you in five minutes," hung up the 'phone and turned to confront Mitchell, with a look almost of fright upon his face.

"It's William N. Scofield," he exclaimed. "He wants me to take dinner with him at his club to-night."

A disbelieving smile appeared for a moment on the wide lips of Mitchell; then understanding broke, and his smile was swallowed up in a hearty laugh.

"He wants to offer you a position," Mitchell said, when his exultant cachinnations had ceased. "Look out that he doesn't win you. Scofield is a very persuasive man. He nearly got me once. Besides, he has more to offer you than I have."

Hampstead pressed his hand to his brow. Under his tawny thatch ideas were in a whirl.

"What shall I do?" he asked rather helplessly.

"Stay over," commanded Mitchell unhesitatingly. "Ring up and tell him you'll be there."

"But there's no use, anyway," replied John suddenly, getting back to the main point. "My mind's made up."

"No man's mind is made up when he's going to take dinner on the proposition with William N. Scofield," answered Mitchell oracularly.

"And you?" asked Hampstead, suddenly aware how good a man at heart was Robert Mitchell, and quite unaware that he had seized that gentleman's pudgy right hand and was wringing it in a manner most embarrassing to Mitchell himself. "You—"

But the telephone was tingling impatiently.

"Mr. Scofield wants to know," began a voice.

"Yes, yes, I'll be happy to," interrupted John, not knowing just what tone or form one should take in expressing the necessary amenities to the secretary of a great man.

"Very well. His car will call for you at six-thirty," responded the voice.

But before John could pick up the thread of his unfinished sentence to Mr. Mitchell, a knock sounded at the door, at first soft and cushioned, as if from a gloved hand, then louder and more determined, and repeated with quick impatience.

"Come in," called Mitchell.

The knob turned, and the door swung wide, leaving the panel of white to frame the picture of a woman. She was young, of medium height and appealing roundness, clad from head to foot in a traveling dress of dark green, with a small hat of a shade to match, the chief adornment of which was a red hawk's feather slanting backward at a jaunty angle. A veil enveloped both hat brim and face but was not thick enough to dim the sparkle of bright eyes or the pink flush of dimpled cheeks, much less to conceal two rows of gleaming teeth from between which, after a moment's pause for sensation, burst a ringing cadence of laughter.

"Miss Bessie!" exclaimed John excitedly.

"The very first guess!" declared that young lady, advancing and yielding the doorframe to another figure which filled it so much more completely as to sufficiently explain a more deliberate arrival.

"Mollie!" ejaculated Mitchell, who by this time had turned toward the door. "What in thunder?"

But the General Freight Agent's lines of communication were just then temporarily disconnected by an assault upon his features conducted by Miss Bessie in person. During this interval, Mrs. Mitchell stood placidly surveying the room, and as she took in its air of preparation for immediate departure, a tantalizing smile spread itself on her expansive features.

"Is this an accident or a calamity?" demanded Mitchell, playfully thrusting Bessie aside and advancing to greet his wife.

"Both!" declared that lady, submitting her lips with more of formality than enthusiasm, after which, feeling that sufficient time had elapsed to make an explanation of her sudden appearance not undignified, she proceeded:

"Just one of my whims, Bob! Next week was the spring vacation; no school, and the poor child was pale from overstudy and so anxious about her examinations (Bessie shot a look at Hampstead), that I just made up my mind I'd bring her up here and let her get a good bite of fog and a breath from the Golden Gate."

"Fine idea!" declared Mitchell. "Fine! Now that you've had it," he chuckled, "we'll start home. I'm leaving at eight."

"You are not!" proclaimed Mrs. Mitchell flatly. "You will stay right here for at least three days and do nothing but devote yourself to your child. And to her mother!" she subjoined, as if that were an afterthought; all with a toss of her chin, which, by way of emphasis, held its advanced position for a moment after the speech was done.

"And the business of the company?" Mitchell suggested, with a solicitous air.

"It can wait on me," averred Mrs. Mitchell decisively, taking a turn up and down the room and surveying once more the signs of confusion and of hasty packing. "Many's the time I've waited on it. You can stay, too, John," she said, turning to Hampstead. "I want you to take Bessie to a lot of places Robert and I have been and won't care to visit this time."

"Robert!" and while her eyes turned toward the windows, two of which opened on a view of Market Street, the new commander began a redisposition of forces, "I rather like this suite. Bessie and I will take the corner room. You can take this room and Mr. Hampstead can move across the hall, or anywhere else they can put him."

As an act of possession, Mrs. Mitchell walked to the dresser, took off her hat, stabbed the two pins into it emphatically, and tossed it upon the bed, where it bloomed like a flower-garden in the midst of a desert of papers while she, still standing before the mirror, bestowed a few comfortable pats upon her hair.

"John," Mitchell said jovially, "I know orders from headquarters when I get 'em. You were going to stay over, anyway; but use your own judgment about obeying the instructions you have just received."

"Never had such agreeable instructions in my life," declared Hampstead, turning to Mrs. Mitchell with an elaborately stagy bow, and the natural quotation from Hamlet which leaped to his lips:

"'I shall in all my best obey you, madam.'"

"See that you do," said that lady, not half liking the bow and shooting a glance at Hampstead less cordial than austere. "And by the way," she added, "see that you don't let that stage nonsense carry you much further, young man," with which remark Mrs. Mitchell turned abruptly and gave Hampstead a most complete view of a broad and uncompromising back.

In Mrs. Mitchell's mind a man had much better be a section hand on the Great Southwestern than a fixed star on the drama's milky way.

"By the way, mother," remarked Mr. Mitchell, with the air of one who makes an important revelation, "John is just going out to dine with William N. Scofield."

Mrs. Mitchell turned quickly, and her dark eyes shot a meaningful glance at her husband, while the line of her lower lip first grew full and then protruded. A squeeze of that lip at the moment, Hampstead reflected, would extract something at least as sour as very sour lemon juice.

"Scofield is after him," bragged Mitchell.

"Well, see that he doesn't get him," his wife commanded sternly, and then shifting her somber glance until it rested on John with a look that was near to menace, inquired acridly:

"Young man, you wouldn't be disloyal? You wouldn't sell yourself?" In the second interrogatory her voice had passed from acridity to bitterness, while the eyes bored implacably, till Hampstead at first wriggled, then grew resentful and replied crisply, standing very straight:

"No, Mrs. Mitchell, I would not sell myself!"

"That's right," exclaimed Bessie, stepping impulsively toward John's side. "Do not let her browbeat you. I am sorry to say, Mr. Hampstead, that mother is inclined to be somewhat dictatorial. You see what she does to poor papa!"

"And you see what you do to poor me," exclaimed that worthy lady, turning on her daughter with surprise and injury in her glance and tone,—"dragging me almost out of bed last night to make this foolish trip up here with you. Next week, of all weeks, too, when I wanted to do so many other things."

"Ho! ho!" broke in Mitchell, "so that's the way of it. This trip up here is a scheme of yours," and he turned accusingly upon his daughter, but Bessie smiled and curtseyed, entirely unabashed. "Well, then, I don't guess we'll stay," teased Mitchell. "And I don't suppose you knew a thing about Hampstead's being here. That was all an accident."

"It was not," flashed Bessie. "I did. I haven't seen dear old John for a year. I could go in and have delightful tête-à-têtes with him when he was a stenographer, but out in the Rate Department there are forty prying eyes and men with ears as long as jack-rabbits. He hasn't taken me to a circus or anything for nobody knows how long. You shall give him money for theater tickets, for dinners, for auto rides, for everything nice for three whole days."

Bessie was standing directly in front of her father, her eyes looking up into his, and her two hands patting his generous jowls, as her speech was concluded.

John listened rapturously. This was the old Bessie talking. She had entered the room looking a year older, a year prettier since that day when he wrote the Phroso invitations for her, and had taken on so easily the lacquer and dignity of dresses and of years that he was beginning to feel in awe of her. This speech was a great relief.

Besides, in the whirl of the hour before she came, he had found himself strangely wanting to take counsel with Bessie. The Mitchells had made of him for all these years a convenient caretaker of their daughter. Bessie had made of him a playfellow with whom she took the same liberties as with any other of her father's possessions. This attitude on her part had created the only atmosphere in which Hampstead could have been at ease with her. It had permitted his soul to bask when she was by, but it had done no more. But now, he somehow wanted to confide in Bessie,—not to take her advice for he wasn't going to take anybody's advice; all advice was against him,—but to tell her what he was going to do, because he believed she would listen appreciatingly, if not sympathetically. He felt he needed at least the added support of a neutral mind. He had rejected Mr. Mitchell's proposal, but the glitter of it flashed occasionally. And now he was going to face the resourceful, the ingratiating, the dominating William N. Scofield, and he felt like a man who goes alone to meet his temptation on the mountain top.