Play in Renaissance Italy

Play in Renaissance Italy
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From comic verse to practical jokes, pornography to satire, acting to acrobatics, the Renaissance witnessed the flowering of play in all its forms. In the first wide-ranging and accessible introduction to play in Renaissance Italy, Peter Burke, celebrated historian of the Italian Renaissance, synthesizes over forty years’ research, explores the various forms of play in this period, and offers an overview that reveals the many connections between its different domains. While play could be rough, the Church played an increasing role in determining acceptable and unacceptable forms of play, and, after campaigns against violence and obscenity, much of the licentiousness characteristic of the early Renaissance was tamed. This entertaining study of play reveals much about the culture of Renaissance Italy, and illuminates an essential element in human life.

Оглавление

Peter Burke. Play in Renaissance Italy

CONTENTS

Guide

List of Illustrations

Pages

Dedication

Play in Renaissance Italy

Preface

1 Introduction

What is Play?

The History of the History of Play

2 Fun and Games

Outdoor Games4

Indoor Games

Competition

3 Laughter

Wordplay

Visual Play

Humour in Action

Aggression: The Dark Side of Laughter

4 Play: For and Against

Criticizing Play

Defending Play

The Serio-Comic

5 Who, Where and When?

Professionals

Amateurs

The Clergy at Play

Women at Play13

Child’s Play

Play Groups

Playgrounds

Seasons of Play

Carnival

6 New Trends

The Counter-Reformation Campaign

The Age of the Baroque

Codification and Separation

7 Epilogue: Beyond 1650

The Invention of Leisure

Five Trends

Dramatis Personae

Further Reading

Index. A

B

C

D

E

F

G

H

I

J

L

M

N

O

P

R

S

T

U

V

W

Z

POLITY END USER LICENSE AGREEMENT

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‘Let’s joke, but seriously’ (scherzare, sì, ma seriamente)

In memory of Umberto Eco, playful scholar

.....

In the Middle Ages, only a few of these terms were in use, among them buffone, derisione, diletto, diporto, giocare, ludere, recreazione, solazzo, spasso, svagare (‘to amuse’) and trastullo (‘pleasure’). A witty saying was already described as a motto, while to produce one was known as motteggiare. In the fourteenth century, the writer Giovanni Boccaccio used the words beffa, festevole (‘light-hearted’), piacevole (which meant ‘witty’ as well as ‘courteous’), scherzare, trastullare (‘to deceive’) and trattenimento, (‘entertainment’).

If texts are to be trusted (since they usually lag behind speech), the number of words available to describe forms of play expanded in the fifteenth and sixteenth centuries. In the fifteenth century, we find baia, a synonym for beffa; canzonare (‘to joke’); ciurmare (‘to deceive’); furbo (‘trickster’) – a term still common in Italy, with a positive meaning; ludicro (‘funny’); mottevole (‘witty’); scherzo (‘joke’); stravagante (‘over the top’); and uccellare (‘to fool’).

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