Читать книгу The Three of U.S.: A New Life in New York - Peter Godwin - Страница 13

Friday, 8 May Peter

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It is nearly midnight and I’m in my customary position, slumped at my desk staring out of the window. The meat trucks have just started their deliveries outside, so instead of going to bed and lying awake, fretting about my test results, I am trying to work. Our apartment block is in a supposedly ‘happening’ area called the Meat Packing District, and we are surrounded by giant meat warehouses that supply New York’s restaurants and hotels. Unbeknown to us when we moved in, the Meat Packing District is deserted during the day, beginning its work each night at about midnight, when convoys of huge refrigerated trucks arrive from the Mid-West to unload chilled carcasses of cows, sheep and pigs. These trucks back up into the warehouses emitting a continuous screech of warning beeps, a sound specifically designed to penetrate. And penetrate it does, right through our storm windows and over the roar of the air-conditioner.

So I sit at my desk, trying to work and looking out at the view. It is an interesting view, more interesting than the stale words of my novel. To the north it takes in the illuminated ribbons of traffic of the West Side Highway, busy at any hour; a vast floodlit billboard of the Marlboro cowboy lighting up against a bucolic Montana backdrop; and a large black ‘V’ sign on an orange background, which marks the entrance to the Vault, which bills itself as New York’s favourite S&M club.

Across to the west is the chimneyed husk of the decommissioned Chelsea branch of the New York Sanitation Department, now used as a parking lot for city garbage trucks; a broad band of the Hudson River and the twinkling lights of the condo towers that have recently risen from the New Jersey shoreline. In the strip of wall mirror at right angles to the window, I can see the reflection of the massive mausoleum of the Port Authority Terminal and across to the Empire State Building.

Six floors below me are the uneven Belgian cobbles of Gansevoort Street, which, the real estate agent forgot to mention, is a main night-time drag for transvestite prostitutes. They patrol up and down among the warehouses, conforming precisely to the meat-market metaphor.

All of them are black and tall, even taller as they totter on their high heels up and down the broken sidewalk, sashaying for the headlights of potential customers who drive by, often twice or three times, checking out the goods before pulling over. The deed is usually done right there, behind a skip of offal, under a fire escape or between parked meat-delivery vans. This might obscure them from casual passers-by (there are none), but it leaves them totally exposed to my gaze. Curiosity about the details of who does what to whom has overcome my initial distaste at the scene below and I remain in position, a voyeur from our own home.

It is a strange business. Oral sex plays a prominent role, but so do masturbation and other variations which remain irritatingly just out of sight, behind jiggling bodies. What occurs to me is how brief it is, spectacularly so. I suppose this is because of the furtive nature of the transaction.

Surprisingly soon it has lost its capacity to shock us, it has become mundane, just part of the local scene. We now recognize the different ‘girls’. Tonight I have spotted Ru. We have nicknamed her Ru, partly because she is the most diligent streetwalker, and partly after the black transvestite celebrity Ru Paul, who now has her own television talk show.

We find that we have started to worry about the girls’ safety, fearing that one may be beaten up or killed. We have become invisible guardians, ready to dial 911 at the first sign of trouble. But all goes smoothly; there is a well-worn ritual to the transaction. Even the price appears to be pre-set, with a quick transfer of notes before business is initiated.

Joanna emerges sleepily from the bedroom.

‘What you doing?’ she slurs.

‘Being a peeping Tom,’ I reply dryly.

Just then a yellow cab stops beneath us, and its Sikh driver gets out and walks round to check one of his tyres. He kicks it a couple of times and then has a leisurely piss against the wall. As he is waggling to a finish, Ru strolls nonchalantly past him. We can see them having a conversation, but we cannot hear it. It is very brief, he utters four or five words, and she gives a similarly terse reply.

Then the Sikh reaches out and very deliberately squeezes Ru’s left breast, like a farmer at a livestock market checking the consistency of a dairy cow he’s considering purchasing. He climbs back in his cab and drives away, and Ru continues her lonely patrol. Whatever has occurred was clearly consensual.

‘What do you think they said to each other?’ asks Joanna.

I imagine he asked her, ‘What are they made of?’ or even, ‘Are they real?’

And Ru replied, ‘Check ’em out for yourself, darling. On the house.’

The Three of U.S.: A New Life in New York

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