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CREATIVE & PRODUCTION TEAM

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PHIL PORTER WRITER

Theatre credits include: The Cracks In My Skin (Manchester Royal Exchange, winner of a Bruntwood Prize for Playwriting); Here Lies Mary Spindler (Royal Shakespeare Company/Latitude Festival); Stealing Sweets And Punching People (Theatre503/Off-Broadway) and a translation of Janos Hay’s The Stonewatcher (National Theatre). He has written extensively for young audiences, with original plays including The Flying Machine (Unicorn Theatre) and Smashed Eggs (Pentabus Theatre, winner of the Arts Council Children’s Award) and numerous adaptations. Phil has also written several opera libretti including Doctor Quimpugh’s Compendium Of Peculiar Afflictions (Petersham Playhouse); Skitterbang Island (Polka Theatre/Little Angel Theatre); The Whale Savers (W11 Opera) and Pinocchio (Royal Opera House).

JOE MURPHY DIRECTOR

Joe is the Artistic Director of nabokov. Theatre as Director includes: Symphony (Outdoor Festivals tour); Young Pretender (Edinburgh Festival Fringe and UK tour); Bunny (Edinburgh festival Fringe/UK tour/Soho Theatre/59e59 Brits Off Broadway Season); The Boy on the Swing (Arcola Theatre). Theatre as Associate Director includes: Henry V (Shakespeare’s Globe Theatre); Punk Rock (Lyric Hammersmith/Manchester Royal Exchange/UK tour) and The Laws of War (Royal Court). Theatre as Resident Director includes: Ghost Stories (Duke of York’s, West End). Theatre as Assistant Director includes: Much Ado About Nothing (Shakespeare’s Globe Theatre); The Priory (Royal Court); 2nd May 1997 (Bush Theatre/Manchester Royal Exchange) and The Devil Takes the Hindmost (Allen Holdsworth). Joe is also an Artistic Associate of Soho Theatre.

HANNAH CLARK DESIGNER

Hannah trained in theatre design at Nottingham Trent University and Central School of Speech and Drama. She was a winner of the 2005 Linbury Biennial Prize for stage design. Designs include: Motor Show (Requardt & Rosenberg); And No More Shall We Part (Hampstead Theatre); Angus, Thongs and Even More Snogging (West Yorkshire Playhouse); The God of Soho, As You Like It and A Midsummer Night’s Dream (Shakespeare’s Globe Theatre); Pericles (Open Air Theatre, Regents Park); Episode, Roadkill Café, Pequenas Delicias, and Jammy Dodgers (Frauke Requardt & Company); The Talented Mr Ripley and Under Milk Wood (Northampton Theatre Royal); Behud and Gambling (Soho Theatre); Eigengrau and 2nd May 1997 (Bush Theatre); The Boy on the Swing, Light Shining in Buckinghamshire, Knives in Hens, Thyestes and Torn (Arcola Theatre); Be My Baby (Derby Live); Nocturnal and Big Love (Gate Theatre); nabokov’s Bunny and Terre Haute; Billy Wonderful (Liverpool Everyman); The Snow Queen (West Yorkshire Playhouse); Company and Hortensia and the Museums of Dreams (RADA); Proper Clever (Liverpool Playhouse); Paines Plough’s House of Agnes; Breakfast with Mugabe (Theatre Royal Bath); As You Like It and We That Are Left (Watford Palace Theatre); The Cracks in my Skin and Who’s Afraid of Virginia Woolf? (Manchester Royal Exchange); Othello (Salisbury Playhouse); Wuthering Heights (Aberystwyth Arts Centre & UK tour); Death of a Salesman, What the Butler Saw, Blue/Orange, A View from the Bridge, I Just Stopped By To See The Man, and Two (Bolton Octagon) and The Taming of the Shrew (Bristol Old Vic).

JACK KNOWLES LIGHTING DESIGNER Trained at the Central School of Speech and Drama. Recent credits include: Mark Thomas: Bravo Figaro (Traverse & UK tour); In a Pickle (Royal Shakespeare Company/Oily Cart); Thin Ice (Shams, UK tour); The Riots (Tricycle Theatre); Ring-A-Ding-Ding (Oily Cart/Unicorn Theatre/UK tour); Young Pretender (Watford Palace/UK tour); Victoria (Arts Ed); The Boy on the Swing (Arcola Theatre); Imperial Fizz (Edinburgh Festival Fringe); Room (Tron); One Thousand Paper Cranes (Imaginate Festival); My Name Is Sue (Soho Theatre/UK tour); If That’s All There Is (UK/International tour); Red Sea Fish (59E59 New York); Hanging By A Thread (UK tour); Love’s Labyrinth (Opera Restor’d); The Dragon of Wantley (Potsdam Schloss Theater) and A Guest for Dinner (Arts Depot). Recent Associate credits include: Al Gran Sole CaricoD’Amore (Berlin Staatsoper); The Bomb (Tricycle Theatre); Salt, Root and Roe (Donmar at the Trafalgar Studios); Die Wellen (Waves) (Shauspielhaus Cologne); After Dido (English National Opera/Young Vic); Something in The Air (Oily Cart/UK tour); ...Sisters (Gate Theatre) and How Long is a Piece of String (Oily Cart/UK tour).

ISOBEL WALLER-BRIDGE MUSIC AND SOUND

Music for theatre includes as Composer and Sound Designer: The Girl with the Iron Claws (Soho Theatre); Head/Heart (Tobacco Factory, Bristol); The Bloody Chamber.

As Musical Director: A Christmas Carol (Manchester Library Theatre) and A Woman Killed with Kindness (National Theatre).

As Music Associate, and musician: The Children’s Hour (Comedy Theatre); Tribes (Royal Court); Rocket to the Moon (National Theatre) and Welcome To Thebes (National Theatre).

Music for film, TV and radio includes:

As Composer: The Frozen Planet: Freeze Frames (BBC); Gilead (BBC Radio 3); Physics; Ellie; Disaffected; Beautiful Enough; Hometown and Meeting Mr Tiller.

As Orchestrator/Arranger: The Imposter (Film 4); Life (BBC); Planet Earth Live! (BBC); The Bounty Hunter (Columbia Pictures); Route Irish andThe Day of the Flowers.

JOSH ROCHE

ASSISTANT DESIGNER

Josh Roche is the Resident Assistant Director at Soho Theatre and the Artistic Director of Fat Git Theatre Company (The Nose and Uninvited). He has previously worked in various roles with the Tricycle Theatre, Ian Rickson and Flabbergast Puppetry Company.

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