Читать книгу Ploughing Potter’s Field - Phil Lovesey - Страница 12

Forty-eight hours later, I found myself back in the smoky, pokey office of Dr Stephen Clancy once more. He had in front of him a thin manilla file entitled HMP Oakwood High Security – Graduate Training Programme. My name had been crudely added to the cover.

I had no idea why he’d asked to see me.

‘Come in, sit down,’ he gushed. ‘Glad you could come.’

‘Is there some sort of problem, Steve?’ I asked.

‘Problem? Good heavens, no. Just thought maybe we should have a little chat.’

‘Could’ve used the phone, surely?’

He shifted a little. ‘I wanted to talk face to face, Adrian. Clear the air, perhaps.’

‘Go on.’

He chose his words with care. ‘I gather from speaking with Neil Allen that you expressed some surprise that I kept him so closely informed of our conversations.’

‘I can’t remember saying anything at the time.’

Another long draw on the cigar. ‘He sensed it. He’s a master of body language.’

‘Now that you mention it, I was a little taken aback.’

‘Don’t be. It’s perfectly standard. I’m more or less obliged to report back, so to speak. It’s nothing personal. Just the form.’

‘The form?’

‘Procedure, dear chap. Let’s just say that one has to exercise great caution when allowing research students to meet with inmates. The experience can prove … a little upsetting to those with sensitive dispositions.’

I began putting the pieces together. ‘And neither Oakwood or the university would want any adverse publicity should something go wrong, right?’

He smiled. ‘You probably think we’re all being dreadfully paranoid, but we have good reason. Very occasionally, exposure to Rattigan and his like can have unforeseen consequences. A similar scheme in Cumbria nearly came unstuck two years ago. The student in question, a woman, I believe, jumped from a tower block midway through her thesis researches.’

‘Jesus Christ.’

Fancy held up a hand. ‘Now, I’m not saying there was any connection between her death and the work at the hospital, but it could’ve turned nasty. I mean, for all we know, the woman’s love life was probably in a damn mess.’

‘You’re all heart, aren’t you?’

‘I’m merely saying it doesn’t do to make any assumptions. You only have to cast your mind back to the field day the damn press had with the balls-up at Ashworth to realize the Home Office is rather keen any whiff of scandal emanating from Her Majesty’s secure hospitals is kept to an absolute minimum.’

I well remembered Ashworth, the catalogue of damning allegations made by an inmate concerning visits by children to suspected paedophiles. ‘You say don’t make assumptions, Steve, yet you assume I’m a candidate for the suicide-watch, too?’

He laughed, stubbed out the cigar. ‘Good God, no. It’s simply that I know you far better than Allen does. And if it looks like the pressure’s getting to you, I’m duty-bound to inform the old sod.’ He passed the file over. ‘This is yours. Inside you’ll find a transcript of every interview, together with an assessment of your performance. You can copy all the material inside for use in your thesis should you wish, but you must ensure you return the file for updating at every interview.’

‘Right. Thanks.’

‘Hope you don’t mind, but I’ve taken a peek. Seems you’re still keen Rattigan tells you more about the girl.’ He leant forward. ‘Just don’t pin your hopes on anything.’

‘So everyone keeps telling me.’

‘With good reason. Besides, what if he tells you something astonishing? Could you ever trust him to tell the truth?’

‘He’s sitting on something, Steve. I’m sure he is. He keeps letting things slip.’

‘Maybe he’s doing that deliberately. I suspect you’re legitimate sport as far as he’s concerned. “Fun”, even.’ He stood, made for the door, putting on his overcoat. ‘You still got that Aretha Franklin tape in the car?’

‘Yes?’

‘Grand. Shake a leg. We’re going for a drive. The good Dr Allen’s arranged a little surprise for you and Aretha’s just the dame to serenade us on our journey.’

‘Bingo!’ Fancy exclaimed. ‘We’re here.’

Twenty minutes later we drew up in front of the Essex Police Headquarters, just five hundred yards from Chelmsford Prison, me still none the wiser as to what the hell we were doing there.

Throughout the journey, Fancy had playfully resisted all my questions, until I grew tired of asking. I contented myself with following his occasional directions, trying desperately to ignore his tuneless warblings.

We parked before a huge complex of grey concrete buildings and playing fields. Stepping from the car, I noticed the tired rows of nearby semidetatched houses, looking as if they clung to the place for the security offered by the Essex home of law enforcement.

A group of young recruits struggled to complete the required number of press-ups barked at them by a muscular intructor, and I found myself cringing at the effects institionalized buildings and their occupants had on me. Just like Oakwood, everything had been seemingly designed for the single purpose of intimidation, the faceless architects responsible having no ethical dilemma over form versus function. Likewise the inhabitants themselves, uniformed, regulated, cracked, all empathy syphoned off by the real brains of the machine – ancient laws and flawed systems laid down by our long-dead forefathers. Difficult to believe these men were all cooing babies once.

Fancy spoke as we neared the entrance. ‘DI Russell’s your man. He knows you’re coming.’ He stopped. ‘I’ll maybe catch you for a drink later in the week, eh?’

‘You’re not coming in?’

‘I’m not invited, dear chap.’

‘You’re going to wait out here, then?’

‘Heavens, no. I’ll ring a cab, pop back to the uni. Thanks for the ride. That Aretha’s a gem, isn’t she?’

‘Steve, what’s going on?’

‘You’re here to learn a little more about Rattigan. Allen’s been in touch with the Met; they’ve rushed the stuff up here for your delectation.’

‘What stuff?’

‘The original file you were given was just a taster. Now Allen feels the time’s right for you to know a little more about the kind of man you’re dealing with. A sort of unexpurgated version.’ He looked me straight in the eye. ‘You’re going to find out what he did to that girl. Word for word.’

‘This DI Russell’s going to tell me, is he?’

‘No,’ Fancy replied. ‘Rattigan is.’

I waited ten minutes in reception before I met with DI Russell. Six-two, wiry, regulation haircut, black shoes, grey trousers, white shirt, brown tie, no jacket – introduced himself as Dave, before taking me up to the second floor into a small side office.

Next he brought in a tape recorder and a box of cassettes. ‘Had this sent up from the Met. All the tackle they have on your man Rattigan. Gave it a listen myself last night. Quite a headcase.’

‘He has his moments.’

‘I’m sure he does, sir.’

‘Excuse me,’ I asked a little nervously. ‘Don’t get me wrong but is this normal?’

‘Normal, sir?’ He had a practised way of saying ‘sir’ which ironed all the respect out of the word. I imagined he perfected the technique interviewing suspects. His cold professionalism chilled me.

‘I feel like I’ve been thrown in at the deep-end, rather,’ I said, miserably failing to befriend him with a smile. ‘These tapes, who asked you to get them for me?’

‘Shrink up at Oakwood,’ he confirmed.

‘Dr Allen?’

‘That’s the one. He rang my guv’nors, who put a call through to the boys at the Met. They fished it out and sent it over. Saves you a trip to Scotland Yard, doesn’t it?’

‘Yeah. Thanks.’

‘Pleasure, sir. That answer your question?’

I nodded. ‘Here I was thinking I was a special case.’

‘’Fraid not. Done this sort of thing before for you’ – he savoured the word – ‘students. Part of the data-gathering programme we’re all involved with, constabularies, prisons, judiciary. Lets us have a little peek into these people’s brains, or what’s left of them. Supposed to save us a lot of time when we’re messing around with offender profiling.’ Then he smiled. ‘I think it’s a load of old cobblers myself, but if it keeps the guv’nors happy, then I’m a happy bunny too. I’ll leave you with it. I’m in room nine if you need me.’

He left, barking orders at some poor recruit loitering in the corridor outside. I stared at the small black machine on the desk in front of me, and the box of cassettes, each carefully labelled and dated. Here they were, then, the initial interview tapes taken during Rattigan’s detention immediately after his arrest for the murder of Helen Lewis.

I cleared my throat, before rubbing both sweating palms along the seams of my trousers. Did I really want to hear it, any of it? After all, I’d studied the file, night after night, read the grim criminal history of the man, from petty offender to institutionalized tramp. Knew as much as I needed to know, surely, about that final explosion of unrestrained violence on an innocent young woman. However …

Taking a notepad and pen from my briefcase, I slotted in the first tape and pressed the button marked ‘play’.

A man’s voice, procedural, contained. Introduced himself as DI Shot from Bethnal Green nick, then announced – for the benefit of the tape – that he’s there with his colleague, DS Williams, to interview Frank Rattigan in connection with the murder of Helen Lewis, on the 14th September, 1988.

Enough. I turned the machine off. It was all too real. I suddenly couldn’t bear to hear his voice, his whines, his sickness.

I sat breathless in the tiny room, staring at the tape recorder, wishing I could run, but knowing I had to stay, had to endure it …

Play …

SHOT: Care to tell us, then, Frank? Care to tell us what the bloody hell happened in there?

RATTIGAN: You don’t know?

WILLIAMS: We want to hear it from you.

RATTIGAN: Hear what?

WILLIAMS: For God’s sake! We pick you up in Helen Lewis’s house, and there’s bits of her all over the shop! You topped the poor cow, didn’t you?

RATTIGAN: Why have you got your cock out, Sergeant? I’m not going to suck it, and I know that’s what you want me to –

SHOT: Shut it, Frank! You’re doing yourself no favours. Don’t play games with us, pal.

RATTIGAN (calmly): All I’m asking is that Sergeant Williams puts his penis away.

SHOT (irritated): For the benefit of the tape, Sergeant Williams is fully dressed.

RATTIGAN: He’s playing with it!

WILLIAMS: I’ll start playing with you in a minute, you murdering bast – !

SHOT: OK, Sergeant, that’s enough! (Pause, during which Rattigan is clearly heard sniggering in the background.) Let’s recap a little, shall we? Eleven-twenty this morning, we get call from a Mrs Anne Lewis concerning her daughter. She’s worried, hasn’t been able to contact her all weekend. Apparently the phone’s not working. We decide to investigate. Upon arrival at her address, a uniformed officer gets no response from the front door, so checks round the back. He peers through a set of French windows and sees what he initially suspects is a bloodstained corpse lying on the sofa. It’s you. He calls for backup, which arrives, breaks into the premises, and discovers that you are very much alive. The same, however, could hardly be said of Miss Lewis. With me so far?

RATTIGAN: What more do you need to know? I mean, how fucking dense are you?

SHOT: You’re saying you killed her, are you?

RATTIGAN: You’ve got to be as thick as pigshit to think anything else, right?

SHOT: Just you? On your own, killed Helen Lewis?

RATTIGAN: And the team.

SHOT: Team?

RATTIGAN: Arsenal. Very good, those lads. Very professional. Lot of kicking went on, you see. Took nearly four hours just to get one leg off …

SHOT (sighs): OK. This interview suspended at … two-twelve, p.m. pending psychiatric investigation of the suspect.

There was a twelve-second pause on the tape, before the interview restarted with the same formal introductions. Four hours had elapsed. This time, Rattigan appeared more subdued, and another officer, DCI Moira, had joined the team.

MOIRA: Recognize this, Frank?

RATTIGAN: Envelope.

MOIRA: Want to know what’s in it?

RATTIGAN: Money.

MOIRA: Two out of two, clever boy. Now, before we go any further, would you tell me if you see any one of the officers present with his penis out?

RATTIGAN: You’re starving me!

SHOT: The money. Yours, is it?

RATTIGAN: Friend’s.

SHOT: Looking after it for someone, were you? Lot of loot, Frank. Nearly a grand in there.

WILLIAMS: What friend? Another one of your ‘mates’ from the Arsenal?

RATTIGAN: What’s he talking about? Dickhead!

MOIRA: He wants to know … we all want to know, how a shabby dosser like you ended up with all that cash in your coat pocket.

RATTIGAN: Seems fair.

SHOT: Well?

RATTIGAN: Someone gave it me.

SHOT: Helen Lewis? That what you’re saying, is it, Frank? She give it you, did she? Eventually?

RATTIGAN (laughing): She gave me nothing. But I really gave it to that bitch, didn’t I? Didn’t I, eh? Really gave it to her.

MOIRA: What do you know about her, Frank?

RATTIGAN: I know how her insides work. How they used to.

MOIRA: Why her?

RATTIGAN: Feed me.

MOIRA: Why her!

RATTIGAN (suddenly animated): She was there, right. I’d had a look at her gaff, thought I might pile in there and squat it out for a week or so. Looked like the place was unoccupied. Next I know, the fuckin’ front door’s opening, and the bitch just calmly walks in. No alternative, really. Just went to work on her.

MOIRA: She was an air hostess. Did you know that?

RATTIGAN (angrily): You think I fucking care! You think I give a shit about the stupid tart?

SHOT: What we’re saying, Frank, is that Helen Lewis had a good job. Few bob in the bank. Nice house. You break in, and next we know she’s dead, and you’re found with nearly a grand in cash.

WILLIAMS: You tortured her, didn’t you? Tortured the poor girl so’s she’d tell you where her money was, right? What happened first, Frank? Good-looking girl, she was. Fucked her, did you? Fancied a quickie before you started hunting for the cash?

MOIRA: How long were you in the house?

RATTIGAN: Three days.

MOIRA: During which time you killed her, right?

RATTIGAN: She killed me years ago.

MOIRA: You knew her, then, did you, from years ago? You sought her out?

RATTIGAN: Christ’s sake! You arseholes are so stupid. You don’t get it, do you? I didn’t have to find the bitch. She’s always been around. Smiling at me. Know what I’m saying? (Pause) I mean, it’s no good, is it, eh? To smile like that, and then … do nothing.

SHOT: I don’t know, Frank. Maybe you can tell us what you mean. I’m confused. What makes a smile useless? I don’t have a problem with a pretty woman smiling.

RATTIGAN: It was the first thing that went, you know, her fucking smile. (Laughs) They say, don’t they, ‘Just wipe that smile off your face’? I did the next best thing, didn’t I? Couldn’t be doing with all those screams. Found them, have you, the lips?

SHOT: Not really our job, Frank. We’re looking for something else. The reason. Your motive. You going to tell us?

RATTIGAN (laughs again): What, and end all the fun? Just when we’re all getting on so fucking famously? But from where I am, you clever boys seem to have it all worked out, don’t you? The money, isn’t it? Bit of rape, then I kill her for the cash. Sounds very plausible to me. Highly likely. Hurrah for the police! Trebles all round!

Moira suspends interview.