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Selected Praise for Priscila Uppal’s Works

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Projection: Encounters with My Runaway Mother

“Projection proves to be remarkably free of self-pity … [A] raw, passionate memoir, a fierce exercise in family exorcism.”

— Montreal Gazette

“Uppal is brave … made of sterner stuff than most; an inspiration to messed-up adult children everywhere.”

— Globe and Mail

“[S]uperbly conveyed without any excessive literary artifice … Projection is a book that’s simultaneously cerebral and visceral, and its ardent refusal of any sort of mind-body split — to sacrifice sophistication for sentiment or vice versa — is the sign of an author who has thrown herself wholly into her book.”

— National Post

“Incorporating movie and pop-culture references as storytelling devices is what makes this book truly shine … Above all, Uppal is an impeccable writer, deftly infusing complex scenes and emotions with power and weight … a worthy read.”

— Quill & Quire

“[A] heartbreaking memoir.”

—Toronto Life

“Intimate, sad, probing and self-aware, often very funny logbook of a harrowing encounter.”

— Literary Review of Canada

To Whom It May Concern

“It is to be hoped that Uppal will continue to rival Atwood in productivity and wit. As Shakespeare might have said: Fortune, smile again on lovers of CanLit; grace us with more irresistible stories from Uppal’s unique perspective.”

— Montreal Gazette

“Uppal is a deep thinker, capable of carefully peeling back layer upon layer of the human psyche … makes us laugh and cry long after the last page of the novel has been read.”

— Ottawa Citizen

“Uppal’s writing bursts with humour, plot turns and insights … Uppal should be congratulated for writing one of the most powerful and riskiest scenes in a Canadian novel … [she] reveals herself as a compassionate and perspicacious novelist whose humanity and intelligence cannot be overlooked.”

— Globe and Mail

The Divine Economy of Salvation

“In its confident voice and its unsparing, concisely powerful narrative — like Margaret Laurence at her best — Divine Economy is an impressive debut.”

— Globe and Mail

“A luminous debut … haunting, gripping, and surprisingly nuanced: begins as a simple mystery and turns into a work of great depth and seriousness.”

— Kirkus starred review

The Man Who Loved Cats

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