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BEING THE STORY TOLD BY THE MINOR POET

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He sat reading a magazine. Chancing upon a picture of the bronze Sappho which, if you have luck, you will find in the museum at Naples, he began gazing at it, first casually, then intently, then almost hypnotically. The grand woman's head with its low masses of hair; the nose so high as to be almost Roman, so perfect in chiseling as to be ultra-Greek; the mouth eloquent of divinest passion; the neck, sloping off to strong shoulders and a bust opulent of charm—it shot through him an unwonted thrill. It may have arisen from memories of Lesbos, Mytilene, and the Leucadian Rock. It may have been the direct influence from her peep-hole on Olympus of Sappho's own Aphrodite. Anyhow, he felt the thrill.

Possibly it was some subtle effluence from things nearer and more concrete than either, for as he closed the magazine that he might rarefy and prolong this pulsing wave of poetry by excluding the distracting pages from his sight, his vision, resting for an instant upon the ribbon of grass and flowers flowing back beside the train, swept inboard and was arrested by a modish hat, a pile of ruddy hair, a rosy ear, the creamy back and side of a round neck, and the curve of a cheek. A most interesting phenomenon in wave-interference at once took place. The hypnotic vibrations of the Sapphic thrill were affected by a new series, striking them in like phases. The result was the only possible one. The vibrations went on, in an amplitude increased to the height of their superimposed crests. No wonder things happened: it is a matter of surprise that the very deuce was not to pay.

For the hair combined with the hat in a symmetrical and harmonious whole, in an involved and curvilinear complexity difficult to describe; but the effect is easy to imagine—I hope. The red-brown coils wound in and out under a broad brim which drooped on one side and on the other curled jauntily up, as if consciously recurving from the mass of marvelous bloom and foliage under it. Dark-red tones climbed up to a climax of quivering green and crimson in a natural and, indeed, inevitable inflorescence. But, engrossed by sundry attractive details below it, his attention gave him a concept of the millinery vastly more vague and impressionistic than ours.

The sunburst of hair was one of the details. It radiated from a core of creamy skin from some mystic center concealed under fluffy laciness. The ear, too, claimed minute attention. It was a marvel of curves and sinuosities, ivory here, pearl-pink there, its lines winding down to a dainty lobe lit by a sunset glow, a tiny flame from the lambent furnace of the heart. Cold science avers that these fairy convolutions are designed for the one utilitarian purpose of concentrating the sound-waves for a more efficient impact upon the auditory nerve; but this is crudely false. They are a Cretan labyrinth for the amazing of the fancy that the heart may be drawn after—and they are not without their Minotaur, either!

"Pshaw!" said he to himself. "What nonsense! I'll finish my magazine!"

This good resolution was at once acted upon. He turned his eyes back along the trail by which they had so unwarrantably wandered—along the line of coiffure, window, landscape, page, Sappho; describing almost a complete circle—or quite. As he retraced this path so virtuously, the living picture shifted and threw into the problem—for a problem it had now become—certain new factors which seemed to compel a readjustment of plans. These were a fuller view of the cheek, a half profile of the nose, and just the tiniest tips of the lips and chin. He forgot all about Sappho, but the Sapphic vibrations went on increasingly.

The profile—the new one—was, so far, Greek, also. It was still so averted that there was no danger in amply verifying this conclusion by a prolonged gaze.

No danger?

Foolhardy man, more imminent peril never put on so smooth a front! Read history, rash one, and see thrones toppled over, dungeons filled with pale captives, deep accursed tarns sending up bubbling cries for vengeance, fleets in flames, plains ravaged, city walls beaten down, palaces looted, beauty dragged at the heels of lust, all from such gazes as this of thine. And if you object to history, examine the files of the nearest nisi prius court. It all comes to the same thing.

Would she turn the deeper seduction of those eyes and lips to view? Seemingly not, for with every sway of the car they retreated farther behind the curve of the cheek. This curve was fair and rounded, and for a while it satisfied the inquiry. What if another cheek be pressed against that tinted snowy fullness! And what if that other were the cheek we wot of!

Clearly, said the inward monitor, this will never do! This Sappho-Aphrodite-Sunburst Syndicate must be resisted.

At the same time—the half concealed being traditionally the most potent snare of the devil—would it not be in every way safer, as well as more satisfactory, to have a full view of the face? Were there any truth in the theory of telepathy the thing might be accomplished. A strong and continuous exercise of the will acting upon that other will, and the thing is done.

You see the extent to which the nefarious operations of the syndicate have been pushed? Unaffected by the malign influence of those waves meeting in like phases, he would have felt himself no more at liberty to do this thing than to put his rude hand under the dimpled chin and ravish a look from the violated eyes.

For all that, he found himself fixing his will upon the turning of that head. He fancied he saw a rosier glow in the cheek and ear. Surely this can be no illusion—even the creamy neck glows faintly roseate. And still he sent out, or imagined he sent out, the thought-waves commanding the face to turn. And mingled with it was the sense of battle and the prevision of victory.

Slowly, slowly, like a blossom toward the sun, the head turned, the eyes directed upward, the lips a little apart. The mouth, the chin, the Greek nose, the violet eyes, enthralled him for a moment, and swung back out of sight again. He had won, and, winning, had lost. The neck was rosy now. He felt himself tremble as once more she turned her head until the fringed mystery of those upturned eyes lay open to his gaze, though her glance never really met his. He saw, in one intense, lingering look, the blue irises, the lighter border about the pupils, the wondrous rays emanating from those black, mystic flowers; he saw the fine dilated nostrils, the rosy, perfect lips; he saw the evanescent quiver of allurement at the corners of the mouth, the white teeth just glinting from their warm concealment. He saw—

"Oak Grove! All out for Oak Grove! Remember your umbrellas and parcels!"

Thus the brakeman raucously rescuing the victims of wave-interference. Thus Terminus baffling Aphrodite. Yet not without a struggle do the sea-born goddess and the sea-doomed poet surrender their unaccomplished task. He rose, stepped into the aisle, and passed her; then he turned, looked gravely for a moment into her eyes, and sadly whispered, "Good-by!"

If surprised, she did not show the fact by the slightest start. Soberly she dropped her eyelids, seriously she raised them, and with the manner of one who, breaking intimate converse at the parting-place, bids farewell to a dear companion, she breathed, "Good-by!"

Said the lady who drove him from the station, "My dear, is it a guilty conscience or the fate of the race that makes you so—abstracted?"

"A guilty conscience," he laughed, laying a hand on hers. He looked after the flying train, and smiled, and sighed. "After all," he added, "I believe it's the fate of the race!"

"Is that all?" asked the Hired Man.

The pipes went on glowing and dying like little volcanoes with ephemeral periods of activity and quiescence. The campers rose one by one and went to their tents.

"Wasn't that a curious tale?" asked the Bride when they were alone. "What do you suppose made him think of it as we drove along?"

"Dunno," returned the Groom, kissing the back of her neck. "Don't you think we'd better take the rear seat to-morrow?"

Yellowstone Nights

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