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BOOK II: THE BUSKIN

CHAPTER I. THE TRESPASSERS

Coming presently upon the Redon road, Andre-Louis, obeying instinct rather than reason, turned his face to the south, and plodded wearily and mechanically forward. He had no clear idea of whither he was going, or of whither he should go. All that imported at the moment was to put as great a distance as possible between Gavrillac and himself.

He had a vague, half-formed notion of returning to Nantes; and there, by employing the newly found weapon of his oratory, excite the people into sheltering him as the first victim of the persecution he had foreseen, and against which he had sworn them to take up arms. But the idea was one which he entertained merely as an indefinite possibility upon which he felt no real impulse to act.

Meanwhile he chuckled at the thought of Fresnel as he had last seen him, with his muffled face and glaring eyeballs. "For one who was anything but a man of action," he writes, "I felt that I had acquitted myself none so badly." It is a phrase that recurs at intervals in his sketchy "Confessions." Constantly is he reminding you that he is a man of mental and not physical activities, and apologizing when dire necessity drives him into acts of violence. I suspect this insistence upon his philosophic detachment--for which I confess he had justification enough--to betray his besetting vanity.

With increasing fatigue came depression and self-criticism. He had stupidly overshot his mark in insultingly denouncing M. de Lesdiguieres. "It is much better," he says somewhere, "to be wicked than to be stupid. Most of this world's misery is the fruit not as priests tell us of wickedness, but of stupidity." And we know that of all stupidities he considered anger the most deplorable. Yet he had permitted himself to be angry with a creature like M. de Lesdiguieres--a lackey, a fribble, a nothing, despite his potentialities for evil. He could perfectly have discharged his self-imposed mission without arousing the vindictive resentment of the King's Lieutenant.

He beheld himself vaguely launched upon life with the riding-suit in which he stood, a single louis d'or and a few pieces of silver for all capital, and a knowledge of law which had been inadequate to preserve him from the consequences of infringing it.

He had, in addition--but these things that were to be the real salvation of him he did not reckon--his gift of laughter, sadly repressed of late, and the philosophic outlook and mercurial temperament which are the stock-in-trade of your adventurer in all ages.

Meanwhile he tramped mechanically on through the night, until he felt that he could tramp no more. He had skirted the little township of Guichen, and now within a half-mile of Guignen, and with Gavrillac a good seven miles behind him, his legs refused to carry him any farther.

He was midway across the vast common to the north of Guignen when he came to a halt. He had left the road, and taken heedlessly to the footpath that struck across the waste of indifferent pasture interspersed with clumps of gorse. A stone's throw away on his right the common was bordered by a thorn hedge. Beyond this loomed a tall building which he knew to be an open barn, standing on the edge of a long stretch of meadowland. That dark, silent shadow it may have been that had brought him to a standstill, suggesting shelter to his subconsciousness. A moment he hesitated; then he struck across towards a spot where a gap in the hedge was closed by a five-barred gate. He pushed the gate open, went through the gap, and stood now before the barn. It was as big as a house, yet consisted of no more than a roof carried upon half a dozen tall, brick pillars. But densely packed under that roof was a great stack of hay that promised a warm couch on so cold a night. Stout timbers had been built into the brick pillars, with projecting ends to serve as ladders by which the labourer might climb to pack or withdraw hay. With what little strength remained him, Andre-Louis climbed by one of these and landed safely at the top, where he was forced to kneel, for lack of room to stand upright. Arrived there, he removed his coat and neckcloth, his sodden boots and stockings. Next he cleared a trough for his body, and lying down in it, covered himself to the neck with the hay he had removed. Within five minutes he was lost to all worldly cares and soundly asleep.

When next he awakened, the sun was already high in the heavens, from which he concluded that the morning was well advanced; and this before he realized quite where he was or how he came there. Then to his awakening senses came a drone of voices close at hand, to which at first he paid little heed. He was deliciously refreshed, luxuriously drowsy and luxuriously warm.

But as consciousness and memory grew more full, he raised his head clear of the hay that he might free both ears to listen, his pulses faintly quickened by the nascent fear that those voices might bode him no good. Then he caught the reassuring accents of a woman, musical and silvery, though laden with alarm.

"Ah, mon Dieu, Leandre, let us separate at once. If it should be my father..."

And upon this a man's voice broke in, calm and reassuring:

"No, no, Climene; you are mistaken. There is no one coming. We are quite safe. Why do you start at shadows?"

"Ah, Leandre, if he should find us here together! I tremble at the very thought."

More was not needed to reassure Andre-Louis. He had overheard enough to know that this was but the case of a pair of lovers who, with less to fear of life, were yet--after the manner of their kind--more timid of heart than he. Curiosity drew him from his warm trough to the edge of the hay. Lying prone, he advanced his head and peered down.

In the space of cropped meadow between the barn and the hedge stood a man and a woman, both young. The man was a well-set-up, comely fellow, with a fine head of chestnut hair tied in a queue by a broad bow of black satin. He was dressed with certain tawdry attempts at ostentatious embellishments, which did not prepossess one at first glance in his favour. His coat of a fashionable cut was of faded plum-coloured velvet edged with silver lace, whose glory had long since departed. He affected ruffles, but for want of starch they hung like weeping willows over hands that were fine and delicate. His breeches were of plain black cloth, and his black stockings were of cotton--matters entirely out of harmony with his magnificent coat. His shoes, stout and serviceable, were decked with buckles of cheap, lack-lustre paste. But for his engaging and ingenuous countenance, Andre-Louis must have set him down as a knight of that order which lives dishonestly by its wits. As it was, he suspended judgment whilst pushing investigation further by a study of the girl. At the outset, be it confessed that it was a study that attracted him prodigiously. And this notwithstanding the fact that, bookish and studious as were his ways, and in despite of his years, it was far from his habit to waste consideration on femininity.

The child--she was no more than that, perhaps twenty at the most--possessed, in addition to the allurements of face and shape that went very near perfection, a sparkling vivacity and a grace of movement the like of which Andre-Louis did not remember ever before to have beheld assembled in one person. And her voice too--that musical, silvery voice that had awakened him--possessed in its exquisite modulations an allurement of its own that must have been irresistible, he thought, in the ugliest of her sex. She wore a hooded mantle of green cloth, and the hood being thrown back, her dainty head was all revealed to him. There were glints of gold struck by the morning sun from her light nut-brown hair that hung in a cluster of curls about her oval face. Her complexion was of a delicacy that he could compare only with a rose petal. He could not at that distance discern the colour of her eyes, but he guessed them blue, as he admired the sparkle of them under the fine, dark line of eyebrows.

He could not have told you why, but he was conscious that it aggrieved him to find her so intimate with this pretty young fellow, who was partly clad, as it appeared, in the cast-offs of a nobleman. He could not guess her station, but the speech that reached him was cultured in tone and word. He strained to listen.

"I shall know no peace, Leandre, until we are safely wedded," she was saying. "Not until then shall I count myself beyond his reach. And yet if we marry without his consent, we but make trouble for ourselves, and of gaining his consent I almost despair."

Evidently, thought Andre-Louis, her father was a man of sense, who saw through the shabby finery of M. Leandre, and was not to be dazzled by cheap paste buckles.

"My dear Climene," the young man was answering her, standing squarely before her, and holding both her hands, "you are wrong to despond. If I do not reveal to you all the stratagem that I have prepared to win the consent of your unnatural parent, it is because I am loath to rob you of the pleasure of the surprise that is in store. But place your faith in me, and in that ingenious friend of whom I have spoken, and who should be here at any moment."

The stilted ass! Had he learnt that speech by heart in advance, or was he by nature a pedantic idiot who expressed himself in this set and formal manner? How came so sweet a blossom to waste her perfumes on such a prig? And what a ridiculous name the creature owned!

Thus Andre-Louis to himself from his observatory. Meanwhile, she was speaking.

"That is what my heart desires, Leandre, but I am beset by fears lest your stratagem should be too late. I am to marry this horrible Marquis of Sbrufadelli this very day. He arrives by noon. He comes to sign the contract--to make me the Marchioness of Sbrufadelli. Oh!" It was a cry of pain from that tender young heart. "The very name burns my lips. If it were mine I could never utter it--never! The man is so detestable. Save me, Leandre. Save me! You are my only hope."

Andre-Louis was conscious of a pang of disappointment. She failed to soar to the heights he had expected of her. She was evidently infected by the stilted manner of her ridiculous lover. There was an atrocious lack of sincerity about her words. They touched his mind, but left his heart unmoved. Perhaps this was because of his antipathy to M. Leandre and to the issue involved.

So her father was marrying her to a marquis! That implied birth on her side. And yet she was content to pair off with this dull young adventurer in the tarnished lace! It was, he supposed, the sort of thing to be expected of a sex that all philosophy had taught him to regard as the maddest part of a mad species.

"It shall never be!" M. Leandre was storming passionately. "Never! I swear it!" And he shook his puny fist at the blue vault of heaven--Ajax defying Jupiter. "Ah, but here comes our subtle friend..." (Andre-Louis did not catch the name, M. Leandre having at that moment turned to face the gap in the hedge.) "He will bring us news, I know."

Andre-Louis looked also in the direction of the gap. Through it emerged a lean, slight man in a rusty cloak and a three-cornered hat worn well down over his nose so as to shade his face. And when presently he doffed this hat and made a sweeping bow to the young lovers, Andre-Louis confessed to himself that had he been cursed with such a hangdog countenance he would have worn his hat in precisely such a manner, so as to conceal as much of it as possible. If M. Leandre appeared to be wearing, in part at least, the cast-offs of nobleman, the newcomer appeared to be wearing the cast-offs of M. Leandre. Yet despite his vile clothes and viler face, with its three days' growth of beard, the fellow carried himself with a certain air; he positively strutted as he advanced, and he made a leg in a manner that was courtly and practised.

"Monsieur," said he, with the air of a conspirator, "the time for action has arrived, and so has the Marquis... That is why."

The young lovers sprang apart in consternation; Climene with clasped hands, parted lips, and a bosom that raced distractingly under its white fichu-menteur; M. Leandre agape, the very picture of foolishness and dismay.

Meanwhile the newcomer rattled on. "I was at the inn an hour ago when he descended there, and I studied him attentively whilst he was at breakfast. Having done so, not a single doubt remains me of our success. As for what he looks like, I could entertain you at length upon the fashion in which nature has designed his gross fatuity. But that is no matter. We are concerned with what he is, with the wit of him. And I tell you confidently that I find him so dull and stupid that you may be confident he will tumble headlong into each and all of the traps I have so cunningly prepared for him."

"Tell me, tell me! Speak!" Climene implored him, holding out her hands in a supplication no man of sensibility could have resisted. And then on the instant she caught her breath on a faint scream. "My father!" she exclaimed, turning distractedly from one to the other of those two. "He is coming! We are lost!"

"You must fly, Climene!" said M. Leandre.

"Too late!" she sobbed. "Too late! He is here."

"Calm, mademoiselle, calm!" the subtle friend was urging her. "Keep calm and trust to me. I promise you that all shall be well."

"Oh!" cried M. Leandre, limply. "Say what you will, my friend, this is ruin--the end of all our hopes. Your wits will never extricate us from this. Never!"

Through the gap strode now an enormous man with an inflamed moon face and a great nose, decently dressed after the fashion of a solid bourgeois. There was no mistaking his anger, but the expression that it found was an amazement to Andre-Louis.

"Leandre, you're an imbecile! Too much phlegm, too much phlegm! Your words wouldn't convince a ploughboy! Have you considered what they mean at all? Thus," he cried, and casting his round hat from him in a broad gesture, he took his stand at M. Leandre's side, and repeated the very words that Leandre had lately uttered, what time the three observed him coolly and attentively.

"Oh, say what you will, my friend, this is ruin--the end of all our hopes. Your wits will never extricate us from this. Never!"

A frenzy of despair vibrated in his accents. He swung again to face M. Leandre. "Thus," he bade him contemptuously. "Let the passion of your hopelessness express itself in your voice. Consider that you are not asking Scaramouche here whether he has put a patch in your breeches. You are a despairing lover expressing..."

He checked abruptly, startled. Andre-Louis, suddenly realizing what was afoot, and how duped he had been, had loosed his laughter. The sound of it pealing and booming uncannily under the great roof that so immediately confined him was startling to those below.

The fat man was the first to recover, and he announced it after his own fashion in one of the ready sarcasms in which he habitually dealt.

"Hark!" he cried, "the very gods laugh at you, Leandre." Then he addressed the roof of the barn and its invisible tenant. "Hi! You there!"

Andre-Louis revealed himself by a further protrusion of his tousled head.

"Good-morning," said he, pleasantly. Rising now on his knees, his horizon was suddenly extended to include the broad common beyond the hedge. He beheld there an enormous and very battered travelling chaise, a cart piled up with timbers partly visible under the sheet of oiled canvas that covered them, and a sort of house on wheels equipped with a tin chimney, from which the smoke was slowly curling. Three heavy Flemish horses and a couple of donkeys--all of them hobbled--were contentedly cropping the grass in the neighbourhood of these vehicles. These, had he perceived them sooner, must have given him the clue to the queer scene that had been played under his eyes. Beyond the hedge other figures were moving. Three at that moment came crowding into the gap--a saucy-faced girl with a tip-tilted nose, whom he supposed to be Columbine, the soubrette; a lean, active youngster, who must be the lackey Harlequin; and another rather loutish youth who might be a zany or an apothecary.

All this he took in at a comprehensive glance that consumed no more time than it had taken him to say good-morning. To that good-morning Pantaloon replied in a bellow:

"What the devil are you doing up there?"

"Precisely the same thing that you are doing down there," was the answer. "I am trespassing."

"Eh?" said Pantaloon, and looked at his companions, some of the assurance beaten out of his big red face. Although the thing was one that they did habitually, to hear it called by its proper name was disconcerting.

"Whose land is this?" he asked, with diminishing assurance.

Andre-Louis answered, whilst drawing on his stockings. "I believe it to be the property of the Marquis de La Tour d'Azyr."

"That's a high-sounding name. Is the gentleman severe?"

"The gentleman," said Andre-Louis, "is the devil; or rather, I should prefer to say upon reflection, that the devil is a gentleman by comparison.

"And yet," interposed the villainous-looking fellow who played Scaramouche, "by your own confessing you don't hesitate, yourself, to trespass upon his property."

"Ah, but then, you see, I am a lawyer. And lawyers are notoriously unable to observe the law, just as actors are notoriously unable to act. Moreover, sir, Nature imposes her limits upon us, and Nature conquers respect for law as she conquers all else. Nature conquered me last night when I had got as far as this. And so I slept here without regard for the very high and puissant Marquis de La Tour d'Azyr. At the same time, M. Scaramouche, you'll observe that I did not flaunt my trespass quite as openly as you and your companions."

Having donned his boots, Andre-Louis came nimbly to the ground in his shirt-sleeves, his riding-coat over his arm. As he stood there to don it, the little cunning eyes of the heavy father conned him in detail. Observing that his clothes, if plain, were of a good fashion, that his shirt was of fine cambric, and that he expressed himself like a man of culture, such as he claimed to be, M. Pantaloon was disposed to be civil.

"I am very grateful to you for the warning, sir..." he was beginning.

"Act upon it, my friend. The gardes-champetres of M. d'Azyr have orders to fire on trespassers. Imitate me, and decamp."

They followed him upon the instant through that gap in the hedge to the encampment on the common. There Andre-Louis took his leave of them. But as he was turning away he perceived a young man of the company performing his morning toilet at a bucket placed upon one of the wooden steps at the tail of the house on wheels. A moment he hesitated, then he turned frankly to M. Pantaloon, who was still at his elbow.

"If it were not unconscionable to encroach so far upon your hospitality, monsieur," said he, "I would beg leave to imitate that very excellent young gentleman before I leave you."

"But, my dear sir!" Good-nature oozed out of every pore of the fat body of the master player. "It is nothing at all. But, by all means. Rhodomont will provide what you require. He is the dandy of the company in real life, though a fire-eater on the stage. Hi, Rhodomont!"

The young ablutionist straightened his long body from the right angle in which it had been bent over the bucket, and looked out through a foam of soapsuds. Pantaloon issued an order, and Rhodomont, who was indeed as gentle and amiable off the stage as he was formidable and terrible upon it, made the stranger free of the bucket in the friendliest manner.

So Andre-Louis once more removed his neckcloth and his coat, and rolled up the sleeves of his fine shirt, whilst Rhodomont procured him soap, a towel, and presently a broken comb, and even a greasy hair-ribbon, in case the gentleman should have lost his own. This last Andre-Louis declined, but the comb he gratefully accepted, and having presently washed himself clean, stood, with the towel flung over his left shoulder, restoring order to his dishevelled locks before a broken piece of mirror affixed to the door of the travelling house.

He was standing thus, what time the gentle Rhodomont babbled aimlessly at his side when his ears caught the sound of hooves. He looked over his shoulder carelessly, and then stood frozen, with uplifted comb and loosened mouth. Away across the common, on the road that bordered it, he beheld a party of seven horsemen in the blue coats with red facings of the marechaussee.

Not for a moment did he doubt what was the quarry of this prowling gendarmerie. It was as if the chill shadow of the gallows had fallen suddenly upon him.

And then the troop halted, abreast with them, and the sergeant leading it sent his bawling voice across the common.

"Hi, there! Hi!" His tone rang with menace.

Every member of the company--and there were some twelve in all--stood at gaze. Pantaloon advanced a step or two, stalking, his head thrown back, his manner that of a King's Lieutenant.

"Now, what the devil's this?" quoth he, but whether of Fate or Heaven or the sergeant, was not clear.

There was a brief colloquy among the horsemen, then they came trotting across the common straight towards the players' encampment.

Andre-Louis had remained standing at the tail of the travelling house. He was still passing the comb through his straggling hair, but mechanically and unconsciously. His mind was all intent upon the advancing troop, his wits alert and gathered together for a leap in whatever direction should be indicated.

Still in the distance, but evidently impatient, the sergeant bawled a question.

"Who gave you leave to encamp here?"

It was a question that reassured Andre-Louis not at all. He was not deceived by it into supposing or even hoping that the business of these men was merely to round up vagrants and trespassers. That was no part of their real duty; it was something done in passing--done, perhaps, in the hope of levying a tax of their own. It was very long odds that they were from Rennes, and that their real business was the hunting down of a young lawyer charged with sedition. Meanwhile Pantaloon was shouting back.

"Who gave us leave, do you say? What leave? This is communal land, free to all."

The sergeant laughed unpleasantly, and came on, his troop following.

"There is," said a voice at Pantaloon's elbow, "no such thing as communal land in the proper sense in all M. de La Tour d'Azyr's vast domain. This is a terre censive, and his bailiffs collect his dues from all who send their beasts to graze here."

Pantaloon turned to behold at his side Andre-Louis in his shirt-sleeves, and without a neckcloth, the towel still trailing over his left shoulder, a comb in his hand, his hair half dressed.

"God of God!" swore Pantaloon. "But it is an ogre, this Marquis de La Tour d'Azyr!"

"I have told you already what I think of him," said Andre-Louis. "As for these fellows you had better let me deal with them. I have experience of their kind." And without waiting for Pantaloon's consent, Andre-Louis stepped forward to meet the advancing men of the marechaussee. He had realized that here boldness alone could save him.

When a moment later the sergeant pulled up his horse alongside of this half-dressed young man, Andre-Louis combed his hair what time he looked up with a half smile, intended to be friendly, ingenuous, and disarming.

In spite of it the sergeant hailed him gruffly: "Are you the leader of this troop of vagabonds?"

"Yes... that is to say, my father, there, is really the leader." And he jerked a thumb in the direction of M. Pantaloon, who stood at gaze out of earshot in the background. "What is your pleasure, captain?"

"My pleasure is to tell you that you are very likely to be gaoled for this, all the pack of you." His voice was loud and bullying. It carried across the common to the ears of every member of the company, and brought them all to stricken attention where they stood. The lot of strolling players was hard enough without the addition of gaolings.

"But how so, my captain? This is communal land free to all."

"It is nothing of the kind."

"Where are the fences?" quoth Andre-Louis, waving the hand that held the comb, as if to indicate the openness of the place.

"Fences!" snorted the sergeant. "What have fences to do with the matter? This is terre censive. There is no grazing here save by payment of dues to the Marquis de La Tour d'Azyr."

"But we are not grazing," quoth the innocent Andre-Louis.

"To the devil with you, zany! You are not grazing! But your beasts are grazing!"

"They eat so little," Andre-Louis apologized, and again essayed his ingratiating smile.

The sergeant grew more terrible than ever. "That is not the point. The point is that you are committing what amounts to a theft, and there's the gaol for thieves."

"Technically, I suppose you are right," sighed Andre-Louis, and fell to combing his hair again, still looking up into the sergeant's face. "But we have sinned in ignorance. We are grateful to you for the warning." He passed the comb into his left hand, and with his right fumbled in his breeches' pocket, whence there came a faint jingle of coins. "We are desolated to have brought you out of your way. Perhaps for their trouble your men would honour us by stopping at the next inn to drink the health of... of this M. de La Tour d' Azyr, or any other health that they think proper."

Some of the clouds lifted from the sergeant's brow. But not yet all.

"Well, well," said he, gruffly. "But you must decamp, you understand." He leaned from the saddle to bring his recipient hand to a convenient distance. Andre-Louis placed in it a three-livre piece.

"In half an hour," said Andre-Louis.

"Why in half an hour? Why not at once?"

"Oh, but time to break our fast."

They looked at each other. The sergeant next considered the broad piece of silver in his palm. Then at last his features relaxed from their sternness.

"After all," said he, "it is none of our business to play the tipstaves for M. de La Tour d'Azyr. We are of the marechaussee from Rennes." Andre-Louis' eyelids played him false by flickering. "But if you linger, look out for the gardes-champetres of the Marquis. You'll find them not at all accommodating. Well, well--a good appetite to you, monsieur," said he, in valediction.

"A pleasant ride, my captain," answered Andre-Louis.

The sergeant wheeled his horse about, his troop wheeled with him. They were starting off, when he reined up again.

"You, monsieur!" he called over his shoulder. In a bound Andre-Louis was beside his stirrup. "We are in quest of a scoundrel named Andre-Louis Moreau, from Gavrillac, a fugitive from justice wanted for the gallows on a matter of sedition. You've seen nothing, I suppose, of a man whose movements seemed to you suspicious?"

"Indeed, we have," said Andre-Louis, very boldly, his face eager with consciousness of the ability to oblige.

"You have?" cried the sergeant, in a ringing voice. "Where? When?"

"Yesterday evening in the neighbourhood of Guignen..."

"Yes, yes," the sergeant felt himself hot upon the trail.

"There was a fellow who seemed very fearful of being recognized ... a man of fifty or thereabouts..."

"Fifty!" cried the sergeant, and his face fell. "Bah! This man of ours is no older than yourself, a thin wisp of a fellow of about your own height and of black hair, just like your own, by the description. Keep a lookout on your travels, master player. The King's Lieutenant in Rennes has sent us word this morning that he will pay ten louis to any one giving information that will lead to this scoundrel's arrest. So there's ten louis to be earned by keeping your eyes open, and sending word to the nearest justices. It would be a fine windfall for you, that."

"A fine windfall, indeed, captain," answered Andre-Louis, laughing.

But the sergeant had touched his horse with the spur, and was already trotting off in the wake of his men. Andre-Louis continued to laugh, quite silently, as he sometimes did when the humour of a jest was peculiarly keen.

Then he turned slowly about, and came back towards Pantaloon and the rest of the company, who were now all grouped together, at gaze.

Pantaloon advanced to meet him with both hands out-held. For a moment Andre-Louis thought he was about to be embraced.

"We hail you our saviour!" the big man declaimed. "Already the shadow of the gaol was creeping over us, chilling us to the very marrow. For though we be poor, yet are we all honest folk and not one of us has ever suffered the indignity of prison. Nor is there one of us would survive it. But for you, my friend, it might have happened. What magic did you work?"

"The magic that is to be worked in France with a King's portrait. The French are a very loyal nation, as you will have observed. They love their King--and his portrait even better than himself, especially when it is wrought in gold. But even in silver it is respected. The sergeant was so overcome by the sight of that noble visage--on a three-livre piece--that his anger vanished, and he has gone his ways leaving us to depart in peace."

"Ah, true! He said we must decamp. About it, my lads! Come, come..."

"But not until after breakfast," said Andre-Louis. "A half-hour for breakfast was conceded us by that loyal fellow, so deeply was he touched. True, he spoke of possible gardes-champetres. But he knows as well as I do that they are not seriously to be feared, and that if they came, again the King's portrait--wrought in copper this time--would produce the same melting effect upon them. So, my dear M. Pantaloon, break your fast at your ease. I can smell your cooking from here, and from the smell I argue that there is no need to wish you a good appetite."

"My friend, my saviour!" Pantaloon flung a great arm about the young man's shoulders. "You shall stay to breakfast with us."

"I confess to a hope that you would ask me," said Andre-Louis.

CHAPTER II. THE SERVICE OF THESPIS

They were, thought Andre-Louis, as he sat down to breakfast with them behind the itinerant house, in the bright sunshine that tempered the cold breath of that November morning, an odd and yet an attractive crew. An air of gaiety pervaded them. They affected to have no cares, and made merry over the trials and tribulations of their nomadic life. They were curiously, yet amiably, artificial; histrionic in their manner of discharging the most commonplace of functions; exaggerated in their gestures; stilted and affected in their speech. They seemed, indeed, to belong to a world apart, a world of unreality which became real only on the planks of their stage, in the glare of their footlights. Good-fellowship bound them one to another; and Andre-Louis reflected cynically that this harmony amongst them might be the cause of their apparent unreality. In the real world, greedy striving and the emulation of acquisitiveness preclude such amity as was present here.

They numbered exactly eleven, three women and eight men; and they addressed each other by their stage names: names which denoted their several types, and never--or only very slightly--varied, no matter what might be the play that they performed.

"We are," Pantaloon informed him, "one of those few remaining staunch bands of real players, who uphold the traditions of the old Italian Commedia dell' Arte. Not for us to vex our memories and stultify our wit with the stilted phrases that are the fruit of a wretched author's lucubrations. Each of us is in detail his own author in a measure as he develops the part assigned to him. We are improvisers--improvisers of the old and noble Italian school."

"I had guessed as much," said Andre-Louis, "when I discovered you rehearsing your improvisations."

Pantaloon frowned.

"I have observed, young sir, that your humour inclines to the pungent, not to say the acrid. It is very well. It is I suppose, the humour that should go with such a countenance. But it may lead you astray, as in this instance. That rehearsal--a most unusual thing with us--was necessitated by the histrionic rawness of our Leandre. We are seeking to inculcate into him by training an art with which Nature neglected to endow him against his present needs. Should he continue to fail in doing justice to our schooling... But we will not disturb our present harmony with the unpleasant anticipation of misfortunes which we still hope to avert. We love our Leandre, for all his faults. Let me make you acquainted with our company."

And he proceeded to introduction in detail. He pointed out the long and amiable Rhodomont, whom Andre-Louis already knew.

"His length of limb and hooked nose were his superficial qualifications to play roaring captains," Pantaloon explained. "His lungs have justified our choice. You should hear him roar. At first we called him Spavento or Epouvapte. But that was unworthy of so great an artist. Not since the superb Mondor amazed the world has so thrasonical a bully been seen upon the stage. So we conferred upon him the name of Rhodomont that Mondor made famous; and I give you my word, as an actor and a gentleman--for I am a gentleman, monsieur, or was--that he has justified us."

His little eyes beamed in his great swollen face as he turned their gaze upon the object of his encomium. The terrible Rhodomont, confused by so much praise, blushed like a schoolgirl as he met the solemn scrutiny of Andre-Louis.

"Then here we have Scaramouche, whom also you already know. Sometimes he is Scapin and sometimes Coviello, but in the main Scaramouche, to which let me tell you he is best suited--sometimes too well suited, I think. For he is Scaramouche not only on the stage, but also in the world. He has a gift of sly intrigue, an art of setting folk by the ears, combined with an impudent aggressiveness upon occasion when he considers himself safe from reprisals. He is Scaramouche, the little skirmisher, to the very life. I could say more. But I am by disposition charitable and loving to all mankind."

"As the priest said when he kissed the serving-wench," snarled Scaramouche, and went on eating.

"His humour, like your own, you will observe, is acrid," said Pantaloon. He passed on. "Then that rascal with the lumpy nose and the grinning bucolic countenance is, of course, Pierrot. Could he be aught else?"

"I could play lovers a deal better," said the rustic cherub.

"That is the delusion proper to Pierrot," said Pantaloon, contemptuously. "This heavy, beetle-browed ruffian, who has grown old in sin, and whose appetite increases with his years, is Polichinelle. Each one, as you perceive, is designed by Nature for the part he plays. This nimble, freckled jackanapes is Harlequin; not your spangled Harlequin into which modern degeneracy has debased that first-born of Momus, but the genuine original zany of the Commedia, ragged and patched, an impudent, cowardly, blackguardly clown."

"Each one of us, as you perceive," said Harlequin, mimicking the leader of the troupe, "is designed by Nature for the part he plays."

"Physically, my friend, physically only, else we should not have so much trouble in teaching this beautiful Leandre to become a lover. Then we have Pasquariel here, who is sometimes an apothecary, sometimes a notary, sometimes a lackey--an amiable, accommodating fellow. He is also an excellent cook, being a child of Italy, that land of gluttons. And finally, you have myself, who as the father of the company very properly play as Pantaloon the roles of father. Sometimes, it is true, I am a deluded husband, and sometimes an ignorant, self-sufficient doctor. But it is rarely that I find it necessary to call myself other than Pantaloon. For the rest, I am the only one who has a name--a real name. It is Binet, monsieur.

"And now for the ladies... First in order of seniority we have Madame there." He waved one of his great hands towards a buxom, smiling blonde of five-and-forty, who was seated on the lowest of the steps of the travelling house. "She is our Duegne, or Mother, or Nurse, as the case requires. She is known quite simply and royally as Madame. If she ever had a name in the world, she has long since forgotten it, which is perhaps as well. Then we have this pert jade with the tip-tilted nose and the wide mouth, who is of course our soubrette Columbine, and lastly, my daughter Climene, an amoureuse of talents not to be matched outside the Comedie Francaise, of which she has the bad taste to aspire to become a member."

The lovely Climene--and lovely indeed she was--tossed her nut-brown curls and laughed as she looked across at Andre-Louis. Her eyes, he had perceived by now, were not blue, but hazel.

"Do not believe him, monsieur. Here I am queen, and I prefer to be queen here rather than a slave in Paris."

"Mademoiselle," said Andre-Louis, quite solemnly, "will be queen wherever she condescends to reign."

Her only answer was a timid--timid and yet alluring--glance from under fluttering lids. Meanwhile her father was bawling at the comely young man who played lovers--"You hear, Leandre! That is the sort of speech you should practise."

Leandre raised languid eyebrows. "That?" quoth he, and shrugged. "The merest commonplace."

Andre-Louis laughed approval. "M. Leandre is of a readier wit than you concede. There is subtlety in pronouncing it a commonplace to call Mlle. Climene a queen."

Some laughed, M. Binet amongst them, with good-humoured mockery.

"You think he has the wit to mean it thus? Bah! His subtleties are all unconscious."

The conversation becoming general, Andre-Louis soon learnt what yet there was to learn of this strolling band. They were on their way to Guichen, where they hoped to prosper at the fair that was to open on Monday next. They would make their triumphal entry into the town at noon, and setting up their stage in the old market, they would give their first performance that same Saturday night, in a new canevas--or scenario--of M. Binet's own, which should set the rustics gaping. And then M. Binet fetched a sigh, and addressed himself to the elderly, swarthy, beetle-browed Polichinelle, who sat on his left.

"But we shall miss Felicien," said he. "Indeed, I do not know what we shall do without him."

"Oh, we shall contrive," said Polichinelle, with his mouth full.

"So you always say, whatever happens, knowing that in any case the contriving will not fall upon yourself."

"He should not be difficult to replace," said Harlequin.

"True, if we were in a civilized land. But where among the rustics of Brittany are we to find a fellow of even his poor parts?" M. Binet turned to Andre-Louis. "He was our property-man, our machinist, our stage-carpenter, our man of affairs, and occasionally he acted."

"The part of Figaro, I presume," said Andre-Louis, which elicited a laugh.

"So you are acquainted with Beaumarchais!" Binet eyed the young man with fresh interest.

"He is tolerably well known, I think."

"In Paris, to be sure. But I had not dreamt his fame had reached the wilds of Brittany."

"But then I was some years in Paris--at the Lycee of Louis le Grand. It was there I made acquaintance with his work."

"A dangerous man," said Polichinelle, sententiously.

"Indeed, and you are right," Pantaloon agreed. "Clever--I do not deny him that, although myself I find little use for authors. But of a sinister cleverness responsible for the dissemination of many of these subversive new ideas. I think such writers should be suppressed."

"M. de La Tour d'Azyr would probably agree with you--the gentleman who by the simple exertion of his will turns this communal land into his own property." And Andre-Louis drained his cup, which had been filled with the poor vin gris that was the players' drink.

It was a remark that might have precipitated an argument had it not also reminded M. Binet of the terms on which they were encamped there, and of the fact that the half-hour was more than past. In a moment he was on his feet, leaping up with an agility surprising in so corpulent a man, issuing his commands like a marshal on a field of battle.

"Come, come, my lads! Are we to sit guzzling here all day? Time flees, and there's a deal to be done if we are to make our entry into Guichen at noon. Go, get you dressed. We strike camp in twenty minutes. Bestir, ladies! To your chaise, and see that you contrive to look your best. Soon the eyes of Guichen will be upon you, and the condition of your interior to-morrow will depend upon the impression made by your exterior to-day. Away! Away!"

The implicit obedience this autocrat commanded set them in a whirl. Baskets and boxes were dragged forth to receive the platters and remains of their meagre feast. In an instant the ground was cleared, and the three ladies had taken their departure to the chaise, which was set apart for their use. The men were already climbing into the house on wheels, when Binet turned to Andre-Louis.

"We part here, sir," said he, dramatically, "the richer by your acquaintance; your debtors and your friends." He put forth his podgy hand.

Slowly Andre-Louis took it in his own. He had been thinking swiftly in the last few moments. And remembering the safety he had found from his pursuers in the bosom of this company, it occurred to him that nowhere could he be better hidden for the present, until the quest for him should have died down.

"Sir," he said, "the indebtedness is on my side. It is not every day one has the felicity to sit down with so illustrious and engaging a company."

Binet's little eyes peered suspiciously at the young man, in quest of irony. He found nothing but candour and simple good faith.

"I part from you reluctantly," Andre-Louis continued. "The more reluctantly since I do not perceive the absolute necessity for parting."

"How?" quoth Binet, frowning, and slowly withdrawing the hand which the other had already retained rather longer than was necessary.

"Thus," Andre-Louis explained himself. "You may set me down as a sort of knight of rueful countenance in quest of adventure, with no fixed purpose in life at present. You will not marvel that what I have seen of yourself and your distinguished troupe should inspire me to desire your better acquaintance. On your side you tell me that you are in need of some one to replace your Figaro--your Felicien, I think you called him. Whilst it may be presumptuous of me to hope that I could discharge an office so varied and so onerous..."

"You are indulging that acrid humour of yours again, my friend," Binet interrupted him. "Excepting for that," he added, slowly, meditatively, his little eyes screwed up, "we might discuss this proposal that you seem to be making."

"Alas! we can except nothing. If you take me, you take me as I am. What else is possible? As for this humour--such as it is--which you decry, you might turn it to profitable account."

"How so?"

"In several ways. I might, for instance, teach Leandre to make love."

Pantaloon burst into laughter. "You do not lack confidence in your powers. Modesty does not afflict you."

"Therefore I evince the first quality necessary in an actor."

"Can you act?"

"Upon occasion, I think," said Andre-Louis, his thoughts upon his performance at Rennes and Nantes, and wondering when in all his histrionic career Pantaloon's improvisations had so rent the heart of mobs.

M. Binet was musing. "Do you know much of the theatre?" quoth he.

"Everything," said Andre-Louis.

"I said that modesty will prove no obstacle in your career."

"But consider. I know the work of Beaumarchais, Eglantine, Mercier, Chenier, and many others of our contemporaries. Then I have read, of course, Moliere, Racine, Corneille, besides many other lesser French writers. Of foreign authors, I am intimate with the works of Gozzi, Goldoni, Guarini, Bibbiena, Machiavelli, Secchi, Tasso, Ariosto, and Fedini. Whilst of those of antiquity I know most of the work of Euripides, Aristophanes, Terence, Plautus..."

"Enough!" roared Pantaloon.

"I am not nearly through with my list," said Andre-Louis.

"You may keep the rest for another day. In Heaven's name, what can have induced you to read so many dramatic authors?"

"In my humble way I am a student of man, and some years ago I made the discovery that he is most intimately to be studied in the reflections of him provided for the theatre."

"That is a very original and profound discovery," said Pantaloon, quite seriously. "It had never occurred to me. Yet is it true. Sir, it is a truth that dignifies our art. You are a man of parts, that is clear to me. It has been clear since first I met you. I can read a man. I knew you from the moment that you said 'good-morning.' Tell me, now: Do you think you could assist me upon occasion in the preparation of a scenario? My mind, fully engaged as it is with a thousand details of organization, is not always as clear as I would have it for such work. Could you assist me there, do you think?"

"I am quite sure I could."

"Hum, yes. I was sure you would be. The other duties that were Felicien's you would soon learn. Well, well, if you are willing, you may come along with us. You'd want some salary, I suppose?"

"If it is usual," said Andre-Louis.

"What should you say to ten livres a month?"

"I should say that it isn't exactly the riches of Peru."

"I might go as far as fifteen," said Binet, reluctantly. "But times are bad."

"I'll make them better for you."

"I've no doubt you believe it. Then we understand each other?"

"Perfectly," said Andre-Louis, dryly, and was thus committed to the service of Thespis.

CHAPTER II. THE COMIC MUSE

The company's entrance into the township of Guichen, if not exactly triumphal, as Binet had expressed the desire that it should be, was at least sufficiently startling and cacophonous to set the rustics gaping. To them these fantastic creatures appeared--as indeed they were--beings from another world.

First went the great travelling chaise, creaking and groaning on its way, drawn by two of the Flemish horses. It was Pantaloon who drove it, an obese and massive Pantaloon in a tight-fitting suit of scarlet under a long brown bed-gown, his countenance adorned by a colossal cardboard nose. Beside him on the box sat Pierrot in a white smock, with sleeves that completely covered his hands, loose white trousers, and a black skull-cap. He had whitened his face with flour, and he made hideous noises with a trumpet.

On the roof of the coach were assembled Polichinelle, Scaramouche, Harlequin, and Pasquariel. Polichinelle in black and white, his doublet cut in the fashion of a century ago, with humps before and behind, a white frill round his neck and a black mask upon the upper half of his face, stood in the middle, his feet planted wide to steady him, solemnly and viciously banging a big drum. The other three were seated each at one of the corners of the roof, their legs dangling over. Scaramouche, all in black in the Spanish fashion of the seventeenth century, his face adorned with a pair of mostachios, jangled a guitar discordantly. Harlequin, ragged and patched in every colour of the rainbow, with his leather girdle and sword of lath, the upper half of his face smeared in soot, clashed a pair of cymbals intermittently. Pasquariel, as an apothecary in skull-cap and white apron, excited the hilarity of the onlookers by his enormous tin clyster, which emitted when pumped a dolorous squeak.

Within the chaise itself, but showing themselves freely at the windows, and exchanging quips with the townsfolk, sat the three ladies of the company. Climene, the amoureuse, beautifully gowned in flowered satin, her own clustering ringlets concealed under a pumpkin-shaped wig, looked so much the lady of fashion that you might have wondered what she was dong in that fantastic rabble. Madame, as the mother, was also dressed with splendour, but exaggerated to achieve the ridiculous. Her headdress was a monstrous structure adorned with flowers, and superimposed by little ostrich plumes. Columbine sat facing them, her back to the horses, falsely demure, in milkmaid bonnet of white muslin, and a striped gown of green and blue.

The marvel was that the old chaise, which in its halcyon days may have served to carry some dignitary of the Church, did not founder instead of merely groaning under that excessive and ribald load.

Next came the house on wheels, led by the long, lean Rhodomont, who had daubed his face red, and increased the terror of it by a pair of formidable mostachios. He was in long thigh-boots and leather jerkin, trailing an enormous sword from a crimson baldrick. He wore a broad felt hat with a draggled feather, and as he advanced he raised his great voice and roared out defiance, and threats of blood-curdling butchery to be performed upon all and sundry. On the roof of this vehicle sat Leandre alone. He was in blue satin, with ruffles, small sword, powdered hair, patches and spy-glass, and red-heeled shoes: the complete courtier, looking very handsome. The women of Guichen ogled him coquettishly. He took the ogling as a proper tribute to his personal endowments, and returned it with interest. Like Climene, he looked out of place amid the bandits who composed the remainder of the company.

Bringing up the rear came Andre-Louis leading the two donkeys that dragged the property-cart. He had insisted upon assuming a false nose, representing as for embellishment that which he intended for disguise. For the rest, he had retained his own garments. No one paid any attention to him as he trudged along beside his donkeys, an insignificant rear guard, which he was well content to be.

They made the tour of the town, in which the activity was already above the normal in preparation for next week's fair. At intervals they halted, the cacophony would cease abruptly, and Polichinelle would announce in a stentorian voice that at five o'clock that evening in the old market, M. Binet's famous company of improvisers would perform a new comedy in four acts entitled, "The Heartless Father."

Thus at last they came to the old market, which was the groundfloor of the town hall, and open to the four winds by two archways on each side of its length, and one archway on each side of its breadth. These archways, with two exceptions, had been boarded up. Through those two, which gave admission to what presently would be the theatre, the ragamuffins of the town, and the niggards who were reluctant to spend the necessary sous to obtain proper admission, might catch furtive glimpses of the performance.

That afternoon was the most strenuous of Andre-Louis' life, unaccustomed as he was to any sort of manual labour. It was spent in erecting and preparing the stage at one end of the market-hall; and he began to realize how hard-earned were to be his monthly fifteen livres. At first there were four of them to the task--or really three, for Pantaloon did no more than bawl directions. Stripped of their finery, Rhodomont and Leandre assisted Andre-Louis in that carpentering. Meanwhile the other four were at dinner with the ladies. When a half-hour or so later they came to carry on the work, Andre-Louis and his companions went to dine in their turn, leaving Polichinelle to direct the operations as well as assist in them.

They crossed the square to the cheap little inn where they had taken up their quarters. In the narrow passage Andre-Louis came face to face with Climene, her fine feathers cast, and restored by now to her normal appearance.

"And how do you like it?" she asked him, pertly.

He looked her in the eyes. "It has its compensations," quoth he, in that curious cold tone of his that left one wondering whether he meant or not what he seemed to mean.

She knit her brows. "You... you feel the need of compensations already?"

"Faith, I felt it from the beginning," said he. "It was the perception of them allured me."

They were quite alone, the others having gone on into the room set apart for them, where food was spread. Andre-Louis, who was as unlearned in Woman as he was learned in Man, was not to know, upon feeling himself suddenly extraordinarily aware of her femininity, that it was she who in some subtle, imperceptible manner so rendered him.

"What," she asked him, with demurest innocence, "are these compensations?"

He caught himself upon the brink of the abyss.

"Fifteen livres a month," said he, abruptly.

A moment she stared at him bewildered. He was very disconcerting. Then she recovered.

"Oh, and bed and board," said she. "Don't be leaving that from the reckoning, as you seem to be doing; for your dinner will be going cold. Aren't you coming?"

"Haven't you dined?" he cried, and she wondered had she caught a note of eagerness.

"No," she answered, over her shoulder. "I waited."

"What for?" quoth his innocence, hopefully.

"I had to change, of course, zany," she answered, rudely. Having dragged him, as she imagined, to the chopping-block, she could not refrain from chopping. But then he was of those who must be chopping back.

"And you left your manners upstairs with your grand-lady clothes, mademoiselle. I understand."

A scarlet flame suffused her face. "You are very insolent," she said, lamely.

"I've often been told so. But I don't believe it." He thrust open the door for her, and bowing with an air which imposed upon her, although it was merely copied from Fleury of the Comedie Francaise, so often visited in the Louis le Grand days, he waved her in. "After you, ma demoiselle." For greater emphasis he deliberately broke the word into its two component parts.

"I thank you, monsieur," she answered, frostily, as near sneering as was possible to so charming a person, and went in, nor addressed him again throughout the meal. Instead, she devoted herself with an unusual and devastating assiduity to the suspiring Leandre, that poor devil who could not successfully play the lover with her on the stage because of his longing to play it in reality.

Andre-Louis ate his herrings and black bread with a good appetite nevertheless. It was poor fare, but then poor fare was the common lot of poor people in that winter of starvation, and since he had cast in his fortunes with a company whose affairs were not flourishing, he must accept the evils of the situation philosophically.

"Have you a name?" Binet asked him once in the course of that repast and during a pause in the conversation.

"It happens that I have," said he. "I think it is Parvissimus."

"Parvissimus?" quoth Binet. "Is that a family name?"

"In such a company, where only the leader enjoys the privilege of a family name, the like would be unbecoming its least member. So I take the name that best becomes in me. And I think it is Parvissimus--the very least."

Binet was amused. It was droll; it showed a ready fancy. Oh, to be sure, they must get to work together on those scenarios.

"I shall prefer it to carpentering," said Andre-Louis. Nevertheless he had to go back to it that afternoon, and to labour strenuously until four o'clock, when at last the autocratic Binet announced himself satisfied with the preparations, and proceeded, again with the help of Andre-Louis, to prepare the lights, which were supplied partly by tallow candles and partly by lamps burning fish-oil.

At five o'clock that evening the three knocks were sounded, and the curtain rose on "The Heartless Father."

Among the duties inherited by Andre-Louis from the departed Felicien whom he replaced, was that of doorkeeper. This duty he discharged dressed in a Polichinelle costume, and wearing a pasteboard nose. It was an arrangement mutually agreeable to M. Binet and himself. M. Binet--who had taken the further precaution of retaining Andre-Louis' own garments--was thereby protected against the risk of his latest recruit absconding with the takings. Andre-Louis, without illusions on the score of Pantaloon's real object, agreed to it willingly enough, since it protected him from the chance of recognition by any acquaintance who might possibly be in Guichen.

The performance was in every sense unexciting; the audience meagre and unenthusiastic. The benches provided in the front half of the market contained some twenty-seven persons: eleven at twenty sous a head and sixteen at twelve. Behind these stood a rabble of some thirty others at six sous apiece. Thus the gross takings were two louis, ten livres, and two sous. By the time M. Binet had paid for the use of the market, his lights, and the expenses of his company at the inn over Sunday, there was not likely to be very much left towards the wages of his players. It is not surprising, therefore, that M. Binet's bonhomie should have been a trifle overcast that evening.

"And what do you think of it?" he asked Andre-Louis, as they were walking back to the inn after the performance.

"Possibly it could have been worse; probably it could not," said he.

In sheer amazement M. Binet checked in his stride, and turned to look at his companion.

"Huh!" said he. "Dieu de Dien! But you are frank."

"An unpopular form of service among fools, I know."

"Well, I am not a fool," said Binet.

"That is why I am frank. I pay you the compliment of assuming intelligence in you, M. Binet."

"Oh, you do?" quoth M. Binet. "And who the devil are you to assume anything? Your assumptions are presumptuous, sir." And with that he lapsed into silence and the gloomy business of mentally casting up his accounts.

But at table over supper a half-hour later he revived the topic.

"Our latest recruit, this excellent M. Parvissimus," he announced, "has the impudence to tell me that possibly our comedy could have been worse, but that probably it could not." And he blew out his great round cheeks to invite a laugh at the expense of that foolish critic.

"That's bad," said the swarthy and sardonic Polichinelle. He was grave as Rhadamanthus pronouncing judgment. "That's bad. But what is infinitely worse is that the audience had the impudence to be of the same mind."

"An ignorant pack of clods," sneered Leandre, with a toss of his handsome head.

"You are wrong," quoth Harlequin. "You were born for love, my dear, not criticism."

Leandre--a dull dog, as you will have conceived--looked contemptuously down upon the little man. "And you, what were you born for?" he wondered.

"Nobody knows," was the candid admission. "Nor yet why. It is the case of many of us, my dear, believe me."

"But why"--M. Binet took him up, and thus spoilt the beginnings of a very pretty quarrel--"why do you say that Leandre is wrong?"

"To be general, because he is always wrong. To be particular, because I judge the audience of Guichen to be too sophisticated for 'The Heartless Father.'"

"You would put it more happily," interposed Andre-Louis--who was the cause of this discussion--"if you said that 'The Heartless Father' is too unsophisticated for the audience of Guichen."

"Why, what's the difference?" asked Leandre.

"I didn't imply a difference. I merely suggested that it is a happier way to express the fact."

"The gentleman is being subtle," sneered Binet.

"Why happier?" Harlequin demanded.

"Because it is easier to bring 'The Heartless Father' to the sophistication of the Guichen audience, than the Guichen audience to the unsophistication of 'The Heartless Father.'"

"Let me think it out," groaned Polichinelle, and he took his head in his hands.

But from the tail of the table Andre-Louis was challenged by Climene who sat there between Columbine and Madame.

"You would alter the comedy, would you, M. Parvissimus?" she cried.

He turned to parry her malice.

"I would suggest that it be altered," he corrected, inclining his head.

"And how would you alter it, monsieur?"

"I? Oh, for the better."

"But of course!" She was sleekest sarcasm. "And how would you do it?"

"Aye, tell us that," roared M. Binet, and added: "Silence, I pray you, gentlemen and ladies. Silence for M. Parvissimus."

Andre-Louis looked from father to daughter, and smiled. "Pardi!" said he. "I am between bludgeon and dagger. If I escape with my life, I shall be fortunate. Why, then, since you pin me to the very wall, I'll tell you what I should do. I should go back to the original and help myself more freely from it."

"The original?" questioned M. Binet--the author.

"It is called, I believe, 'Monsieur de Pourceaugnac,' and was written by Moliere."

Somebody tittered, but that somebody was not M. Binet. He had been touched on the raw, and the look in his little eyes betrayed the fact that his bonhomme exterior covered anything but a bonhomme.

"You charge me with plagiarism," he said at last; "with filching the ideas of Moliere."

"There is always, of course," said Andre-Louis, unruffled, "the alternative possibility of two great minds working upon parallel lines."

M. Binet studied the young man attentively a moment. He found him bland and inscrutable, and decided to pin him down.

"Then you do not imply that I have been stealing from Moliere?"

"I advise you to do so, monsieur," was the disconcerting reply.

M. Binet was shocked.

"You advise me to do so! You advise me, me, Antoine Binet, to turn thief at my age!"

"He is outrageous," said mademoiselle, indignantly.

"Outrageous is the word. I thank you for it, my dear. I take you on trust, sir. You sit at my table, you have the honour to be included in my company, and to my face you have the audacity to advise me to become a thief--the worst kind of thief that is conceivable, a thief of spiritual things, a thief of ideas! It is insufferable, intolerable! I have been, I fear, deeply mistaken in you, monsieur; just as you appear to have been mistaken in me. I am not the scoundrel you suppose me, sir, and I will not number in my company a man who dares to suggest that I should become one. Outrageous!"

He was very angry. His voice boomed through the little room, and the company sat hushed and something scared, their eyes upon Andre-Louis, who was the only one entirely unmoved by this outburst of virtuous indignation.

"You realize, monsieur," he said, very quietly, "that you are insulting the memory of the illustrious dead?"

"Eh?" said Binet.

Andre-Louis developed his sophistries.

"You insult the memory of Moliere, the greatest ornament of our stage, one of the greatest ornaments of our nation, when you suggest that there is vileness in doing that which he never hesitated to do, which no great author yet has hesitated to do. You cannot suppose that Moliere ever troubled himself to be original in the matter of ideas. You cannot suppose that the stories he tells in his plays have never been told before. They were culled, as you very well know--though you seem momentarily to have forgotten it, and it is therefore necessary that I should remind you--they were culled, many of them, from the Italian authors, who themselves had culled them Heaven alone knows where. Moliere took those old stories and retold them in his own language. That is precisely what I am suggesting that you should do. Your company is a company of improvisers. You supply the dialogue as you proceed, which is rather more than Moliere ever attempted. You may, if you prefer it--though it would seem to me to be yielding to an excess of scruple--go straight to Boccaccio or Sacchetti. But even then you cannot be sure that you have reached the sources."

Andre-Louis came off with flying colours after that. You see what a debater was lost in him; how nimble he was in the art of making white look black. The company was impressed, and no one more that M. Binet, who found himself supplied with a crushing argument against those who in future might tax him with the impudent plagiarisms which he undoubtedly perpetrated. He retired in the best order he could from the position he had taken up at the outset.

"So that you think," he said, at the end of a long outburst of agreement, "you think that our story of 'The Heartless Father' could be enriched by dipping into 'Monsieur de Pourceaugnac,' to which I confess upon reflection that it may present certain superficial resemblances?"

"I do; most certainly I do--always provided that you do so judiciously. Times have changed since Moliere." It was as a consequence of this that Binet retired soon after, taking Andre-Louis with him. The pair sat together late that night, and were again in close communion throughout the whole of Sunday morning.

After dinner M. Binet read to the assembled company the amended and amplified canevas of "The Heartless Father," which, acting upon the advice of M. Parvissimus, he had been at great pains to prepare. The company had few doubts as to the real authorship before he began to read; none at all when he had read. There was a verve, a grip about this story; and, what was more, those of them who knew their Moliere realized that far from approaching the original more closely, this canevas had drawn farther away from it. Moliere's original part--the title role--had dwindled into insignificance, to the great disgust of Polichinelle, to whom it fell. But the other parts had all been built up into importance, with the exception of Leandre, who remained as before. The two great roles were now Scaramouche, in the character of the intriguing Sbrigandini, and Pantaloon the father. There was, too, a comical part for Rhodomont, as the roaring bully hired by Polichinelle to cut Leandre into ribbons. And in view of the importance now of Scaramouche, the play had been rechristened "Figaro-Scaramouche."

This last had not been without a deal of opposition from M. Binet. But his relentless collaborator, who was in reality the real author--drawing shamelessly, but practically at last upon his great store of reading--had overborne him.

"You must move with the times, monsieur. In Paris Beaumarchais is the rage. 'Figaro' is known to-day throughout the world. Let us borrow a little of his glory. It will draw the people in. They will come to see half a 'Figaro' when they will not come to see a dozen 'Heartless Fathers.' Therefore let us cast the mantle of Figaro upon some one, and proclaim it in our title."

"But as I am the head of the company..." began M. Binet, weakly.

"If you will be blind to your interests, you will presently be a head without a body. And what use is that? Can the shoulders of Pantaloon carry the mantle of Figaro? You laugh. Of course you laugh. The notion is absurd. The proper person for the mantle of Figaro is Scaramouche, who is naturally Figaro's twin-brother."

Thus tyrannized, the tyrant Binet gave way, comforted by the reflection that if he understood anything at all about the theatre, he had for fifteen livres a month acquired something that would presently be earning him as many louis.

The company's reception of the canevas now confirmed him, if we except Polichinelle, who, annoyed at having lost half his part in the alterations, declared the new scenario fatuous.

"Ah! You call my work fatuous, do you?" M. Binet hectored him.

"Your work?" said Polichinelle, to add with his tongue in his cheek: "Ah, pardon. I had not realized that you were the author."

"Then realize it now."

"You were very close with M. Parvissimus over this authorship," said Polichinelle, with impudent suggestiveness.

"And what if I was? What do you imply?"

"That you took him to cut quills for you, of course."

"I'll cut your ears for you if you're not civil," stormed the infuriated Binet.

Polichinelle got up slowly, and stretched himself.

"Dieu de Dieu!" said he. "If Pantaloon is to play Rhodomont, I think I'll leave you. He is not amusing in the part." And he swaggered out before M. Binet had recovered from his speechlessness.

CHAPTER IV. EXIT MONSIEUR PARVISSIMUS

Ar four o'clock on Monday afternoon the curtain rose on "Figaro-Scaramouche" to an audience that filled three quarters of the market-hall. M. Binet attributed this good attendance to the influx of people to Guichen for the fair, and to the magnificent parade of his company through the streets of the township at the busiest time of the day. Andre-Louis attributed it entirely to the title. It was the "Figaro" touch that had fetched in the better-class bourgeoisie, which filled more than half of the twenty-sous places and three quarters of the twelve-sous seats. The lure had drawn them. Whether it was to continue to do so would depend upon the manner in which the canevas over which he had laboured to the glory of Binet was interpreted by the company. Of the merits of the canevas itself he had no doubt. The authors upon whom he had drawn for the elements of it were sound, and he had taken of their best, which he claimed to be no more than the justice due to them.

The company excelled itself. The audience followed with relish the sly intriguings of Scaramouche, delighted in the beauty and freshness of Climene, was moved almost to tears by the hard fate which through four long acts kept her from the hungering arms of the so beautiful Leandre, howled its delight over the ignominy of Pantaloon, the buffooneries of his sprightly lackey Harlequin, and the thrasonical strut and bellowing fierceness of the cowardly Rhodomont.

The success of the Binet troupe in Guichen was assured. That night the company drank Burgundy at M. Binet's expense. The takings reached the sum of eight louis, which was as good business as M. Binet had ever done in all his career. He was very pleased. Gratification rose like steam from his fat body. He even condescended so far as to attribute a share of the credit for the success to M. Parvissimus.

"His suggestion," he was careful to say, by way of properly delimiting that share, "was most valuable, as I perceived at the time."

"And his cutting of quills," growled Polichinelle. "Don't forget that. It is most important to have by you a man who understands how to cut a quill, as I shall remember when I turn author."

But not even that gibe could stir M. Binet out of his lethargy of content.

On Tuesday the success was repeated artistically and augmented financially. Ten louis and seven livres was the enormous sum that Andre-Louis, the doorkeeper, counted over to M. Binet after the performance. Never yet had M. Binet made so much money in one evening--and a miserable little village like Guichen was certainly the last place in which he would have expected this windfall.

"Ah, but Guichen in time of fair," Andre-Louis reminded him. "There are people here from as far as Nantes and Rennes to buy and sell. To-morrow, being the last day of the fair, the crowds will be greater than ever. We should better this evening's receipts."

"Better them? I shall be quite satisfied if we do as well, my friend."

"You can depend upon that," Andre-Louis assured him. "Are we to have Burgundy?"

And then the tragedy occurred. It announced itself in a succession of bumps and thuds, culminating in a crash outside the door that brought them all to their feet in alarm.

Pierrot sprang to open, and beheld the tumbled body of a man lying at the foot of the stairs. It emitted groans, therefore it was alive. Pierrot went forward to turn it over, and disclosed the fact that the body wore the wizened face of Scaramouche, a grimacing, groaning, twitching Scaramouche.

The whole company, pressing after Pierrot, abandoned itself to laughter.

"I always said you should change parts with me," cried Harlequin. "You're such an excellent tumbler. Have you been practising?"

"Fool!" Scaramouche snapped. "Must you be laughing when I've all but broken my neck?"

"You are right. We ought to be weeping because you didn't break it. Come, man, get up," and he held out a hand to the prostrate rogue.

Scaramouche took the hand, clutched it, heaved himself from the ground, then with a scream dropped back again.

"My foot!" he complained.

Binet rolled through the group of players, scattering them to right and left. Apprehension had been quick to seize him. Fate had played him such tricks before.

"What ails your foot?" quoth he, sourly.

"It's broken, I think," Scaramouche complained.

"Broken? Bah! Get up, man." He caught him under the armpits and hauled him up.

Scaramouche came howling to one foot; the other doubled under him when he attempted to set it down, and he must have collapsed again but that Binet supported him. He filled the place with his plaint, whilst Binet swore amazingly and variedly.

"Must you bellow like a calf, you fool? Be quiet. A chair here, some one."

A chair was thrust forward. He crushed Scaramouche down into it.

"Let us look at this foot of yours."

Heedless of Scaramouche's howls of pain, he swept away shoe and stocking.

"What ails it?" he asked, staring. "Nothing that I can see." He seized it, heel in one hand, instep in the other, and gyrated it. Scaramouche screamed in agony, until Climene caught Binet's arm and made him stop.

"My God, have you no feelings?" she reproved her father. "The lad has hurt his foot. Must you torture him? Will that cure it?"

"Hurt his foot!" said Binet. "I can see nothing the matter with his foot--nothing to justify all this uproar. He has bruised it, maybe..."

"A man with a bruised foot doesn't scream like that," said Madame over Climene's shoulder. "Perhaps he has dislocated it."

"That is what I fear," whimpered Scaramouche.

Binet heaved himself up in disgust.

"Take him to bed," he bade them, "and fetch a doctor to see him."

It was done, and the doctor came. Having seen the patient, he reported that nothing very serious had happened, but that in falling he had evidently sprained his foot a little. A few days' rest and all would be well.

"A few days!" cried Binet. "God of God! Do you mean that he can't walk?"

"It would be unwise, indeed impossible for more than a few steps."

M. Binet paid the doctor's fee, and sat down to think. He filled himself a glass of Burgundy, tossed it off without a word, and sat thereafter staring into the empty glass.

"It is of course the sort of thing that must always be happening to me," he grumbled to no one in particular. The members of the company were all standing in silence before him, sharing his dismay. "I might have known that this--or something like it--would occur to spoil the first vein of luck that I have found in years. Ah, well, it is finished. To-morrow we pack and depart. The best day of the fair, on the crest of the wave of our success--a good fifteen louis to be taken, and this happens! God of God!"

"Do you mean to abandon to-morrow's performance?"

All turned to stare with Binet at Andre-Louis.

"Are we to play 'Figaro-Scaramouche' without Scaramouche?" asked Binet, sneering.

"Of course not." Andre-Louis came forward. "But surely some rearrangement of the parts is possible. For instance, there is a fine actor in Polichinelle."

Polichinelle swept him a bow. "Overwhelmed," said he, ever sardonic.

"But he has a part of his own," objected Binet.

"A small part, which Pasquariel could play."

"And who will play Pasquariel?"

"Nobody. We delete it. The play need not suffer."

"He thinks of everything," sneered Polichinelle. "What a man!"

But Binet was far from agreement. "Are you suggesting that Polichinelle should play Scaramouche?" he asked, incredulously.

"Why not? He is able enough!"

"Overwhelmed again," interjected Polichinelle.

"Play Scaramouche with that figure?" Binet heaved himself up to point a denunciatory finger at Polichinelle's sturdy, thick-set shortness.

"For lack of a better," said Andre-Louis.

"Overwhelmed more than ever." Polichinelle's bow was superb this time. "Faith, I think I'll take the air to cool me after so much blushing."

"Go to the devil," Binet flung at him.

"Better and better." Polichinelle made for the door. On the threshold he halted and struck an attitude. "Understand me, Binet. I do not now play Scaramouche in any circumstances whatever." And he went out. On the whole, it was a very dignified exit.

Andre-Louis shrugged, threw out his arms, and let them fall to his sides again. "You have ruined everything," he told M. Binet. "The matter could easily have been arranged. Well, well, it is you are master here; and since you want us to pack and be off, that is what we will do, I suppose."

He went out, too. M. Binet stood in thought a moment, then followed him, his little eyes very cunning. He caught him up in the doorway. "Let us take a walk together, M. Parvissimus," said he, very affably.

He thrust his arm through Andre-Louis', and led him out into the street, where there was still considerable movement. Past the booths that ranged about the market they went, and down the hill towards the bridge. "I don't think we shall pack to-morrow," said M. Binet, presently. "In fact, we shall play to-morrow night."

"Not if I know Polichinelle. You have..."

"I am not thinking of Polichinelle."

"Of whom, then?"

"Of yourself."

"I am flattered, sir. And in what capacity are you thinking of me?" There was something too sleek and oily in Binet's voice for Andre-Louis' taste.

"I am thinking of you in the part of Scaramouche."

"Day-dreams," said Andre-Louis. "You are amusing yourself, of course."

"Not in the least. I am quite serious."

"But I am not an actor."

"You told me that you could be."

"Oh, upon occasion... a small part, perhaps..."

"Well, here is a big part--the chance to arrive at a single stride. How many men have had such a chance?"

"It is a chance I do not covet, M. Binet. Shall we change the subject?" He was very frosty, as much perhaps because he scented in M. Binet's manner something that was vaguely menacing as for any other reason.

"We'll change the subject when I please," said M. Binet, allowing a glimpse of steel to glimmer through the silk of him. "To-morrow night you play Scaramouche. You are ready enough in your wits, your figure is ideal, and you have just the kind of mordant humour for the part. You should be a great success."

"It is much more likely that I should be an egregious failure."

"That won't matter," said Binet, cynically, and explained himself. "The failure will be personal to yourself. The receipts will be safe by then."

"Much obliged," said Andre-Louis.

"We should take fifteen louis to-morrow night."

"It is unfortunate that you are without a Scaramouche," said Andre-Louis.

"It is fortunate that I have one, M. Parvissimus."

Andre-Louis disengaged his arm. "I begin to find you tiresome," said he. "I think I will return."

"A moment, M. Parvissimus. If I am to lose that fifteen louis... you'll not take it amiss that I compensate myself in other ways?"

"That is your own concern, M. Binet."

"Pardon, M. Parvissimus. It may possibly be also yours." Binet took his arm again. "Do me the kindness to step across the street with me. Just as far as the post-office there. I have something to show you."

Andre-Louis went. Before they reached that sheet of paper nailed upon the door, he knew exactly what it would say. And in effect it was, as he had supposed, that twenty louis would be paid for information leading to the apprehension of one Andre-Louis Moreau, lawyer of Gavrillac, who was wanted by the King's Lieutenant in Rennes upon a charge of sedition.

M. Binet watched him whilst he read. Their arms were linked, and Binet's grip was firm and powerful.

"Now, my friend," said he, "will you be M. Parvissimus and play Scaramouche to-morrow, or will you be Andre-Louis Moreau of Gavrillac and go to Rennes to satisfy the King's Lieutenant?"

"And if it should happen that you are mistaken?" quoth Andre-Louis, his face a mask.

"I'll take the risk of that," leered M. Binet. "You mentioned, I think, that you were a lawyer. An indiscretion, my dear. It is unlikely that two lawyers will be in hiding at the same time in the same district. You see it is not really clever of me. Well, M. Andre-Louis Moreau, lawyer of Gavrillac, what is it to be?"

"We will talk it over as we walk back," said Andre-Louis.

"What is there to talk over?"

"One or two things, I think. I must know where I stand. Come, sir, if you please."

"Very well," said M. Binet, and they turned up the street again, but M. Binet maintained a firm hold of his young friend's arm, and kept himself on the alert for any tricks that the young gentleman might be disposed to play. It was an unnecessary precaution. Andre-Louis was not the man to waste his energy futilely. He knew that in bodily strength he was no match at all for the heavy and powerful Pantaloon.

"If I yield to your most eloquent and seductive persuasions, M. Binet," said he, sweetly, "what guarantee do you give me that you will not sell me for twenty louis after I shall have served your turn?"

"You have my word of honour for that." M. Binet was emphatic.

Andre-Louis laughed. "Oh, we are to talk of honour, are we? Really, M. Binet? It is clear you think me a fool."

In the dark he did not see the flush that leapt to M. Binet's round face. It was some moments before he replied.

"Perhaps you are right," he growled. "What guarantee do you want?"

"I do not know what guarantee you can possibly give."

"I have said that I will keep faith with you."

"Until you find it more profitable to sell me."

"You have it in your power to make it more profitable always for me to keep faith with you. It is due to you that we have done so well in Guichen. Oh, I admit it frankly."

"In private," said Andre-Louis.

M. Binet left the sarcasm unheeded.

"What you have done for us here with 'Figaro-Scaramouche,' you can do elsewhere with other things. Naturally, I shall not want to lose you. That is your guarantee."

"Yet to-night you would sell me for twenty louis."

"Because--name of God!--you enrage me by refusing me a service well within your powers. Don't you think, had I been entirely the rogue you think me, I could have sold you on Saturday last? I want you to understand me, my dear Parvissimus."

"I beg that you'll not apologize. You would be more tiresome than ever."

"Of course you will be gibing. You never miss a chance to gibe. It'll bring you trouble before you're done with life. Come; here we are back at the inn, and you have not yet given me your decision."

Andre-Louis looked at him. "I must yield, of course. I can't help myself."

M. Binet released his arm at last, and slapped him heartily upon the back. "Well declared, my lad. You'll never regret it. If I know anything of the theatre, I know that you have made the great decision of your life. To-morrow night you'll thank me."

Andre-Louis shrugged, and stepped out ahead towards the inn. But M. Binet called him back.

"M. Parvissimus!"

He turned. There stood the man's great bulk, the moonlight beating down upon that round fat face of his, and he was holding out his hand.

"M. Parvissimus, no rancour. It is a thing I do not admit into my life. You will shake hands with me, and we will forget all this."

Andre-Louis considered him a moment with disgust. He was growing angry. Then, realizing this, he conceived himself ridiculous, almost as ridiculous as that sly, scoundrelly Pantaloon. He laughed and took the outstretched hand. "No rancour?" M. Binet insisted.

"Oh, no rancour," said Andre-Louis.

CHAPTER V. ENTER SCARAMOUCHE

Dressed in the close-fitting suit of a bygone age, all black, from flat velvet cap to rosetted shoes, his face whitened and a slight up-curled moustache glued to his upper lip, a small-sword at his side and a guitar slung behind him, Scaramouche surveyed himself in a mirror, and was disposed to be sardonic--which was the proper mood for the part.

He reflected that his life, which until lately had been of a stagnant, contemplative quality, had suddenly become excessively active. In the course of one week he had been lawyer, mob-orator, outlaw, property-man, and finally buffoon. Last Wednesday he had been engaged in moving an audience of Rennes to anger; on this Wednesday he was to move an audience of Guichen to mirth. Then he had been concerned to draw tears; to-day it was his business to provoke laughter. There was a difference, and yet there was a parallel. Then as now he had been a comedian; and the part that he had played then was, when you came to think of it, akin to the part he was to play this evening. For what had he been at Rennes but a sort of Scaramouche--the little skirmisher, the astute intriguer, spattering the seed of trouble with a sly hand? The only difference lay in the fact that to-day he went forth under the name that properly described his type, whereas last week he had been disguised as a respectable young provincial attorney.

He bowed to his reflection in the mirror.

"Buffoon!" he apostrophized it. "At last you have found yourself. At last you have come into your heritage. You should be a great success."

Hearing his new name called out by M. Binet, he went below to find the company assembled, and waiting in the entrance corridor of the inn.

He was, of course, an object of great interest to all the company. Most critically was he conned by M. Binet and mademoiselle; by the former with gravely searching eyes, by the latter with a curl of scornful lip.

"You'll do," M. Binet commended his make-up. "At least you look the part."

"Unfortunately men are not always what they look," said Climene, acidly.

"That is a truth that does not at present apply to me," said Andre-Louis. "For it is the first time in my life that I look what I am."

Mademoiselle curled her lip a little further, and turned her shoulder to him. But the others thought him very witty--probably because he was obscure. Columbine encouraged him with a friendly smile that displayed her large white teeth, and M. Binet swore yet once again that he would be a great success, since he threw himself with such spirit into the undertaking. Then in a voice that for the moment he appeared to have borrowed from the roaring captain, M. Binet marshalled them for the short parade across to the market-hall.

The new Scaramouche fell into place beside Rhodomont. The old one, hobbling on a crutch, had departed an hour ago to take the place of doorkeeper, vacated of necessity by Andre-Louis. So that the exchange between those two was a complete one.

Headed by Polichinelle banging his great drum and Pierrot blowing his trumpet, they set out, and were duly passed in review by the ragamuffins drawn up in files to enjoy so much of the spectacle as was to be obtained for nothing.

Ten minutes later the three knocks sounded, and the curtains were drawn aside to reveal a battered set that was partly garden, partly forest, in which Climene feverishly looked for the coming of Leandre. In the wings stood the beautiful, melancholy lover, awaiting his cue, and immediately behind him the unfledged Scaramouche, who was anon to follow him.

Andre-Louis was assailed with nausea in that dread moment. He attempted to take a lightning mental review of the first act of this scenario of which he was himself the author-in-chief; but found his mind a complete blank. With the perspiration starting from his skin, he stepped back to the wall, where above a dim lantern was pasted a sheet bearing the brief outline of the piece. He was still studying it, when his arm was clutched, and he was pulled violently towards the wings. He had a glimpse of Pantaloon's grotesque face, its eyes blazing, and he caught a raucous growl:

"Climene has spoken your cue three times already."

Before he realized it, he had been bundled on to the stage, and stood there foolishly, blinking in the glare of the footlights, with their tin reflectors. So utterly foolish and bewildered did he look that volley upon volley of laughter welcomed him from the audience, which this evening packed the hall from end to end. Trembling a little, his bewilderment at first increasing, he stood there to receive that rolling tribute to his absurdity. Climene was eyeing him with expectant mockery, savouring in advance his humiliation; Leandre regarded him in consternation, whilst behind the scenes, M. Binet was dancing in fury.

"Name of a name," he groaned to the rather scared members of the company assembled there, "what will happen when they discover that he isn't acting?"

But they never did discover it. Scaramouche's bewildered paralysis lasted but a few seconds. He realized that he was being laughed at, and remembered that his Scaramouche was a creature to be laughed with, and not at. He must save the situation; twist it to his own advantage as best he could. And now his real bewilderment and terror was succeeded by acted bewilderment and terror far more marked, but not quite so funny. He contrived to make it clearly appear that his terror was of some one off the stage. He took cover behind a painted shrub, and thence, the laughter at last beginning to subside, he addressed himself to Climene and Leandre.

"Forgive me, beautiful lady, if the abrupt manner of my entrance startled you. The truth is that I have never been the same since that last affair of mine with Almaviva. My heart is not what it used to be. Down there at the end of the lane I came face to face with an elderly gentleman carrying a heavy cudgel, and the horrible thought entered my mind that it might be your father, and that our little stratagem to get you safely married might already have been betrayed to him. I think it was the cudgel put such notion in my head. Not that I am afraid. I am not really afraid of anything. But I could not help reflecting that, if it should really have been your father, and he had broken my head with his cudgel, your hopes would have perished with me. For without me, what should you have done, my poor children?"

A ripple of laughter from the audience had been steadily enheartening him, and helping him to recover his natural impudence. It was clear they found him comical. They were to find him far more comical than ever he had intended, and this was largely due to a fortuitous circumstance upon which he had insufficiently reckoned. The fear of recognition by some one from Gavrillac or Rennes had been strong upon him. His face was sufficiently made up to baffle recognition; but there remained his voice. To dissemble this he had availed himself of the fact that Figaro was a Spaniard. He had known a Spaniard at Louis le Grand who spoke a fluent but most extraordinary French, with a grotesque excess of sibilant sounds. It was an accent that he had often imitated, as youths will imitate characteristics that excite their mirth. Opportunely he had bethought him of that Spanish student, and it was upon his speech that to-night he modelled his own. The audience of Guichen found it as laughable on his lips as he and his fellows had found it formerly on the lips of that derided Spaniard.

Meanwhile, behind the scenes, Binet--listening to that glib impromptu of which the scenario gave no indication--had recovered from his fears.

"Dieu de Dieu!" he whispered, grinning. "Did he do it, then, on purpose?"

It seemed to him impossible that a man who had been so terror-stricken as he had fancied Andre-Louis, could have recovered his wits so quickly and completely. Yet the doubt remained.

To resolve it after the curtain had fallen upon a first act that had gone with a verve unrivalled until this hour in the annals of the company, borne almost entirely upon the slim shoulders of the new Scaramouche, M. Binet bluntly questioned him.

They were standing in the space that did duty as green-room, the company all assembled there, showering congratulations upon their new recruit. Scaramouche, a little exalted at the moment by his success, however trivial he might consider it to-morrow, took then a full revenge upon Climene for the malicious satisfaction with which she had regarded his momentary blank terror.

"I do not wonder that you ask," said he. "Faith, I should have warned you that I intended to do my best from the start to put the audience in a good humour with me. Mademoiselle very nearly ruined everything by refusing to reflect any of my terror. She was not even startled. Another time, mademoiselle, I shall give you full warning of my every intention."

She crimsoned under her grease-paint. But before she could find an answer of sufficient venom, her father was rating her soundly for her stupidity--the more soundly because himself he had been deceived by Scaramouche's supreme acting.

Scaramouche's success in the first act was more than confirmed as the performance proceeded. Completely master of himself by now, and stimulated as only success can stimulate, he warmed to his work. Impudent, alert, sly, graceful, he incarnated the very ideal of Scaramouche, and he helped out his own native wit by many a remembered line from Beaumarchais, thereby persuading the better informed among the audience that here indeed was something of the real Figaro, and bringing them, as it were, into touch with the great world of the capital.

When at last the curtain fell for the last time, it was Scaramouche who shared with Climene the honours of the evening, his name that was coupled with hers in the calls that summoned them before the curtains.

As they stepped back, and the curtains screened them again from the departing audience, M. Binet approached them, rubbing his fat hands softly together. This runagate young lawyer, whom chance had blown into his company, had evidently been sent by Fate to make his fortune for him. The sudden success at Guichen, hitherto unrivalled, should be repeated and augmented elsewhere. There would be no more sleeping under hedges and tightening of belts. Adversity was behind him. He placed a hand upon Scaramouche's shoulder, and surveyed him with a smile whose oiliness not even his red paint and colossal false nose could dissemble.

"And what have you to say to me now?" he asked him. "Was I wrong when I assured you that you would succeed? Do you think I have followed my fortunes in the theatre for a lifetime without knowing a born actor when I see one? You are my discovery, Scaramouche. I have discovered you to yourself. I have set your feet upon the road to fame and fortune. I await your thanks."

Scaramouche laughed at him, and his laugh was not altogether pleasant.

"Always Pantaloon!" said he.

The great countenance became overcast. "I see that you do not yet forgive me the little stratagem by which I forced you to do justice to yourself. Ungrateful dog! As if I could have had any purpose but to make you; and I have done so. Continue as you have begun, and you will end in Paris. You may yet tread the stage of the Comedie Francaise, the rival of Talma, Fleury, and Dugazon. When that happens to you perhaps you will feel the gratitude that is due to old Binet, for you will owe it all to this soft-hearted old fool."

"If you were as good an actor on the stage as you are in private," said Scaramouche, "you would yourself have won to the Comedie Francaise long since. But I bear no rancour, M. Binet." He laughed, and put out his hand.

Binet fell upon it and wrung it heartily.

"That, at least, is something," he declared. "My boy, I have great plans for you--for us. To-morrow we go to Maure; there is a fair there to the end of this week. Then on Monday we take our chances at Pipriac, and after that we must consider. It may be that I am about to realize the dream of my life. There must have been upwards of fifteen louis taken to-night. Where the devil is that rascal Cordemais?"

Cordemais was the name of the original Scaramouche, who had so unfortunately twisted his ankle. That Binet should refer to him by his secular designation was a sign that in the Binet company at least he had fallen for ever from the lofty eminence of Scaramouche.

"Let us go and find him, and then we'll away to the inn and crack a bottle of the best Burgundy, perhaps two bottles."

But Cordemais was not readily to be found. None of the company had seen him since the close of the performance. M. Binet went round to the entrance. Cordemais was not there. At first he was annoyed; then as he continued in vain to bawl the fellow's name, he began to grow uneasy; lastly, when Polichinelle, who was with them, discovered Cordemais' crutch standing discarded behind the door, M. Binet became alarmed. A dreadful suspicion entered his mind. He grew visibly pale under his paint.

"But this evening he couldn't walk without the crutch!" he exclaimed. "How then does he come to leave it there and take himself off?"

"Perhaps he has gone on to the inn," suggested some one.

"But he couldn't walk without his crutch," M. Binet insisted.

Nevertheless, since clearly he was not anywhere about the market-hall, to the inn they all trooped, and deafened the landlady with their inquiries.

"Oh, yes, M. Cordemais came in some time ago."

"Where is he now?"

"He went away again at once. He just came for his bag."

"For his bag!" Binet was on the point of an apoplexy. "How long ago was that?"

She glanced at the timepiece on the overmantel. "It would be about half an hour ago. It was a few minutes before the Rennes diligence passed through."

"The Rennes diligence!" M. Binet was almost inarticulate. "Could he... could he walk?" he asked, on a note of terrible anxiety.

"Walk? He ran like a hare when he left the inn. I thought, myself, that his agility was suspicious, seeing how lame he had been since he fell downstairs yesterday. Is anything wrong?"

M. Binet had collapsed into a chair. He took his head in his hands, and groaned.

"The scoundrel was shamming all the time!" exclaimed Climene. "His fall downstairs was a trick. He was playing for this. He has swindled us."

"Fifteen louis at least--perhaps sixteen!" said M. Binet. "Oh, the heartless blackguard! To swindle me who have been as a father to him--and to swindle me in such a moment."

From the ranks of the silent, awe-stricken company, each member of which was wondering by how much of the loss his own meagre pay would be mulcted, there came a splutter of laughter.

M. Binet glared with blood-injected eyes.

"Who laughs?" he roared. "What heartless wretch has the audacity to laugh at my misfortune?"

Andre-Louis, still in the sable glories of Scaramouche, stood forward. He was laughing still.

"It is you, is it? You may laugh on another note, my friend, if I choose a way to recoup myself that I know of."

"Dullard!" Scaramouche scorned him. "Rabbit-brained elephant! What if Cordemais has gone with fifteen louis? Hasn't he left you something worth twenty times as much?"

M. Binet gaped uncomprehending.

"You are between two wines, I think. You've been drinking," he concluded.

"So I have--at the fountain of Thalia. Oh, don't you see? Don't you see the treasure that Cordemais has left behind him?"

"What has he left?"

"A unique idea for the groundwork of a scenario. It unfolds itself all before me. I'll borrow part of the title from Moliere. We'll call it 'Les Fourberies de Scaramouche,' and if we don't leave the audiences of Maure and Pipriac with sides aching from laughter I'll play the dullard Pantaloon in future."

Polichinelle smacked fist into palm. "Superb!" he said, fiercely. "To cull fortune from misfortune, to turn loss into profit, that is to have genius."

Scaramouche made a leg. "Polichinelle, you are a fellow after my own heart. I love a man who can discern my merit. If Pantaloon had half your wit, we should have Burgundy to-night in spite of the flight of Cordemais."

"Burgundy?" roared M. Binet, and before he could get farther Harlequin had clapped his hands together.

"That is the spirit, M. Binet. You heard him, landlady. He called for Burgundy."

"I called for nothing of the kind."

"But you heard him, dear madame. We all heard him."

The others made chorus, whilst Scaramouche smiled at him, and patted his shoulder.

"Up, man, a little courage. Did you not say that fortune awaits us? And have we not now the wherewithal to constrain fortune? Burgundy, then, to... to toast 'Les Fourberies de Scaramouche.'"

And M. Binet, who was not blind to the force of the idea, yielded, took courage, and got drunk with the rest.

CHAPTER VI. CLIMENE

Diligent search among the many scenarios of the improvisers which have survived their day, has failed to bring to light the scenario of "Les Fourberies de Scaramouche," upon which we are told the fortunes of the Binet troupe came to be soundly established. They played it for the first time at Maure in the following week, with Andre-Louis--who was known by now as Scaramouche to all the company, and to the public alike--in the title-role. If he had acquitted himself well as Figaro-Scaramouche, he excelled himself in the new piece, the scenario of which would appear to be very much the better of the two.

After Maure came Pipriac, where four performances were given, two of each of the scenarios that now formed the backbone of the Binet repertoire. In both Scaramouche, who was beginning to find himself, materially improved his performances. So smoothly now did the two pieces run that Scaramouche actually suggested to Binet that after Fougeray, which they were to visit in the following week, they should tempt fortune in a real theatre in the important town of Redon. The notion terrified Binet at first, but coming to think of it, and his ambition being fanned by Andre-Louis, he ended by allowing himself to succumb to the temptation.

It seemed to Andre-Louis in those days that he had found his real metier, and not only was he beginning to like it, but actually to look forward to a career as actor-author that might indeed lead him in the end to that Mecca of all comedians, the Comedie Francaise. And there were other possibilities. From the writing of skeleton scenarios for improvisers, he might presently pass to writing plays of dialogue, plays in the proper sense of the word, after the manner of Chenier, Eglantine, and Beaumarchais.

The fact that he dreamed such dreams shows us how very kindly he had taken to the profession into which Chance and M. Binet between them had conspired to thrust him. That he had real talent both as author and as actor I do not doubt, and I am persuaded that had things fallen out differently he would have won for himself a lasting place among French dramatists, and thus fully have realized that dream of his.

Now, dream though it was, he did not neglect the practical side of it.

"You realize," he told M. Binet, "that I have it in my power to make your fortune for you."

He and Binet were sitting alone together in the parlour of the inn at Pipriac, drinking a very excellent bottle of Volnay. It was on the night after the fourth and last performance there of "Les Feurberies." The business in Pipriac had been as excellent as in Maure and Guichen. You will have gathered this from the fact that they drank Volnay.

"I will concede it, my dear Scaramouche, so that I may hear the sequel."

"I am disposed to exercise this power if the inducement is sufficient. You will realize that for fifteen livres a month a man does not sell such exceptional gifts as mine.

"There is an alternative," said M. Binet, darkly.

"There is no alternative. Don't be a fool, Binet."

Binet sat up as if he had been prodded. Members of his company did not take this tone of direct rebuke with him.

"Anyway, I make you a present of it," Scaramouche pursued, airily. "Exercise it if you please. Step outside and inform the police that they can lay hands upon one Andre-Louis Moreau. But that will be the end of your fine dreams of going to Redon, and for the first time in your life playing in a real theatre. Without me, you can't do it, and you know it; and I am not going to Redon or anywhere else, in fact I am not even going to Fougeray, until we have an equitable arrangement."

"But what heat!" complained Binet, "and all for what? Why must you assume that I have the soul of a usurer? When our little arrangement was made, I had no idea how could I?--that you would prove as valuable to me as you are? You had but to remind me, my dear Scaramouche. I am a just man. As from to-day you shall have thirty livres a month. See, I double it at once. I am a generous man."

"But you are not ambitious. Now listen to me, a moment."

And he proceeded to unfold a scheme that filled Binet with a paralyzing terror.

"After Redon, Nantes," he said. "Nantes and the Theatre Feydau."

M. Binet choked in the act of drinking. The Theatre Feydau was a sort of provincial Comedie Francaise. The great Fleury had played there to an audience as critical as any in France. The very thought of Redon, cherished as it had come to be by M. Binet, gave him at moments a cramp in the stomach, so dangerously ambitious did it seem to him. And Redon was a puppet-show by comparison with Nantes. Yet this raw lad whom he had picked up by chance three weeks ago, and who in that time had blossomed from a country attorney into author and actor, could talk of Nantes and the Theatre Feydau without changing colour.

"But why not Paris and the Comedie Francaise?" wondered M. Binet, with sarcasm, when at last he had got his breath.

"That may come later," says impudence.

"Eh? You've been drinking, my friend."

But Andre-Louis detailed the plan that had been forming in his mind. Fougeray should be a training-ground for Redon, and Redon should be a training-ground for Nantes. They would stay in Redon as long as Redon would pay adequately to come and see them, working hard to perfect themselves the while. They would add three or four new players of talent to the company; he would write three or four fresh scenarios, and these should be tested and perfected until the troupe was in possession of at least half a dozen plays upon which they could depend; they would lay out a portion of their profits on better dresses and better scenery, and finally in a couple of months' time, if all went well, they should be ready to make their real bid for fortune at Nantes. It was quite true that distinction was usually demanded of the companies appearing at the Feydau, but on the other hand Nantes had not seen a troupe of improvisers for a generation and longer. They would be supplying a novelty to which all Nantes should flock provided that the work were really well done, and Scaramouche undertook--pledged himself--that if matters were left in his own hands, his projected revival of the Commedia dell' Arte in all its glories would exceed whatever expectations the public of Nantes might bring to the theatre.

"We'll talk of Paris after Nantes," he finished, supremely matter-of-fact, "just as we will definitely decide on Nantes after Redon."

The persuasiveness that could sway a mob ended by sweeping M. Binet off his feet. The prospect which Scaramouche unfolded, if terrifying, was also intoxicating, and as Scaramouche delivered a crushing answer to each weakening objection in a measure as it was advanced, Binet ended by promising to think the matter over.

"Redon will point the way," said Andre-Louis, "and I don't doubt which way Redon will point."

Thus the great adventure of Redon dwindled to insignificance. Instead of a terrifying undertaking in itself, it became merely a rehearsal for something greater. In his momentary exaltation Binet proposed another bottle of Volnay. Scaramouche waited until the cork was drawn before he continued.

"The thing remains possible," said he then, holding his glass to the light, and speaking casually, "as long as I am with you."

"Agreed, my dear Scaramouche, agreed. Our chance meeting was a fortunate thing for both of us."

"For both of us," said Scaramouche, with stress. "That is as I would have it. So that I do not think you will surrender me just yet to the police."

"As if I could think of such a thing! My dear Scaramouche, you amuse yourself. I beg that you will never, never allude to that little joke of mine again."

"It is forgotten," said Andre-Louis. "And now for the remainder of my proposal. If I am to become the architect of your fortunes, if I am to build them as I have planned them, I must also and in the same degree become the architect of my own."

"In the same degree?" M. Binet frowned.

"In the same degree. From to-day, if you please, we will conduct the affairs of this company in a proper manner, and we will keep account-books."

"I am an artist," said M. Binet, with pride. "I am not a merchant."

"There is a business side to your art, and that shall be conducted in the business manner. I have thought it all out for you. You shall not be troubled with details that might hinder the due exercise of your art. All that you have to do is to say yes or no to my proposal."

"Ah? And the proposal?"

"Is that you constitute me your partner, with an equal share in the profits of your company."

Pantaloon's great countenance grew pale, his little eyes widened to their fullest extent as he conned the face of his companion. Then he exploded.

"You are mad, of course, to make me a proposal so monstrous."

"It has its injustices, I admit. But I have provided for them. It would not, for instance, be fair that in addition to all that I am proposing to do for you, I should also play Scaramouche and write your scenarios without any reward outside of the half-profit which would come to me as a partner. Thus before the profits come to be divided, there is a salary to be paid me as actor, and a small sum for each scenario with which I provide the company; that is a matter for mutual agreement. Similarly, you shall be paid a salary as Pantaloon. After those expenses are cleared up, as well as all the other salaries and disbursements, the residue is the profit to be divided equally between us."

It was not, as you can imagine, a proposal that M. Binet would swallow at a draught. He began with a point-blank refusal to consider it.

"In that case, my friend," said Scaramouche, "we part company at once. To-morrow I shall bid you a reluctant farewell."

Binet fell to raging. He spoke of ingratitude in feeling terms; he even permitted himself another sly allusion to that little jest of his concerning the police, which he had promised never again to mention.

"As to that, you may do as you please. Play the informer, by all means. But consider that you will just as definitely be deprived of my services, and that without me you are nothing--as you were before I joined your company."

M. Binet did not care what the consequences might be. A fig for the consequences! He would teach this impudent young country attorney that M. Binet was not the man to be imposed upon.

Scaramouche rose. "Very well," said he, between indifference and resignation. "As you wish. But before you act, sleep on the matter. In the cold light of morning you may see our two proposals in their proper proportions. Mine spells fortune for both of us. Yours spells ruin for both of us. Good-night, M. Binet. Heaven help you to a wise decision."

The decision to which M. Binet finally came was, naturally, the only one possible in the face of so firm a resolve as that of Andre-Louis, who held the trumps. Of course there were further discussions, before all was settled, and M. Binet was brought to an agreement only after an infinity of haggling surprising in one who was an artist and not a man of business. One or two concessions were made by Andre-Louis; he consented, for instance, to waive his claim to be paid for scenarios, and he also consented that M. Binet should appoint himself a salary that was out of all proportion to his deserts.

Thus in the end the matter was settled, and the announcement duly made to the assembled company. There were, of course, jealousies and resentments. But these were not deep-seated, and they were readily swallowed when it was discovered that under the new arrangement the lot of the entire company was to be materially improved from the point of view of salaries. This was a matter that had met with considerable opposition from M. Binet. But the irresistible Scaramouche swept away all objections.

"If we are to play at the Feydau, you want a company of self-respecting comedians, and not a pack of cringing starvelings. The better we pay them in reason, the more they will earn for us."

Thus was conquered the company's resentment of this too swift promotion of its latest recruit. Cheerfully now--with one exception--they accepted the dominance of Scaramouche, a dominance soon to be so firmly established that M. Binet himself came under it.

The one exception was Climene. Her failure to bring to heel this interesting young stranger, who had almost literally dropped into their midst that morning outside Guichen, had begotten in her a malice which his persistent ignoring of her had been steadily inflaming. She had remonstrated with her father when the new partnership was first formed. She had lost her temper with him, and called him a fool, whereupon M. Binet--in Pantaloon's best manner--had lost his temper in his turn and boxed her ears. She piled it up to the account of Scaramouche, and spied her opportunity to pay off some of that ever-increasing score. But opportunities were few. Scaramouche was too occupied just then. During the week of preparation at Fougeray, he was hardly seen save at the performances, whilst when once they were at Redon, he came and went like the wind between the theatre and the inn.

The Redon experiment had justified itself from the first. Stimulated and encouraged by this, Andre-Louis worked day and night during the month that they spent in that busy little town. The moment had been well chosen, for the trade in chestnuts of which Redon is the centre was just then at its height. And every afternoon the little theatre was packed with spectators. The fame of the troupe had gone forth, borne by the chestnut-growers of the district, who were bringing their wares to Redon market, and the audiences were made up of people from the surrounding country, and from neighbouring villages as far out as Allaire, Saint-Perrieux and Saint-Nicholas. To keep the business from slackening, Andre-Louis prepared a new scenario every week. He wrote three in addition to those two with which he had already supplied the company; these were "The Marriage of Pantaloon," "The Shy Lover," and "The Terrible Captain." Of these the last was the greatest success. It was based upon the "Miles Gloriosus" of Plautus, with great opportunities for Rhodomont, and a good part for Scaramouche as the roaring captain's sly lieutenant. Its success was largely due to the fact that Andre-Louis amplified the scenario to the extent of indicating very fully in places the lines which the dialogue should follow, whilst here and there he had gone so far as to supply some of the actual dialogue to be spoken, without, however, making it obligatory upon the actors to keep to the letter of it.

And meanwhile as the business prospered, he became busy with tailors, improving the wardrobe of the company, which was sorely in need of improvement. He ran to earth a couple of needy artists, lured them into the company to play small parts--apothecaries and notaries--and set them to beguile their leisure in painting new scenery, so as to be ready for what he called the conquest of Nantes, which was to come in the new year. Never in his life had he worked so hard; never in his life had he worked at all by comparison with his activities now. His fund of energy and enthusiasm was inexhaustible, like that of his good humour. He came and went, acted, wrote, conceived, directed, planned, and executed, what time M. Binet took his ease at last in comparative affluence, drank Burgundy every night, ate white bread and other delicacies, and began to congratulate himself upon his astuteness in having made this industrious, tireless fellow his partner. Having discovered how idle had been his fears of performing at Redon, he now began to dismiss the terrors with which the notion of Nantes had haunted him.

And his happiness was reflected throughout the ranks of his company, with the single exception always of Climene. She had ceased to sneer at Scaramouche, having realized at last that her sneers left him untouched and recoiled upon herself. Thus her almost indefinable resentment of him was increased by being stifled, until, at all costs, an outlet for it must be found.

One day she threw herself in his way as he was leaving the theatre after the performance. The others had already gone, and she had returned upon pretence of having forgotten something.

"Will you tell me what I have done to you?" she asked him, point-blank.

"Done to me, mademoiselle?" He did not understand.

She made a gesture of impatience. "Why do you hate me?"

"Hate you, mademoiselle? I do not hate anybody. It is the most stupid of all the emotions. I have never hated--not even my enemies."

"What Christian resignation!"

"As for hating you, of all people! Why... I consider you adorable. I envy Leandre every day of my life. I have seriously thought of setting him to play Scaramouche, and playing lovers myself."

"I don't think you would be a success," said she.

"That is the only consideration that restrains me. And yet, given the inspiration that is given Leandre, it is possible that I might be convincing."

"Why, what inspiration do you mean?"

"The inspiration of playing to so adorable a Climene."

Her lazy eyes were now alert to search that lean face of his.

"You are laughing at me," said she, and swept past him into the theatre on her pretended quest. There was nothing to be done with such a fellow. He was utterly without feeling. He was not a man at all.

Yet when she came forth again at the end of some five minutes, she found him still lingering at the door.

"Not gone yet?" she asked him, superciliously.

"I was waiting for you, mademoiselle. You will be walking to the inn. If I might escort you..."

"But what gallantry! What condescension!"

"Perhaps you would prefer that I did not?"

"How could I prefer that, M. Scaramouche? Besides, we are both going the same way, and the streets are common to all. It is that I am overwhelmed by the unusual honour."

He looked into her piquant little face, and noted how obscured it was by its cloud of dignity. He laughed.

"Perhaps I feared that the honour was not sought."

"Ah, now I understand," she cried. "It is for me to seek these honours. I am to woo a man before he will pay me the homage of civility. It must be so, since you, who clearly know everything, have said so. It remains for me to beg your pardon for my ignorance."

"It amuses you to be cruel," said Scaramouche. "No matter. Shall we walk?"

They set out together, stepping briskly to warm their blood against the wintry evening air. Awhile they went in silence, yet each furtively observing the other.

"And so, you find me cruel?" she challenged him at length, thereby betraying the fact that the accusation had struck home.

He looked at her with a half smile. "Will you deny it?"

"You are the first man that ever accused me of that."

"I dare not suppose myself the first man to whom you have been cruel. That were an assumption too flattering to myself. I must prefer to think that the others suffered in silence."

"Mon Dieu! Have you suffered?" She was between seriousness and raillery.

"I place the confession as an offering on the altar of your vanity."

"I should never have suspected it."

"How could you? Am I not what your father calls a natural actor? I was an actor long before I became Scaramouche. Therefore I have laughed. I often do when I am hurt. When you were pleased to be disdainful, I acted disdain in my turn."

"You acted very well," said she, without reflecting.

"Of course. I am an excellent actor."

"And why this sudden change?"

"In response to the change in you. You have grown weary of your part of cruel madam--a dull part, believe me, and unworthy of your talents. Were I a woman and had I your loveliness and your grace, Climene, I should disdain to use them as weapons of offence."

"Loveliness and grace!" she echoed, feigning amused surprise. But the vain baggage was mollified. "When was it that you discovered this beauty and this grace, M. Scaramouche?"

He looked at her a moment, considering the sprightly beauty of her, the adorable femininity that from the first had so irresistibly attracted him.

"One morning when I beheld you rehearsing a love-scene with Leandre."

He caught the surprise that leapt to her eyes, before she veiled them under drooping lids from his too questing gaze.

"Why, that was the first time you saw me."

"I had no earlier occasion to remark your charms."

"You ask me to believe too much," said she, but her tone was softer than he had ever known it yet.

"Then you'll refuse to believe me if I confess that it was this grace and beauty that determined my destiny that day by urging me to join your father's troupe."

At that she became a little out of breath. There was no longer any question of finding an outlet for resentment. Resentment was all forgotten.

"But why? With what object?"

"With the object of asking you one day to be my wife."

She halted under the shock of that, and swung round to face him. Her glance met his own without, shyness now; there was a hardening glitter in her eyes, a faint stir of colour in her cheeks. She suspected him of an unpardonable mockery.

"You go very fast, don't you?" she asked him, with heat.

"I do. Haven't you observed it? I am a man of sudden impulses. See what I have made of the Binet troupe in less than a couple of months. Another might have laboured for a year and not achieved the half of it. Shall I be slower in love than in work? Would it be reasonable to expect it? I have curbed and repressed myself not to scare you by precipitancy. In that I have done violence to my feelings, and more than all in using the same cold aloofness with which you chose to treat me. I have waited--oh! so patiently--until you should tire of that mood of cruelty."

"You are an amazing man," said she, quite colourlessly.

"I am," he agreed with her. "It is only the conviction that I am not commonplace that has permitted me to hope as I have hoped."

Mechanically, and as if by tacit consent, they resumed their walk.

"And I ask you to observe," he said, "when you complain that I go very fast, that, after all, I have so far asked you for nothing."

"How?" quoth she, frowning.

"I have merely told you of my hopes. I am not so rash as to ask at once whether I may realize them."

"My faith, but that is prudent," said she, tartly.

"Of course."

It was his self-possession that exasperated her; for after that she walked the short remainder of the way in silence, and so, for the moment, the matter was left just there.

But that night, after they had supped, it chanced that when Climene was about to retire, he and she were alone together in the room abovestairs that her father kept exclusively for his company. The Binet Troupe, you see, was rising in the world.

As Climene now rose to withdraw for the night, Scaramouche rose with her to light her candle. Holding it in her left hand, she offered him her right, a long, tapering, white hand at the end of a softly rounded arm that was bare to the elbow.

"Good-night, Scaramouche," she said, but so softly, so tenderly, that he caught his breath, and stood conning her, his dark eyes aglow.

Thus a moment, then he took the tips of her fingers in his grasp, and bowing over the hand, pressed his lips upon it. Then he looked at her again. The intense femininity of her lured him on, invited him, surrendered to him. Her face was pale, there was a glitter in her eyes, a curious smile upon her parted lips, and under its fichu-menteur her bosom rose and fell to complete the betrayal of her.

By the hand he continued to hold, he drew her towards him. She came unresisting. He took the candle from her, and set it down on the sideboard by which she stood. The next moment her slight, lithe body was in his arms, and he was kissing her, murmuring her name as if it were a prayer.

"Am I cruel now?" she asked him, panting. He kissed her again for only answer. "You made me cruel because you would not see," she told him next in a whisper.

And then the door opened, and M. Binet came in to have his paternal eyes regaled by this highly indecorous behaviour of his daughter.

He stood at gaze, whilst they quite leisurely, and in a self-possession too complete to be natural, detached each from the other.

"And what may be the meaning of this?" demanded M. Binet, bewildered and profoundly shocked.

"Does it require explaining?" asked Scaramouche. "Doesn't it speak for itself--eloquently? It means that Climene and I have taken it into our heads to be married."

"And doesn't it matter what I may take into my head?"

"Of course. But you could have neither the bad taste nor the bad heart to offer any obstacle."

"You take that for granted? Aye, that is your way, to be sure--to take things for granted. But my daughter is not to be taken for granted. I have very definite views for my daughter. You have done an unworthy thing, Scaramouche. You have betrayed my trust in you. I am very angry with you."

He rolled forward with his ponderous yet curiously noiseless gait. Scaramouche turned to her, smiling, and handed her the candle.

"If you will leave us, Climene, I will ask your hand of your father in proper form."

She vanished, a little fluttered, lovelier than ever in her mixture of confusion and timidity. Scaramouche closed the door and faced the enraged M. Binet, who had flung himself into an armchair at the head of the short table, faced him with the avowed purpose of asking for Climene's hand in proper form. And this was how he did it:

"Father-in-law," said he, "I congratulate you. This will certainly mean the Comedie Francaise for Climene, and that before long, and you shall shine in the glory she will reflect. As the father of Madame Scaramouche you may yet be famous."

Binet, his face slowly empurpling, glared at him in speechless stupefaction. His rage was the more utter from his humiliating conviction that whatever he might say or do, this irresistible fellow would bend him to his will. At last speech came to him.

"You're a damned corsair," he cried, thickly, banging his ham-like fist upon the table. "A corsair! First you sail in and plunder me of half my legitimate gains; and now you want to carry off my daughter. But I'll be damned if I'll give her to a graceless, nameless scoundrel like you, for whom the gallows are waiting already."

Scaramouche pulled the bell-rope, not at all discomposed. He smiled. There was a flush on his cheeks and a gleam in his eyes. He was very pleased with the world that night. He really owed a great debt to M. de Lesdiguieres.

"Binet," said he, "forget for once that you are Pantaloon, and behave as a nice, amiable father-in-law should behave when he has secured a son-in-law of exceptionable merits. We are going to have a bottle of Burgundy at my expense, and it shall be the best bottle of Burgundy to be found in Redon. Compose yourself to do fitting honour to it. Excitations of the bile invariably impair the fine sensitiveness of the palate."

CHAPTER VII. THE CONQUEST OF NANTES

The Binet Troupe opened in Nantes--as you may discover in surviving copies of the "Courrier Nantais"--on the Feast of the Purification with "Les Fourberies de Scaramouche." But they did not come to Nantes as hitherto they had gone to little country villages and townships, unheralded and depending entirely upon the parade of their entrance to attract attention to themselves. Andre-Louis had borrowed from the business methods of the Comedie Francaise. Carrying matters with a high hand entirely in his own fashion, he had ordered at Redon the printing of playbills, and four days before the company's descent upon Nantes, these bills were pasted outside the Theatre Feydau and elsewhere about the town, and had attracted--being still sufficiently unusual announcements at the time--considerable attention. He had entrusted the matter to one of the company's latest recruits, an intelligent young man named Basque, sending him on ahead of the company for the purpose.

You may see for yourself one of these playbills in the Carnavalet Museum. It details the players by their stage names only, with the exception of M. Binet and his daughter, and leaving out of account that he who plays Trivelin in one piece appears as Tabarin in another, it makes the company appear to be at least half as numerous again as it really was. It announces that they will open with "Les Fourberies de Scaramouche," to be followed by five other plays of which it gives the titles, and by others not named, which shall also be added should the patronage to be received in the distinguished and enlightened city of Nantes encourage the Binet Troupe to prolong its sojourn at the Theatre Feydau. It lays great stress upon the fact that this is a company of improvisers in the old Italian manner, the like of which has not been seen in France for half a century, and it exhorts the public of Nantes not to miss this opportunity of witnessing these distinguished mimes who are reviving for them the glories of the Comedie de l'Art. Their visit to Nantes--the announcement proceeds--is preliminary to their visit to Paris, where they intend to throw down the glove to the actors of the Comedie Francaise, and to show the world how superior is the art of the improviser to that of the actor who depends upon an author for what he shall say, and who consequently says always the same thing every time that he plays in the same piece.

It is an audacious bill, and its audacity had scared M. Binet out of the little sense left him by the Burgundy which in these days he could afford to abuse. He had offered the most vehement opposition. Part of this Andre-Louis had swept aside; part he had disregarded.

"I admit that it is audacious," said Scaramouche. "But at your time of life you should have learnt that in this world nothing succeeds like audacity."

"I forbid it; I absolutely forbid it," M. Binet insisted.

"I knew you would. Just as I know that you'll be very grateful to me presently for not obeying you."

"You are inviting a catastrophe."

"I am inviting fortune. The worst catastrophe that can overtake you is to be back in the market-halls of the country villages from which I rescued you. I'll have you in Paris yet in spite of yourself. Leave this to me."

And he went out to attend to the printing. Nor did his preparations end there. He wrote a piquant article on the glories of the Comedie de l'Art, and its resurrection by the improvising troupe of the great mime Florimond Binet. Binet's name was not Florimond; it was just Pierre. But Andre-Louis had a great sense of the theatre. That article was an amplification of the stimulating matter contained in the playbills; and he persuaded Basque, who had relations in Nantes, to use all the influence he could command, and all the bribery they could afford, to get that article printed in the "Courrier Nantais" a couple of days before the arrival of the Binet Troupe.

Basque had succeeded, and, considering the undoubted literary merits and intrinsic interest of the article, this is not at all surprising.

And so it was upon an already expectant city that Binet and his company descended in that first week of February. M. Binet would have made his entrance in the usual manner--a full-dress parade with banging drums and crashing cymbals. But to this Andre-Louis offered the most relentless opposition.

"We should but discover our poverty," said he. "Instead, we will creep into the city unobserved, and leave ourselves to the imagination of the public."

He had his way, of course. M. Binet, worn already with battling against the strong waters of this young man's will, was altogether unequal to the contest now that he found Climene in alliance with Scaramouche, adding her insistence to his, and joining with him in reprobation of her father's sluggish and reactionary wits. Metaphorically, M. Binet threw up his arms, and cursing the day on which he had taken this young man into his troupe, he allowed the current to carry him whither it would. He was persuaded that he would be drowned in the end. Meanwhile he would drown his vexation in Burgundy. At least there was abundance of Burgundy. Never in his life had he found Burgundy so plentiful. Perhaps things were not as bad as he imagined, after all. He reflected that, when all was said, he had to thank Scaramouche for the Burgundy. Whilst fearing the worst, he would hope for the best.

And it was very much the worst that he feared as he waited in the wings when the curtain rose on that first performance of theirs at the Theatre Feydau to a house that was tolerably filled by a public whose curiosity the preliminary announcements had thoroughly stimulated.

Although the scenario of "Lee Fourberies de Scaramouche" has not apparently survived, yet we know from Andre-Louis' "Confessions" that it is opened by Polichinelle in the character of an arrogant and fiercely jealous lover shown in the act of beguiling the waiting-maid, Columbine, to play the spy upon her mistress, Climene. Beginning with cajolery, but failing in this with the saucy Columbine, who likes cajolers to be at least attractive and to pay a due deference to her own very piquant charms, the fierce humpbacked scoundrel passes on to threats of the terrible vengeance he will wreak upon her if she betrays him or neglects to obey him implicitly; failing here, likewise, he finally has recourse to bribery, and after he has bled himself freely to the very expectant Columbine, he succeeds by these means in obtaining her consent to spy upon Climene, and to report to him upon her lady's conduct.

The pair played the scene well together, stimulated, perhaps, by their very nervousness at finding themselves before so imposing an audience. Polichinelle was everything that is fierce, contemptuous, and insistent. Columbine was the essence of pert indifference under his cajolery, saucily mocking under his threats, and finely sly in extorting the very maximum when it came to accepting a bribe. Laughter rippled through the audience and promised well. But M. Binet, standing trembling in the wings, missed the great guffaws of the rustic spectators to whom they had played hitherto, and his fears steadily mounted.

Then, scarcely has Polichinelle departed by the door than Scaramouche bounds in through the window. It was an effective entrance, usually performed with a broad comic effect that set the people in a roar. Not so on this occasion. Meditating in bed that morning, Scaramouche had decided to present himself in a totally different aspect. He would cut out all the broad play, all the usual clowning which had delighted their past rude audiences, and he would obtain his effects by subtlety instead. He would present a slyly humorous rogue, restrained, and of a certain dignity, wearing a countenance of complete solemnity, speaking his lines drily, as if unconscious of the humour with which he intended to invest them. Thus, though it might take the audience longer to understand and discover him, they would like him all the better in the end.

True to that resolve, he now played his part as the friend and hired ally of the lovesick Leandre, on whose behalf he came for news of Climene, seizing the opportunity to further his own amour with Columbine and his designs upon the money-bags of Pantaloon. Also he had taken certain liberties with the traditional costume of Scaramouche; he had caused the black doublet and breeches to be slashed with red, and the doublet to be cut more to a peak, a la Henri III. The conventional black velvet cap he had replaced by a conical hat with a turned-up brim, and a tuft of feathers on the left, and he had discarded the guitar.

M. Binet listened desperately for the roar of laughter that usually greeted the entrance of Scaramouche, and his dismay increased when it did not come. And then he became conscious of something alarmingly unusual in Scaramouche's manner. The sibilant foreign accent was there, but none of the broad boisterousness their audiences had loved.

He wrung his hands in despair. "It is all over!" he said. "The fellow has ruined us! It serves me right for being a fool, and allowing him to take control of everything!"

But he was profoundly mistaken. He began to have an inkling of this when presently himself he took the stage, and found the public attentive, remarked a grin of quiet appreciation on every upturned face. It was not, however, until the thunders of applause greeted the fall of the curtain on the first act that he felt quite sure they would be allowed to escape with their lives.

Had the part of Pantaloon in "Les Fourberies" been other than that of a blundering, timid old idiot, Binet would have ruined it by his apprehensions. As it was, those very apprehensions, magnifying as they did the hesitancy and bewilderment that were the essence of his part, contributed to the success. And a success it proved that more than justified all the heralding of which Scaramouche had been guilty.

For Scaramouche himself this success was not confined to the public. At the end of the play a great reception awaited him from his companions assembled in the green-room of the theatre. His talent, resource, and energy had raised them in a few weeks from a pack of vagrant mountebanks to a self-respecting company of first-rate players. They acknowledged it generously in a speech entrusted to Polichinelle, adding the tribute to his genius that, as they had conquered Nantes, so would they conquer the world under his guidance.

In their enthusiasm they were a little neglectful of the feelings of M. Binet. Irritated enough had he been already by the overriding of his every wish, by the consciousness of his weakness when opposed to Scaramouche. And, although he had suffered the gradual process of usurpation of authority because its every step had been attended by his own greater profit, deep down in him the resentment abode to stifle every spark of that gratitude due from him to his partner. To-night his nerves had been on the rack, and he had suffered agonies of apprehension, for all of which he blamed Scaramouche so bitterly that not even the ultimate success--almost miraculous when all the elements are considered--could justify his partner in his eyes.

And now, to find himself, in addition, ignored by this company--his own company, which he had so laboriously and slowly assembled and selected among the men of ability whom he had found here and there in the dregs of cities was something that stirred his bile, and aroused the malevolence that never did more than slumber in him. But deeply though his rage was moved, it did not blind him to the folly of betraying it. Yet that he should assert himself in this hour was imperative unless he were for ever to become a thing of no account in this troupe over which he had lorded it for long months before this interloper came amongst them to fill his purse and destroy his authority.

So he stepped forward now when Polichinelle had done. His make-up assisting him to mask his bitter feelings, he professed to add his own to Polichinelle's acclamations of his dear partner. But he did it in such a manner as to make it clear that what Scaramouche had done, he had done by M. Binet's favour, and that in all M. Binet's had been the guiding hand. In associating himself with Polichinelle, he desired to thank Scaramouche, much in the manner of a lord rendering thanks to his steward for services diligently rendered and orders scrupulously carried out.

It neither deceived the troupe nor mollified himself. Indeed, his consciousness of the mockery of it but increased his bitterness. But at least it saved his face and rescued him from nullity--he who was their chief.

To say, as I have said, that it did not deceive them, is perhaps to say too much, for it deceived them at least on the score of his feelings. They believed, after discounting the insinuations in which he took all credit to himself, that at heart he was filled with gratitude, as they were. That belief was shared by Andre-Louis himself, who in his brief, grateful answer was very generous to M. Binet, more than endorsing the claims that M. Binet had made.

And then followed from him the announcement that their success in Nantes was the sweeter to him because it rendered almost immediately attainable the dearest wish of his heart, which was to make Climene his wife. It was a felicity of which he was the first to acknowledge his utter unworthiness. It was to bring him into still closer relations with his good friend M. Binet, to whom he owed all that he had achieved for himself and for them. The announcement was joyously received, for the world of the theatre loves a lover as dearly as does the greater world. So they acclaimed the happy pair, with the exception of poor Leandre, whose eyes were more melancholy than ever.

They were a happy family that night in the upstairs room of their inn on the Quai La Fosse--the same inn from which Andre-Louis had set out some weeks ago to play a vastly different role before an audience of Nantes. Yet was it so different, he wondered? Had he not then been a sort of Scaramouche--an intriguer, glib and specious, deceiving folk, cynically misleading them with opinions that were not really his own? Was it at all surprising that he should have made so rapid and signal a success as a mime? Was not this really all that he had ever been, the thing for which Nature had designed him?

On the following night they played "The Shy Lover" to a full house, the fame of their debut having gone abroad, and the success of Monday was confirmed. On Wednesday they gave "Figaro-Scaramouche," and on Thursday morning the "Courrier Nantais" came out with an article of more than a column of praise of these brilliant improvisers, for whom it claimed that they utterly put to shame the mere reciters of memorized parts.

Andre-Louis, reading the sheet at breakfast, and having no delusions on the score of the falseness of that statement, laughed inwardly. The novelty of the thing, and the pretentiousness in which he had swaddled it, had deceived them finely. He turned to greet Binet and Climene, who entered at that moment. He waved the sheet above his head.

"It is settled," he announced, "we stay in Nantes until Easter."

"Do we?" said Binet, sourly. "You settle everything, my friend."

"Read for yourself." And he handed him the paper.

Moodily M. Binet read. He set the sheet down in silence, and turned his attention to his breakfast.

"Was I justified or not?" quoth Andre-Louis, who found M. Binet's behaviour a thought intriguing.

"In what?"

"In coming to Nantes?"

"If I had not thought so, we should not have come," said Binet, and he began to eat.

Andre-Louis dropped the subject, wondering.

After breakfast he and Climene sallied forth to take the air upon the quays. It was a day of brilliant sunshine and less cold than it had lately been. Columbine tactlessly joined them as they were setting out, though in this respect matters were improved a little when Harlequin came running after them, and attached himself to Columbine.

Andre-Louis, stepping out ahead with Climene, spoke of the thing that was uppermost in his mind at the moment.

"Your father is behaving very oddly towards me," said he. "It is almost as if he had suddenly become hostile."

"You imagine it," said she. "My father is very grateful to you, as we all are."

"He is anything but grateful. He is infuriated against me; and I think I know the reason. Don't you? Can't you guess?"

"I can't, indeed."

"If you were my daughter, Climene, which God be thanked you are not, I should feel aggrieved against the man who carried you away from me. Poor old Pantaloon! He called me a corsair when I told him that I intend to marry you."

"He was right. You are a bold robber, Scaramouche."

"It is in the character," said he. "Your father believes in having his mimes play upon the stage the parts that suit their natural temperaments."

"Yes, you take everything you want, don't you?" She looked up at him, half adoringly, half shyly.

"If it is possible," said he. "I took his consent to our marriage by main force from him. I never waited for him to give it. When, in fact, he refused it, I just snatched it from him, and I'll defy him now to win it back from me. I think that is what he most resents."

She laughed, and launched upon an animated answer. But he did not hear a word of it. Through the bustle of traffic on the quay a cabriolet, the upper half of which was almost entirely made of glass, had approached them. It was drawn by two magnificent bay horses and driven by a superbly livened coachman.

In the cabriolet alone sat a slight young girl wrapped in a lynx-fur pelisse, her face of a delicate loveliness. She was leaning forward, her lips parted, her eyes devouring Scaramouche until they drew his gaze. When that happened, the shock of it brought him abruptly to a dumfounded halt.

Climene, checking in the middle of a sentence, arrested by his own sudden stopping, plucked at his sleeve.

"What is it, Scaramouche?"

But he made no attempt to answer her, and at that moment the coachman, to whom the little lady had already signalled, brought the carriage to a standstill beside them. Seen in the gorgeous setting of that coach with its escutcheoned panels, its portly coachman and its white-stockinged footman--who swung instantly to earth as the vehicle stopped--its dainty occupant seemed to Climene a princess out of a fairy-tale. And this princess leaned forward, with eyes aglow and cheeks aflush, stretching out a choicely gloved hand to Scaramouche.

"Andre-Louis!" she called him.

And Scaramouche took the hand of that exalted being, just as he might have taken the hand of Climene herself, and with eyes that reflected the gladness of her own, in a voice that echoed the joyous surprise of hers, he addressed her familiarly by name, just as she had addressed him.

"Aline!"

CHAPTER VIII. THE DREAM

"The door," Aline commanded her footman, and "Mount here beside me," she commanded Andre-Louis, in the same breath.

"A moment, Aline."

He turned to his companion, who was all amazement, and to Harlequin and Columbine, who had that moment come up to share it. "You permit me, Climene?" said he, breathlessly. But it was more a statement than a question. "Fortunately you are not alone. Harlequin will take care of you. Au revoir, at dinner."

With that he sprang into the cabriolet without waiting for a reply. The footman closed the door, the coachman cracked his whip, and the regal equipage rolled away along the quay, leaving the three comedians staring after it, open-mouthed... Then Harlequin laughed.

"A prince in disguise, our Scaramouche!" said he.

Columbine clapped her hands and flashed her strong teeth. "But what a romance for you, Climene! How wonderful!"

The frown melted from Climene's brow. Resentment changed to bewilderment.

"But who is she?"

"His sister, of course," said Harlequin, quite definitely.

"His sister? How do you know?"

"I know what he will tell you on his return."

"But why?"

"Because you wouldn't believe him if he said she was his mother."

Following the carriage with their glance, they wandered on in the direction it had taken. And in the carriage Aline was considering Andre-Louis with grave eyes, lips slightly compressed, and a tiny frown between her finely drawn eyebrows.

"You have taken to queer company, Andre," was the first thing she said to him. "Or else I am mistaken in thinking that your companion was Mlle. Binet of the Theatre Feydau."

"You are not mistaken. But I had not imagined Mlle. Binet so famous already."

"Oh, as to that..." mademoiselle shrugged, her tone quietly scornful. And she explained. "It is simply that I was at the play last night. I thought I recognized her."

"You were at the Feydau last night? And I never saw you!"

"Were you there, too?"

"Was I there!" he cried. Then he checked, and abruptly changed his tone. "Oh, yes, I was there," he said, as commonplace as he could, beset by a sudden reluctance to avow that he had so willingly descended to depths that she must account unworthy, and grateful that his disguise of face and voice should have proved impenetrable even to one who knew him so very well.

"I understand," said she, and compressed her lips a little more tightly.

"But what do you understand?"

"The rare attractions of Mlle. Binet. Naturally you would be at the theatre. Your tone conveyed it very clearly. Do you know that you disappoint me, Andre? It is stupid of me, perhaps; it betrays, I suppose, my imperfect knowledge of your sex. I am aware that most young men of fashion find an irresistible attraction for creatures who parade themselves upon the stage. But I did not expect you to ape the ways of a man of fashion. I was foolish enough to imagine you to be different; rather above such trivial pursuits. I conceived you something of an idealist."

"Sheer flattery."

"So I perceive. But you misled me. You talked so much morality of a kind, you made philosophy so readily, that I came to be deceived. In fact, your hypocrisy was so consummate that I never suspected it. With your gift of acting I wonder that you haven't joined Mlle. Binet's troupe."

"I have," said he.

It had really become necessary to tell her, making choice of the lesser of the two evils with which she confronted him.

He saw first incredulity, then consternation, and lastly disgust overspread her face.

"Of course," said she, after a long pause, "that would have the advantage of bringing you closer to your charmer."

"That was only one of the inducements. There was another. Finding myself forced to choose between the stage and the gallows, I had the incredible weakness to prefer the former. It was utterly unworthy of a man of my lofty ideals, but--what would you? Like other ideologists, I find it easier to preach than to practise. Shall I stop the carriage and remove the contamination of my disgusting person? Or shall I tell you how it happened?"

"Tell me how it happened first. Then we will decide."

He told her how he met the Binet Troupe, and how the men of the marechaussee forced upon him the discovery that in its bosom he could lie safely lost until the hue and cry had died down. The explanation dissolved her iciness.

"My poor Andre, why didn't you tell me this at first?"

"For one thing, you didn't give me time; for another, I feared to shock you with the spectacle of my degradation."

The Essential Rafael Sabatini Collection

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