Читать книгу Trouble is My Business - Raymond Chandler - Страница 6
TWO
ОглавлениеThe Arbogast I wanted was John D. Arbogast and he had an office on Sunset near Ivar. I called him up from a phone booth. The voice that answered was fat. It wheezed softly, like the voice of a man who had just won a pie-eating contest.
“Mr. John D. Arbogast?”
“Yeah.”
“This is Philip Marlowe, a private detective working on a case you did some experting on. Party named Jeeter.”
“Yeah?”
“Can I come up and talk to you about it—after I eat lunch?”
“Yeah.” He hung up. I decided he was not a talkative man.
I had lunch and drove out there. It was east of Ivar, an old two-story building faced with brick which had been painted recently. The street floor was stores and a restaurant. The building entrance was the foot of a wide straight stairway to the second floor. On the directory at the bottom I read: John D. Arbogast, Suite 212. I went up the stairs and found myself in a wide straight hall that ran parallel with the street. A man in a smock was standing in an open doorway down to my right. He wore a round mirror strapped to his forehead and pushed back, and his face had a puzzled expression. He went back to his office and shut the door.
I went the other way, about half the distance along the hall. A door on the side away from Sunset was lettered: john d. arbogast, examiner of questioned documents. private investigator. enter. The door opened without resistance onto a small windowless anteroom with a couple of easy chairs, some magazines, two chromium smoking stands. There were two floor lamps and a ceiling fixture, all lighted. A door on the other side of the cheap but thick new rug was lettered: john d. arbogast, examiner of questioned documents. private.
A buzzer had rung when I opened the outer door and gone on ringing until it closed. Nothing happened. Nobody was in the waiting room. The inner door didn’t open. I went over and listened at the panel—no sound of conversation inside. I knocked. That didn’t buy me anything either. I tried the knob. It turned, so I opened the door and went in.
This room had two north windows, both curtained at the sides and both shut tight. There was dust on the sills. There was a desk, two filing cases, a carpet which was just a carpet, and walls which were just walls. To the left another door with a glass panel was lettered: john d. arbogast. laboratory. private.
I had an idea I might be able to remember the name.
The room in which I stood was small. It seemed almost too small even for the pudgy hand that rested on the edge of the desk, motionless, holding a fat pencil like a carpenter’s pencil. The hand had a wrist, hairless as a plate. A buttoned shirt cuff, not too clean, came down out of a coat sleeve. The rest of the sleeve dropped over the far edge of the desk out of sight. The desk was less than six feet long, so he couldn’t have been a very tall man. The hand and the ends of the sleeves were all I saw of him from where I stood. I went quietly back through the anteroom and fixed its door so that it couldn’t be opened from the outside and put out the three lights and went back to the private office. I went around an end of the desk.
He was fat all right, enormously fat, fatter by far than Anna Halsey. His face, what I could see of it, looked about the size of a basket ball. It had a pleasant pinkness, even now. He was kneeling on the floor. He had his large head against the sharp inner corner of the kneehole of the desk, and his left hand was flat on the floor with a piece of yellow paper under it. The fingers were outspread as much as such fat fingers could be, and the yellow paper showed between. He looked as if he were pushing hard on the floor, but he wasn’t really. What was holding him up was his own fat. His body was folded down against his enormous thighs, and the thickness and fatness of them held him that way, kneeling, poised solid. It would have taken a couple of good blocking backs to knock him over. That wasn’t a very nice idea at the moment, but I had it just the same. I took time out and wiped the back of my neck, although it was not a warm day.
His hair was gray and clipped short and his neck had as many folds as a concertina. His feet were small, as the feet of fat men often are, and they were in black shiny shoes which were sideways on the carpet and close together and neat and nasty. He wore a dark suit that needed cleaning. I leaned down and buried my fingers in the bottomless fat of his neck. He had an artery in there somewhere, probably, but I couldn’t find it and he didn’t need it any more anyway. Between his bloated knees on the carpet a dark stain had spread and spread—
I knelt in another place and lifted the pudgy fingers that were holding down the piece of yellow paper. They were cool, but not cold, and soft and a little sticky. The paper was from a scratch pad. It would have been very nice if it had had a message on it, but it hadn’t. There were vague meaningless marks, not words, not even letters. He had tried to write something after he was shot—perhaps even thought he was writing something—but all he managed was some hen scratches.
He had slumped down then, still holding the paper, pinned it to the floor with his fat hand, held on to the fat pencil with his other hand, wedged his torso against his huge thighs, and so died. John D. Arbogast. Examiner of Questioned Documents. Private. Very damned private. He had said “yeah” to me three times over the phone.
And here he was.
I wiped doorknobs with my handkerchief, put off the lights in the anteroom, left the outer door so that it was locked from the outside, left the hallway, left the building and left the neighborhood. So far as I could tell nobody saw me go. So far as I could tell.