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CHAPTER III

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We left Nanette at home and Alan and I started for the Turber Hospital about three o'clock that same afternoon.

Was this the girl of our visions, now the "victim of amnesia" at Dr. Turber's Sanatorium? Or was it merely some other girl whose memory had gone, and whose prosaic parents soon would come to claim her? Things like that frequently happened. We determined to find out. Both of us were sure we would recognize her.

From the ferryhouse on Staten Island we took a taxi, a few miles into the interior. It was an intensely hot, oppressive afternoon—the sun was slanting in the west when we reached our destination.

I found the Turber Hospital occupying a fairly open stretch of country, about a mile from the nearest town. It stood on a rise of ground—a huge quadrangle of buildings completely enclosing an inner yard. It was four stories high, of brick and ornamental stone; balconies were outside its upper windows, with occasional patients sitting in deck chairs with lattice shades barring the glare of sunlight.

There were broad shaded grounds about the buildings, the whole encompassing, I imagined, some twenty or thirty acres. Trees and paths and beds of flowers. A heavy, ten-foot ornamental iron fence with a barbed wire top enclosed it all. A fence which might have been to keep out the public but which gave also the impression of keeping in the inmates. The place looked, indeed very much like the average asylum. There was an aura of wealth about it; but, unlike most such places, also a look of newness.

"Turber built it in the last eight years," said Alan. "He's doing very well—rich patients of the neurotic, almost insane but not quite, variety."

There were some of them about the grounds now. Off at one end I could see tennis courts with games in progress.

"Spent a lot of money," I commented.

"Yes—they say he's very rich."

Bordering the grounds was a scattered, somewhat squalid neighborhood of immigrants. We had crossed a trolley line and ascended a hill arriving at the main gateway of the institution. I glanced back through the rear window of our taxi. We were on a commanding eminence; I could see across the rolling country, over several smoky towns to New York Harbor; the great pile of buildings on lower Manhattan was just visible in the distant haze.

The gatekeeper passed us at Alan's request to see Dr. Turber. Our taxi swung up a winding roadway to the porte-cochere at the side of the building.

"Will he see us," I demanded.

"If he's here, I imagine he will."

"But you're not, even outwardly, friends?"

He shrugged. "We speak pleasantly enough when we have occasion to meet. So long as he lets Nanette alone."

We were ushered into the cool quiet of a reception room. The white-clad nurse said that doubtless Dr. Turber would see us presently—he was busy at the moment. She left us.

It was a fairly large room of comfortable wicker chairs; oriental rugs on a hardwood, polished floor; a large wicker center table strewn with the latest magazines. A cool, dim room; there were broad French windows, with shades partly drawn and additionally shrouded with heavy velvet portieres across the window alcove.

We had seated ourselves. Alan drew his chair nearer to mine. He spoke softly, swiftly, with an eye upon the archway that gave onto the main lower corridor down which the nurse had gone.

"I was thinking, Ed—when Turber comes—we've got to have some excuse for seeing the girl."

"Yes, but what?"

"Tell him—I'll tell him you're a newspaper man. Some of them have been here already, no doubt. We won't go into it—you won't have to say much."

I was, in actuality, a pilot. I was off now, these three summer months. But posing as a newspaper man was out of my line.

"I don't know," I said dubiously. "I have no credentials. If he asks me—"

"I'll do most of the talking, Ed." He jumped up suddenly, went to glance into the corridor, and came back. "Come here, want to show you something."

He drew me to the windows. We pushed the portieres aside, and raised one of the shades. We were some ten feet above the level of the paved inner courtyard. Alan murmured: "Just look, Ed—queer construction of this place! I've often wondered, and so did father."

Queer construction indeed! The quadrangular building completely enclosed this inner yard. At the basement level it was all normal enough. Windows and doors opening from what seemed engine rooms; the kitchen; the laundry. And at this first story it was normal also. These windows through which we were looking; and other windows and occasional balconies in each of the wings. But above this first story there were three others and then the flat roof above them. And in these three upper floors so far as I could see there was not a window! Nothing but the sheer, blank stone walls!

"What would you make of that, Ed? Crazy architecture—they said that when the place was built. There are no courtyard rooms at all in the upstairs floors—nearly half the building goes to waste. Turber designed it—"

"But what did he say?"

"Nothing much, I fancy. It was his own business. Perhaps merely that he could afford the luxury of all outside rooms for his patients. And look at that inner building—"

The courtyard was perhaps two hundred feet long, by half as wide. In its center was an oblong brick building, a hundred feet by sixty possibly—and not quite as high as the roof of the main structure. From the angle at which we were gazing, I could see the full front face of this smaller building and part of one of its ends. It had not a window! Nor a door, except one, very small, at the ground in the center of the front!

"Turber's laboratory," said Alan. "At least, that's what it's supposed to be. That one door—nothing else. It's always locked. Nobody has ever been in there but Turber, and his Indian assistant. Father once talked with the builders of this place, Ed. That laboratory is nothing but two small rooms at the ground level here in front. All the rest is just four solid brick walls enclosing an inner empty space! What's it for? Nobody knows. But people talk. You can't stop them. Turber's employees here. And most of all, his patients—not quite sane. They talk—of ghosts—things mysteriously going on inside those walls—"

People not quite sane—talking of things unknowable. But I was wholly sane; and as I stood there, gazing at the shadows of twilight gathering in this inner courtyard; the blank upper walls of the large building turning dark with night; the smaller one, standing blank and silent in the courtyard—the whole place seemed suddenly ominous, sinister!

A step sounded in the room behind us. I started violently; I had not realized how taut were my nerves. We dropped the portieres hastily, and left the window. Turber?

But it was not he. A young man stood before us. He was dressed in flannels and a shirt open at the throat. He carried a tennis racket.

"Well," said Alan. "How are you, Charlie? Been playing tennis? You remember me, don't you?"

A good-looking young fellow. He said: "Do I? You were here once before, weren't you? I saw you in here with Dr. Turber."

"Yes," said Alan. "Let's sit down, Ed. How are you, Charlie?"

We sat down. Charlie stood before us. "I've been playing tennis. Is the doc coming here to see you?" His face clouded. "You're all right, aren't you? My mother said—" He was addressing me. "My mother said—but look here, don't pay any attention to your mother if she says you're sick. Don't you do it! I did it, and my mother said I'll put you in here and make you well. So look what happened to me—I'm in here."

I met Alan's glance. Alan said: "Well, that's fine, Charlie. And you're better, aren't you?"

"Yes." He hesitated; then he added: "I'm better, and I'd like to help you get better. I was thinking that, last time I saw you. I like you—very much."

"Do you, Charlie? That's nice of you."

"Yes. You're a friend of mine—'Friends sturdy and true' I was thinking—that's us."

He turned suddenly away. He took a step toward the window, and came back. His face had wholly changed; a look of cunning was on it; his voice low, quivering, dramatic.

"You were looking out there when I came in. Strange things go on out there—but you can't see them in the daytime!"

"Can't you?" said Alan. "I was looking—"

"I've seen them—at night. I've got a way to see them any time I want to. From the roof. If you get put in here—I'll show you—maybe. Because we're friends."

It galvanized Alan into action. He jumped to his feet and gripped Charlie.

"I'd like you to show me."

"Yes, I can do it. There's a girl came this morning. I saw her—"

"A girl?"

"Beautiful girl. She was beautiful—I saw her. They took her upstairs. I know where."

Alan gestured to me. "Watch out if anybody comes, Charlie, tell me!"

I moved nearer the corridor entrance. Alan and Charlie stood by the window. I could hear them.

"She's sick, but her mother didn't bring her. Men brought her—in a taxi like I saw you come in."

"Charlie, if I should come here—"

"I've got a key to the roof. You're not allowed up there. Nobody's ever been up there but me. I'm too smart for them—'Keys to open Bluebeard's room'—you can't open anything without a key. Keys to open Bluebeard's—"

"Charlie, stop that!"

"Well, I have. It's dark. Nothing ever happens in the light. You can see it from the roof, because you're higher up and you can look down inside."

"Inside what?"

"His laboratory. That's what they call it. 'Four walls to hide what devils do'—that's Shakespeare. I studied it, when I was in school. But mother said I was sick—"

"Wait, Charlie. That girl—"

"She's sick, I guess. We're all sick. But she was frightened, too. I'm not frightened. I passed them in the hall. She looked at me—I saw she was frightened. I said then to myself I guess I can help that girl. I'm smart—I've got keys."

If Turber should come! But the corridor was empty.

"You know which room is the girl's, Charlie?"

"Yes."

"You've got a key to it?"

"Key? I've got a key to Bluebeard's closet—"

Alan shook him. "The girl's room—where they've got her now."

"Key to Bluebeard's room—don't get excited—I'm not excited." He was trembling. "When you come to live here—"

"Charlie, listen! I want to help that girl—get her out of here. She isn't sick."

"I can get out of here—but my mother told me not to. I've got a key to the little gate in the fence behind the tennis court. I've had it a long time. You know how to make a key? You take wax and get an impression—I had a locksmith make the key when I was home at Christmas. Mother thought it was my trunk key—but it wasn't. I thought I might use it to slip out and go home some night. Only mother would be angry. And I had Bluebeard's key made at the same time—that's the key to the roof, where you can see things—"

From the door I caught a glimpse of a man approaching along the corridor.

"Alan! Here he comes!"

Alan said vehemently: "Charlie, listen! Get this right! Tonight, about ten o'clock! Can you have your keys and come to the tennis court gate?"

"Yes! Tonight—"

"Can you get there, alone? Tell nobody? Let nobody see you!"

"Yes. At night—dark deeds, alone." He heard Dr. Turber's step. He added swiftly: "I'll be there—ten o'clock tonight! I can hide you in my room. At eleven, they're all asleep—we'll go to the roof—I call it Bluebeard's—"

"Not a word to anybody, Charlie! For the girl's sake!"

"Yes! And because we're friends—"

Alan pushed him away; and said, conversationally: "So you had a good game, Charlie? That's fine—but you'd better go wash up for supper."

"All right, I will. Mother said never be late for supper."

We all turned as Dr. Turber entered the room.

I saw Dr. Wolf Turber as a man of about forty, obviously of extraordinary personality. There are many men in this world who have a power, for good or evil, which marks them apart from their fellows. A radiation—an aura—a something in their unconscious bearing; a confidence, a flash of the eye, all unmistakable. Dr. Turber was such a one. Marked for big things—good or evil.

He was, to me at least, at once physically repellent of aspect. A very heavy, powerful frame, with wide shoulders, thick and solid; a deep chest; long powerful arms. Had he stood erect, he might have been fully six feet tall. But he was hunched. Not exactly a hunch-back; rather, a permanent stoop which had rounded his shoulders almost to a deformity.

His head was massive, set low on a wide, short neck. Close-cropped black hair, turning gray at the temples. A solid, wide-jawed face, smooth-shaved, with dark eyes gazing through a pair of incongruously dapper rimless glasses, from which a wide black ribbon descended.

He stood before us; stooped, but with the strength of a gorilla seeming to lie hidden in his squat frame, masked by the dapperness of his clothes. Pointed patent leather shoes; gray trousers; a dark gray jacket with a white waistcoat, to which the black eyeglass ribbon was fastened. He stood with a hand toying with the ribbon.

"He annoyed you, Tremont? Charlie's a good boy. A little off mentally—like most of them here."

Charlie had been summarily dismissed. Turber added: "You do not bring the charming little Nanette. Where is she? I would far rather see her than you, Tremont."

Alan, from his six-foot height gazed down at Turber. He ignored the reference to Nanette, and said:

"There was a girl found in Central Park this morning. Amnesia case, the papers say. Transferred here from Bellevue. My friend Williams here does some newspaper writing—he'd like to see her."

Turber's face remained calmly polite. His gaze went to me. It made my heart leap—his quiet, keen scrutiny, as though without effort he might read my thoughts.

"A girl? Amnesia case? No girl came here." His glance swung between us; but his wide, thin-lipped mouth was smiling, ironically. He added: "You believe what you read, evidently. You are trustful."

Alan's shortness of temper surprised me. "Then you won't let us see her."

"No, why should I?"

"But you admit she's here?"

There was no love lost between these two! Turber rasped:

"Why should I bother to let you cross-examine me?"

It quieted Alan. "I know she's here. What you mean is, I have no right to demand seeing her."

Turber bowed ironically.

"I can get that fixed up," said Alan.

"Perhaps."

"Oh, I think I can." Alan was smiling now, with recovered poise. "In the first place, she is undoubtedly a public charge until her identity is established. Why Bellevue sent her to you, I can't imagine—"

"That, like everything else you are saying, is none of your business."

"But I intend to make it my business. They'll give Williams and me an order to see her." Quite evidently Alan knew his ground. "Come on, Ed—we're wasting time. Let's go see what they say at Bellevue. There are a lot of things about this I don't understand."

Turber said abruptly: "If you come as a friend, Tremont." His imperturbable smile remained, but it was evident that Alan's persistence was disturbing. I could even fancy, alarming. "But you come, gruffly demanding—and you bring the power of the Press." The faint inclination of his head toward me was a bow of mockery. "You frighten me—"

"Why? Is it something mysterious?"

"It seems to be. Your sudden insistence—I have not seen you in a year. I have had several amnesia patients here, all ignored by you."

Beneath his bantering manner he was trying no doubt, to fathom what Alan knew.

Alan was silent. I said: "Well, I'd be mighty interested to write up the case. But if we have to get an order from the Health Department—"

"We'll get it," said Alan.

Turber made an abrupt decision. "You may see her. You're an annoying young cub, Tremont. I know you well enough to realize that."

"Can we see her now?" Alan demanded.

"Yes. But only for a moment. Her memory is gone. I was hoping, with my routine treatment, we could get it back."

He led us into the corridor, stalking ahead of us with his heavy tread. "This way—she is upstairs."

He turned a comer. Alan whispered: "Watch where we're going! Try to remember the location of the room! How old is she, Dr. Turber?"

"About twenty, apparently. A strange-looking little creature. I would say, of a cultured family."

We mounted a staircase. Passed down another corridor. I tried to keep my sense of location. I said: "Is she an American?"

"Probably not." He shrugged. "She is dressed very strangely. She resisted the matrons at Bellevue who would have changed her robe. She looks as though she might have wandered from some fancy dress affair last night. But by now something would be known of it, I suppose. The police have full details. I shall send her back to Bellevue—I'm not looking for any bizarre publicity."

We passed occasional inmates in the halls; they stared at us curiously, scattering and vanishing at Turber's glance. One was the young fellow, Charlie. He appeared magically at my elbow, flashed me a swift, knowing glance, and disappeared.

Abnormality was in the air, everywhere about this place. Heavy carpeted hallways; dim, with lights not yet lighted, in the afternoon twilight. These patients—most of them seemed to be young men—free to move about, in apparent health; indefinably, but unmistakably abnormal. The whole place struck me as almost gruesome.

"This way, Tremont."

We were in the upper story, close under the roof. There was an elevator in the front of the building; we had not used it, but had mounted three separate flights of stairs, each remote from the other. I fancied we were at the top of the wing across from the reception room.

Turber paused and took a key from his pocket. I had noticed as we came along the halls that all the rooms opened outward; the inner side facing the courtyard was always a blank corridor wall, with no suggestion of rooms. But Turber now paused at a small, heavy mahogany door—on the courtyard side.

"She is here, Tremont. I have her locked in. She escaped from somewhere. It is often a trait of these cases—the desire to escape. If she eluded me here, the authorities would have plenty to say."

He stood a moment, cautioning us in low tones. The girl would be startled—she was startled at seeing any one. But to be mildly startled might be good for her. He smiled. "Amnesia has been cured by a blow upon the head. But I don't recommend it."

"May I talk to her?" I suggested.

"That," he said, "would be useless. She could not understand; and her own words are wholly unrecognizable."

There was another door directly across the hall. It stood open, disclosing a bedroom, into the windows of which the setting sun was streaming. A man came to its doorway. Turber's Indian assistant, Alan afterwards told me; evidently he was here on guard. He did not speak; he saw Dr. Turber, and moved back into the room.

But for that instant he was visible I think I have never had a more startling impression. A man, clad in trousers and white shirt; of huge stature, well over six feet. Straight black hair, parted in the middle; a red-brown face, flat-nosed. But more than that. I saw something about him which was uncanny. An indescribable impression of something incredibly sinister. Something weird.

He had a magazine in his hand. If it had been a tomahawk dripping blood, if his face with its broken nose had been streaked with ochre, if his body had been bare of those civilized garments—it would have seemed far more normal. He grunted as he met Dr. Turber's glance and turned away.

Turber repeated: "I think I would not speak to her—but you may if you like."

He knocked on the girl's door. He then turned the lock and pushed the door inward.

We crowded at the threshold. It was a small, comfortably furnished bedroom. Windowless. A wicker table, with a lamp giving a soft glow of yellow light. The girl stood like a startled fawn in the center of the room. It was the girl we had seen on the television!

A creature, here in life, of fairylike delicacy. Almost unreal. She was not over five feet tall; slight and delicate of mold; a girlhood upon the brink of maturity. A fairy creature, like a vision of girlhood in a child's fairy dream. White-limbed; wearing a pale, sky-blue robe—a drapery rather than a dress. Flowing hair, pale as spun gold. A face, oval and small, exquisite, delicate as a cameo. Eyes, sky-blue—

They stared at us, those sky-blue eyes. Startled. But they were not vacant eyes, nor confused; not the eyes of a person mentally deranged. They swung toward Dr. Turber; and as momentarily he turned away they came back to Alan. And in them I read—and Alan read—a mute, furtive look of appeal!

The Shadow Girl

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