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Four-stress anapestic.

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What I speak, my fair Chloe, and what I write, shows

The difference there is betwixt nature and art:

I court others in verse; but I love thee in prose:

And they have my whimsies; but thou hast my heart.

(Prior: A Better Answer. ab. 1710.)

Prior's anapests well illustrate the appropriateness of the measure for light tripping effects, such as are sought vers de société. See also the measure of Goldsmith's Retaliation, especially the passage beginning—

"Here lies David Garrick, describe me who can;

An abridgment of all that was pleasant in man."

The small birds rejoice in the green leaves returning,

The murmuring streamlet winds clear through the vale;

The hawthorn trees blow in the dews of the morning,

And wild scatter'd cowslips bedeck the green dale.

(Burns: The Chevalier's Lament. 1788.)

The Assyrian came down like the wolf on the fold,

And his cohorts were gleaming in purple and gold;

And the sheen of their spears was like stars on the sea,

When the blue wave rolls nightly on deep Galilee.

(Byron: The Destruction of Sennacherib. 1815.)

(With three-stress:)

Believe me, if all those endearing young charms,

Which I gaze on so fondly to-day,

Were to change by to-morrow, and fleet in my arms,

Like fairy-gifts fading away,

Thou wouldst still be ador'd, as this moment thou art, Let thy loveliness fade as it will, And around the dear ruin each wish of my heart Would entwine itself verdantly still.

(Thomas Moore: Believe me, if all those endearing young charms. ab. 1825.)

English Verse

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