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International praise for Ricardo Piglia:

. INTERNATIONAL RÓMULO GALLEGOS NOVEL PRIZE, 2011

. NATIONAL CRITICS PRIZE, 2011

. THE BEST NOVEL IN SPANISH OF THE YEAR 2010, CHOSEN BY 55 CRITICS AND JOURNALISTS OF El País

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“Piglia demonstrates perfect mastery of his art. Nothing is there just for the sake of it.” — El País

“Ricardo Piglia is an extremely important literary figure. He has inherited Borges’ quizzical intelligence, enthusiasm for the tireless exploration of literature and attraction to hidden depths. Piglia’s fictions trace inventive parabolas over the past nightmarish events of his country.” — The Independent

“Ricardo Piglia, the rebel classic.” — J.A. MASOLIVER RODENAS, La Vanguardia

“One of the sharpest minds on the latino-hispanic-american scene today—not just in Argentina.”— El Cultural

“Argentine writer Piglia is the most perceptive contemporary reader of that nation’s literature and perhaps its best practitioner.”— SILVIA GIL DE CWILICH, Publishers Weekly, on Formas Breves

“Latin American noir at its best—and further evidence of Piglia’s remarkable versatility and skill.”— Kirkus Reviews on Money to Burn

“One of Latin America’s most highly regarded novelists. Piglia brings into play a swirl of tales mixing dark truths with hallucinatory adventures.”— GWEN KIRKPATRICK, author of The Dissonant Legacy of Modernismo, on The Absent City

“Piglia is Argentina’s most important novelist, a compelling writer and committed intellectual who relentlessly deals with the complicated relationships between politics and fiction. And Sergio Waisman is an exceptionally gifted translator with a wonderful ear and eye for the reverberations of Spanish in English.”— FRANCINE MASIELLO, author of Between Civilization and Barbarism: Women, Nation, and Literary Culture in Modern Argentina, on The Absent City