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Оглавление

CONTENTS

Acknowledgments xi

Note on Spelling of Senegalese Names xvii

INTRODUCTION Sound Track for a Black Atlantic xix

ONE Kora(son): Africa and Afro-Cuban Music 1

TWO Havana/Paris/Dakar: Itineraries of Afro-Cuban Music 14

THREE Son and Sociality: Afro-Cuban Music, Gender, and Cultural Citizenship, 1950s–1960s 33

FOUR From Sabor to Sabar: The Rise of Senegalese Afro-Cuban Orchestras, 1960s–1970s 57

FIVE ReSONances Senegalaises: Authenticity, Cosmopolitanism, and the Rise of Salsa M’balax, 1980s–1990s 92

SIX “Music Has No Borders”: The Global Marketing of a Local Musical Tradition, 1990s–2006 116

CONCLUSION Making Waves 143

Notes 149

Glossary 187

List of Interviews 189

Bibliography 191

Discography 203

Index 207

Illustrations 106

Roots in Reverse

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