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ОглавлениеCONTENTS
Acknowledgments xi
Note on Spelling of Senegalese Names xvii
INTRODUCTION Sound Track for a Black Atlantic xix
ONE Kora(son): Africa and Afro-Cuban Music 1
TWO Havana/Paris/Dakar: Itineraries of Afro-Cuban Music 14
THREE Son and Sociality: Afro-Cuban Music, Gender, and Cultural Citizenship, 1950s–1960s 33
FOUR From Sabor to Sabar: The Rise of Senegalese Afro-Cuban Orchestras, 1960s–1970s 57
FIVE ReSONances Senegalaises: Authenticity, Cosmopolitanism, and the Rise of Salsa M’balax, 1980s–1990s 92
SIX “Music Has No Borders”: The Global Marketing of a Local Musical Tradition, 1990s–2006 116
CONCLUSION Making Waves 143
Notes 149
Glossary 187
List of Interviews 189
Bibliography 191
Discography 203
Index 207
Illustrations 106