Читать книгу Medicine Walk - Richard Wagamese - Страница 13

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HE COULD SEE THE MOON through the slats of the barn when he woke. It was early morning and it was in its descent but it hung in the sky like a glacier pouring down light with the sheen of melting ice. There were shadows everywhere. It was bright enough that he could see his way to the back door of the old barn and he got up and walked there to smoke. There were coyotes in the field. He could see the sleek shape of them trotting and bounding near the fence. Six of them. Cavorting. Celebrating moonlight. From where he stood leaning on the bottom half of the door he could see the huff of their breath. Clouds of it roiling then dissipating in the early morning air as they chased each other, and the kid thought of fog and the way it shrouded the land in the frosted wet of spring and autumn, the punch of ridge or scarp or mountain behind it sudden as a bear. They wheeled and dashed and now and then they yipped at each other and then stopped suddenly and looked at him. He cupped the smoke in his hand and turned his wrist so the lighted end of it pointed behind him. They waited. Silent. Still as the air around them. In the phosphorescent glow of the moon he thought he could see their eyes, dilating, peering hard at him with the ancient light of the wild in them, measuring and judging him in the dim distance. They lowered their heads, their snouts poking near the ground, and watched him. And then they began to dance, or at least that’s how it seemed to him. One by one they began to weave sinuously back and forth, cutting between each other, snout to tail, a walk then a half-trot until one of them nipped at the tail of another and they exploded into a frenzy of playfulness, abandon, and a joy so sudden and pure that the kid smiled and leaned harder on the door to watch it. Then the largest one broke the dash, halted, raised its nose to the air, whirled, and loped to the trees. The others followed in a dark line. They vanished into the trees, winked out of view as though the woods had folded itself around them, cocooned them, the chrysalis impermeable, whole, wound of the fibres of time, and the kid wondered what shape they would bear when they emerged into the moonstruck glades.

It was cold and he shivered. There was some sacking hung on the near stall and he pulled it around his shoulders. It smelled of grain. The horse nickered behind him. He pushed the door open and stepped out into the barnyard. There was a scrim of frost on the rippled mud of it and his footsteps crunched some when he walked. When he got to the rail fence at the far end he straddled it and hung his boot heels on either side of the middle rail and looked around at the town and the mill and the mountains behind it that led to the valley above the river where his father wanted to go.

His father. The kid thought of him with the whore in the sad little room in the house that leaned toward the water. It was a ragged life. To die in it seemed more sorrowful than he could imagine. If he simply left him to die he could go back to the farm and work it and hope for the best. Nothing would be different. There was nothing else for him. Truth was, he wanted nothing else because that life was all he’d known and there was a comfort in the idea of farming. He knew the rhythms of it, could feel the arrival of the next thing long before it arrived, and he knew the feel of time around those eighty acres like he knew hunger, thirst, and the feel of coming weather on his skin. Memory for the kid kicked in with the smell of the barn and the old man teaching him to milk and plow and seed and pluck a chicken. His father had drifted in and out of that life randomly and the kid recalled the first sense of him as the thin prick of the sawn door frame in the kitchen on his shoulder, leaning there, watching him smoke and drink and talk with the old man, trading furtive glances with him and then staring down shyly at his boot tops. The voice of him gruff and garbled with drink. When he disappeared again he always left money in a jam jar behind the sink. “Your pap,” the old man said whenever he doled out money from it, and for the longest time the kid had thought he meant the jar.

He learned his name was Starlight when he was seven. Even then the connection between them remained loose and untied and the kid remembered saying their names over and over to the darkness in the attic room where he slept. Eldon Starlight. Franklin Starlight. Four blunt syllables conjuring nothing. When he appeared the kid would watch him and whisper his name under his breath, waiting for a hook to emerge, a nail he could hang context on, but he remained a stranger on the fringes of his life. The old man was gruff about it, sometimes even seeming bitter to the kid, and he never spoke at length of it. He was content to provide as well as he could and he had. It was the old man who had taught him to set snares, lay a nightline for fish, and read game sign. The old man had given him the land from the time he could remember and showed him how to approach it, honour it, he said, and the kid had sensed the import of those teachings and learned to listen and mimic well. When he was nine he’d gone out alone for the first time. Four days. He’d come back with smoked fish and a small deer and the old man had clapped him on the back and showed him how to dress venison and tan the hide. When he thought of the word father he could only ever imagine the old man.

He sat on the fence rail and rolled another smoke, looking at the spot where the coyotes had disappeared. The spirit of them still clung to the gap in the trees. But the kid could feel them in the splayed moonlight and for a time he wondered about journeys, about endings, about things left behind, questions that lurk forever in the dark of attic rooms, un spoken, unanswered, and when the smoke was done he crushed it out on the rail and cupped it in his palm while he walked back to the barn in the first pale, weak light of dawn.