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4 Travels

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Milton went first to France, then to Italy and finally to Geneva before returning to London in 1639. His locations were cautiously selected in that, in late 1637, he corresponded with Sir Henry Wotton, retired diplomat and then Provost of Eton College, on where and how he might encounter the best embodiments of European culture and religious doctrine (see Wilson, 1983, pp. 70–1). He was fluent in French and Italian, and his Latin – still the principal language of cultural exchange – was flawless. In May 1638 he sailed, with one servant, for France and soon after spent time in Paris where he met Hugo Grotius, Dutchman, diplomat, poet and theologian, who was at the time promoting an alliance of states, principally England, Denmark, Holland and Sweden, which would form itself into a pan-Protestant league. Nothing came of Grotius’s scheme and nothing is known of Milton’s views on it. His stay in Paris was brief, no more than five days, and according to Cyriack Skinner he had ‘no admiration’ for the kingdom’s ‘manners and Genius’ (Darbishire, 1932, p. 19), a rather cryptic observation which might be taken to reflect Milton’s probable opinions on the authoritarian Catholic regime of Louis XIII and Cardinal Richelieu, the latter having become legendary in his persecution of Huguenots. Later in Of Education (1644) Milton commented that educational reform in England would spare the moneyed classes the once fashionable habit of sending their young to ‘the Mounsieurs of Paris [who] take our hopefull youth into their slight and prodigall custodies and send them over back again transform’d into mimics, apes and kicshoes’ (CPW, II, p. 414). He was not so much deriding the competence of French educators as rebuking their culture of inflexible religious doctrine. After Paris he went south to Nice and this would have been the most taxing part of his expedition. Rural France of the early seventeenth century had changed little since the Middle Ages. The only individuals who regularly travelled great distances were members of the gentry and aristocracy who were either accompanied by a small army of servants or found hospitality in the chateaux of their peers. Carriages for the ordinary traveller and inns providing meals and overnight accommodation were almost non-existent. It is likely that Milton and his servant traversed almost the whole of France on horseback and between substantial towns they would often have slept and prepared food in the open air. From Nice they took a boat to Genoa. It should be pointed out that, at this time, Italy as a single political entity did not exist. It was a region made up of principalities and city-states, most, to varying degrees, influenced and controlled by Spain.

For Milton it involved refractions and exaggerations of his life in England. He had already become something of a polymath, an archetypal Renaissance man, and now he found himself in the crucible of the Renaissance. In Rome, Naples and Florence he attended concerts, viewed private collections of pictures and sculpture and marvelled at the assembly of gothic, neoclassical and baroque styles that made these cities in themselves works of art. At Naples he stayed with Giovanni Manso, who kept a villa just outside the city. Arguably the most eminent Italian poet of the age, Manso had known Tasso and Marini, Italy’s finest sixteenth-century writers whose English equivalents would have been, respectively, Spenser and Donne. More significantly Manso, Tasso and Marini were part of a lineage which originated in the fourteenth century with Petrarch. They were the embodiments and inheritors of the essential Renaissance. (Before his visit to Italy Milton had become intimately familiar with the works of Dante Aligheri (1265–1321) whose Divine Comedy was the only major Christian epic prior to Paradise Lost with Spenser’s The Faerie Queene coming a close second for Protestant Englishmen.) It is certain that he would also have been aware of Tasso’s Gerusallemme liberate (Jerusalem Delivered, 1581) which purported to be an accurate record of Christian successes during the crusades of the eleventh and twelfth centuries. It was a piece of pro-Christian propaganda but it should not be treated as a rewriting of long distant history. At beginning of the sixteenth century what remained of the Moorish population of Spain was still organising rebellions against the regime of Ferdinand and Isabella and when Milton arrived in Italy it was celebrated, at least in Catholic Europe, as one of the finest works of post-Classical literature. It was, like Spenser’s Faerie Queene, a political epic and Milton had entered an environment in which the purpose of poetic writing – was it only art or could it be the instrument of polemic and ideology? – was intensely debated. Within a decade he would address this question and his own role as a writer in his pamphlets.

Surprisingly, given Milton’s age and slightness of works in print, his own reputation went before him. He was received in the houses of the nobility and in private academies as a figure of coming greatness. During March 1639, for example, he was invited on two occasions to give readings of his Latin and English poems in the celebrated Svogliati Academy in Florence.

Italy projected him into an idyll of cosmopolitan art and at the same time offered him a perverse vision of religious authoritarianism. Practically all of his hosts were Catholics – he even stayed for a while in the Palace of Cardinal Berberini, the Pope’s nephew – and in general it seemed that a shared reverence for European culture transcended religious difference – Milton’s Protestant views were as well known as his poetry. Yet within this culture of intellectual and aesthetic exuberance he found also an atmosphere of repression. The Traveller’s Book of the English Jesuit College in Rome records that on the 30 October 1638 ‘Mr John Milton, with his servant’ along with three other named English visitors dined in the College ‘and were magnificently received’. There are no accounts of the exchanges of that evening but other evidence indicates that Milton during his stay in the city caused some controversy. He stayed with Manso after leaving Rome and intended to return to the Papal State following a brief excursion to Sicily. He was, however, advised by his host to change his plans and to depart from Italy for his own safety. He later reported that he was also ‘warned by merchants that they had learned through letters of plots laid against me by the English Jesuits, should I return to Rome, because of the freedom with which I had spoken about religion’ (CPW, IV 1, p. 619). Manso was not reprimanding him; quite the contrary. He was advising Milton that his continued presence would be dangerous for both of them. One might suspect that Milton was representing himself with benefit of imaginative licence as a hero abroad, brave defender of the true faith in the heartland of Catholicism. A more objective witness, Nicolaas Heinsius, who had known some of the priests who were in Rome during Milton’s visit, wrote in 1653, ‘That Englishman [Milton] was hated by the Italians, among whom he lived a long time … because he both disputed freely about religion, and on any occasion whatever prated very bitterly against the Roman Pontiff’ (French, III, p. 322). Yet he returned to Rome. ‘What I was, if any man inquired, I concealed from no-one. For almost two months, in the very stronghold of the Pope, if anyone attacked the orthodox religion, [Protestantism] I openly, as before, defended it. Thus, by the will of God, I returned again in safety to Florence’ (CPW, IV 1, p. 619). Here he was particularly distressed by his meeting with a legendary presence, the astronomer Galileo, who by Papal decree had effectively become a prisoner in his own villa close to the city. Galileo, the disinterested empiricist, had observed the universe and reported facts which went against religious orthodoxy. Six years later during the English Civil War, Milton, in Areopagitica, recalled the meeting with Galileo, ‘grown old a prisoner to the Inquisition, for thinking otherwise… than the Franciscan and Dominican licensers thought’. This might seem a predictably anti-Catholic comment but elsewhere in the same document Milton notes, with retrospective irony, that his Italian acquaintances had frequently expressed an admiration for England as the paragon of multi-denominational tolerance and free speech. He knew better.

It is more than likely that Milton’s period abroad served to complicate – sometimes undermine, often refresh – his views of the Continent acquired during his years of retirement and research outside London. Some of the figures and institutions he encountered, particularly Catholics, reinforced the stereotypes of the Puritan pamphlets but more often he came across a spectrum of unpredictabilities where indulgence and free thinking predominated. He wrote later:

I could recount what I have seen and heard in other Countries, where this kind of inquisition tyrannizes; when I have sat among their lerned men, for that honour I had, and bin counted happy to be born in such a place of Philosophic freedom, as they suppos’d England was, while themselvs did nothing but bemoan the servil condition into which lerning amongst them was brought; that this was it which had dampt the glory of Italian wits; that nothing had bin there writt’n now these many years but Flattery and fustian. There it was that I found and visited the famous Galileo … And though I knew that England then was groaning loudest under the Prelaticall yoak, neverthelesse I took it as a pledge of future happines, that other Nations were so perswaded of her liberty.

(CPW, II, pp. 537–8)

Despite enjoying the hospitality and erudition of many he was aware that exchanges on such fundamental issues as religious belief were sometimes a dangerous undertaking, especially in Rome. ‘I would not indeed begin a conversation about religion, but if questioned about my faith would hide nothing, whatever the consequences’ (CPW, II, p. 794). He never had to endure the ‘consequences’ but he was aware that such a licence to relative free speech was granted to him because he was a foreigner. Citizens of what were once the pioneering states of the Renaissance could now only ‘bemoan’ their ‘servil condition’ and do so largely in private.

Before leaving Italy, Milton visited Venice, the most tolerant state of the region, probably of Europe. It maintained lay jurisdiction over the Inquisition and the censors, and continued to forbid entry to all Jesuits, until 1657. It even supported the sovereignty of the Protestant Grisons, in neighbouring Valtellina, against attempted Spanish incursions. Milton made no reference to his impressions of the city state but one wonders if its admirable yet precipitous condition inspired the passage in Areopagitica in which he expresses hope for the future of England, despite unpropitious circumstances: ‘I took it as a pledge of future happines, that other Nations were so perswaded of her liberty.’

Fifteen years after his visit he reflected on how he felt about his time in Italy, specifically Florence.

In that city, which I have always admired above all others because of the elegance, not just of its tongue, but also of its wit, I lingered for about two months. There I at once became the friend of many gentlemen eminent in rank and learning, whose private academies I frequented – a Florentine institution which great praise not only for promoting humane studies but also for encouraging friendly intercourse. Time will never destroy my recollection – ever welcome and delightful – of you Jacopo Gaddi, Carlo Dati, Frescobaldi, Coltellini, Buonmatthei, Chimentelli, Francini and many others.

(CPW, 1V 1, pp. 615–17)

This is from his Second Defence written in support of Cromwell’s government after the execution of Charles I. The academies and young men to which he refers were part of an environment that resembled Oxford and Cambridge but only superficially. Florence’s ‘private academies’ were informal gatherings of scholars and thinkers willing to exchange unconventional ideas on art, literature, politics and philosophy; there were few if any restrictions of the nature of opinions, unlike the prescriptive regimes of contemporary universities. Milton seems to have deliberately omitted any mention of the fact that each of the figures he recalls with such affection was Roman Catholics, implying that in Florence in 1638 such differences were overlooked by individuals sufficiently impressed by each other’s intellectual capabilities. And while one would not doubt his commitment to the Cromwellian Protectorate there is also a sense that during his ‘Defence’ of it he allows himself a moment to look back to a time when, albeit briefly, he experienced an earthly paradise so different from the intolerance and brutality of the years that would follow.

He went from Italy to Geneva, from the home of Catholicism to the hub of radical Protestantism; there he spent time with Giovanni Diodati, an eminent Calvinist theologian and uncle of his friend Charles Diodati. Milton was with Giovanni when he was informed by letter from England of Charles’s untimely death, though some believe that he first heard of it by word of mouth when staying with Manso in Naples. Parts of London were in 1638–9 stricken by the plague and Diodati was thought to have contracted the disease. He had been Milton’s closest friend and most intimate confidant and it is possible that his sense of tragic loss coalesced, however obliquely, with his other perceptions of what was unfolding in England. It is certain that while in Italy he had been informed of the so-called Bishops’ War, an inconclusive conflict which had arisen out of Charles I and Laud’s attempts to force the Scots to accept Episcopal liturgy. In Geneva he learned of a related but potentially more devastating conflict that was brewing between the King and Parliament. Before 1639 Milton would have perceived for himself a multiplicity of destinies, as poet, philosopher, and commentator upon his age. Suddenly he found that these honourable but somewhat unfocused commitments were becoming specified. His country would soon be at war with itself. He went home.

The Life of the Author: John Milton

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