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Volume One—Chapter Nine.

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The exhibition was stopped, but the end had been attained—Lucia was famous. The manager and Aurelian had foreseen the inevitable official veto, and had prepared for it. They had arranged for her to appear as Cleopatra; it was a part which could be made to suit her admirably by leaving Shakespeare’s text out of the question, and studying spectacle instead.

It is a singular fact that Sternhold had no idea of what was going on until the fourth or fifth day. He was told that Lucia had left Stirmingham with her brother for a short visit to Paris, and paid little or no attention to it. For the first day or two the papers had been silent. At last the news reached him.

What Dodd had previously feared now happened—he was struck down with a slight attack of paralysis, which affected one side. Some persons said it was a merciful infliction, as it prevented him from witnessing his wife’s disgrace with his own eyes. They were wrong. His body was bent, but his mind was torn with contending and frenzied passions. The sense of outrage—of outrage upon his dignity—was perhaps the strongest. That after all his labour and self-denial, after long, long years of slowly building up a property such as his, which rendered him in his own estimation not one whit inferior to a king; that he should be insulted, his name dragged in the dirt, his wife a spectacle for all Paris!

Sternhold had the vaguest ideas of stage proprieties and theatrical morality. He had not a doubt but that Lucia was already an abandoned woman. There were plenty who urged upon him to commence a suit for divorce, though in reality it was extremely doubtful whether there were sufficient grounds for anything beyond a judicial separation.

But Sternhold was filled with one consuming desire—to see her with his own eyes. Whether it was this passion, or whether it was the natural strength of his constitution, certain it is that in a marvellously short time after the attack, he had himself conveyed to Paris, and sat, a miserable, haggard, broken-down old man, in a box at the theatre the same night, watching his wife upon the stage. He did this night after night. A species of fascination seemed to carry him there to sit silent, brooding over the utter wreck of his great schemes.

After a while he went suddenly back to Stirmingham without a word, without so much as seeking an interview with Lucia, or issuing any instructions as to what was to be done. He went back to his old apartments at Dodd’s Hotel. He shut himself up, refusing to see even the wretched parasites who had sown the seed of this mischief. It was an instinctive attempt to return to the old, old habit, the ancient self-concentration, apart from the world. But it failed. So soon as ever he began to read his letters, to look into his accounts, every figure, every transaction reminded him of Lucia and her extravagance; the follies she had been guilty of, and the no less greater folly he had himself yielded to in granting her every wish, thereby involving his affairs in the most hopeless confusion. The attempt failed. He rushed again from his retreat to seek her. Then he heard that she was in Vienna performing. He got there, supported by his attendants. Doubtless the physical fatigue of the journey irritated his nerves; at all events, there seems no doubt that when he reached Vienna he was for the time absolutely mad.

He went to the theatre. He saw Lucia as Godiva, just as she had been seen in Paris. He was alone in his box. Deliberately he levelled a pistol, resting the barrel upon the edge of the balustrade. As the incense of praise and adulation rose up, as the pageant moved to and fro, the deadly weapon was aimed at the central figure. He fired, and the house was in commotion.

Those who know what happens when a full theatre is alarmed and excited will require no description; those who have not seen it cannot imagine it.

A second report, and the curling smoke caused a rush to the box, and the occupant was found upon the floor, as was thought, dead. Lucia alone was calm and cool. The bullet had not passed even near her; the distance was great and the aim unsteady; the ball had struck a screen, and did no injury. She dismounted and advanced to the footlights, extended her hands, and in a few words begged the audience to be calm. Speedily they saw her thus, as it were, in their very arms.

The theatre rang with acclamation. If it had been a scene prepared it could not have succeeded better.

There were threats and loud cries of rage against the man who had fired at her.

“Do not injure him,” she said, at the top of her full, deep voice; “he is mad!” For she guessed in a moment who it was.

In a few minutes the whole thing was understood. Continental people are quick at comprehending—an old husband, a young wife—bah! An attempt first at murder, then at suicide—bah! What could he have done better calculated to put Lucia upon the pedestal of fame?

Sternhold was not dead; not even injured. The ball he had fired at himself had not touched him. He had fallen exhausted. When he became physically conscious, he was raving mad.

There was no doubt about it this time. It was a pitiable sight.

Aurelian insisted upon seeing him: even he shuddered. The old man was muttering gibberish to himself. Half his grey hair was gone, for before he could be stayed he had dragged it out. His arms and limbs were pinioned, but his body shook with a trembling convulsive movement. The deed was done.

Aurelian braced himself up, and hastened at once to Lucia. He knew he should have a struggle with her, and hoped that in the conflict he should forget the sight he had left. He had determined to at once withdraw her from the stage. The victory was won; there must be no more risk.

The conflict between the brother and sister was terrible. She raged, her frame swelled; she had tasted triumph, and the draught is more intoxicating even than the taste of blood. She would go on.

But he was resolute, and he won. That very day he took her to England—took is the right word, for it was necessary to use physical force at times. He got her to her house at Stirmingham, and never left her till she had grown more composed.

Sternhold was in an asylum. Aurelian thought that he would surely die; but he did not.

Aurelian then began to scheme to get him in his own “retreat.” Possession was nine points of the law. He went to Vienna at once before any one guessed his object, obtained the proper permit, and in six days deposited the wretched being in his asylum in the suburbs of Stirmingham. Once there, thought Aurelian, let them get him out if they can.

The fact was soon known; and there was an excitement. The parasites, disappointed and raging, did their best to inflame the populace. There was a growl, and the police began to prepare for an attack upon the asylum; but, after all, the moment any of them reflected, they said, “Why, it’s all right; the poor fellow is mad. He could not be in better hands.” The plan of a popular tumult fell through.

The parasites next tried the law, but found that Aurelian had been before them: he had all the proper documents; he could not be touched.

Next the companies began to stir. They were uncertain what to do, and whether it was better for their interests that Sternhold should be in his brother-in-law’s custody or not.

That astute gentleman very soon learnt what was passing in their minds, and he had a very good conception of what could be effected by powerful combination.

He opened negotiations with them. He pointed out to them privately that the real point at issue was not Sternhold, but the boy—the heir—for no one doubted the legitimacy. Who was to have the custody of the heir?

Clever Aurelian hoped that by making friends with the companies who held the building leases that there would be no opposition to his holding the boy—to his guardianship of the estate. He had strong grounds to go upon. To all intents and purposes he was the nearest relation. If the boy died, and no son of the phantom brother of Romy turned up, perhaps he might have a claim to the estate.

He gave the companies to understand that if he had the guardianship of the boy their interests should be most carefully studied.

They appeared favourable. The step was taken. The boy remained with his mother; his mother remained in her house, seeing Aurelian daily, and indeed watched by his employés.

No change took place. Aurelian congratulated himself that all was going on favourably. The boy, who had little or no idea of the meaning of the word “father,” was constantly at Aurelian’s residence—the asylum where his parent was confined—playing with Aurelian’s son, who was carefully instructed to please him, and indeed was sharp enough already to require little instruction.

Sternhold lingered in his melancholy state. He was no longer violent—simply dejected. He did not seem able to answer the simplest question. If asked if he was hungry, he would stare, and say something relating to his school-days.

And this was the man who had built Stirmingham. For five years he remained in this state, and then suddenly brightened up; and it was thought and feared that he would recover the use of his faculties. It lasted but three days. In that short time he wrote three important documents.

The first was a statement to the effect that he had wronged Lucia. He now saw his folly—he had been led into his persecution of her by designing people, and blamed himself for his subsequent conduct. He earnestly entreated her forgiveness. The second was a species of family history, short but complete, refuting the claims of the American Baskettes. They were indeed of the same name, he wrote, but not of the same blood. The truth was that the cotters who had lived in the Swamp, now covered with mansions, had no name. They were half gipsies; they had no registered or baptismal name.

Will Baskette, who had been shot, was the chief man among them, and gradually they came by the country people to be called by his name. They were not blood relations in any sense of the term. This paper also gave the writer’s views of his transactions with the Sibbolds and the cotters or “Baskettes,” and concluded with the firmly expressed conviction—the honest statement of a man near his end—that his title was irrefutable, and he knew of no genuine claim.

The third document was his Will. For now it appeared that hitherto he had never made a will at all. It was extremely short, but terse and unmistakable. It left the whole of his property, real and personal (with the single exception of the gift to Lucia), to his son, John Marese Baskette.

The will Aurelian took care was properly attested, and by independent witnesses whom he sent for.

On the fourth day old Sternhold died, quietly and without a word. He was buried, and hardly was he in the tomb before the battle began. The companies at once cut off all connection with Aurelian. They had reckoned upon his managing to get their terms at all events extended, as he had promised. The Corporation refused any honours to the dead king, and all eagerly sought about for the means of dividing the spoil.

After all their consultations, not all the subtlety of twenty solicitors could suggest any feasible plan—the old man had baffled them at last. It was useless to plead that he was insane, and actually in an asylum at the moment of executing the will. What was the good even if such a plea was successful—if the will was upset, the property would descend to the boy just the same. There seemed no way of getting at it.

But at last a weak point was found. It was a time when a great deal of commotion was made about the Roman Catholic question and the religious education of minors. Now Lucia was certainly half a foreigner, and it was believed she was a Catholic. Aurelian was certainly a Catholic. With all his cunning he had not foreseen this, and he had allowed himself to become a somewhat prominent member of the Catholic community in Stirmingham. He had no religion, but it paid him. Catholics are rich people, and when rich people go insane they are profitable. So he was caught in his own trap.

There was an agitation got up among the ultra-Protestant community. Funds were started to release the heir from the clasp of Rome. The companies, the Corporation, all joined in the outcry. The question was made a national one by the newspapers. But there was one difficulty: the law required that there should be a person to sue. After much trouble this person was selected in one of the Baskettes of American origin, who had settled in Stirmingham, and claimed to be a nearer relation than Aurelian.

The battle was long and furious, and cost heavy sums. No expense was spared on either side, and the estate got still further encumbered. It promised to be a drawn battle; but at last, having passed all the tribunals, it began to approach the place of power, and to be discussed in the Ministerial Cabinet. There was a man there who desired to obtain the Catholic vote of Ireland, and the Aurelian party began to boast already of success. But this very boasting spoilt their game. The Ministry lost the confidence of the people, the House followed suit, a new Ministry came into place, and the final decision was against the Catholic, or, as they termed themselves, legitimate party—for they said the uncle and the mother were the legitimate guardians.

The result was in truth disappointing to all the parties. The boy was made a ward of Chancery, proper receivers of the estate were appointed, and the companies who had begun to exult were entrapped. The lad was taken from his mother and uncle, and sent to Eton to prepare for college.

Thus a new element of complexity was added to the already chaotic state of this vast estate.

World's End

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