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HOUSE OF MARY DE GUISE.

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The restrictions imposed upon a city requiring defence appear as one of the forms of misery leading to strange associations. We become, in a special degree, sensible of this truth when we see the house of a royal personage sunk amidst the impurities of a narrow close in the Old Town of Edinburgh. Such was literally the case of an aged pile of buildings on the north side of the Castle-hill, behind the front line of the street, and accessible by Blyth’s, Nairn’s, and Tod’s Closes, which was declared by tradition to have been the residence of Mary de Guise, the widow of James V., and from 1554 to 1560 regent of this realm.


Ancient Pile of Buildings, North Side of Castle-Hill.

Descending the first of these alleys about thirty yards, we came to a dusky, half-ruinous building on the left-hand side, presenting one or two lofty windows and a doorway, surrounded by handsome mouldings; the whole bearing that appearance which says: ‘There is here something that has been of consequence, all haggard and disgraced though it now be.’ Glancing to the opposite side of the close, where stood another portion of the same building, the impression was confirmed by further appearances of a goodly style of architecture. These were, in reality, the principal portions of the palace of the Regent Mary; the former being popularly described as her house, the latter as her oratory or chapel. The close terminated under a portion of the building; and when the visitor made his way so far, he found an exterior presented northwards, with many windows, whence of old a view must have been commanded, first of the gardens descending to the North Loch, and second, of the Firth of Forth and Fife. One could easily understand that, when the gardens existed, the north side of the house might have had many pleasant apartments, and been, upon the whole, tolerable as a place of residence, albeit the access by a narrow alley could never have been agreeable. Latterly the site of the upper part of the garden was occupied by a brushmaker’s workshops and yard, while the lower was covered by the Earthen Mound. In the wall on the east side there was included, as a mere portion of the masonry, a stray stone, which had once been an architrave or lintel; it contained, besides an armorial device flanked by the initials A. A., the legend Nosce Teipsum, and the date 1557.

Reverting to the door of the queen’s house, which was simply the access of a common stair, we there found an ornamented architrave, bearing the legend,

LAUS ET HONOR DEO,

terminated by two pieces of complicated lettering, one much obliterated, the other a monogram of the name of the Virgin Mary, formed of the letters M. R.[14] Finally, at the extremities of this stone, were two Roman letters of larger size—I. R.—doubtless the initials of James Rex, for James V., the style of cutting being precisely the same as in the initials seen on the palace built by that king in Stirling Castle; an indirect proof, it may be remarked, of this having been the residence of the Regent Mary.

Passing up a spiral flight of steps, we came to a darksome lobby, leading to a series of mean apartments, occupied by persons of the humblest grade. Immediately within the door was a small recess in the wall, composed of Gothic stonework, and supposed by the people to have been designed for containing holy-water, though this may well be matter of doubt. Overhead, in the ceiling, was a round entablature, presenting a faded coronet over the defaced outline of a shield. A similar object adorned the ceiling of the lobby in the second floor, but in better preservation, as the shield bore three fleurs de lis, with the coronet above, and the letters H. R. below. There was a third of these entablatures, containing the arms of the city of Edinburgh, in the centre of the top of the staircase. The only other curious object in this part of the mansion was the door of one of the wretched apartments—a specimen of carving, bearing all the appearance of having been contemporary with the building, and containing, besides other devices, bust portraits of a gentleman and lady. This is now in the possession of the Society of the Antiquaries of Scotland.

A portion of the same building, accessible by a stair nearer the head of the close, contained a hall-like apartment, with other apartments, all remarkable for their unusually lofty ceilings. In the large room were the remains of a spacious decorated chimney, to which, in the recollection of persons still living, there had been attached a chain, serving to confine the tongs to their proper domain. This was the memorial of an old custom, of which it is not easy to see the utility, unless some light be held as thrown upon it by a Scottish proverb, used when a child takes a thing and says he found it: ‘You found it, I suppose, where the Highlandman found the tongs.’ In the centre of almost all the ceilings of this part of the mansion I found, in 1824, circular entablatures, with coats of arms and other devices, in stucco, evidently of good workmanship, but obscured by successive coats of whitening.

The place pointed out by tradition as the queen-regent’s oratory was in the first-floor of the building opposite—a spacious and lofty hall, with large windows designed to make up for the obscurity of the close. Here, besides a finely carved piscina, was a pretty large recess, of Gothic structure, in the back-wall, evidently designed for keeping things of importance. Many years ago, out of the wall behind this recess, there had been taken a small iron box, such as might have been employed to keep jewellery, but empty. I was the means of its being gifted to Sir Walter Scott, who had previously told me that ‘a passion for such little boxes was one of those that most did beset him;’ and it is now in the collection at Abbotsford.

The other portions of the mansion, accessible from different alleys, were generally similar to these, but somewhat finer. One chamber was recognised as the Deid-room; that is, the room where individuals of the queen’s establishment were kept between their death and burial.

It was interesting to wander through the dusky mazes of this ancient building, and reflect that they had been occupied three centuries ago by a sovereign princess, and one of the most illustrious lineage. Here was the substantial monument of a connection between France and Scotland, a totally past state of things. She whose ancestors owned Lorraine as a sovereignty, who had spent her youth in the proud halls of the Guises in Picardy, and been the spouse of a Longueville, was here content to live—in a close in Edinburgh! In these obscurities, too, was a government conducted, which had to struggle with Knox, Glencairn, James Stewart, Morton, and many other powerful men, backed by a popular sentiment which never fails to triumph. It was the misfortune of Mary to be placed in a position to resist the Reformation. Her own character deserved that she should have stood in a more agreeable relation to what Scotland now venerates, for she was mild and just, and sincerely anxious for the good of her adopted country. It is also proper to remember on the present occasion that ‘in her court she maintained a decent gravity, nor would she tolerate any licentious practices therein. Her maids of honour were always busied in commendable exercises, she herself being an example to them in virtue, piety, and modesty.’[15] When all is considered, and we further know that the building was strong enough to have lasted many more ages, one cannot but regret that the palace of Mary de Guise, reduced as it was to vileness, should not now be in existence. The site having been purchased by individuals connected with the Free Church, the buildings were removed in 1846 to make room for the erection of an academical institution or college for the use of that body.[16]

Traditions of Edinburgh

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