Читать книгу Illustrations of the Author of Waverley - Robert Chambers - Страница 9
TULLY-VEOLAN.
Оглавление(Traquair House.)
Tully-Veolan finds a striking counterpart in Traquair House, in Peebles-shire, the seat of the noble family whose name it bears. The aspect of the gateway, avenue, and house itself, is precisely that of the semi-Gothic, bear-guarded mansion of Bradwardine. It is true that, in place of the multitudinous representations of the bear, so profusely scattered around Tully-Veolan, we have here only a single pair, which adorn the gate at the head of the avenue: and that the avenue itself cannot pretend to match the broad continuous shade through which Waverley approached the Highland castle; and also that several other important features are wanting to complete the resemblance;—yet, if we be not altogether imposed upon by fancy, there is a likeness sufficiently strong to support the idea that this scene formed the original study of the more finished and bold-featured picture of the novelist. Traquair House was finished in the reign of Charles I. by the first Earl, who was lord high treasurer of Scotland at that period. This date corresponds with that assigned to Tully-Veolan, which, says the author, was built when architects had not yet abandoned the castellated style peculiar to the preceding warlike ages, nor yet acquired the art of constructing a baronial mansion without a view to defence.
It is worthy of remark, that the Earl of Traquair is the only Scottish nobleman, besides the Earl of Newburgh, who still adheres to the Romish faith:[8] and that his antique and interesting house strongly resembles, in its internal economy and appearance, Glenallan Castle, described in the “Antiquary.”
Among the illustrative vignettes prefixed to a late edition of the author of “Waverley’s” works, a view of Craig Crook Castle, near Edinburgh, is given for Tully-Veolan; and, to complete the vraisemblance, several bears have been added to the scene. It is only necessary to assert, in general, that these bears only exist in the imagination of the artist, and that no place has less resemblance to the Tully-Veolan of “Waverley” than Craig Crook, which is a small single house, in a bare situation, more like the mansion of poor Laird Dumbiedykes than the castle of a powerful feudal baron.