Читать книгу By What Authority? - Robert Hugh Benson - Страница 6

"Who is this Master Taylor?" asked his father.

"Oh! he is a Fellow of King's," said Anthony, "and he told me about the Provost too. The Provost is half a Papist, they say: he is very old now, and he has buried all the vessels and the vestments of the Chapel, they say, somewhere where no one knows; and he hopes the old religion will come back again some day; and then he will dig them up. But that is Papistry, and no one wants that at Cambridge. And others say that he is a Papist altogether, and has a priest in his house sometimes. But I do not think he can be a Papist, because he was there when the Queen was there, bowing and smiling, says Master Taylor; and looking on the Queen so earnestly, as if he worshipped her, says Master Taylor, all the time the Chancellor was talking to her before they went into the chapel for the Te Deum. But they wished they had kept some of the things, like the Provost, says Master Taylor, because they were much put to it when her Grace came down for stuffs to cover the communion-tables and for surplices, for Cecil said she would be displeased if all was bare and poor. Is it true, father," asked Anthony, breaking off, "that the Queen likes popish things, and has a crucifix and tapers on the table in her chapel?"

"Ah! my son," said Mr. Norris, smiling, "you must ask one who knows. And what else happened?"

"Well," said Anthony, "the best is to come. They had plays, you know, the Dido, and one called Ezechias, before the Queen. Oh! and she sent for one of the boys, they say, and—and kissed him, they say; but I think that cannot be true."

"Well, my son, go on!"

"Oh! and some of them thought they would have one more play before she went; but she had to go a long journey and left Cambridge before they could do it, and they went after her to—to Audley End, I think, where she was to sleep, and a room was made ready, and when all was prepared, though her Grace was tired, she came in to see the play. Master Taylor was not there; he said he would rather not act in that one; but he had the story from one who acted, but no one knew, he said, who wrote the play. Well, when the Queen's Grace was seated, the actors came on, dressed, father, dressed"—and Anthony's eyes began to shine with amusement—"as the Catholic Bishops in the Tower. There was Bonner in his popish vestments—some they had from St. Benet's—with a staff and his tall mitre, and a lamb in his arms; and he stared at it and gnashed his teeth at it as he tramped in; and then came the others, all like bishops, all in mass-vestments or cloth cut to look like them; and then at the end came a dog that belonged to one of them, well-trained, with the Popish Host in his mouth, made large and white, so that all could see what it was. Well, they thought the Queen would laugh as she was a Protestant, but no one laughed; some one said something in the room, and a lady cried out; and then the Queen stood up and scolded the actors, and trounced them well with her tongue, she did, and said she was displeased; and then out she went with all her ladies and gentlemen after her, except one or two servants who put out the lights at once without waiting, and broke Bonner's staff, and took away the Host, and kicked the dog, and told them to be off, for the Queen's Grace was angered with them; and so they had to get back to Cambridge in the dark as well as they might."

"Oh! the poor boys!" said Mrs. Marrett, "and they did it all to please her Grace, too."

"Yes," said the Alderman, "but the Queen thought it enough, I dare say, to put the Bishops in prison, without allowing boys to make a mock of them and their faith before her."

"Yes," said Anthony, "I thought that was it."

When the Alderman came in a day or two later with the news that Elizabeth was to come up from Nonsuch the next day, and to pass down Cheapside on her way to Greenwich, the excitement of Isabel and Anthony was indescribable.

Cheapside was joyous to see, as the two, with their father behind them talking to a minister whose acquaintance he had made, sat at a first-floor window soon after mid-day, waiting to see the Queen go by. Many of the people had hung carpets or tapestries, some of taffetas and cloth-of-gold, out of their balconies and windows, and the very signs themselves—fantastic ironwork, with here and there a grotesque beast rampant, or a bright painting, or an escutcheon;—with the gay, good-tempered crowds beneath and the strip of frosty blue sky, crossed by streamers from side to side, shining above the towering eaves and gables of the houses, all combined to make a scene so astonishing that it seemed scarcely real to these country children.

It was yet some time before she was expected; but there came a sudden stir from the upper end of Cheapside, and then a burst of cheering and laughter and hoots. Anthony leaned out to see what was coming, but could make out nothing beyond the head of a horse, and a man driving it from the seat of a cart, coming slowly down the centre of the road. The laughter and noise grew louder as the crowds swayed this way and that to make room. Presently it was seen that behind the cart a little space was kept, and Anthony made out the grey head of a man at the tail of the cart, and the face of another a little way behind; then at last, as the cart jolted past, the two children saw a man stripped to the waist, his hands tied before him to the cart, his back one red wound; while a hangman walked behind whirling his thonged whip about his head and bringing it down now and again on the old man's back. At each lash the prisoner shrank away, and turned his piteous face, drawn with pain, from side to side, while the crowd yelled and laughed.

"What's it for, what's it for?" inquired Anthony, eager and interested.

A boy leaning from the next window answered him.

"He said Jesus Christ was not in heaven."

At that moment a humorist near the cart began to cry out:

"Way for the King's Grace! Way for the King's Grace!" and the crowd took the idea instantly: a few men walking with the cart formed lines like gentlemen ushers, uncovering their heads and all crying out the same words; and one eager player tried to walk backwards until he was tripped up. And so the dismal pageant of this red-robed king of anguish went by; and the hoots and shouts of his heralds died away. Anthony turned to Isabel, exultant and interested.

"Why, Isabel," he said, "you look all white. What is it? You know he's a blasphemer."

"I know, I know," said Isabel.

Then suddenly, far away, came the sound of trumpets, and gusts of distant cheering, like the sound of the wind in thick foliage. Anthony leaned out again, and an excited murmur broke out once more, as all faces turned westwards. A moment more, and Anthony caught a flash of colour from the corner near St. Paul's Churchyard; then the shrill trumpets sounded nearer, and the cheering broke out at the end, and ran down the street like a wave of noise. From every window faces leaned out; even on the roofs and between the high chimney pots were swaying figures.

Masses of colour now began to emerge, with the glitter of steel, round the bend of the street, where the winter sunshine fell; and the crowds began to surge back, and against the houses. At first Anthony could make out little but two moving rippling lines of light, coming parallel, pressing the people back; and it was not until they had come opposite the window that he could make out the steel caps and pikeheads of men in half-armour, who, marching two and two with a space between them, led the procession and kept the crowds back. There they went, with immovable disciplined faces, grounding their pike-butts sharply now and again, caring nothing for the yelp of pain that sometimes followed. Immediately behind them came the aldermen in scarlet, on black horses that tossed their jingling heads as they walked. Anthony watched the solemn faces of the old gentlemen with a good deal of awe, and presently made out his friend, Mr. Marrett, who rode near the end, but who was too much engrossed in the management of his horse to notice the two children who cried out to him and waved. The serjeants-of-arms followed, and then two lines again of gentlemen-pensioners walking, bare-headed, carrying wands, in short cloaks and elaborate ruffs. But the lad saw little of them, for the splendour of the lords and knights that followed eclipsed them altogether. The knights came first, in steel armour with raised vizors, the horses too in armour, moving sedately with a splendid clash of steel, and twinkling fiercely in the sunshine; and then, after them (and Anthony drew his breath swiftly) came a blaze of colour and jewels as the great lords in their cloaks and feathered caps, metal-clasped and gemmed, came on their splendid long-maned horses; the crowd yelled and cheered, and great names were tossed to and fro, as the owners passed on, each talking to his fellow as if unconscious of the tumult and even of the presence of these shouting thousands. The cry of the trumpets rang out again high and shattering, as the trumpeters and heralds in rich coat-armour came next; and Anthony looked a moment, fascinated by the lions and lilies, and the brightness of the eloquent horns, before he turned his head to see the Lord Mayor himself, mounted on a great stately white horse, that needed no management, while his rider bore on a cushion the sceptre. Ah! she was coming near now. The two saw nothing of the next rider who carried aloft the glittering Sword of State, for their eyes were fixed on the six plumed heads of the horses, with grooms and footmen in cassock-coats and venetian hose, and the great gilt open carriage behind that swayed and jolted over the cobbles. She was here; she was here; and the loyal crowds yelled and surged to and fro, and cloths and handkerchiefs flapped and waved, and caps tossed up and down, as at last the great creaking carriage came under the window.

This is what they saw in it.

A figure of extraordinary dignity, sitting upright and stiff like a pagan idol, dressed in a magnificent and fantastic purple robe, with a great double ruff, like a huge collar, behind her head; a long taper waist, voluminous skirts spread all over the cushions, embroidered with curious figures and creatures. Over her shoulders, but opened in front so as to show the ropes of pearls and the blaze of jewels on the stomacher, was a purple velvet mantle lined with ermine, with pearls sewn into it here and there. Set far back on her head, over a pile of reddish-yellow hair drawn tightly back from the forehead, was a hat with curled brims, elaborately embroidered, with the jewelled outline of a little crown in front, and a high feather topping all.

And her face—a long oval, pale and transparent in complexion, with a sharp chin, and a high forehead; high arched eyebrows, auburn, but a little darker than her hair; her mouth was small, rising at the corners, with thin curved lips tightly shut; and her eyes, which were clear in colour, looked incessantly about her with great liveliness and good-humour.

There was something overpowering to these two children who looked, too awed to cheer, in this formidable figure in the barbaric dress, the gorgeous climax of a gorgeous pageant. Apart from the physical splendour, this solitary glittering creature represented so much—it was the incarnate genius of the laughing, brutal, wanton English nation, that sat here in the gilded carriage and smiled and glanced with tight lips and clear eyes. She was like some emblematic giant, moving in a processional car, as fantastic as itself, dominant and serene above the heads of the maddened crowds, on to some mysterious destiny. A sovereign, however personally inglorious, has such a dignity in some measure; and Elizabeth added to this an exceptional majesty of her own. Henry would not have been ashamed for this daughter of his. What wonder then that these crowds were delirious with love and loyalty and an exultant fear, as this overwhelming personality went by:—this pale-faced tranquil virgin Queen, passionate, wanton, outspoken and absolutely fearless; with a sufficient reserve of will to be fickle without weakness; and sufficient grasp of her aims to be indifferent to her policy; untouched by vital religion; financially shrewd; inordinately vain. And when this strange dominant creature, royal by character as by birth, as strong as her father and as wanton as her mother, sat in ermine and velvet and pearls in a royal carriage, with shrewd-faced wits, and bright-eyed lovers, and solemn statesmen, and great nobles, vacuous and gallant, glittering and jingling before her; and troops of tall ladies in ruff and crimson mantle riding on white horses behind; and when the fanfares went shattering down the street, vibrating through the continuous roar of the crowd and the shrill cries of children and the mellow thunder of church-bells rocking overhead, and the endless tramp of a thousand feet below; and when the whole was framed in this fantastic twisted street, blazing with tapestries and arched with gables and banners, all bathed in glory by the clear frosty sunshine—it is little wonder that for a few minutes at least this country boy felt that here at last was the incarnation of his dreams; and that his heart should exult, with an enthusiasm he could not interpret, for the cause of a people who could produce such a queen, and of a queen who could rule such a people; and that his imagination should be fired with a sudden sense that these were causes for which the sacrifice of a life would be counted cheap, if they might thereby be furthered.

Yet, in this very moment, by one of those mysterious suggestions that rise from the depth of a soul, the image sprang into his mind, and poised itself there for an instant, of the grey-haired man who had passed half an hour ago, sobbing and shrinking at the cart's tail.