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(III)

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The cruellest nickname ever given to a really beautiful thing is that of calf-love. Certainly it has its clumsinesses and its crudenesses, but these result simply from the fact that the instruments of expression are not adequate. A boy in his first falling in love is of course awkward and spasmodic externally, and mentally he is usually sentimental and fatuous; but these defects no more detract from the amazing simplicity and gallantry and purity of the passion itself, than a creaky harmonium affects the beauty of a sonata played upon it.

Val’s first clumsy moment fell at the handing out of bedroom candles that same night.

The priest had received the thanks of everybody (the Professor, indeed, had been kind enough to say that himself in his own musical days had never heard the piece played better), and had been ultimately seen as far as the porch by the General and as far as the terrace steps by Austin. Then, after a little talk, a move had been made towards the table under the gallery where the silver candlesticks stood.

This was Val’s moment. He had rehearsed it to himself while the priest had played for the second time; and he was there with a promptitude that made his mother smile at him approvingly. (Lady Beatrice had had a lot of difficulty about such matters with her younger son.)

Gertie came second in the queue for candles, and he had already set aside one for her with a glass that did not rattle. Then he gave it her before lighting it, that he might have the pleasure of holding it on one side while she held it on the other. Then he applied the taper to the wick, and simultaneously his fingers touched hers. The shock was so great that he dropped his side abruptly, and the entire candlestick, fortunately without the glass, fell crashing to the floor. Then, as he groped for it, he laid hold of her shoe by mistake, which was his second shock.

“My dear Val,” said his mother.

“Very sorry, mother.”

He stood up, and, to his horror, became aware that he was turning scarlet in the face.

“You’ve forgotten the glass, my boy,” said his father behind.

This was remedied. And then Val fired off the sentence he had rehearsed, all in a breath.

“Good night, Miss Gertie, and good-bye. Shan’t see you in the morning unless you’re up by half-past six.” He knew it was hopeless, but he had determined to say it. It would be exquisite to say good-bye to her again in the summer morning. It seemed to him an exceedingly daring suggestion to make.

“Half-past six! Why, good gracious, my dear boy——” began May explosively.

“Well, good-bye, Miss Gertie,” said Val again. And for one vibrating instant their eyes met.

The Coward

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