Читать книгу The Ignorance of Blood - Robert Thomas Wilson, Robert Wilson - Страница 10

Puti Club, Estepona, Costa del Sol – Friday, 15th September 2006, 14.35 hrs

Leonid Revnik was still sitting at Vasili Lukyanov's desk in the club, but this time he was waiting for news from Viktor Belenki, his second-in-command. When Revnik had taken control of the Costa del Sol after the police had mounted Operation Wasp in 2005, he'd got Belenki to run the construction businesses through which they laundered most of the proceeds of their drugs and prostitution trade. Belenki had just the right veneer of the good-looking, successful businessman and he spoke fluent Spanish, too. The veneer, though, was only an expensive suit thick, as Viktor Belenki was a violent brute with access to a rage so incandescent that even Revnik's most psychopathic henchmen were afraid of him. Belenki could also be very friendly and extremely generous, especially if you jumped when he told you to. This meant that he had developed good contacts in the Guardia Civil, some of whom had thick wads of Belenki's euros hidden in their garages. Leonid Revnik was hoping that Belenki could tell him where the money and disks that Lukyanov had stolen from the puti club safe had ended up. He was on his third cigar of the day. The empty safe was still gaping. The air-con was on the blink and he was uncomfortably hot. The mobile on the desk rang.

‘Viktor,’ said Revnik.

‘It's taken some time to get this information because it's out of the normal area of my guy's jurisdiction,’ said Belenki. ‘The Guardia Civil who went to the scene of the accident came from a town outside Seville called Utrera. When they found the money they called the police headquarters in Seville and, because it was clear that this wasn't just any old guy who'd died in a car accident, they went to the top for instructions: Comisario Elvira.’

‘Shit,’ said Revnik.

‘And he put it in the hands of Inspector Jefe Javier Falcón. Remember him?’

‘Everybody remembers him from the bombing in June,’ said Revnik. ‘So where's it all gone?’

‘It's in the Jefatura in Seville.’

‘Have we still got somebody in there?’

‘That's how I know where everything is.’

‘Right, so how do we get it out?’

‘You can say goodbye to the money,’ said Belenki. ‘Once the forensics have been over it, they'll stick it in the bank – unless you want to hold up a Prosegur van.’

‘I don't give a fuck about the money. I mean, I do, but … you're right. The disks, they're a different matter,’ said Revnik. ‘What can we get on Falcón?’

‘You're not going to be able to buy him, that's for sure.’

‘So what else?’

‘There's always the woman,’ said Belenki. ‘Consuelo Jiménez.’

‘Ah, yes, the woman,’ said Revnik.

At the traffic lights Falcón searched his eyes in the rear-view mirror, trying to find the evidence of obsession Calderón had seen there. He didn't really need to look at the tell-tale blackberry smudges; he knew from the slight gaucherie in his left hand, and that feeling of wearing someone else's right leg, that what was cradled in his mind was beginning to have physical manifestations.

Work had sat on Falcón's shoulders like an overweight, badly packed rucksack, and it never slipped off, not even at night. In the mornings he opened an eye, his face crushed hard into the pillow after snatching an hour's lethal sleep, to feel his bones creaking in his skeleton. The week's holiday he'd taken at the end of August, when he'd joined his friend Yacoub Diouri and his family on the beach at Essaouira in Morocco, had worn off on his first day back in the office.

Horns blared behind him. He pulled away from the traffic lights. He came into the old city through the Puerta Osario. He parked badly near the San Marcos church and walked down Calle Bustos Tavera to the tunnelled passageway that led from the street into a courtyard of workshops where Marisa Moreno had her studio. His footsteps sounded loud on the large cobbles of the dark tunnel. He broke out into the fierce light in the courtyard, squinted against it to take in the dilapidated buildings, the grass growing up through old rear axles and expired fridges. He walked up a metal stairway to a doorway above a small warehouse. Foot shuffling and dull thuds came from inside. He knocked.

‘Who is it?’

‘Police.’

‘ Momentito.’

The door was opened by a tall, slim mulatto woman with an unusually long neck, who had wood chips stuck to her face and in her coppery hair, which was tied back. She wore a cobalt-blue gown under which she was naked apart from some bikini briefs. Sweat pimpled across her forehead, over the undulation of her nose and trickled down the visible bones of her chest. She was breathing heavily.

‘Marisa Moreno?’ he said, holding up his police ID. ‘I am Inspector Jefe Javier Falcón.’

‘I've already told Inspector Jefe Luis Zorrita everything I know a couple of hundred times,’ she said. ‘I've got nothing to add.’

‘I've come to talk to you about your sister.’

‘My sister?’ she said, and Falcón did not miss the momentary fear that froze her features.

‘You have a sister called Margarita.’

‘I know my own sister's name.’

Falcón paused, hoping that Marisa might feel the need to fill the moment with more information. She stared him out.

‘You reported her missing in 1998, when she was two months short of her seventeenth birthday.’

‘Come in,’ she said. ‘Don't touch anything.’

The studio's floor was patched with rough concrete where the clay tiles had come up. The air smelled of bare timber, turps and oils. There were chippings everywhere and a pile of sawdust in the corner. A meat hook large enough to take a full carcass hung from the tie rod which spanned the room. Suspended from its sharp hook was an electric chain saw, its flex thrown over the bar. Three dark and polished statues stood beneath the oily, sawdust-encrusted tool, one with its head missing. Falcón made for the space around the piece. The headless statue was that of a young woman, with breasts high on her chest, perfect orbs. The faces of the men flanking her had nothing in them. Their eyes were blank. The musculature of their bodies had something of the savagery of an existence in the wild about them. Their genitals were outsized and, despite being flaccid, seemed sinister, as if they were spent from a recent rape.

Marisa watched him as he took the piece in, waiting for the banality of his comments. She had yet to meet the white man who could resist a little critique, and her warriors with their prize penises drew plenty of lewd admiration. What she registered in Falcón's face was not even a raised eyebrow, but a brief revulsion as he looked down the bodies.

‘So what happened to Margarita?’ he asked, switching to Marisa. ‘You reported her missing on 25th May 1998, and when the police came to check with you a month later you said she'd turned up again about a week after she'd disappeared.’

‘That was how much they cared,’ she said, reaching for a small half-smoked cigar which she relit. ‘They took down her details and I never heard from them again. They wouldn't take my calls, and when I went round to the station they just dismissed me, said she was with some boyfriend or other. If you're pretty and mulatto like her they just think you're some kind of fucking machine. I'm sure they did nothing.’

‘She did go to Madrid with a boyfriend, though, didn't she?’

‘They were pretty pleased about that when I told them.’

‘Where were your parents in all this?’ asked Falcón. ‘Margarita was still a kid.’

‘Dead. You see, they probably didn't put that in the report. My father died up north in Gijón in 1995. My mother died here in Seville in 1998 and two months later Margarita went missing. She was upset. That was why I was worried.’

‘Your father was Cuban?’

‘We came over here in 1992. It was a bad time in Cuba; Russian aid had dried up after the Berlin Wall came down in 1989. There's a large Cuban community in Gijón, so that's where we settled.’

‘How did your parents meet?’

‘My father had a club in Gijón. My mother was a flamenco dancer from Seville. She'd come up to perform at the annual Semana Negra fair. My father was a good salsa dancer and there's such a thing as Cuban flamenco, so they taught each other things and my mother made the mistake that a lot of other women made.’

‘So obviously she wasn't your natural mother?’

‘No, we don't know what happened to her. She was Cuban of Spanish descent, white and political. She disappeared soon after my sister was born in 1981.’

‘You were seven years old.’

‘It's not something I think about very much,’ said Marisa. ‘Things like that could happen in Cuba. My father never talked about it.’

‘So who looked after you?’

‘My father had girlfriends. Some were interested in us … others weren't.’

‘What did your father do in Cuba?’

‘He was somebody in the government. An official on the Sugar Board. Export,’ said Marisa. ‘I thought you wanted to talk about my sister, and I'm beginning to wonder why.’

‘I like to get people's family situation sorted out in my mind,’ said Falcón. ‘It doesn't sound like you had a normal life.’

‘We didn't, until my stepmother came along. She was a good woman. The caring type. She really looked after us. For the first time in our lives we were loved. She even looked after my father when he was dying.’

‘How was that?’

‘Lung cancer. Too many cigars,’ she said, waving the smoking stub in her hand. ‘He only married her after his diagnosis.’

Marisa blew a plume of smoke out into the rafters of the wooden roof. She felt she had to keep this thing going. Do one long stint with this new inspector jefe and then maybe he'd leave her alone.

‘What did you do after your father died?’ asked Falcón.

‘We moved down here. My mother couldn't stand the north. All that rain.’

‘What about her family?’

‘Her parents were dead. She had a brother in Málaga, but he didn't like black people very much. He didn't come to her wedding.’

‘How did your mother die?’

‘Heart attack,’ said Marisa, eyes shining at the memory of it.

‘Were you living here at the time?’

‘I was in Los Angeles.’

‘I'm sorry,’ said Falcón. ‘That must have been hard. She wasn't very old.’

‘Fifty-one.’

‘Did you see her before she died?’

‘Is that any of your business?’ she said, turning away, looking for an ashtray.

This cop was getting under her skin.

‘My mother died when I was five,’ said Falcón. ‘It doesn't matter whether you're five or fifty-five, it's not something you ever get over.’

Marisa turned back slowly; she'd never heard a Sevillano, let alone a cop, talk like this. Falcón was frowning at the floor.

‘So you came back from Los Angeles and you've been here ever since?’ he said.

‘I stayed for a year,’ said Marisa. ‘I thought I should look after my sister.’

‘And what happened?’

‘She left again. But she was eighteen this time so …’

‘And you haven't seen or heard from her since?’

There was a long silence in which Marisa's mind seemed to float off out of the room and Falcón thought for the first time that he was getting somewhere.

‘Señora Moreno?’ said Falcón.

‘I haven't heard from her … no.’

‘Are you worried about her?’

She shrugged and for some reason Falcón didn't think he was going to believe what he heard next.

‘We weren't very close, which was why she left the first time without telling me.’

‘Is that right?’ said Falcón, locking eyes with her across the studio. ‘So what did you do when she left the second time?’

‘I finished the course I was doing at the Bella Artes, rented out my mother's apartment, which my sister and I had inherited…’

‘Is that where you live now, in Calle Hiniesta?’

‘And I went to Africa,’ she said, nodding. ‘Mali, Niger, Nigeria, Cameroon, the Congo, until it got too dangerous and then I went to Mozambique.’

‘What about the Touaregs … didn't you spend some time with them?’

Silence, as she registered that he'd heard that from someone else.

‘If you know all this, Inspector Jefe, why are you asking me?’

‘I know it, but hearing it from you arranges the furniture.’

‘I let you in here to talk about my sister.’

‘Who you're not close to.’

‘You seem to have expanded your interests since you started using up my work time.’

‘And then there was New York …?’

She grunted. Puffed on the cigar to get it going again.

‘You've been talking to Esteban, haven't you?’

‘How do you know?’

‘I lied to him about New York,’ she said. ‘I saw a movie about an artist starring Nick Nolte, and I assumed the role of his assistant. I've never been to New York.’

‘Did you lie to him about anything else?’

‘Probably. I had an image to live up to.’

‘An image?’

‘That's how most of the men I've spent any time with see women.’

‘You described Esteban Calderón as your lover to Inspector Jefe Zorrita.’

‘He was then … still is, kind of, although prison doesn't help,’ she said. ‘I'm sorry he killed his wife. He was always so controlled, you know, still passionate in the way Sevillanos are, but a lawyer, too, and with a lawyer's mentality.’

‘So you think he did it?’

‘What I think doesn't matter. It's what Inspector Jefe Zorrita thinks that matters,’ she said, and something clicked in her mind. ‘That's it, I've got it now. It was your ex-wife that Esteban murdered. That's interesting.’

‘Is it?’

‘I don't know what you're doing here,’ she said, puffing on her cigar, appraising him anew.

‘Was your sister with a boyfriend when she left the second time?’

‘There was always a man involved with Margarita.’

‘Pretty girl?’

‘That … and the other thing.’

‘Sex?’

‘Not exactly,’ said Marisa, who went over to a small plans chest, opened a drawer and slapped a sheaf of photos down on the top. She was going to let him in, or rather let him think that she was opening up. ‘Take a look. I took these three weeks before her eighteenth birthday.’

Falcón flicked through the shots. A sadness lodged itself in his chest. It wasn't sex, despite the provocative nudity. Even when she was lying back, legs splayed, she had an innocence about her. An innocence that itched to be desecrated in the eyes of men. That was why Marisa had taken the shots and only Marisa could have taken them. Even in the most pornographic of poses Margarita never lost her childlike purity, whereas the viewer, or the voyeur, felt the beast rise up on its hind legs and dance on its furry hooves.

‘For a Sevillano, you don't say very much, Inspector Jefe.’

‘Nothing to add,’ he said, giving up on the shots halfway through, feeling the woman's intention and not flattered by it. ‘They do their work.’

‘You're the first person to see those.’

‘I'd like a shot of Margarita with some clothes on,’ he said, ‘so that we can begin to look for her.’

‘She's not lost any more,’ said Marisa. ‘She doesn't need to be found.’

‘I'm sure you'd like to hear from her, though, wouldn't you?’

Another shrug from Marisa, something very uneasy about her. She handed over a head-and-shoulders shot of her sister.

‘You used to go through Esteban's pockets,’ said Falcón, taking the photo. ‘Why did you do that? I mean, you're an artist, I can see that from the quality of this work. So you're curious, but not for the sort of crap you find in a man's pockets.’

‘My stepmother did the same thing when my father came back at seven in the morning. She hated herself for it but couldn't help it. She had to know, even though she already knew.’

‘That doesn't explain anything,’ said Falcón. ‘I could understand Inés wanting to go through his pockets, but you? What were you looking for? You knew he was married, and not very happily. What else was there?’

‘My mother came from a very conservative Sevillana family. You can see the type in her brother. And she got involved with a black man when she was forty-five years old and he repaid her by fucking everything that passed beneath his nose. Her bourgeois instinct –’

‘Hers, not yours. She wasn't your natural mother.’

‘We adored her.’

‘That's your only explanation?’

‘You amaze me, Inspector Jefe.’

‘Keys?’ he said, cutting in on her digression, eyebrows raised.

‘What?’

‘You were after his keys.’

‘That's why you amaze me,’ said Marisa, puffing on her chewed-over cigar butt, spitting out flakes of tobacco. ‘Zorrita told me, triumphantly no less, that he had a rock-solid case against Esteban for the murder of his wife, your ex, and here you are, trying to chip away at it for some reason that I don't quite understand.’

‘Did you get a key made to his apartment and have a good look around for yourself, or make a duplicate for somebody else so that they could?’

‘Look, Inspector Jefe, one time I found he had condoms which he never wore when he was with me,’ said Marisa. ‘Once a woman finds something like that, she keeps checking to see if there are any fewer.’

‘I've spoken to the governor. We're stopping your prison visits.’

‘Why?’

‘I'd have thought that would be a relief.’

‘Think what you like.’

Falcón nodded. Something caught his eye under the table. He knelt down and rolled it back towards him. It was a stained and polished wooden head. He inspected it under the light. Margarita's smooth unsophisticated face looked back at him, eyes closed. He ran a thumb over the jagged edge of her neck where the chain saw had bitten into the wood.

‘What happened here?’ asked Falcón.

‘A change of artistic vision,’ she said.

Falcón went to the door, feeling that the first phase of his work was done. He handed her the head.

‘Too perfect?’ he asked. ‘Or not the point?’

Marisa listened to his feet on the metal stairway and looked down at the carved features of her sister's face. She ran her fingers over the eyelids, nose and mouth. Her arm, bearing the full weight of the head, trembled. She put it down, found her mobile on the work bench and made a call.

The cop made her nervous, but she was also surprised to find that she did not dislike him. And there were very few men that Marisa liked, not many of them were white, and none of them were policemen.

Leonid Revnik hadn't moved. He'd cleared his henchmen out of the room and they'd got a technician in to fix the air-con. He was taking a drink from the half-bottle of vodka that was still left in Vasili Lukyanov's freezer. Viktor Belenki hadn't called him back. He had to remind himself to relax because he kept coming out of his thoughts to find his biceps tight in his shirt and his pectorals clenched. The land-line phone on the desk rang. He looked at it suspiciously; nobody used these things any more. He picked it up, spoke in Russian without thinking. A woman's voice answered in the same language and asked to speak to Vasili Lukyanov.

‘Who is this?’ he asked, hearing a strange accent.

‘My name is Marisa Moreno. I've tried calling Vasili on his mobile but there's no answer. This is the only other number he gave me.’

The Cuban woman. Rita's sister.

‘Vasili isn't here. Maybe I can help; I'm his boss,’ said Revnik. ‘If you want to leave a message, I'll make sure he gets it.’

‘He told me I should call him if I had any trouble.’

‘And what's happened?’ asked Revnik.

‘A homicide cop called Inspector Jefe Javier Falcón came round to my workshop and started asking questions about my sister, Margarita.’

That name, Falcón, again.

‘What did he want with her?’

‘He said he was going to find her.’

‘And what did you say?’

‘I told him she didn't need to be found.’

‘That's good,’ said Revnik. ‘Have you spoken to anybody else about this?’

‘I left a message on Nikita's phone.’

‘Sokolov?’ he asked, barely able to control his rage at having to pronounce another traitor's name.

‘Yes.’

‘You did the right thing,’ said Revnik. ‘We'll handle it. Don't worry.’