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CHAPTER I

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Somebody at Warner's elbow spoke to him in French. He turned his head leisurely: a well-dressed young fellow, evidently an Englishman, was striving to maintain a place beside him in the noisy, market day crowd.

"Pardon, Monsieur, are you English?"

"American," replied Warner briefly, and without enthusiasm.

"My name is Halkett," said the other, with a quick smile. "I'm English, and I'm in trouble. Could you spare me a moment?"

To Warner the man did not look the typical British dead-beat, nor had he any of the earmarks and mannerisms of the Continental beach-comber. Yet he was, probably, some species or other of that wearisome and itinerant genus.

"I'm listening," said the young American resignedly. "Continue your story."

"There's such a row going on here—couldn't we find a quieter place?"

"I can hear you perfectly well, I tell you!"

Halkett said:

"If I try to talk to you here I'll be overheard, and that won't do. I'm very sorry to inconvenience you, but really I'm in a fix. What a noise these people are making! Do you mind coming somewhere else?"

"Say what you desire to say here," returned Warner bluntly. "And perhaps it might save time if you begin with the last chapter; I think I can guess the rest of the story."

The features of the American expressed boredom to the point of unfriendly indifference. The Englishman looked at him, perplexed for a moment, then his sun-bronzed face lighted up with another quick smile.

"You're quite mistaken," he said. "I don't expect the classic remittance from England, and I don't require the celebrated twenty-franc loan until it arrives. You take me for that sort, I see, but I'm not. I don't need money. May I tell you what I do need—rather desperately?"

"Yes, if you choose."

"I need a friend."

"Money is easier to pick up," remarked Warner drily.

"I know that. May I ask my favor of you all the same?"

"Go ahead."

"Thanks, I will. But can't we get out of this crowd? What is going on in this town anyway?"

"Market day. It's like this once a month in Ausone. Otherwise the town is as dead as any other French provincial town."

Shoulder to shoulder they threaded their way through the crowded market square, amid the clatter of sabots, the lowing of cattle, the incessant bleating of sheep. Ducks quacked from crates in wagons, geese craned white necks and hissed above the heads of the moving throngs; hogs squealed and grunted; fowls hanging by their legs from the red fists of sturdy peasant women squawked and flapped.

Cheap-Jack shows of all sorts encumbered the square and adjacent streets and alleys—gingerbread booths, shooting ranges, photograph galleries, moving-picture shows, theaters for ten sous. Through the lowing, bleating, and cockcrowing, the drumming and squeaking of Punch and Judy, and the brassy dissonance of half a dozen bands, mournful and incessant strains from several merry-go-rounds continued audible.

But the steady clatter of sabots on stony pavements, and the ceaseless undertone of voices, swelling, subsiding, dominated the uproar, softening the complaint of kine and feathered fowl to a softly cheerful harmony suggestive of summer breezes and green fields.

On the dusty Boulevard d'Athos—the typical solitary promenade of such provincial towns—there were, as usual, very few people—the inevitable nurses here and there, wheeling prams; a discouraged, red-trousered and sou-less soldier or two sprawling on benches under the chestnut trees; rarely a passing pedestrian, more often a prowling dog.

At the head of the Boulevard d'Athos, where the rue d'Auros crosses, Warner halted under the shade of the chestnuts, for the July sun was very hot. His unconvinced grey eyes now rested inquiringly on the young Englishman who had called himself Halkett. He said:

"What species of trouble are you in?"

Halkett shook his head.

"I can't tell you what the trouble is; I may only ask you to help me a bit—" The quick smile characteristic of him glimmered in his eyes again—a winning smile, hinting of latent recklessness. "I have my nerve with me, you see—as you Americans have it," he added. "You're thinking something of that sort, I fancy."

Warner smiled too, rather faintly, but remained silent.

"This is what I want you to do," continued Halkett. "I've a long thin envelope in my pocket. I'd like to have you take it from me and slip it into your breast pocket and then button your coat. Is that too much to ask?"

"What!"

"That's all I want you to do. Then if you wouldn't mind giving me your name and address? And that is really all I ask."

Said the American, amused and surprised:

"That airy request of yours requires a trifle more explanation than you seem inclined to offer."

"I know it does. I can't offer it. Only—you won't get into trouble if you keep that envelope buttoned tightly under your coat until I come for it again."

"But I'm not going to do that!"

"Why?"

"Why the devil should I? I don't propose to wander about France carrying papers concerning which I know nothing—to oblige a young man about whom I know even less."

"I quite see that," admitted Halkett seriously. "I shouldn't feel inclined to do such a thing either."

"Can't you tell me what is the nature of these papers?—Or something—some explanation——"

"I'm sorry."

"And why do you propose to trust me with them?" continued Warner, curiously. "How do you know I am honest? How do you know I won't examine your packet as soon as you clear out?"

Halkett looked up with his quick and winning smile:

"I'll take that risk."

"Why? You don't know me."

"I had a good look at you in the market square before I spoke to you."

"Oh. You think you are a psychologist?"

"Of sorts. It's a part of my business in life."

"Suppose," said Warner, smiling, "you explain a little more clearly to me exactly what is your actual business in life."

"Very glad to. I write."

"Books?"

"No; just—stories."

"Fiction?"

"As one might say, facts rather than fiction."

"You are a realist?" suggested Warner with slight irony.

"I try to be. But do you know, there is more romance in realism than in fairy tales?"

Warner, considerably diverted, nodded:

"I know. You belong to the modern school, I take it."

"Very modern. So modern, in fact, that my work concerns tomorrow rather than today."

Warner nodded again:

"I see. You are a futurist—opportunist. There are a lot of clever men working on those lines in England.... Still—" he glanced amusedly at Halkett "—that scarcely explains your rather unusual request. Why should I take charge of an envelope for you?"

"My dear fellow, I can't answer that.... Still—I may say this much; I'm hard put to it—rather bewildered—had a rotten time of it in the Grand Duchy and in Belgium—so to speak—"

"What do you mean by a rotten time?"

"Rows."

"I don't understand. You'll have to be more explicit."

"Well—it had to do with this envelope I carry. Some chaps of sorts wanted to get it away from me. Do you see? ... I had a lively time, and I rather expect to have another before I get home—if I ever get there."

Warner looked at him out of clear, sophisticated eyes:

"See here, my ingenuous British friend," he said, "play square with me, if you play at all."

"I shan't play otherwise."

"Very well, then; why are you afraid to carry that envelope?"

"Because," said Halkett, coolly, "if I'm knocked on the head and that envelope is found in my clothing and is stolen, the loss of my life would be the lesser loss to my friends."

"Is anybody trying to kill you?"

Halkett shrugged his shoulders; but there seemed to be neither swagger nor bravado in his careless gesture of assent. He said:

"Listen; here's my case in brief. I saw you in the crowd yonder, and I made up my mind concerning you. I have to think quickly sometimes; I took a good look at you and—" He waved one hand. "You look like a soldier. I don't know whether you are or not. But I am ready to trust you. That's all."

"Do you mean to say that you are in any real personal danger?"

"Yes. But that doesn't count. I can look out for myself. What worries me is this envelope. Couldn't you take charge of it? I'd be very grateful."

"How long do you expect me to carry it about?"

"I don't know. I don't know whether anything is likely to happen to me today in this town—or tomorrow on the train—or in Paris—I have no means of knowing. I merely want to get to Paris, if I can, and send a friend back here for that envelope."

"I thought you were to return for it yourself."

"Maybe. Maybe I'll send you a letter by a friend—just a line for him to give you, saying it's all right."

"Mr. Halkett, you have rather a disconcerting way of expressing unlimited confidence in me—"

"Yes, I trust you."

"But why?"

"You look right."

"That's no reason!"

"My dear chap, I'm in a corner, and instinct rules, not reason! You see, I—I'm rather afraid they may get me before I can clear out."

"Who'll get you?" demanded Warner impatiently.

"That's the worst of it; I don't know these fellows by sight. The same chaps never try it on twice."

Warner said quietly:

"What is this very dramatic mess you're in? Can't you give me a hint?"

"I'm sorry."

"Shall I give you a hint?"

"If you like."

"Are the police after you?"

"No."

"You're sure of that?"

"Quite sure. I don't blame you for asking. It looks that way. But it isn't."

"But you are being followed across Europe by people who want this envelope of yours?"

"Oh, yes."

"You expect personal violence from them?"

Halkett nodded and gazed absently down the almost deserted boulevard.

"Then why don't you appeal to the police—if your conscience is clear?" demanded Warner bluntly.

Halkett's quick smile broke out.

"My dear chap," he said, "I'd do so if I were in England. I can't, as matters stand. The French police are no use to me."

"Why don't you go to your consulate?"

"I did. The Consul is away on his vacation. And I didn't like the looks of the vice-consul."

"What?"

"No. I didn't like his name, either."

"What do you mean?"

"His name is Schmidt. I—didn't care for it."

Warner laughed, and Halkett looked up quickly, smiling.

"I'm queer. I admit it. But you ought to have come to some conclusion concerning me by this time. Do you think me a rotter, or a criminal, or a lunatic, or a fugitive from justice? Or will you chance it that I'm all right, and will you stand by me?"

Warner laughed again:

"I'll take a chance on you," he said. "Give me your envelope, you amazing Britisher!"

The Girl Philippa

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