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INTRODUCTION.

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Among the notable books of later times-we may say, without exaggeration, of all time—must be reckoned The Confessions of Jean Jacques Rousseau. It deals with leading personages and transactions of a momentous epoch, when absolutism and feudalism were rallying for their last struggle against the modern spirit, chiefly represented by Voltaire, the Encyclopedists, and Rousseau himself—a struggle to which, after many fierce intestine quarrels and sanguinary wars throughout Europe and America, has succeeded the prevalence of those more tolerant and rational principles by which the statesmen of our own day are actuated.

On these matters, however, it is not our province to enlarge; nor is it necessary to furnish any detailed account of our author's political, religious, and philosophic axioms and systems, his paradoxes and his errors in logic: these have been so long and so exhaustively disputed over by contending factions that little is left for even the most assiduous gleaner in the field. The inquirer will find, in Mr. John Money's excellent work, the opinions of Rousseau reviewed succinctly and impartially. The 'Contrat Social', the 'Lattres Ecrites de la Montagne', and other treatises that once aroused fierce controversy, may therefore be left in the repose to which they have long been consigned, so far as the mass of mankind is concerned, though they must always form part of the library of the politician and the historian. One prefers to turn to the man Rousseau as he paints himself in the remarkable work before us.

That the task which he undertook in offering to show himself—as Persius puts it—'Intus et in cute', to posterity, exceeded his powers, is a trite criticism; like all human enterprises, his purpose was only imperfectly fulfilled; but this circumstance in no way lessens the attractive qualities of his book, not only for the student of history or psychology, but for the intelligent man of the world. Its startling frankness gives it a peculiar interest wanting in most other autobiographies.

Many censors have elected to sit in judgment on the failings of this strangely constituted being, and some have pronounced upon him very severe sentences. Let it be said once for all that his faults and mistakes were generally due to causes over which he had but little control, such as a defective education, a too acute sensitiveness, which engendered suspicion of his fellows, irresolution, an overstrained sense of honour and independence, and an obstinate refusal to take advice from those who really wished to befriend him; nor should it be forgotten that he was afflicted during the greater part of his life with an incurable disease.

Lord Byron had a soul near akin to Rousseau's, whose writings naturally made a deep impression on the poet's mind, and probably had an influence on his conduct and modes of thought: In some stanzas of 'Childe Harold' this sympathy is expressed with truth and power; especially is the weakness of the Swiss philosopher's character summed up in the following admirable lines:

One would rather, however, dwell on the brighter hues of the picture than on its shadows and blemishes; let us not, then, seek to "draw his frailties from their dread abode." His greatest fault was his renunciation of a father's duty to his offspring; but this crime he expiated by a long and bitter repentance. We cannot, perhaps, very readily excuse the way in which he has occasionally treated the memory of his mistress and benefactress. That he loved Madame de Warens—his 'Mamma'—deeply and sincerely is undeniable, notwithstanding which he now and then dwells on her improvidence and her feminine indiscretions with an unnecessary and unbecoming lack of delicacy that has an unpleasant effect on the reader, almost seeming to justify the remark of one of his most lenient critics—that, after all, Rousseau had the soul of a lackey. He possessed, however, many amiable and charming qualities, both as a man and a writer, which were evident to those amidst whom he lived, and will be equally so to the unprejudiced reader of the Confessions. He had a profound sense of justice and a real desire for the improvement and advancement of the race. Owing to these excellences he was beloved to the last even by persons whom he tried to repel, looking upon them as members of a band of conspirators, bent upon destroying his domestic peace and depriving him of the means of subsistence.

Those of his writings that are most nearly allied in tone and spirit to the 'Confessions' are the 'Reveries d'un Promeneur Solitaire' and 'La Nouvelle Heloise'. His correspondence throws much light on his life and character, as do also parts of 'Emile'. It is not easy in our day to realize the effect wrought upon the public mind by the advent of 'La Nouvelle Heloise'. Julie and Saint-Preux became names to conjure with; their ill-starred amours were everywhere sighed and wept over by the tender-hearted fair; indeed, in composing this work, Rousseau may be said to have done for Switzerland what the author of the Waverly Novels did for Scotland, turning its mountains, lakes and islands, formerly regarded with aversion, into a fairyland peopled with creatures whose joys and sorrows appealed irresistibly to every breast. Shortly after its publication began to flow that stream of tourists and travellers which tends to make Switzerland not only more celebrated but more opulent every year. It, is one of the few romances written in the epistolary form that do not oppress the reader with a sense of languor and unreality; for its creator poured into its pages a tide of passion unknown to his frigid and stilted predecessors, and dared to depict Nature as she really is, not as she was misrepresented by the modish authors and artists of the age. Some persons seem shy of owning an acquaintance with this work; indeed, it has been made the butt of ridicule by the disciples of a decadent school. Its faults and its beauties are on the surface; Rousseau's own estimate is freely expressed at the beginning of the eleventh book of the Confessions and elsewhere. It might be wished that the preface had been differently conceived and worded; for the assertion made therein that the book may prove dangerous has caused it to be inscribed on a sort of Index, and good folk who never read a line of it blush at its name. Its "sensibility," too, is a little overdone, and has supplied the wits with opportunities for satire; for example, Canning, in his 'New Morality':

As might be imagined, Voltaire had slight sympathy with our social reformer's notions and ways of promulgating them, and accordingly took up his wonted weapons—sarcasm and ridicule—against poor Jean-Jacques. The quarrels of these two great men cannot be described in this place; but they constitute an important chapter in the literary and social history of the time. In the work with which we are immediately concerned, the author seems to avoid frequent mention of Voltaire, even where we should most expect it. However, the state of his mind when he penned this record of his life should be always remembered in relation to this as well as other occurrences.

Rousseau had intended to bring his autobiography down to a later date, but obvious causes prevented this: hence it is believed that a summary of the chief events that marked his closing years will not be out of place here.

On quitting the Ile de Saint-Pierre he travelled to Strasbourg, where he was warmly received, and thence to Paris, arriving in that city on December 16, 1765. The Prince de Conti provided him with a lodging in the Hotel Saint-Simon, within the precincts of the Temple—a place of sanctuary for those under the ban of authority. 'Every one was eager to see the illustrious proscript, who complained of being made a daily show, "like Sancho Panza in his island of Barataria." During his short stay in the capital there was circulated an ironical letter purporting to come from the Great Frederick, but really written by Horace Walpole. This cruel, clumsy, and ill-timed joke angered Rousseau, who ascribed it to, Voltaire. A few sentences may be quoted:

"My Dear Jean-Jacques,—You have renounced Geneva, your native place. You have caused your expulsion from Switzerland, a country so extolled in your writings; France has issued a warrant against you: so do you come to me. My states offer you a peaceful retreat. I wish you well, and will treat you well, if you will let me. But, if you persist in refusing my help, do not reckon upon my telling any one that you did so. If you are bent on tormenting your spirit to find new misfortunes, choose whatever you like best. I am a king, and can procure them for you at your pleasure; and, what will certainly never happen to you in respect of your enemies, I will cease to persecute you as soon as you cease to take a pride in being persecuted. Your good friend,

"FREDERICK."

Early in 1766 David Hume persuaded Rousseau to go with him to England, where the exile could find a secure shelter. In London his appearance excited general attention. Edmund Burke had an interview with him and held that inordinate vanity was the leading trait in his character. Mr. Davenport, to whom he was introduced by Hume, generously offered Rousseau a home at Wootton, in Staffordshire, near the, Peak Country; the latter, however, would only accept the offer on condition that he should pay a rent of L 30 a year. He was accorded a pension of L 100 by George III., but declined to draw after the first annual payment. The climate and scenery of Wootton being similar to those of his native country, he was at first delighted with his new abode, where he lived with Therese, and devoted his time to herborising and inditing the first six books of his Confessions. Soon, however, his old hallucinations acquired strength, and Rousseau convinced himself that enemies were bent upon his capture, if not his death. In June, 1766, he wrote a violent letter to Hume, calling him "one of the worst of men." Literary Paris had combined with Hume and the English Government to surround him—as he supposed—with guards and spies; he revolved in his troubled mind all the reports and rumours he had heard for months and years; Walpole's forged letter rankled in his bosom; and in the spring of 1767 he fled; first to Spalding, in Lincolnshire, and subsequently to Calais, where he landed in May.

On his arrival in France his restless and wandering disposition forced him continually to change his residence, and acquired for him the title of "Voyageur Perpetuel." While at Trye, in Gisors, in 1767—8, he wrote the second part of the Confessions. He had assumed the surname of Renou, and about this time he declared before two witnesses that Therese was his wife—a proceeding to which he attached the sanctity of marriage. In 1770 he took up his abode in Paris, where he lived continuously for seven years, in a street which now bears his name, and gained a living by copying music. Bernardin de Saint-Pierre, the author of 'Paul and Virginia', who became acquainted with him in 1772, has left some interesting particulars of Rousseau's daily mode of life at this period. Monsieur de Girardin having offered him an asylum at Ermemonville in the spring of 1778, he and Therese went thither to reside, but for no long time. On the 3d of July, in the same year, this perturbed spirit at last found rest, stricken by apoplexy. A rumor that he had committed suicide was circulated, but the evidence of trustworthy witnesses, including a physician, effectually contradicts this accusation. His remains, first interred in the Ile des Peupliers, were, after the Revolution, removed to the Pantheon. In later times the Government of Geneva made some reparation for their harsh treatment of a famous citizen, and erected his statue, modelled by his compatriot, Pradier, on an island in the Rhone.

"See nations, slowly wise and meanly just,

To buried merit raise the tardy bust."

November, 1896.


S. W. ORSON.




The Confessions of J. J. Rousseau - Complete

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