Читать книгу Woman Triumphant - Rudolf Cronau - Страница 15

“Dire is the violence of ocean waves,

And dire the blast of rivers and hot fires,

And dire is want, and dire are countless things,

But nothing is so dire and dread as woman.

No painting could express her dreadfulness,

No words describe it. If a god made woman

And fashioned her, he was for man the artist

Of woes unnumbered, and his deadly foe!”

The undermining effect of such remarks was increased by numerous comedies in which married life was turned to ridicule, and husbands were depicted as despicable slaves to women. So bye and bye the high position, formerly held by the female sex, sank to a much lower level. Their liberty was greatly curtailed, and daughters as well as wifes were confined to the strict seclusion of the “Gynäkonitis” or women’s quarters at the back of the house. Here they spent their time with spinning, weaving, sewing and other female work, not seeing or hearing much of the outside world. For this reason they were often nicknamed “the locked up,” or “those reared in the shadow.” As they rarely got out into the fresh air, they relied greatly on rouge and cosmetics, to hide their faded complexion. The only interruption in this monotonous life were the festivals of the various deities, during which they joined the solemn processions and carried the ceremonial implements and vessels on their heads.

As the education of the girls was greatly neglected, and as they generally married very early, they had no influence whatever on the male members of the family. They even didn’t appear at table with men, even with their husbands’ guests in their own homes. But the principal cause for the decline of woman’s, position and of family life in Hellas was the rise and growing prevalence of the “heteræ” or courtesans, many of whom became famous for their fascinating beauty and accomplishments. Clever in graceful dances, well educated in song, music and in the art of entertaining, these women, many of whom were natives of foreign countries, in time became constant guests of the symposiums of prominent citizens. Far outshining the housewives and their daughters in gracefulness and wit, they soon won a domineering influence over the all too susceptible men, many of whom became lost to their own neglected families.

The most striking illustration of this is offered by the life of the famous Athenian statesman Pericles, who fell victim to the charms of Aspasia, a courtesan born in Miletus, Asia Minor. Her extraordinary beauty and still more remarkable mental gifts had gained her a wide reputation, which increased after her association with Pericles. Having divorced his wife, with whom he had been unhappy, Pericles attached himself to Aspasia as closely as was possible under the Athenian law, according to which marriage with a “barbarian” or foreigner was illegal and impossible. And after the death of his two sons by his lawful wife he secured the passage of a law, by which the children of irregular marriages might be rendered legitimate. His son by Aspasia was thus allowed to assume his father’s name.

Aspasia enjoyed a high reputation as a teacher of rhetoric. It is said that she instructed Pericles in this art, and that even Socrates admitted to have learned very much from her. The house of Aspasia became the center of the most brilliant intellectual society. Men who were in the advance guard of Hellenic thought, Socrates and his friends included, gathered here.

A DANCING LESSON IN THE TEMPLE OF DIONYSOS.

After a painting by H. Schneider.

Another noted courtesan was Phryne, who by her radiant beauty acquired so much wealth that she could offer to rebuild the walls of Thebes, which had been destroyed by Alexander (335 B. C.), on condition that the restored walls bear the inscription, “Destroyed by Alexander, restored by Phryne, the hetære.” When the festival of Poseidon was held at Eleusis, she laid aside her garments, let down her hair and stepped into the sea in the sight of the people, thus suggesting to Apelles his great painting of “Aphrodite rising from the sea.” The famous sculptor Praxiteles too used her as a model for his statue “the Cnidian Aphrodite,” which Pliny declared to be the most beautiful statue in the world.

Anteia, Isostasion, Korinna, Phonion, Klepsydra, Thalatta, Danae, Mania, Nicarete, Herpyllis, Lamia, Lasthenia, Theis, Bachis and Theodota are the names of other courtesans, who became widely known for their relations with prominent men of Hellas and acquired enormous wealth.

Sappho, the famous poetess, whom Plato dignified with the epithets of “the tenth Muse,” “the flower of the Graces,” and “a miracle,” most probably belonged likewise to this class. It is said that she established in Mytilene a literary association of women of tastes and pursuits similar to her own, and that these women devoted themselves to every species of refined and elegant pleasure, sensual and intellectual. Music and poetry, and the art of love, were taught by Sappho and her older companions to the younger members of the sisterhood.

Hierarchical prostitution prevailed in Hellas. It was connected with the service of Aphrodite, the Greek counterpart of the Babylonian Mylitta. Strabo states, that in her temple of Corinth more than one thousand courtesans were devoted to the service of this goddess. The amount of money, earned by these girls and flowing into the priest’s treasury, was so enormous that Solon, the great statesman and law maker, envying the temples for such rich income, founded the Dikterion, a brothel of great style, the income of which went into the treasury of the state.

Enticed by the luxurious and easy life of such courtesans, thousands of young girls chose the same profession and entered the schools, which were established by many courtesans for the special purpose of giving instruction in all the arts of seduction. As the legislators, bribed by heavy tributes, were most liberal in giving concessions to these institutions as well as to prostitutes and keepers of brothels, public life became in time thoroughly demoralized. In fact these conditions were greatly responsible for the final decay and downfall of the whole Hellenic nation.