Читать книгу From Sea to Sea - Rudyard Kipling - Страница 7

III

DOES NOT IN ANY SORT DESCRIBE THE DEAD CITY OF AMBER, BUT GIVES DETAILED INFORMATION ABOUT A COTTON-PRESS.

And what shall be said of Amber, Queen of the Pass–the city that Jey Singh bade his people slough as snakes cast their skins? The Globe-trotter will assure you that it must be “done” before anything else, and the Globe-trotter is, for once, perfectly correct. Amber lies between six and seven miles from Jeypore among the “tumbled fragments of the hills,” and is reachable by so prosaic a conveyance as a ticca-ghari, and so uncomfortable a one as an elephant. He is provided by the Maharaja, and the people who make India their prey, are apt to accept his services as a matter of course.

Rise very early in the morning, before the stars have gone out, and drive through the sleeping city till the pavement gives place to cactus and sand, and educational and enlightened institutions to mile upon mile of semi-decayed Hindu temples–brown and weather-beaten–running down to the shores of the great Man Sagar Lake, wherein are more ruined temples, palaces, and fragments of causeways. The water-birds have their home in the half-submerged arcades and the crocodile nuzzles the shafts of the pillars. It is a fitting prelude to the desolation of Amber. Beyond the Man Sagar the road of to-day climbs up-hill, and by its side runs the huge stone causeway of yesterday–blocks sunk in concrete. Down this path the swords of Amber went out to kill. A triple wall rings the city, and, at the third gate, the road drops into the valley of Amber. In the half light of dawn, a great city sunk between hills and built round three sides of a lake is dimly visible, and one waits to catch the hum that should arise from it as the day breaks. The air in the valley is bitterly chill. With the growing light, Amber stands revealed, and the traveller sees that it is a city that will never wake. A few beggars live in huts at the end of the valley, but the temples, the shrines, the palaces, and the tiers-on-tiers of houses are desolate. Trees grow upon and split the walls, the windows are filled with brushwood, and the cactus chokes the street. The Englishman made his way up the side of the hill to the great palace that overlooks everything except the red fort of Jeighur, guardian of Amber. As the elephant swung up the steep roads paved with stone and built out on the sides of the hill, he looked into empty houses where the little grey squirrel sat and scratched its ears. The peacock walked on the house-tops, and the blue pigeon roosted within. He passed under iron-studded gates whose hinges were eaten out with rust, and by walls plumed and crowned with grass, and under more gate-ways, till, at last, he reached the palace and came suddenly into a great quadrangle where two blinded, arrogant stallions, covered with red and gold trappings, screamed and neighed at each other from opposite ends of the vast space. For a little time these were the only visible living beings, and they were in perfect accord with the spirit of the spot. Afterwards certain workmen appeared; for it seems that the Maharaja keeps the old palace of his forefathers in good repair, but they were modern and mercenary, and with great difficulty were detached from the skirts of the traveller. A somewhat extensive experience of palace-seeing had taught him that it is best to see palaces alone, for the Oriental as a guide is undiscriminating and sets too great a store on corrugated iron roofs and glazed drain-pipes.

So the Englishman went into this palace built of stone, bedded on stone, springing out of scarped rock, and reached by stone ways–nothing but stone. Presently, he stumbled across a little temple of Kali, a gem of marble tracery and inlay, very dark and, at that hour of the morning, very cold.

If, as Viollet-le-Duc tells us to believe, a building reflects the character of its inhabitants, it must be impossible for one reared in an Eastern palace to think straightly or speak freely or–but here the annals of Rajputana contradict the theory–to act openly. The cramped and darkened rooms, the narrow smooth-walled passages with recesses where a man might wait for his enemy unseen, the maze of ascending and descending stairs leading nowhither, the ever-present screens of marble tracery that may hide or reveal so much,–all these things breathe of plot and counter-plot, league and intrigue. In a living palace where the sightseer knows and feels that there are human beings everywhere, and that he is followed by scores of unseen eyes, the impression is almost unendurable. In a dead palace–a cemetery of loves and hatreds done with hundreds of years ago, and of plottings that had for their end, though the greybeards who plotted knew it not, the coming of the British tourist with guide-book and sun-hat–oppression gives place to simply impertinent curiosity. The Englishman wandered into all parts of the palace, for there was no one to stop him–not even the ghosts of the dead Queens–through ivory-studded doors, into the women’s quarters, where a stream of water once flowed over a chiselled marble channel. A creeper had set its hands upon the lattice there, and there was dust of old nests in one of the niches in the wall. Did the lady of light virtue who managed to become possessed of so great a portion of Jey Singh’s library ever set her dainty feet in the trim garden of the Hall of Pleasure beyond the screen-work? Was it in the forty-pillared Hall of Audience that the order went forth that the Chief of Birjooghar was to be slain, and from what wall did the King look out when the horsemen clattered up the steep stone path to the palace, bearing on their saddle-bows the heads of the bravest of Rajore? There were questions innumerable to be asked in each court and keep and cell; but the only answer was the cooing of the pigeons.

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