Читать книгу Japanese Ink Painting - Ryukyu Saito - Страница 6
ОглавлениеTable of Contents . . .
| PREFACE | 7 | |
| INTRODUCTION (Plate 1) | 9 | |
| 1. | SUIBOKU: NATURE IN NUANCES OF BLACK AND WHITE | 11 |
| 2. | THE PAINTER'S TOOLS | 14 |
| The Brush: Fude | 14 | |
| The Ink: Sumi | 15 | |
| The Inkstone: Suzuri (Plate 2) | 16 | |
| The Paper: Kami (Plates 3-5) | 18 | |
| Other Equipment (Plate 6) | 22 | |
| 3. | THE FUNDAMENTALS | 24 |
| The Way of the Brush (Plates 7-12) | 25 | |
| The Tempo of Strokes (Plate 13) | 32 | |
| The Nuances of Sumi (Plates 14-15) | 34 | |
| The Charm of Wet and Dry (Plate 16) | 36 | |
| 4. | THE "FOUR GENTLEMEN"; FIRST LESSONS | 39 |
| The Orchid: Ran and Kei (Plates 17-21) | 40 | |
| The Bamboo: Take (Plates 22-25) | 46 | |
| The Plum: Ume (Plates 26-30) | 50 | |
| The Chrysanthemum: Kiku (Plates 31-34) | 57 | |
| 5. | ADVANCED TECHNIQUES | 63 |
| "Broken Ink" and "Splashed Ink": Haboku and Hatsuboku | 63 | |
| "Without Bones": Bokkotsu | 64 | |
| "Spot and Substance": Tentai | 64 | |
| 6. | ADVANCED LESSONS | 65 |
| Turnip (Plate 35) | 65 | |
| Grapes (Plate 36) | 66 | |
| Eggplant and Cucumber (Plate 37) | 67 | |
| Iris (Plate 38) | 68 | |
| Pine Tree (Plate 39) | 69 | |
| Hillsides (Plate 40) | 70 | |
| Figures (Plate 41) | 71 | |
| Rocks (Plate 42) | 72 | |
| Camellia (Plate 43) | 73 | |
| Water Lily (Plate 44) | 74 | |
| Goldfish (Plate 45) | 75 | |
| Shrimp (Plate 46) | 76 | |
| Squid (Plate 47) | 77 | |
| Trees (Plate 48) | 78 | |
| Larks (Plate 49) | 79 | |
| Thistle (Plate SO) | 80 | |
| Mandarin Duck (Plate 51) | 81 | |
| Baby Birds (Plate 52) | 82 | |
| Tree in the Rain (Plate 53) | 83 | |
| Magnolia (Plate 54) | 84 | |
| Swallow (Plate 55) | 85 | |
| Hen and Chicks (Plate 56) | 86 | |
| 7. | EXEMPLARS: | 87 |
| (1) Paintings by Classic Masters (Plates 57-61) | 87 | |
| (2) Paintings by the Author (Plates 64-67) | 91 | |
| (3) Paintings by the Author's Pupils (Plates 68-71) | 93 | |
| GLOSSARY | 95 |
