Читать книгу Cleg Kelly, Arab of the City: His Progress and Adventures - S. R. Crockett - Страница 5

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This is a bad, black tale; yet, for the sake of what comes after, it must be told.

Cleg Kelly had a father. He was a deeply pockmarked man who hated his son; but not so bitterly as his son hated him. Once on a time Cleg Kelly had also a mother, and it is the story of his mother which remains to tell. The story of most men is the story of their mother. They drank love or hatred, scorn or sympathy, at her breasts.

So it was with Cleg Kelly. So let the story of Isbel Kelly be told. How a woman may be murdered in this land and none swing for it! How a woman may be put to the torture every day and every night for years, and the voice of her crying mount (we must believe it) into the ears of the God of Sabaoth, yet no murmur reach her nearest neighbour upon the earth! Gladlier would I tell a merrier tale, save that it is ever best to get the worst over first, as medicine goes before barley-sugar.

Isbel Kelly had not always been Isbel Kelly. That is to say, she had not always been unhappy. There was a time when Timothy Kelly had not come into her life. Isbel Beattie was once a country girl. She had sung in the morn as she went afield to call the dappled kine, as glad a milkmaid as any in song or story. Her foot was the lightest in the dance at the "kirn," her hand the deftest at the spinning-wheel, her cheerful presence the most desired when the butter would not come. For the butter ever comes fastest for a good-tempered woman. A vixenish disposition only curdles the milk. That is why young men, landward but wise, so eagerly offer to help the maids at the butter-making. And no sweeter maiden than Isbel Beattie ever wore print gowns and lilted "O whistle and I'll come to ye, my lad," in all the parish of Ormiland—that is, till Timothy Kelly came, and Isbel sang no more.

Isbel Beattie was "fey," they said, and would take no advice. Lads tight and trig stood in rows to wait for her as she came out of the kirk, on fine Sabbath days when the lilac blossoms, white and purple, were out, and there was a drooping sprig in every spruce bachelor's coat. But Isbel passed them all by with a toss of her head. She could have married a rather stupid young farmer of the best intentions and unquestioned solvency had she so chosen. But Isbel was "fey," and would take counsel from neither maid nor matron.

Now Timothy Kelly, the weasel-faced Irish harvestman, wormed himself into the girl's affections by ways of his own, as before and after he had undone many a trebly fastened door with his steel picklock.

From that day until the hour of her death Isbel Beattie saw no good day. A week after they were married, Timothy Kelly was drinking Isbel's last half-year's wages in a public-house, and Isbel was crying at home with a bruised cheek. She sang no more late or early; but learned to endure hardness and to pray that the kind Lord of whom she had heard in the kirk, might send a swift and easy death as the best thing to pray for.

Timothy Kelly was not long in Ormiland ere he removed to Edinburgh in the interests of business. He needed the metropolis for the exercise of his talents. So Isbel packed what he had left her, and followed him, faithful and weary-foot, to the city lane, and Timothy Kelly cursed her over his shoulder all the way. But she did not hear him, and his words did not hurt her. God had stopped her ears. For the sound of a dearer voice was in them, and the promise of the Eden joy answered Isbel, as though the Lord Almighty walked with her through the streets of the city in the cool of the day.

A week after an infant lay on the breast of Isbel Kelly, in a garret up Meggat's Close, off the Pleasance. A kindly neighbour looked in now and then when Tim Kelly was out, and comforted the young mother. When Tim came in he cursed them all impartially. His foul words sent the neighbours forth again, full of pity and indignation; and so he cast himself down to sleep off drink and temper on the couch of rags in the corner.

Towered fair-faced Edinburgh and its seething under-world held no man like Timothy Kelly. A sieve-net might have been drawn through it and no worse rascal caught than he. Cruel only where he dared with impunity to be cruel, plausible and fawning where it was to his interest so to be, Timothy Kelly was a type of the criminal who lives to profit by the strange infatuations of the weakest women. From silly servant girls at kitchen doors who thought him "a most civil-spoken young man," he obtained the professional information which enabled him to make unrecognised but accurate lists of the family silver upon some stormy midnight, when the policemen stood in doorways, or perambulated the city with their helmets down upon their brows.

Isbel Kelly wore thin and white, and the bruises on her face grew chronic, only occasionally changing the side. For in this matter Timothy Kelly had no weak partiality. Yet, in the midst of all, Cleg Kelly gained in years and strength, his mother many a time shielding him from blows with her own frail body. There was a soft light on her face when she looked at him. When her husband was out Isbel watched Cleg all day long as he lay on the bed and kicked with sturdy limbs, or sprawled restlessly about the house. The dwelling was not extensive. It consisted of one room, and Tim Kelly's "hidie holes," where he kept the weapons of his craft—curious utensils, with iron crab fingers set at various angles upon the end of steel stalks.

Now, it is the strangest, yet one of the commonest, things in this world that Isbel Kelly loved her husband, and at the worst times said no word against him. It was a mistake. She ought to have outfaced him, insulted him, defied him, given him blow for blow. Then he might have been a reasonably decent husband, according to the standard of Meggat's Close.

But Cleg Kelly made no such mistake. From the time that he was a toddling little fellow till the parish buried his mother, Cleg Kelly looked at his father with level brows of hate and scorn. No one had taught him; but the perception of youth gauged the matter unerringly.

There are but two beings in the universe whom a really bad-hearted man cannot deceive: his Maker and a young child. Cleg Kelly never quailed before his father. Neither words nor blows daunted him. Whenever his father went out, he said:

"Bad mannie gone away, minnie!"

"Na, Cleg," said his mother, "ye mauna speak that way o' yer faither!"

"Bad mannie, minnie!" Cleg repeated determinedly; "bad mannie gone away."

And from this she could not move him.

Then as soon as his father began to beat the lad, and his mother was not able to protect him, Cleg developed a marvellous litheness and speed. He could climb roofs like a cat at five years of age, and watch his father from the ledge of an outlying wall or the side of a reeking chimney-can, where even the foot of the practised burglar dared not venture.

Then came a year black and bitter. It was the year of the small-pox. That part of Edinburgh where the Kellys lived became a walled city. There was one death in every three or four attacked. And Tim Kelly went to the seaside for his health.

But Isbel and her boy battled it out alone. She had seven shillings a week for cleaning a day-school. But soon the schools were closed, and her pay ceased. Nevertheless, she earned money somehow, and the minister of the McGill-Gillespie church visited her. It would take a whole treatise on Church History, and a professor thereof, to tell why that church was called the McGill-Gillespie. But the unlearned may be assured that these excellent gentlemen were not canonised Scottish saints, nor were their effigies worshipped inside. But at this time the minister of the church came very near to being worshipped outside.

The children knew his step, and ran—to, not from, him. He was the only man, except the doctor, at whom the urchins of Meggat's did not fling dirt. One of these had even been known to touch his hat to the minister of McGill-Gillespie. But this was a great risk, and of course he did not do it when any one was looking.

One day Cleg Kelly sickened, and though at the time he was a great boy of six, his mother carried him about in her arms all day, soothing him. And the hot, dry spots burned ever brighter on his cheeks, and his eyes shone like flame. The minister brought the doctor, for they hunted in couples—these two. Some of the ministers had gone to the seaside with Timothy Kelly, and along with them a few great professional men from the West-End. But the Pleasance doctor, a little fair man, and the minister of McGill-Gillespie, a tall dark man, remained with the small-pox. Also God was there—not very evidently, or obtrusively, perhaps; but the minister of McGill-Gillespie knew where to find Him when He was wanted.

And He was needed badly enough in the sick-room of Cleg Kelly. No doubt Cleg ought to have gone to the hospital. But, for one thing, the hospitals were overcrowded. And, for another, if they had taken Cleg, they might have taken his mother also. At all events Cleg was nursed in his home, while his father remained at the seaside for his health.

One night, when the trouble was at its height, Cleg ran deliriously on about "the bad mannie." His mother stilled and tended him. The doctor ordered a little warm wine to be given to Cleg occasionally, and the minister of McGill-Gillespie had brought it. But Cleg wavered between life and death in spite of the wine—and much nearer death than life. Isbel had seen the doctor earlier in the day, and she was to go for him again if a certain anticipated change did not come within six hours. The change did not come, though the mother never took her eyes off her boy. Cleg lay back on his pallet bed, inert and flaccid, his eyes glassy and fixed in his head. His mother softly closed the door, took her shawl over her head, and fled through the midnight streets to the doctor's house.

A sudden summer storm had arisen off the sea. The wind swirled about the old many-gabled closes of Edinburgh. It roared over the broken fortress line of the Salisbury Crags. The streets were deserted. The serried ash-backets were driven this way and that by the gale. Random cats scudded from doorstep to cellar, dipped, and disappeared. Clash! fell a great shutter on the pavement before her. Isbel Kelly was at the doctor's door. He was not in. Would she leave a message? She would, and the message was that a little boy was sinking, and that unless the doctor came quickly a mother's only son would die. She cried out in agony as she said it, but the wind swirled the cry away.

So through the turmoil of the storm she came back, and ran up the evil-smelling dark stairs, where the banister was broken, and only the wind-blown fleer of the gas-lamp outside, flickering through the glassless windows of the stairway, lighted her upwards. She had once been a milkmaid, but she had forgotten how the cowslips smelled. And only in her dreams did she recall the scent of beehives over the wall on a still summer night.

She opened the door with a great yearning, but with no presentiment of evil.

"Tim!" she said, her face whitening.

A man, weasel-faced and hateful to look upon, stood by the little cupboard. He had a purse in his hand, and a bottle stood on the mantelshelf beside him.

"Oh, Tim!" she cried, "for the Lord's sake dinna tak' my last shillin'—no frae me an' the boy. He's deein', Tim!"

She ran forward as if to beseech him to give the money back to her; but Tim Kelly, reckless with drink, snatched up the minister's wine-bottle and it met his wife's temple with a dull sound. The woman fell in a heap. She lay loosely on the floor by the wall, and did not even moan. Tim Kelly set the bottle to his lips to drain the last dregs with an empty laugh. But from the bed something small and white flew at his throat.

"Bad mannie, bad mannie, bad mannie!" a shrill voice cried. And before Tim Kelly could set down the bottle, the little figure in flying swathings had dashed itself again and again upon him, biting and gnashing on him like a wolf's cub. For the blood of Tim Kelly was in the lad, as well as the blood of the milkmaid who lay on the floor as one dead.

And this was what the doctor found, when he stumbled up the stair and opened the door. He had seen many strange things in his day, but none so terrible as this. He does not care to speak about it, though he told the minister that either Providence or the excitement had probably saved the child's life. Yet for all that he tended Timothy Kelly, when his turn came, as well as the best of paying patients. For Tim's was an interesting case, with many complications.

So this adventure tells the reason of three things very important to be known in this history—why, six months after, Isbel Kelly was glad to die, why Cleg Kelly hated his father, and why smooth-faced Tim, who had once deceived the servant girls, was ever after a deeply pockmarked man.

What it does not tell is, why God permitted it all.