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ON a day in late March, 1907, Miss Betty Doane sat in the quaintly airy dining-room of the Hotel Miyaka, at Kioto, demurely sketching a man's profile on the back of a menu card.

The man, her unconscious model, lounged comfortably alone by one of the swinging windows. He had finished his luncheon, pushed away his coffee cup, lighted a cigarette, and settled back to gaze out at the hillside where young green grasses and gay shrubs and diminutive trees bore pleasant evidence that the early Japanese springtime was at hand.

Betty could even see, looking out past the man, a row of cherry trees, all afoam with blossoms. They brought a thrill that was almost poignant. It was curious, at home—or, rather, back in the States—there was no particular thrill in cherry blossoms. They were merely pleasing. But so much more was said about them here in Japan.

The man's head was long and well modeled, with a rugged long face, reflective eyes, somewhat bony nose, and a wide mouth that was, on the whole, attractive. Both upper lip and chin were dean shaven. The eyebrows were rather heavy; the hair was thick and straight, slanting down across a broad forehead. She decided, as she sketched it in with easy sure strokes of a stubby pencil, that he must have quite a time every morning brushing that hair down into place.

He had appeared, a few days back, at the Grand Hotel, Yokohama, coming in from somewhere north of Tokio. At the hotel he had walked and eaten alone, austerely. And, not unnaturally, had been whispered about. He was, Betty knew, a journalist of some reputation. The name was Jonathan Brachey. He wore an outing suit, with knickerbockers; he was, in bearing, as in costume, severely conspicuous. You thought of him as a man of odd attainment. He had been in many interesting corners of the world; had known danger and privation. Two of his books were in the ship's library. One of these she had already taken out and secreted in her cabin. It was called To-morrow in India, and proved rather hard to read, with charts, diagrams and pages of figures.

The sketch was about done; all but the nose. When you studied that nose in detail it seemed a little too long and strong, and—well, knobby—to be as attractive as it actually was. There would be a trick in drawing it; a shadow or two, a suggestive touch of the pencil; not so many real knobs. In the ship's diningroom she had his profile across an aisle. There would be chances to study it.

Behind her, in the wide doorway, appeared a stout, short woman of fifty or more, in an ample and wrinkled traveling suit of black and a black straw hat ornamented only with a bow of ribbon. Her face wore an anxious expression that had settled, years back, into permanency. The mouth drooped a little. And the brows were lifted and the forehead grooved with wrinkles suggesting some long habitual straining of the eyes that recent bifocal spectacles were powerless to correct.

“Betty!” called the older woman guardedly. “Would you mind, dear … one moment … ?”

Her quick, nervous eyes had caught something of the situation. There was Betty and—within easy earshot—a man. The child was unquestionably sketching him.

Betty's eagerly alert young face fell at the sound. She stopped drawing; for a brief instant chewed the stubby pencil; then, quite meekly, rose and walked toward the door.

“Mr. Hasmer is outside. I thought you were with him. Betty.”

“No … I didn't know your plans … I was waiting here.”

“Well, my dear … it's all right, of course! But I think we'll go now. Mr. Hasmer thinks you ought to see at least one of the temples. Something typical. And of course you will want to visit the cloisonné and satsuma shops, and see the Damascene work. The train leaves for Kobe at four-fifteen. The ships sails at about eight, I believe. We haven't much time, you see.”

A chair scraped. Jonathan Brachey had picked up his hat, his pocket camera and his unread copy of the Japan Times, and was striding toward her, or toward the door. He would pass directly by, of course, without so much as a mental recognition of her existence. For so he had done at Yokohama; so he had done last evening and again this morning on the ship.

But on this occasion, as he bore down on her, the eyes of the distinguished young man rested for an instant on the table, and for a brief moment he wavered in his stride. He certainly saw the sketch. It lay where she had carelessly tossed it, face up, near the edge of the table. And he certainly recognized it for himself; for his strong facial muscles moved a very little. It couldn't have been called a smile; but those muscles distinctly moved. Then, as coolly as before, he strode on out of the room.

Betty's cheeks turned crimson. A further fact doubtless noted by this irritatingly, even arrogantly composed man.

Betty, with desperate dignity, put the sketch in her wrist bag, followed Mrs. Hasmer out of the building, and stepped into the rickshaw that awaited her.

The brown-legged coolie tucked the robe about her, stepped in between the shafts of the vehicle; a second coolie fell into place behind, and they were off down the hill. Just ahead, Mrs. Hasmer's funny little hat bobbed with the inequalities of the road. Just behind, Doctor Hasmer, a calm, patient man who taught philosophy and history in a Christian college fifteen hundred miles or more up the Yangtse River and who never could remember to have his silvery beard trimmed, smiled kindly at her when she turned.

And behind him, indifferent to all the human world, responsive in his frigid way only to the beauties of the Japanese country-side and of the quaint, gray-brown, truly ancient city extending up and down the valley by its narrow, stone-walled stream, rode Mr. Jonathan Brachey.

The coolies, it would seem, had decided to act in concert. From shop to shop among the crowded little streets went the four rickshaws. Any mere human being (so ran Betty's thoughts) would have accepted good-humoredly the comradeship implied in this arrangement on the part of a playful fate; but Mr. Brachey was no mere human being. Side by side stood the four of them in a toy workshop looking down at toy-like artisans with shaved and tufted heads who wore quaint robes and patiently beat out designs in gold and silver wire on expertly fashioned bronze boxes and bowls. They listened as one to the thickly liquid English of a smiling merchant explaining the processes and expanding on the history of fine handiwork in this esthetic land. Yet by no sign did Mr. Brachey's face indicate that he was aware of their presence; except once—on a crooked stairway in a cloisonné shop he flattened himself against the wall to let them pass, muttering, almost fiercely, “I beg your pardon!”

The moment came, apparently, when he could endure this enforced companionship no longer. He spoke gruffly to his rickshaw coolies, and rolled off alone. When they finally reached the railway station after a half-hour spent in wandering about the spacious enclosure of the Temple of Nishi Otani, with its huge, shadowy gate house, its calm priests, its exquisite rock garden under ancient mystical trees—the tall journalist was pacing the platform, savagely smoking a pipe.

At Kobe they were united again, riding out to the ship's anchorage in the same launch. But Mr. Brachey gave no sign of recognition. He disappeared the moment of arrival at the ship, reappearing only when the bugle announced dinner, dressed, as he had been each evening at the Grand Hotel and the previous evening on the ship, rather stiffly, in dinner costume.

Then the ship moved out from her anchorage into that long, island-studded, green-bordered body of water known as the Inland Sea of Japan. Early on the second morning she would slip in between the closepressing hills that guard Nagasaki harbor. There another day ashore. Then three days more across the Yellow Sea to Shanghai. Thence, for the Hasmers and Betty, a five-day journey by steamer up the muddy but majestic Yangtze Kiang to Hankow; at which important if hardly charming city they would separate, the Hasmers to travel on by other, smaller steamer to Ichang and thence on up through the Gorges to their home among the yellow folk of Szechwan, while Hetty, from Hankow, must set out into an existence that her highly colored young mind found it impossible to face squarely. As yet, despite the long journey across the American continent and the Pacific, she hadn't begun so much as to believe the facts. Though there they stood, squarely enough, before her. It had been easier to surrender her responsive, rather easily gratified emotions to a day-by-day enjoyment of the journey itself. When the constant, worried watchfulness of Mrs. Hasmer reached the point of annoyance—not that Mrs. Hasmer wasn't an old dear; kindness itself, especially if your head ached or you needed a little mothering!—why then, with the easy adaptability and quick enthusiasm of youth, she simply busied herself sketching. The top layer of her steamer trunk was nearly full now—sketches of the American desert, of the mountains and San Francisco, of people on the ship, of the sea and of Honolulu.

But now, with Yokohama back among the yesterdays and Kobe falling rapidly, steadily astern, Betty's heart was as rapidly and as steadily sinking. Only one more stop, and then—China. In China loomed the facts.

That night, lying in her berth, Betty, forgot the cherry blossoms of Kioto and the irritating Mr. Brachey. Her thoughts dwelt among the young friends, the boy-and-girl “crowd,” she had left behind, far off, at the other edge of those United States that by a queerly unreal theory were her home-land. And, very softly, she cried herself to sleep.

Hills of Han: A Romantic Incident

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