Читать книгу Hilda - Sara Jeannette Duncan - Страница 6

"I've got a Saviour that's mighty to keep

All day on Sunday, and six days a week!

I've got a Saviour that's mighty to keep

Fifty-two weeks in the year."

It was immensely vigourous; the men looked at each other with fresh animation. Responding to the mere physical appeal of it, they picked their steps across the street to the door, and there hesitated, revolted in different ways. Perhaps I have forgotten to say that Lindsay came to Calcutta out of an Aberdeenshire manse, and had a mother before whose name people wrote "The Hon." Besides, the singing had stopped, and casual observation from the street was checked by a screen.

"I have wondered sometimes what their methods really are," said Arnold.

Their methods were just on the other side of the screen. A bullet-headed youth, in a red coat with gold letters on the shoulder, fingering a forage-cap, slunk out round the end of this impediment, passing the two men beside the door, and a light, clear voice seemed to call after him—

"Ah! don't go away!"

Lindsay was visited by a flash of memory and a whimsical speculation whether now, at the week's end, the soul of Hilda Howe was still pursuing the broad road to perdition. The desire to enter sprang up in him; he was reminded of a vista of some interest which had recently revealed itself by an accident, and which he had not explored. It had almost passed out of his memory; he grasped at it again with something like excitement, and fell adroitly upon the half-inclination in Arnold's voice.

"I suppose I can't expect you to go in?" he said.

"Precisely why not?" Stephen retorted. "My dear fellow, we make broad our sympathies, not our phylacteries."

At any other time Lindsay would have reflected how characteristic was the gentle neatness of that, and might have resented with amusement the pulpit tone of the little epigram. But this moment found him only aware of the consent in it. His hand on Arnold's elbow clinched the agreement; he half pushed the priest into the room, where they dropped into seats. Stephen's hand went to his breast instinctively—for the words in the air were holy by association—and stopped there, since even the breadth of his sympathies did not enable him to cross himself before General Booth. Though absent in body, the room was dominated by General Booth; he loomed so large and cadaverous, so earnest and aquiline and bushy, from a frame on the wall at the end of it. The texts on the other walls seemed emanations from him; and the man in the short, loose, collarless red coat, with "Salvation Army" in crooked black letters on it, who stood talking in high, rapid tones with his hands folded, had the look of a puppet whose strings were pulled by the personality in the frame above him. It was only by degrees that they observed the other objects in the room—the big drum on the floor in the empty space where the exhorters stood, the dozen wooden benches and the possible score of people sitting on them, the dull kerosene lamps on the walls, lighting up the curtness of the texts. There were half-a-dozen men of the Duke's Own packed in a row like a formation, solid on their haunches; and three or four unshaven and loose-garmented, from crews in the Hooghly, who leaned well forward, their elbows on their knees, twirling battered straw hats, with a pathetic look of being for the instant off the defensive. One was a Scandinavian, another a Greek, with earrings. There was a ship's cook, too, a full-blooded negro, very respectable with a plaid tie and a silk hat; and beside, two East Indian girls of different shades, tittering at the Duke's Own in an agony of propriety; a Bengali boy, who spelled out the English on the cover of a hymn-book; and a very clean Chinaman, who greatly appreciated his privilege, since it included a seat, a lamp, and a noise, though his perception of it possibly went no further. The other odds and ends were of the mixed country blood, like the girls, dingy, undecipherable. They made a shadow for the rest, lying along the benches, shifting unnoticeably.

Three people, two of them women, sat in the open space at the end of the room where the smoky fog from outside thickened and hung visibly in mid-air, and there was the empty seat of the man who was talking. Laura Filbert was one of the women. She might have been flung upon her chair; her head drooped over the back, buried in the curve of one arm. A tambourine hung loosely from the hand nearest her face; the other lay, palm outward in its abandonment, among the folds that covered her limbs. The folds hung from her waist, and the short close bodice that she wore above them, like a Bengali woman, left visible the narrow gap of flesh which nobody notices when it is brown. Her head covering had slipped and clung only to the knot of hair at the nape of her neck; she lacked, pathetically, the conscious hand to draw it forward. She was unaware even of the gaze of the Duke's Own, though it had fixity and absorption.

The man with folded hands went on talking. He seemed to have caught as a text the refrain of the hymn that had been sung. "Yes indeed," he said, "I can tell every one 'ere this night, h'every one, that the Saviour is mighty to keep. I've got it out of my own personal experience, I 'ave. Jesus don't only look after you on a Sunday but six days a week, my friends, six days a week. Fix your eye on Him and He'll keep His eye on you—that's all your part of it. I don't mean to say I don't stumble an' fall into sin. There's times when the Devil will get the upper 'and, but oh, my friends, I ask you each an' every one of you, is that the fault of Jesus? No, it is not 'is fault, it is the fault of the person. The person 'as been forgetting Jesus, forgetting 'is Bible an' his prayers; what can you expect? And now I ask you, my friends, is Jesus a-keeping you? And if he is not, oh, my friends, ain't it foolish to put off any longer? 'Ere we are met together to-night; we may never all meet together again. You and I may never 'ear each other speaking again or see each other sitting there. Thank God," the speaker continued, as his eye rested on Arnold and Lindsay, "the vilest sinner may be saved, the respectable sinner may be saved. We've got God's word for that. Now just a little word of prayer from Ensign Sand 'ere—she's got God's ear, the Ensign 'as, and she'll plead with 'im for all unconverted souls inside these four walls to-night."

Laura lifted her head at this and dropped with the other exhorters on her knees on the floor. As she moved she bent upon the audience a preoccupied gaze, by which she seemed to observe numbers, chances, from a point remote and emotionally involved. Lindsay's impression was that she looked at him as from behind a glass door. Then her eyes closed as the other woman began, and through their lids, as it were, he could see that she was again caught up, though her body remained abased, her hands interlocked between her knees, swaying in unison with the petition. The Ensign was a little, meagre, freckled woman, whose wisps of colourless hair and tight drawn-down lips suggested that in the secular world she would have been bedraggled and a nagger. She gained an elevation, it was plain, from the Bengali dress; it kept her away from the temptation of cheap plush and dirty cotton lace; and her business gave her a complacency which was doubtless accepted as sanctification by her fellow-officers, especially by her husband, who had announced her influence with the Divine Being, and who was himself of an inferior commission. She prayed in a complaining way, and in a strained minor key that assumed a spiritual intimacy with all who listened, her key to hearts. She told the Lord in confidence that however appearances might be against it, every soul before him was really longing to be gathered within His Almighty arms, and when she said this, Laura Filbert, on the floor, threw back her head and cried "Hallelujah!" and Duff started. The others broke in upon the Ensign with like exclamations. They had a recurrent, perfunctory sound, and passed unnoticed; but when Laura again cried "Praise the Lord!" Lindsay found himself holding in check a hasty impulse to leave the premises. Then she rose, and he watched with the Duke's Own, to see what she would do next. The others looked at her too, as she stood surprisingly fair and insistant among them, Ensign Sand with humble eyes and disapproving lips. As she began to speak the silence widened for her words, the ship's cook stopped shuffling his feet. "Oh come," she said, "Come and be saved." Her voice seemed to travel from her without effort, and to penetrate every corner and every consciousness. There was a sudden dip in it like the fall of water, that thrilled along the nerves. "Who am I that ask you? A poor weak woman, ignorant, unknown. Never mind. It is not my voice, but the voice in your heart that entreats you, 'Come and be saved!' You know that voice, it speaks in the watches of the night; it began to speak when you were a little, little child, with little joys and sorrows, and little prayers that you have forgotten now. Oh, it is a sweet voice, a tender voice"—her own had dropped to the cooing of doves—"It is hard to know why all the winds do not carry it, and all the leaves whisper it! Strange, strange! But the world is full of the clamour of its own foolishness, and the Voice is lost in it, except in places where people come to pray, as here to-night, and in those night watches. You hear it now in the echo from my lips, 'Come and be saved.' Why must I beg of you? Why do you not come hastening, running? Are you too wise? But when did the wisdom of this world satisfy you about the next? Are you too much occupied? But in the day of judgment what will you do?"—

"When you come to Jordan's flood,

How will you do? How will you do?"

It was the voice and tambourine of Ensign Sand, quick upon her opportunity. Laura gave her no glance of surprise—perhaps she was disciplined to interruptions—but caught up her own tambourine, singing, and instantly the chorus was general, the big drum thumping out the measure, all the tambourines shaking together.

"You who now contemn your God,

How will you do? How will you do?"

The Duke's Own sang lustily, with a dogged enjoyment that made little of the words. Some of them assumed a vacuity to counteract the sentiment, but most of the sheepish countenances expressed that the tune was the thing, one or two with a smile of jovial cynicism, and kept time with their feet. Through the medley of voices—everybody sang except Arnold and Lindsay and the Chinaman—Laura's seemed to flow, separate and clear, threading the jangle upon melody, and turning the doggerel into an appeal, direct, intense. When Lindsay presently saw it addressed to him, in the unmistakable intention of her eyes, he caught his breath.

"Death will be a solemn day

When the soul is forced away,

It will be too late to pray;

How will you do?"

It was simple enough. All her supreme desire, to convince, to turn, to make awfully plain, had centred upon the single person in the room with whom she had the advantage of acquaintance, whose face her own could seek with a kind of right to response. But the sensation Duff Lindsay tried to sit still under was not simple. It had the novelty, the shock, of a plunge into the sea; behind his decorous countenance he gasped and blinked, with unfamiliar sounds in his ears. His soul seemed shudderingly repelling Laura's, yet the buffets themselves were enthralling. In the strangeness of it he made a mechanical movement to depart, picked up his stick, but Arnold was sitting holding his chin, wrapped in quiet interest, and took no notice. The hymn stopped, and he found a few minutes' respite, during which Ensign Sand addressed the meeting, unveiling each heart to its possessor; while Laura turned over the leaves of the hymn-book, looking, Lindsay was profoundly aware, for airs and verses most likely to help the siege of the Army to his untaken, sinful citadel. There was time to bring him calmness enough to wonder whether these were the symptoms of emotional conversion, the sort of thing these people went in for, and he resolved to watch his state with interest. Then, before he knew it, they were all down on their knees' again, and Laura was praying; and he was not aware of the meaning of a single word that she said, only that her voice was threading itself in and out of his consciousness burdened with a passion that made it exquisite to him. Her appeal lifted itself in the end into song, low and sweet.

"Down at the Cross where my Saviour died,

Down where for cleansing from sin I cried,

There to my heart was the blood applied,

Glory to His name!"

They let her sing it alone, even the tempting chorus, and when it was over Lindsay was almost certain that his were not the preliminary pangs of conversion by the methods of the Salvation Army. Deliberately, however, he postponed further analysis of them until after the meeting was over. He would be compelled then to go away, back to the club to dinner, or something; they would put out the lights and lock the place up; he thought of that. He glanced at the lamps with a perception of the finality that would come when they were extinguished—she would troop away with the others into the darkness—and then at his watch to see how much time there was left. More exhortation followed and more prayer; he was only aware that she did not speak. She sat with her hand over her eyes, and Lindsay had an excited conviction that she was still occupying herself with him. He looked round almost furtively to detect whether any one else was aware of it, this connection that she was blazoning between them, and then relapsed, staring at his hat, into a sense of ungrammatical iterations beating through a room full of stuffy smells. When Laura spoke again his eye leaped to hers in a rapt effort to tell her that he perceived her intention. That he should be grateful, that he should approve, was neither here nor there; the indispensable thing was that she should know him conscious, receptive. She read three or four sacred verses, a throb of tender longing from the very Christ-heart, "Come unto me … " The words stole about the room like tears. Then she would ask "all present," she said, to engage for a moment in silent prayer. There was a wordless interval, only the vague street noises surging past the door. A thrill ran along the benches as Laura brought it to an end with sudden singing. She was on her feet as the others raised their heads, breaking forth clear and jubilant.

"I am so wondrously saved from sin,

Jesus so sweetly abides within;

There at the Cross where he took me in,

Glory to His Name."

She smiled as she sang. It was a happy, confident smile, and it was plain that she longed to believe it the glad reflection of spiritual experience of many who heard her. Lindsay's perception of this was immediate and keen, and when her eyes rested for an instant of glad inquiry upon his in the chartered intimacy of her calling, he felt a pang of compunction. It was a formless reproach, too vague for anything like a charge, but it came nearest to defining itself in the idea that he had gone too far—he who had not left his seat. When the hymn was finished, and Ensign Sand said, "The meeting is now open for testimonies," he knew that all her hope was upon him, though she looked at the screen above his head, and he sat abashed, with a prodigal sense surging through him of what he would rejoice to do for her in compensation. In the little chilly silence that followed he surprised his own eyes moist with disappointment—it had all been so anxious and so vain—and he felt relief and gratitude when the man who beat the drum stood up and announced that he had been saved for eleven years, with details about how badly he stood in need of it when it happened.

"Hallelujah!" said Ensign Sand cheerfully, with a meretricious air of hearing it for the first time. "Any more?" And a Norwegian sailor lurched shamefacedly upon his feet. He had a couple of inches of straggling yellow beard all round his face, and twirled a battered straw hat.

"I haf to say only dis word. I goin' sdop by Jesus. Long time I subbose I sdop by Jesus. I subbose——"

"Glory be to God!" remarked Ensign Sand again, spiking the guns of the Duke's Own, who were inclined to be amused. "That will do, thank you. Now, is there nobody else? Speak up, friends. It'll do you no harm, none whatever; it'll do you that much good you'll be surprised. Now, who'll be the next to say a word for Jesus?" She was nodding encouragement at the negro cook as if she knew him for a wavering soul, and he, sunk in his gleaming white collar, was aware, in silent, smiling misery, that the expectations of the meeting were toward him. Laura had again hidden her eyes in her hand. The negro fingered his watch-chain foolishly, and the prettiest of the East Indian half-castes tried hard to disguise her perception that an African, in his best clothes, under conviction of sin, was the funniest thing in the world. The silence seemed to focus itself upon the cook, who fumbled at his coat collar and cleared his voice. It was a shock to all concerned when Stephen Arnold, picking up his hat, got upon his feet instead.

"I also," he said, "would offer my humble testimony to the grace of God—with all my heart."

It was as if he had repeated part of the creed in the performance of his office. Then he turned and bent gravely to Lindsay. "Shall we go now?" he whispered, and the two made their way to the door, leaving a silence behind them which Lindsay imagined, on the part of Ensign Sand at least, to be somewhat resentful. As they passed out, a voice recovered itself and cried, "Hallelujah!" It was Laura's. And all the way to the club—Arnold was dining with him there—Lindsay listened to his friend's analysis of religious appeal to the emotions, but chiefly heard that clear music above a sordid din, "Hallelujah!" "Hallelujah!"