A Description of Millenium Hall

A Description of Millenium Hall
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A Description of Millenium Hall is a utopian novel that takes the form of a frame tale and a series of adventures, as the narrator's long-lost cousin relates how each of the residents arrived at the female Utopia, Millenium Hall. The adventures are remarkable for their reliance on a nearly superstitious form of divine grace, where God's will manifests itself with the direct punishment of the wicked and the miraculous protection of the innocent. In one tale, a woman about to be ravished by a man is saved, literally by the hand of God, as her attacker dies of a stroke. The Hall the characters live in is a model of mid-century reform ideas. All the women have crafts with which to better themselves. Property is held in common, and education is the primary pastime.

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Sarah Scott. A Description of Millenium Hall

A Description of Millenium Hall

Table of Contents

THE HISTORY OF Miss MANCEL AND Mrs. MORGAN

THE HISTORY OF Lady MARY JONES

THE HISTORY OF Miss SELVYN

THE HISTORY OF Miss TRENTHAM

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Sarah Scott

e-artnow, 2020

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'Not to us, I assure you, Sir,' replied Miss Mancel, 'when reason appears only in the exertion of cruelty and tyrannical oppression, it is surely not a gift to be boasted of. When a man forces the furious steed to endure the bit, or breaks oxen to the yoke, the great benefits he receive from, and communicates to the animals, excuse the forcible methods by which it is accomplished. But to see a man, from a vain desire to have in his possession the native of another climate and another country, reduce a fine and noble creature to misery, and confine him within narrow inclosures whose happiness consisted in unbounded liberty, shocks my nature. There is I confess something so amiable in gentleness, that I could be pleased with seeing a tiger caress its keeper, if the cruel means by which the fiercest of beasts is taught all the servility of a fawning spaniel, did not recur every instant to my mind; and it is not much less abhorrent to my nature, to see a venerable lion jumping over a stick, than it would be to behold a hoary philosopher forced by some cruel tyrant to spend his days in whipping a top, or playing with a rattle. Every thing to me loses its charm when it is put out of the station wherein nature, or to speak more properly, the all-wise Creator has placed it. I imagine man has a right to use the animal race for his own preservation, perhaps for his convenience, but certainly not to treat them with wanton cruelty, and as it is not in his power to give them any thing so valuable as their liberty, it is, in my opinion, criminal to enslave them in order to procure ourselves a vain amusement, if we have so little feeling as to find any while others suffer.'

'I believe madam,' replied Lamont, 'it is most advisable for me not to attempt to defend what I have said; should I have reason on my side, while you have humanity on yours, I should make but a bad figure in the argument. What advantage could I expect from applying to the understanding, while your amiable disposition would captivate even reason itself? But still I am puzzled; what we behold is certainly an inclosure, how can that be without a confinement to those that are within it?'

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