Читать книгу American Ethnographic Film and Personal Documentary - Scott MacDonald - Страница 7
ОглавлениеCONTENTS
| Introduction | ||
| A Tentative Overview of Boston-Area Documentary Filmmaking • Ethnographic Film and Personal Documentary • Pragmatism: Learning from Experience • The Mission of American Ethnographic Film and Personal Documentary: The Cambridge Turn • Subjects for Further Research • Acknowledgments | ||
| 1. | Lorna and John Marshall | |
| Beginnings: Lorna Marshall and First Film • John Marshall: The Hunters • Idylls of the !Kung • Pedagogy • Expulsion from Eden: Bitter Melons and N!ai, the Story of a !Kung Woman • The Pittsburgh Police Films and Brakhage’s Eyes • Putting Down the Camera and Picking Up the Shovel • The Road Taken: A Kalahari Family • A Process in Time | ||
| 2. | Robert Gardner | |
| East Coast/West Coast: Early Experiments • Gardner and the Marshalls • Dead Birds • The Experience of Filmmaking as Thought Process • Robert Fulton: Reality’s Invisible—“Serious Playing Around” • Screening Room: Midnight Movies • City Symphony: Forest of Bliss • The Return of the Repressed: Ika Hands • Still Journeying On: Unfinished Examinations of a Life • Studio7Arts: Sharon Lockhart’s Double Tide and Robert Fenz’s Correspondence | ||
| 3. | Timothy Asch | |
| Dodoth Morning and the Ethnographic Deadpan • Asch and the Yanomamo • The Ax Fight | ||
| 4. | Ed Pincus and the Emergence of Personal Documentary | |
| The Miriam Weinstein Quartet and Richard P. Rogers’s Elephants: Fragments of an Argument • Ed Pincus’s Diaries (1971–1976) • Alfred Guzzetti: Family Portrait Sittings • Guzzetti: It’s a Small World • Guzzetti: Time Exposure | ||
| 5. | Alfred Guzzetti and Personal Cinema | |
| Air • Experimental Video: “Language Lessons” • Scylla and Charybdis • Still Point | ||
| 6. | Ross McElwee | |
| Finding a Muse: Charleen • Finding a Voice: Ann Schaetzel’s Breaking and Entering and McElwee’s Backyard • Dopplegänger: Sherman’s March • Nesting Dolls: Time Indefinite • On the Road Again: Six O’Clock News • Occupational Hazards: Bright Leaves • Orpheus: In Paraguay and Photographic Memory | ||
| 7. | Robb Moss | |
| Riverdogs: A Possible Eden • The Tourist: “Freelance Editing” • Voyage of Life: The Same River Twice | ||
| 8. | Panorama: Other Approaches to Personal Documentary | |
| Steven Ascher and Jeanne Jordan: Families in Transition • Michel Negroponte: Getting Involved • Leacock and Lalonde • The Subject Rebels: Nina Davenport’s Films and Ed Pincus and Lucia Small’s The Axe in the Attic • The Political Is the Personal: John Gianvito’s Profit Motive and the Whispering Wind and Jeff Daniel Silva’s Balkan Rhapsodies • Alexander Olch’s The Windmill Movie: “This Little Séance of Flickering Light” • Amie Siegel’s DDR/DDR | ||
| 9. | Lucien Castaing-Taylor and Sensory Ethnography | |
| Ilisa Barbash, Lucien Castaing-Taylor, and Sweetgrass • “Sheeple”: Castaing-Taylor’s Audio-Video Installations • The Sensory Ethnography Lab: J.P. Sniadecki, Stephanie Spray, Véréna Paravel, and Leviathan | ||
| Epilogue | ||
| Appendix: Sources for Films | ||
| Notes | ||
| Index |
