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II.

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In San Stefano life went on tranquilly from month to month and year to year. In 1867, Padre Cristoforo of the Benedictine Monastery, looked scarcely older than when he picked out a nurse for the Luttrell family in 1854. He was a tall man, with a stooping gait and a prominent, sagacious chin; deep-set, meditative, dark eyes, and a somewhat fine and subtle sort of smile which flickered for a moment at the corner of his thin-lipped mouth, and disappeared before you were fully conscience of its presence. He was summoned one day from the monastery (where he now filled the office of sub-Prior) at the earnest request of an old woman who lived in a neighbouring village. She had known him many years before, and thought that it would be easier to tell her story to him than to a complete stranger. He had received her communication, and stood by her pallet with evident concern and astonishment depicted upon his face. He held a paper in his hand, at which he glanced from time to time as the woman spoke.

"It was not my doing," moaned the old crone. "It was my daughter's. I have but told you what she said to me five years ago. She said that she did change the children; it was Lippo, indeed, who died, but the child whom the English lady took to England with her was Vincenza's little Dino; and the boy whom we know as Dino is really the English child. I know not whether it is true! Santa Vergine! what more can I say?"

"Why did you not reveal the facts five years ago?" said the Father, with some severity of tone.

"I will tell you, Reverend Father. Because Vincenza came to me next day and said that she had lied—that the child, Dino, was her own, after all, and that she had only wanted to see how much I would believe. What was I to do? I do not know which story to believe; that is why I tell both stories to you before I die."

"She denied it, then, next day?"

"Yes, Father; but her husband believed it, as you will see by that paper. He wrote it down—he could write and read a little, which I could never do; and he told me what he had written:—'I, Giovanni Vasari, have heard my wife, Vincenza, say that she stole an English gentleman's child, and put her own child in its place. I do not know whether this is true; but I leave my written word that I was innocent of any such crime, and humbly pray to Heaven that she may be forgiven if she committed it.' Is that right, Reverend Father? And then his name, and the day and the year."

"Quite right," said Padre Cristoforo. "It was written just before Giovanni died. The matter cannot possibly be proved without further testimony. Where is Vincenza?"'

"Alas, Father, I do not know. Dead, I think, or she would have come back to me before now. I have not heard of her since she took a situation as maid to a lady in Turin four years ago."

"Why have you told me so useless a story at all, then?" said the father, again with some sternness of voice and manner. "Evidently Vincenza was fond of romancing; and, probably—probably——" He did not finish his sentence; but he was thinking—"Probably the mad fancy of that English lady about her child—which I well remember—suggested the story to Vincenza as a means of getting money. I wish I had her here."

"I have told you the story, Reverend Father," said the old woman, whose voice was growing very weak, "because I know that I am dying, and that the boy will be left alone in the world, which is a sad fate for any boy, Father, whether he is Vincenza's child or the son of the English lady. He is a good lad, Reverend Father, strong, and obedient, and patient; if the good Fathers would but take charge of him, and see that he is taught a trade, or put to some useful work! He would be no burden to you, my poor, little Dino!"

For a moment the Benedictine's eyes flashed with a quick fire; then he looked down and stood perfectly still, with his hands folded and his head bent. A new idea had darted across his mind. Did the story that he had just heard offer him no opportunity of advancing the interests of his Order and of his Church?

He turned as if to ask another question, but he was too late. Old Assunta was fast falling into the stupor that is but the precursor of death. He called her attendant, and waited for a time to see whether consciousness was likely to return. But he waited in vain. Assunta said nothing more.

The boy of whom she had spoken came and wept at her bed-side, and Padre Cristoforo observed him curiously. He was well worthy of the monk's gaze. He was light and supple in figure, perfectly formed, with a clear brown skin and a face such as one sees in early Italian paintings of angelic singing-boys—a face with broad, serious brows, soft, oval cheeks, curved lips, and delightfully dimpled chin. He had large, brown eyes and a mass of tangled, curling hair. The priest noted that his slender limbs were graceful as those of a young fawn, that his hands and feet were small and well shaped, and that his appearance betokened perfect health—a slight spareness and sharpness of outline being the only trace which poverty seemed to have left upon him.

The sub-Prior of San Stefano saw these things; and meditated upon certain possibilities in the future. He went next day to old Assunta's funeral, and laid his hand on Dino's shoulder as the boy was turning disconsolately from his grandmother's grave.

"My child," he said, gently, "you are alone."

"Yes, Father," said Dino, with a stifled sob.

"Will you come with me to the monastery? I think we can find you a home. You have nowhere to go, poor child, and you will be weary and hungry before long. Will you come?"

"There is nothing in the world that I should like so well!" cried the boy, ardently.

"Come then," said the Padre, with one of his subtle smiles. "We will go together."

He held out his hand, in which Dino gladly laid his hot and trembling fingers. Then the monk and the boy set out on the three miles walk which lay between them and the monastery.

On their arrival, Padre Cristoforo left the boy in the cool cloisters whilst he sought the Prior—a dignitary whose permission would be needed before Dino would be allowed to stay. There was a school in connection with the monastery, but it was devoted chiefly to the training of young priests, and it was not probable that a peasant like Dino Vasari would be admitted to the ranks of these budding ecclesiastics. The Prior thought that old Assunta's grandchild would make a good helper for Giacomo, the dresser of the vines.

"Does that not satisfy you?" said Padre Cristoforo, in a rather peculiar tone, when he had carried this proposal to Dino, and seen the boy's face suddenly fall, and his eyes fill with tears.

"The Reverend Fathers are very good," said Dino, in a somewhat embarrassed fashion, "and I will do all that I can to serve them, and, if I could also learn to read and write—and listen to the music in the chapel sometimes—I would work for them all the days of my life."

Padre Cristoforo smiled.

"You shall have your wish, my child," he said, kindly. "You shall go to the school—not to the vine-dressers. You shall be our son now."

But Dino looked up at him timidly.

"And not the English lady's?" he said.

"What do you know about an English lady, my son?"

"My grandmother talked to me of her. Is it true? She said that I might, turn out to be an Englishman, after all. She said that Vincenza told her that I did not belong to her."

"My child," said the monk, calmly but firmly, "put these thoughts away from your mind. They are idle and vain imaginations. Assunta knew nothing; Vincenza did not always speak the truth. In any case, it is impossible to prove the truth of her story. It is a sin to let your mind dwell on the impossible. Your name is Bernardino Vasari, and you are to be brought up in the monastery of San Stefano by wise and pious men. Is that not happiness enough for you?"

"Oh, yes, yes, indeed; I wish for nothing else," said Dino, throwing himself at Padre Cristoforo's feet, and pressing his lips to the monk's black gown, while the tears poured down his smooth, olive cheeks. "Indeed I am not ungrateful, Reverend Father, and I will never wish to be anything but what you want me to be."

"Better so," soliloquised the Father, when he had comforted Dino with kind words, and led him away to join the companions that would henceforth be his; "better that he should not wish to rise above the station in which he has been brought up! We shall never prove Vincenza's story. If we could do that, we should be abundantly recompensed for training this lad in the doctrines of the Church—but it will never be. Unless, indeed, the woman Vincenza could be found and urged to confession. But that," said the monk, with a regretful sigh, "that is not likely to occur. And, therefore, the boy will be Dino Vasari, as far as I can see, to his life's end. And Vincenza's child is living in the midst of a rich English family under the name of Brian Luttrell. I must not forget the name. In days to come who knows whether the positions of these two boys may not be reversed?"

Thus mused Father Cristoforo, and then he smiled and shook his head.

"Vincenza was always a liar," he said to himself. "It is the most unlikely thing in the world that her story should be true."

Under False Pretences

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