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Foreword

Little Freddie King’s Cigar Box Guitar: A Bluesman’s Firsthand Account

On January 17, 2017, I had the opportunity to interview 77-year-old blues legend Little Freddie King on stage at the New Orleans Jazz Museum and learn about the cigar box guitar he built when he was only six years old. King’s face lit up when we talked and every detail was as vivid in his memory as if it just happened earlier that day.

Me: I hear that when you were a little kid, you started out making your own instruments.

Little Freddie King: For sure, because I was so poor, I couldn’t afford to buy my own guitar.

Me: Where were you living and how old were you at the time?

L.F.K.: Macomb Mississippi. I was six years old.

Now, my dad, he used to play all the time. He’d get off from work and come straight home and run up on the porch and go in the living room to the far corner and pick his guitar up and run back on the porch. He’d sit in his special rocking chair and would start a-rockin’, playing guitar. I said, “Daddy, why don’t you learn me how to play?”

He said, “Boy, I can’t learn you how to play, but I can show you three chords and you have to learn yourself how to play.”

My dad used to work up in the Mississippi Delta, he’d go up there and pick cotton. While he was goin’ up there, I was getting real busy taking his guitar from the corner and banging on it, trying to learn how to play. I kept bangin’ on his guitar, and I broke a string on it. I said, “Uh oh, I know I got it coming now!”

So here he come that evening, wide open and running there, grab the guitar and back to the front porch and jumped in his rocking chair. He banged down on it . . . and there was no string at the bottom—not as many notes, you know? He said, “Boy, get here!”

I said, “Uh oh.” [Laughs] I said, “What’s the matter, Daddy?”

He said, “You know what’s the matter! You done broke my damn guitar!”

I said, “What? I didn’t do that, Daddy!”

He said, “Boy, don’t you lie to me. Come here.” He went and got a rattan vine. Man, I tell you the truth, when he finished me with that rattan vine, that learnt me not to fool with his guitar anymore!

So I said, “I’m gonna have to do something to get me a guitar. I ain’t gonna fool with his guitar anymore because he’d likely kill me.”

In the next couple days, my mama said to me, “Sonny, you wanna go to the store for Mama?”

I said, “Yeah, Mama.”

So she sent me to the store . . . Where I’m from, they only had gravel roads . . . So here comes two big shots in an Eldorado Fleetwood Cadillac . . . dust was flyin’ . . . When the dust settled, I saw they tossed something out the window. I looked down in a ditch and it was a cigar box.

I said, “Wow, that’s just what I need to make my own guitar so I won’t have to get no whoopin’ no more!” So I get down in the ditch and get that old cigar box out of there and go on home.

I said, “Now I got to make my own guitar.”

I got to thinkin’ that I didn’t have no saw or mechanical tools or carpentry tools to build with.

So I crushed an old Coca Cola bottle [to make a homemade knife] and whittled me a round hole in the center of it.

Then I said, “I got to paint it and glue it together,” but I didn’t have none of that nor money to do it, so I went to this pine tree that’s got that rosin coming out of it. So I got some rosin and put it in a cup, put it on the stove, and melted it. Then I went to the chimney . . . that had soot that was black, and I took that and melted with the rosin. And it made it black. [Using the cooked rosin concoction], I glued it together and painted it black.

I said, “What am I going to do for the neck and the frets?”

So around the house, we had a picket fence. So I ran out there and grabbed a picket and snatched it off the fence and took the same piece of glass and whittled it down. Then I put it on the cigar box. So then I said, “I got to make the frets.” I thought about the hay wire outside. So I went out and got some hay wire, the smallest hay wire I could find. I took it, cut it, and glued it down on the “keyboard.” I then took another piece of wire to the stove and got it red hot and then marked the holes at the end of [the headstock] to make my tuners.

I said, “Now I got my cigar box guitar, but I don’t have no strings!” So my daddy came for lunch and he used to make this homemade corn liquor called “buck.” You drink a pint of that and you’ll be drunk for seven days! And so he’d go back there and get charged up on that buck and he tied the horse to the pole. And the horse started stomping and kickin’ his tail as he was swatting horse flies. And I heard the sound of his tail moving in the air. “Woosh! Woosh! Woosh!”

I said to myself. “He made that tail sound through the air, so I wonder what it would sound like on my guitar.”

I went out to the horse and he looked at me. I said “I ain’t gonna bother you. I just want to take a hair and see what it will do on my guitar.” So I pull one strand out. I put that on [the guitar] and it made a sound. So I went back to the horse and he looked at me again. I said, “I’m back again and I want five more strings from you, horse.” So I kept pullin’, pullin’, pullin’ till he had a great big bald spot in his tail! [Laughs!]

Born Fread Eugene Martin in 1940, Little Freddie King has been a pillar of the New Orleans music community since moving there in 1954. A cousin of Lightnin’ Hopkins, King’s style mixes country blues with the fierce electric blues of his namesake, Freddie King.

I just wished I would have been able to hold onto that guitar until today.

Special thanks to Collins Kirby of the New Orleans Cigar Box Guitar Festival and Greg Lambousy and the staff of the New Orleans Jazz Museum for making this interview possible.