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THE LOUD GIRL.

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I do not know of a more sorrowful spectacle than that of a girl who is loud in her dress, loud in her manners, and loud in her speech. It is a great mistake for a girl to suppose that this loudness will be mistaken by her friends and acquaintances for smartness. The desire to be regarded as bright and witty has led many a girl into the folly of being loud in her manners. She often cherishes the illusion that the attention such manners attract is combined with admiration, when the truth is that those who witness her strange conduct are simply wondering how it is possible for her to throw to the winds that charm of all girlhood—modesty.


Blab-Mouthed and Noisy.


Modest and Quiet.

One afternoon not long ago I saw a group of girls of the loud type. They came into the street car in which I was sitting. They all wore boys’ hats. One wore a vivid red jacket with brass buttons, and another had on a brass belt. A third one had on a most conspicuous plaid skirt. This third one had a box of bonbons, and when the three were seated she opened the box and offered it to her companions, saying as she did so, in a voice loud enough and shrill enough to be heard in every part of the car:

“It’s my treat; have some, chums!”

Upon this invitation one of the girls dived down into the box like a hungry bear, and held up a piece of the candy in triumph and then dashed it into her mouth with a great guffaw. “O, Mame!” said one of the girls, “if you ain’t just horrid to go and take the very piece I wanted!”

“Mame” laughed and, taking the candy from her mouth, offered it to the other girl, saying as she did so:

“Well, here it is, Lulu!”

“Lulu” struck the candy from “Mame’s” hand, and it flew across the aisle into the lap of a lady sitting opposite the girls. This set all three of the girls to giggling and tittering, and they seemed in danger of convulsions when the owner of the box of candy let it fall and a part of the candy rolled out on the floor.

The conductor came forward and picked up the box and candy and handed them to the owner. She giggled out her thanks, and “Lulu” said: “Why didn’t you give him a gumdrop for his trouble?”

This seemed to impress the other girls as a most brilliant witticism, and they fell to tittering violently over it.

Presently a gentleman came in and stumbled slightly over the feet of one of the girls thrust out into the aisle.

“I beg your pardon,” said the gentleman, as he lifted his hat, whereupon the three girls grinned and giggled and giggled and grinned immoderately, and one of them said:

“Roxy, you had better ride out on the platform, where there is more room for your feet!”

“Roxy” then struck “Lulu” for making this speech. “Lulu” pretended to be much offended and flung herself over to the other side of the car, where she made a grimace at the other girls.

The conduct of these girls during the half hour that they were on the car was such as caused every father and mother who saw them to regard them with pity. The loud girl, my dear readers, is always an object of pity. She should be a sorry object for her own contemplation. An old writer has said: “You little know what you have done when you have first broken the bounds of modesty; you have set open the door of your fancy to the devil, so that he can represent the same sinful pleasure to you anew.”

Now, the loud girl may be entirely innocent of any actual wrong-doing, but she is regarded with dislike, distrust, and even disdain, by the better class of people. She acquires a reputation for rudeness and coarseness, and the people of refinement will not associate with her. Her character suffers, no matter how innocent she may be of any intention of doing wrong. Delicacy, modesty, is the certain sign of sweetness, purity and gentleness of character, just as indelicacy is the certain sign of a lack of these beautiful traits.

Silas X. Floyd's Short Stories for Colored People Both Old and Young

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